Trivia: One of Hollywood's sexiest and most magnetic leading men, Denzel Washington's poise and radiantly sane intelligence permeate whatever film he is in, be it a socially conscious drama, biopic, or suspense thriller. More importantly, Washington's efforts, alongside those of director Spike Lee, have done much to dramatically expand the range of dramatic roles given to African-American actors and actresses.The son of a Pentecostal minister and a hairdresser, Washington was born in Mount Vernon, NY, on December 28, 1954. His parents' professions shaped Washington's early ambition to launch himself into show business: from his minister father he learned the power of performance, while hours in his mother's salon (listening to stories) gave him a love of storytelling. Unfortunately, when Washington was 14, his folks' marriage took a turn for the worse, and he and his older sister were sent away to boarding school so that they would not be exposed to their parents' eventual divorce. Washington later attended Fordham University, where he attained a B.A. in Journalism in 1977. He still found time to pursue his interest in acting, however, and after graduation he moved to San Francisco, where he won a scholarship to the American Conservatory Theatre. Washington stayed with the ACT for a year, and, after his time there, he began acting in various television movies and made his film debut in the 1981 Carbon Copy. Although he had a starring role (as the illegitimate son of a rich white man), Washington didn't find real recognition until he joined the cast of John Falsey and Joshua Brand's long-running TV series St. Elsewhere in 1982. He won critical raves and audience adoration for his portrayal of Dr. Phillip Chandler, and he began to attract Hollywood notice. In 1987, he starred as anti-apartheid activist Steve Biko in Richard Attenborough's Cry Freedom alongside Kevin Kline, and though the film itself alienated some critics (Pauline Kael called it "dumbfounding"), Washington's powerful performance earned him a Best Supporting Actor Oscar nomination.Two years later, Washington netted another Best Supporting Actor nod -- and won the award -- for his turn as an embittered yet courageous runaway slave in the Civil War drama Glory. The honor effectively put him on the Hollywood A-List. Some of his more notable work came from his collaboration with director Spike Lee; over the course of the 1990s, Washington starred in three of his films, playing a jazz trumpeter in Mo' Better Blues (1990), the title role in Lee's epic 1992 biopic Malcolm X (for which he received a Best Actor Oscar nomination), and the convict father of a high-school basketball star in He Got Game (1998).Washington also turned in powerful performances in a number of other films, such as Mississippi Masala (1991), as a man in love with an Indian woman; Philadelphia (1993), as a slightly homophobic lawyer who takes on the cause of an AIDS-stricken litigator (Tom Hanks); and Devil in a Blue Dress (1995), as a 1940s private detective, Easy Rawlins. Washington also reeled in large audiences in action roles, with the top box-office draw of such thrillers as The Pelican Brief (1993), Crimson Tide (1995), and The Siege (1998) attesting to his capabilities. In 1999, Washington starred in another thriller, The Bone Collector, playing a paralyzed forensics expert who joins forces with a young policewoman (Angelina Jolie) to track down a serial killer. That same year, he starred in the title role of Norman Jewison's The Hurricane. Based on the true story of a boxer wrongly accused of murdering three people in 1966, the film featured stellar work by Washington as the wronged man, further demonstrating his remarkable capacity for telling a good story. His performance earned him a number of honors, including a Best Actor Golden Globe and a Best Actor Oscar nomination.After another strong performance as a high-school football coach in Boaz Yakin's Remember the Titans, Washington cut dramatically against his "nice guy" typecast to play a corrupt policeman in Training Day, a gritty cop drama helmed by Antoine Fuqua. Washington surprised audiences and critics with his change of direction, but in the eyes of many, this change of direction made him a more compelling screen presence than ever before. (It also netted him an Oscar for Best Actor.) 2002 marked an uneven year for Washington. He joined the cast of Nick Cassavetes' absurd melodrama John Q., as a father so desperate to get medical attention for his ailing son that he holds an entire hospital hostage and contemplates killing himself to donate his own heart to the boy. Critics didn't buy the film; it struck all but the least-discriminating as a desperate attempt by Washington to bring credulity and respectability to a series of ludicrous, manipulative Hollywood contrivances. John Q. nonetheless performed healthily at the box (it grossed over a million dollars worldwide from a 36-million-dollar budget). That same fall, Washington received hearty praise for his directorial and on-camera work in Antwone Fisher (2002), in which he played a concerned naval psychiatrist, and even more so for director Carl Franklin's 2003 crime thriller Out of Time. Somewhat reminiscent of his role in 1991's crime drama Ricochet, Out of Time casts Washington as an upstanding police officer framed for the murder of a prominent citizen. In 2004, Washington teamed up with Jonathan Demme for the first occasion since 1993's Philadelphia, to star in the controversial remake of 1962's The Manchurian Candidate. Washington stars in the picture as soldier Bennett Marco (the role originally performed by Frank Sinatra), who, along with his platoon, is kidnapped and brainwashed during the first Gulf War. Later that year, Washington worked alongside Christopher Walken and Dakota Fanning in another hellraiser, director Tony Scott's Man on Fire, as a bodyguard who carves a bloody swath of vengeance, attempting to rescue a little girl kidnapped under his watch. Washington made no major onscreen appearances in 2005 -- and indeed, kept his activity during 2006 and 2007 to an absolute minimum. In '06, he joined the cast of Spike Lee's thriller Inside Man as a detective assigned to thwart the machinations of a psychotically cunning burglar (Clive Owen). The film opened to spectacular reviews and box-office grosses in March 2006, keeping Washington on top of his game and bringing Lee (whose last major feature was the disappointing 2004 comedy She Hate Me) back to the pinnacle of success. That same year, Washington joined forces once again with Tony Scott in the sci-fi action hybrid Déjà Vu, as an ATF agent on the trail of a terrorist, who discovers a way to "bridge" the present to the past to view the details of a bomb plot that unfolded days earlier. The Scott film garnered a fair number of respectable reviews but ultimately divided critics. Déjà Vu bowed in the U.S. in late November 2006. Meanwhile, Washington signed on for another action thriller, entitled American Gangster -- this time under the aegis of Tony Scott's brother Ridley -- about a drug-dealing Mafioso who smuggles heroin into the U.S. in the corpses of deceased Vietnam veterans.Washington appeared as New York City subway security chief Walter Garber in the 2009 remake of the 1974 thriller The Taking of Pelham One Two Three, and begun filming the post-apocalyptic drama The Book of Eli in the same year. He earned a Best Actor nomination in 2012 for his work as an alcoholic pilot in Robert Zemeckis' drama Flight.

Trivia: Sydney Pollack -- one of Meryl Streep's collaborators time and again -- once proclaimed her the most gifted film actress of the late 20th century. Most insiders would concur with this assessment. To avid moviegoers, she represents the essence of onscreen dramatic art. Like Hoffman (and De Niro), she demonstrates a transcendent ability to plunge into her characters and lose herself inside of them, transforming herself physically to meet the demands of her roles. A luminous blonde with nearly translucent pale skin, intelligent blue eyes, and an elegant facial bone structure, Streep sustains a fragile, fleeting beauty that allows her to travel the spectrum between earthily plain (Ironweed), and ethereally glamorous and radiant (Manhattan, Heartburn).Born June 22, 1949, in Summit, NJ, Streep took operatic voice lessons, and subsequently cultivated a fascination with acting while she attended Bernards High School. Upon graduation, Streep studied drama at Vassar, Dartmouth, and Yale, where she appeared in 30 to 40 productions with the Yale Repertory Theater. With a five-star education and years of collegiate stage work under her belt, Streep headed for the New York footlights and launched her off-Broadway career. Streep's performance in Tennessee Williams' 27 Wagons Full of Cotton, for which she received a Tony nomination, constitutes a particularly strong theatrical highlight from this period. She made her television debut in Robert Markowitz's The Deadliest Season (1977). That year she also appeared onscreen for the first time in Fred Zinnmann's Julia (1977) as Anna Marie, opposite heavyweights Jane Fonda, Vanessa Redgrave, and Hal Holbrook. The following year, Streep picked up an Emmy for her performance in Marvin J. Chomsky's miniseries Holocaust. She first teamed with De Niro in Michael Cimino's The Deer Hunter (1978).Around this time, Streep became involved with the diminutive performer John Cazale, whom she met on the set of the Cimino film. Tragically, this marriage was ill-fated from day one, Cazale's frail body ridden with bone cancer. Forty-two at the time, he passed away in March 1978, nine months prior to the premiere of The Deer Hunter. Streep later wed Don Gummer, who was not associated with Hollywood in any capacity.Streep next appeared as Woody Allen's ruthless lesbian ex-wife in his elegiac comedy drama Manhattan (1979) and Alan Alda's Southern mistress in the scathing political satire The Seduction of Joe Tynan. Her shattering interpretation of the scarred and torn Joanna Kramer opposite Dustin Hoffman in Robert Benton's heartbreaking divorce saga Kramer vs. Kramer (1979), earned her a Best Supporting Actress Oscar in 1980 -- which she famously left on top of a toilet at the festivities -- alongside a plethora of L.A. Film Critics Association, New York Film Critics Circle, and Golden Globe Awards for the Allen, Benton, and Alda films.Streep continued her ascent over the next decade by establishing herself as Hollywood's top box-office draw and a critical darling. Her double performance in the innovative Karel Reisz/Harold Pinter triumph The French Lieutenant's Woman (1981), her gut-wrenching interpretation of the titular Holocaust survivor in Alan J. Pakula's haunting adaptation Sophie's Choice (1982), and her thoughtful evocation of Karen Silkwood in Mike Nichols' drama Silkwood were highlights of the period. In the latter, she portrays a real-life victimized nuclear-plant worker who mysteriously disappears just prior to turning in crucial evidence against her employers.Streep's decision to headline Sydney Pollack's lush epic Out of Africa (1985), as Karen Blixen, sustained her reputation. She would go on over the next decade to appear in projects like but Ironweed, Heartburn, She-Devil, Postcards from the Edge, and Death Becomes Her. In 1994, she again surprised her fans when she appeared as a muscular expert whitewater rafter who must fight a raging river and two dangerous fugitives to save her family in the action thriller River Wild (1994). In interviews, she said she did the film because she wanted to have an adventure like Harrison Ford and to overcome a few of her own fears.Streep returned to the depth and multifacetedness of her early roles -- with much concomitant success -- when she took a more low-key role as a dowdy, Earthbound farm wife who finds Illicit love with an itinerant photographer (Clint Eastwood) in The Bridges of Madison County. Following the critical and commercial heights of Bridges, Streep picked up yet another Oscar nomination for her performance as a terminally ill wife and mother in Carl Franklin's One True Thing (1998).Streep then signed on to replace Madonna as the lead in 1999's Music of the Heart, tackling what outwardly appeared to be a cookbook Hollywood plot (a teacher on a mission to teach violin to a class of inner-city youth in Harlem) with absolute commitment, teaching herself to play the violin by practicing six hours a day for eight weeks. In the new millennium, Streep hit audiences with the back-to-back with lauded performances in Adaptation and The Hours, earning an Oscar nomination for the former and a Golden Globe nomination for the latter.On the heels of this success, Streep won an Emmy in 2004 for her participation in longtime friend and collaborator Mike Nichols' Angels in America mini-series. She soon afterward won even greater audience and critic approval for her biting role as a corporate and political conspirator in Jonathan Demme's remake of the 1962 thriller The Manchurian Candidate. Streepfollowed this up with a part in the lighthearted comedies Prime, A Prairie Home Companion, and The Devil Wears Prada.In 2007 Streep starred in a pair of timely dramas about the Iraq War, Lions for Lambs and Rendition, before returning to the musical comedy milieu with 2008's Mamma Mia!. The adaptation of the smash stage musical shattered box-office records, becoming the highest grossing film in the history of the United Kingdom, and the biggest American hit of her illustrious career. She followed that up with the lead role in John Patrick Shanley's adaptation of his award-winning play Doubt, a performance that earned her fifteenth acting nomination from the Academy, as well as nods from the Screen Actors Guild, and the Hollywood Foreign Press.The renowned actress was nominated yet again for the Academy Award and the Screen Actors Guild the following year for her turn as Julia Child in the comedy Julie & Julia, a role that also garnered her a win for Best Actress from the New York Film Critics as well as the Golden Globes. That same year she played the lead for Nancy Myers in the box office hit It's Complicated, only to dive directly back into the Oscar spotlight again the next year with her acclaimed performance as English Prime Minister Margaret Thatcher in 2012's The Iron Lady. The role garnered Streep her 17th Academy Award nomination -- resulting in her third win, this time for Best Actress, in addition to Best Actress wins from the New York Film Critics Circle and the Golden Globes. She was back in the Oscar race in 2014, securing yet another nomination in the Best Supporting Actress category for her work as the wicked witch in Rob Marshall's big-screen adaptation of the musical Into the Woods.

Trivia: Displaying the kind of off-kilter charm that makes him a natural for leading roles in independent films and character parts in mainstream features, Liev Schreiber has made a name for himself on both circuits. Born October 4, 1967, in San Francisco, Schreiber was raised on New York's Lower East Side. A graduate of Hampshire College in Massachusetts, he initially wanted to become a writer, but later decided to try his hand at acting, training at both London's prestigious Royal Academy of Dramatic Arts and the Yale School of Drama.Schreiber's first acting job was on Broadway, where he appeared in In the Summer House. More theater work followed and in 1994, the actor made his film debut in the Steve Martin comedy Mixed Nuts. The film was an unequivocal flop, although Schreiber's role as a rather muscular transvestite proved to be one of the picture's few memorable features. His next project, the 1995 indie Denise Calls Up, fared a little better; despite almost non-existent box-office ratings, it was rewarded with critical approval. Following more minor film work, he landed the role of a British bouncer in the successful indie flick Party Girl (1995), which also starred nascent indie queen Parker Posey. Schreiber got an introduction to a more mainstream audience thanks to his role as killer Cotton Weary in Wes Craven's mega-hit Scream, a role he reprised in the film's sequel, Scream 2 (1997). The same year, Schreiber had leading roles in two more independent films, The Daytrippers (which again paired him with Posey) and Walking and Talking, as well as a secondary role in the bloated Mel Gibson thriller Ransom. Deftly straddling the divide between Sundance and the studio, Schreiber went on to make three major mainstream pictures in 1998: Phantoms, with Rose McGowan and Ben Affleck; Twilight with Susan Sarandon, Paul Newman, and Gene Hackman; and Sphere with Samuel L. Jackson, Sharon Stone, and Dustin Hoffman. The following year, Schreiber returned to more familiar territory with his role in Tony Goldwyn's small but successful drama A Walk on the Moon. As the man Diane Lane cuckolds for Viggo Mortensen, Schreiber mined endless possibilities from what could have been a narrow role, giving his character the sort of charming, good-intentioned inadequacy that became one of the actor's trademarks.In 2000, Schreiber returned to the role of Cotton Weary a third time to close out the Scream franchise. It was around this time that he also began doing a considerable amount of voice-over work, mainly for PBS's NOVA series. As the decade progressed, Schreiber continued to be a presence in bigger mainstream projects, such as the 2002 adaptation of Tom Clancy's The Sum of All Fears. Two years later, he could be seen in another high-profile, politically tinged thriller, this time opposite Denzel Washington in director Jonathan Demme's remake of The Manchurian Candidate.In 2005 he made his directorial and screenwriting debut with Everything Is Illuminated, and appeared in the critically acclaimed, Golden Globe-winning HBO movie Lackawanna Blues, a life-affirming film about a selfless black woman (played by S. Epatha Merkerson) in 1950s segregated New York who provides a home and a guiding hand to the youths who come to live at her boarding house. His 2006 project would be quite a departure from this sweet, poignant tale, as Schreiber took the role of Robert Thorne in John Moore's remake of the 1976 horror classic The Omen. Heavily publicized for its "666" release date (June 6th, 2006), the film pleased horror fans, as did Schreiber's performance as husband to Julia Stiles and father to the infamous Damien, a little boy who seems to harbor an evil that at best makes him disturbingly cold and at worst, places him at the crux of the devil's own plan for hell on Earth. Schreiber next went into production on The Painted Veil, an adaptation of the novel by W. Somerset Maugham. Playing the playboy whom Naomi Watts cuckolds her husband with, the actor immersed himself in the part for the drama. Meanwhile, a return to the stage in the lauded revival of Glengarry Glen Ross not only earned Schreiber a Tony award, and in 2005 he made his debut as a film director and screenwriter with the indie Everything Is Illuminated. Always up for new challenges, he played the role of the comic-book supervillain Sabertooth in the 2009 summer blockbuster X-Men Origins: Wolverine. In addition to his acting, Schreiber also has a lucrative career narrating documentaries and commercials.

Trivia: Actor Jeffrey Wright has earned an estimable reputation as one of the most versatile character actors of his generation, both on-stage and onscreen. Jeffrey Wright was born in Washington, D.C., in late 1965. Wright's father died when he was only a year old, and his mother, a lawyer working with the United States Customs Department, raised him with the help of her sister, a nurse. A strong student, Wright attended the prestigious St. Alban's School for Boys in Washington, D.C., and went on to receive a B.A. in Political Science at Amherst College in 1987. While at Amherst, Wright developed an interest in acting, and decided to continue his studies in the Theater department at New York University. While Wright was good enough to win an acting scholarship at N.Y.U., after only two months he opted to strike out on his own as a professional. Roles in off-Broadway plays followed, and Wright scored his first film role in 1990 with a bit part in Presumed Innocent. After a number of television roles and much theater work, in 1994 Wright got his big break when he was cast as Belize, Roy Cohn's nurse, in the acclaimed Broadway drama Angels In America: Perestroika; his performance won him a Tony Award. In 1996, Wright scored a breakthrough film role when he was cast in the lead of Basquiat, delivering a strong performance alongside a veteran cast which included Gary Oldman, Willem Dafoe, Dennis Hopper, Christopher Walken, and Benicio del Toro. A steady flow of character roles followed, including showy supporting work in Celebrity, Ride With the Devil, and Shaft, while Wright gave a compelling performance as Dr. Martin Luther King in the made-for-cable film Boycott. Wright continued to pursue his love of live theater as well, winning an Obie Award in 2002 for his performance (opposite Don Cheadle) in Suzan-Lori Parks' play Topdog/Underdog. Critically-acclaimed screen roles in Lackawanna Blues, Broken Flowers, and Syriana kept Wright on the short list for producers in search of quality supporting players, and by bridging the gap between stage and screen with his multi-tiered role in the acclaimed HBO miniseries Angels in America, the actor would would earn both an Emmy and a Golden Globe for Best Supporting Actor. In 2006 Wright could be seen performing opposite Paul Giamatti and Bryce Dallas Howard in director M. NIght Shyamalan's modern fairytale Lady in the Water.

Trivia: An actress whose eyes seem able to peer directly into the souls of audience members, Kimberly Elise has garnered notable critical acclaim for her roles in such features as Beloved and The Ditchdigger's Daughters. Though many actresses might have been intimidated at the prospect of portraying a character from the Toni Morrison novel that is often cited as one of the most important works in American literary history, Beloved, Elise's ability to channel her characters gave her all of the confidence and strength needed to truly bring the character to life and hold her own opposite such formidable talents as Oprah Winfrey and Danny Glover. For as far back as Elise can remember, she wanted to become an actress, and she even wrote a letter to the local newspaper's "Fix-It" column at the age of ten asking for information on how to achieve her goal. Elise had already been doing stage work before the fateful letter was penned, so it was obvious to all who knew her that she was ready and capable to put in the effort needed to become a true star. Elise began acting in Minneapolis professionally around the age of 20, and though she studied communications at the University of Minnesota, the prospect of becoming an actress full-time was always at the forefront of her intentions. Her dreams became a reality when a short film she had directed served as her entrance into the American Film Institute, and the experience of moving to Los Angeles and studying at the prestigious and fiercely competitive school gave Elise all the confidence needed to make a name for herself in Hollywood. Shortly after making her debut in the television series In the House, Elise made the leap to feature films as a down-on-her-luck young mother who participates in a robbery in Set It Off. Though Elise did make quite an impression with her feature debut, the film was only a moderate success, and it wasn't until receiving critical acclaim and a Cable Ace award that her career truly took off. Her remarkable performance in Beloved followed shortly thereafter. In 2000, Elise stepped into the lead for the made-for-television feature The Loretta Claiborne Story, playing the mentally and physically disabled athlete who made a name for herself by overcoming tremendous odds and becoming a competitor in the Special Olympics. The film provided an excellent showcase for the versatile young actress, with roles in Bait and Bojangles quickly following. By the time she appeared in John Q as a financially strained mother whose husband's insurance won't cover their son's heart transplant, Elise had been singled out by many critics to be one of Hollywood's brightest young stars, and her strong performance in the film opposite Denzel Washington only helped to strengthen that sentiment. In 2004, Elise would once again appear with Washington -- an actor for whom she has publicly voiced great admiration -- in the cautiously anticipated but warmly received remake The Manchurian Candidate. She worked with Denzel Washington and Forest Whitaker in The Great Debaters, a 2007 drama following the temperamental debate coach of a small town college, and co-starred with Bernie Mac and Terrence Howard in the inspirational drama Pride the same year. In 2010 she took a starring role in the film adaptation of the Obie Award-winning play For Colored Girls.

Trivia: Even those who fail to recognize her name would instantly know the lithe, slightly diminutive, and ethereally beautiful Ukranian-American actress Vera Farmiga by her distinctive look. Born August 6, 1973, in Passaic County, NJ, to Ukranian immigrant parents Michael and Luba Farmiga, Vera grew up with six brothers and sisters, in an isolated Ukranian enclave -- so isolated that the young girl purportedly did not learn spoken English until the age of six. As a teenager, she attended a Ukranian Catholic secondary school, and spent much of her free time touring with a Ukranian folk dancing troupe. Though she originally planned to build a career as an optometrist, Farmiga instead ventured off in the opposite direction by enrolling as an undergraduate at Syracuse University's School of Visual and Performing Arts. She began to tour as a theatrical performer shortly after graduation, in the American Conservatory Theater's 1996 production of Shakespeare's Tempest, then took her Broadway bow later that same year, as an understudy in David Jones' mounting of Ronald Harwood's Taking Sides. Television work ensued, with spots in such series as Law & Order, Trinity, UC: Undercover, and Touching Evil. At about the same time (around 1998), Farmiga made her rather modest cinematic debut in Sleeping With the Enemy director Joseph Ruben's little-seen Return to Paradise, starring Vince Vaughn and Anne Heche. Many additional roles followed throughout the first years of the new millennium, including that of Lisa, Richard Gere's estranged daughter, in the soapy melodrama Autumn in New York; Lorena, Adrien Brody's unemployment counselor in the Greg Pritikin-helmed 2002 comedy Dummy; and Allison in Eric Schaeffer's fine (albeit overlooked) ensemble film Mind the Gap (2004), where she appears alongside such notables as John Heard and the late Alan King. Farmiga joined the cast of Jonathan Demme's 2004 Manchurian Candidate remake, alongside Denzel Washington, Meryl Streep, and Liev Schreiber; though not among the top-billed performers, the appearance served her career favorably. She fared much better (on all fronts) with a starring role in that same year's visceral indie addiction drama Down to the Bone, winner of the Special Jury Prize at Sundance and a critical darling. As Irene, a coke-addled supermarket checker and mother of two, Farmiga drew raves from such sources as The New York Times and The Village Voice for, in one reviewer's words, "a pitch-perfect performance." (She also reeled in a Los Angeles Film Critics' Association award for that role -- no small accomplishment, indeed.) 2006 brought with it a role as Teresa in Wayne Kramer's thriller Running Scared, and appearances in such features as Anthony Minghella's Breaking & Entering and Martin Scorsese's The Departed (both 2006). The Minghella drama concerns a group of ethnic locals whose lives intersect -- and catalyze violent hostilities -- in the scuzzy King's Cross section of London; as Oana, Farmiga draws heavily on her Eastern European background. In the Scorsese picture, a Beantown cops-and-mobsters crime drama, Farmiga plays Madeleine, the female lead opposite heavyweights Matt Damon, Leonardo DiCaprio, and Jack Nicholson. Meanwhile, Farmiga signed for the role of Fiona, a woman who enters an affair with paraplegic radio personality Isaac (portrayed by In the Bedroom's Nick Stahl) in Carlos Brooks' Quid Pro Quo (2007).In 2009 Farmiga appeared as a mother whose life is threatened by an evil foster child in Orphan, but it was her supporting turn opposite George Clooney in Up in the Air that earned her excellent reviews as well as acting nominations from the Hollywood Foreign Press, the Screen Actors Guild, and the Academy. In the coming years, Farmiga would appear in a host of other acclaimed films, like Source Code and Safe House. Farmiga would also earn massive critical praise for her directorial debut, helming and starring in the 2012 drama Higher Ground.

Trivia: The son of a Czech-American golf pro, Jon Voight was active in student theatricals in high school and at Catholic University. In 1960 he began studying privately with Neighborhood Playhouse mentor Sanford Meisner, and made his off-Broadway debut that same year in O Oysters, receiving a daunting review which opined that he could "neither walk nor talk." Fortunately, Voight persevered, and in 1961 took over the role of "singing Nazi" Rolf in the Broadway hit The Sound of Music (his Liesl was Laurie Peters, who became his first wife).Blessed with handsome, Nordic features, Voight kept busy as a supporting player on such TV series as Gunsmoke, Coronet Blue, and NYPD, and in 1966 spent a season with the California National Shakespeare Festival. The following year, he won a Theatre World Award for his stage performance in That Summer, That Fall. Thus, by the time he became an "overnight" star in the role of wide-eyed hustler Joe Buck in Midnight Cowboy (1969), he had nearly a decade's worth of experience under his belt. The success of Midnight Cowboy, which earned Voight an Oscar nomination, prompted a fast-buck distributor to ship out a double feature of two never-released mid-'60s films: Fearless Frank, filmed in 1965, starred Voight as a reluctant superhero, while Madigan's Millions was a 1968 turkey featuring Voight's Cowboy co-star (and longtime friend) Dustin Hoffman.Entering the 1970s with dozens of producers clamoring for his services, Voight refused to accept roles that banked merely on his youth and good looks. Instead, he selected such challenging assignments as crack-brained Army officer Milo Minderbinder in Catch 22 (1970), a political activist known only as "A" in The Revolutionary (also 1970), reluctant rugged individualist Ed Gentry in Deliverance (1972), and real-life teacher/novelist Pat Conroy in Conrack (1974). In 1978, he won both the Oscar and the Cannes Film Festival award for his portrayal of paraplegic Vietnam veteran Luke Martin in Hal Ashby's Coming Home. The following year, he earned additional acclaim for his work in the remake of The Champ.Devoting increasing amounts of time to his various sociopolitical causes in the 1980s and 1990s, Voight found it more and more difficult to fit film roles into his busy schedule. A reunion project with Ashby, on the godawful gambling comedy Lookin' to Get Out (produced 1980, released 1982), failed dismally, with many reviewers complaining about Voight's terrible, overmodulated performance, and the paper-thin script, which the actor himself wrote. Voight weathered the storm, however, and enjoyed box-office success as star of the 1983 weeper Table for Five. He also picked up another Oscar nomination for Andrei Konchalovsky's existential thriller Runaway Train (1985), and acted in such socially-conscious TV movies as Chernobyl: The Final Warning (1991) and The Last of His Tribe (1992). He also produced Table for Five and scripted 1990's Eternity. Voight kept busy for the remainder of the decade, appearing in such films as Michael Mann's Heat (1995), Mission: Impossible (1996), and The General, a 1998 collaboration with Deliverance director John Boorman, for which Voight won acclaim in his role as an Irish police inspector. During the same period of time, a bearded Voight also essayed a wild one-episode cameo on Seinfeld - as himself - with a scene that required him to bite the hand of Cosmo Kramer from a parked vehicle. In 1999, Voight gained an introduction to a new generation of fans, thanks to his role as James Van Der Beek's megalomaniacal football coach in the hit Varsity Blues, later appearing in a handful of other films before teaming onscreen with daughter Angelina Jolie for Tomb Raider in 2001. After essaying President Roosevelt later that same year in Pearl Harbor, Voight went for laughs in Ben Stiller's male-model comedy Zoolander, though his most pronounced role of 2001 would come in his Oscar nominated performance as iconic newsman Howard Cosell in director Michael Mann's Mohammad Ali biopic, Ali.Taken collectively, all of Voight's aformentioned roles during the mid-late 1990s demonstrated a massive rebound, from the gifted lead of '70s American classics to a character actor adept at smaller and more idiosyncratic character roles in A-list Hollywood fare ( the very same transition, for instance, that Burt Reynolds was wrongly predicted to be making when he signed to do Breaking In back in 1989). To put it another way: though Voight rarely received first billing by this point, his volume of work per se soared high above that of his most active years during the '70s. The parts grew progressively more interesting as well; Voight was particularly memorable, for instance, in the Disney comedy-fantasy Holes, as Mr. Sir, the cruel, sadistic right-hand-man to camp counselor Sigourney Weaver, who forces packs of young boys to dig enormous desert pits beneath the blazing sun for a mysterious reason. Voight then signed for a series of parts under the aegis of longtime-fan Jerry Bruckheimer, including the first two National Treasure installments (as John Patrick Henry) and - on a higher-profiled note - the audience-rouser Glory Road (2005), about one of the first all-black basketball teams in the U.S.; in that picture, Voight plays Adolph Rupp, the infamous University of Kentucky coach (nicknamed 'Baron of the Bluegrass') with an all-white team vying against the competitors at the center of the story.In 2007, Voight tackled roles in two very different high-profile films: he played one of the key characters in Michael Bay's live-action extravaganza Transformers, and portrayed a Mormon bishop who perishes in a Brigham Young-instigated massacre, in the period drama September Dawn, directed by Christopher Cain (Young Guns. He appeared in 24: Redemption, and became a part of that show's regular cast for its seventh season. Voight is the father of Angelina Jolie, and has often been the subject of tabloid coverage because of their occasionally fraught public bickering.

Trivia: Striking terror deep in the hearts and subconsciousness of filmgoers worldwide with his chilling portrayal of aspiring transsexual serial killer James "Buffalo Bill" Gumb in director Jonathan Demme's acclaimed thriller The Silence of the Lambs, Steppenwolf Theater alumnus Ted Levine may not have received the star status some may have expected would follow the role, but he can consistently be counted on to turn in a lively performance, no matter how small his part may be.Born in Cleveland, OH, Levine received his M.F.A. in acting from the University of Chicago before making frequent appearances in such 1980s made-for-television efforts as Michael Mann's Crime Story (1986) and his feature debut in 1987's Ironweed. Taking small roles in such features as Betrayed (1988) and Next of Kin (1989) before his big break in Silence, Levine, curiously, stuck mostly to television following his portrayal of Buffalo Bill, not taking another featured role until his turn as a cop on the trail of a carnivorous industrial speed iron in The Mangler (1995). Appearing in Georgia and Michael Mann's acclaimed Heat the same year, Levine began to gain more prominent roles in the following years before taking to the seas with Patrick Stewart in Moby Dick (1998). Though he received critical acclaim for his role in the controversial television series Wonderland (2000), the show aired a meager two episodes (though four were produced) before being pulled due to outcry over its portrayal of the mental health system and its inhabitants. Bouncing back to the big screen, fans found that Levine could still be counted on to turn in absorbing performances in such features as Evolution and The Fast and the Furious (both 2001). Over the next several years, Levine would remain extremely active, appearing in films like The Manchuriuan Candidate, Memoirs of a Geisha, The Hills Have Eyes, and Shutter Island, as well as on TV series like Monk and Luck.

Trivia: Born February 7, 1955, intense character actor Miguel Ferrer specialized in playing villains, and brought to each role an unpredictable energy. Working steadily on television and in feature films, Southern California-born and raised, Ferrer was the eldest of five children and is the son of famed actor José Ferrer and jazz artist Rosemary Clooney. Inspired by watching Little Ricky banging away on drums during the I Love Lucy show and by Beatles percussionist Ringo Starr, Ferrer first aspired to become a professional drummer and for a few years worked as a studio musician. Acting credits came by way of small television and feature film roles. He debuted on television guest starring as a drummer on the NBC series Sunshine (1975). His first real break in movies came when he was cast in Paul Verhoeven's sci-fi actioner Robocop (1986). The tall, rangy actor subsequently appeared in films such as Revenge (1987) and Point of No Return (1991). Back on television, he gave a memorable performance as an emotionally volatile FBI pathologist in David Lynch's cult series Twin Peaks. Ferrer also starred as a Louisiana cop in Broken Badges. Other television credits include a guest-starring role on the NBC medical drama E.R., a supporting role in the telemovies Shannon's Deal and Brave New World, and a regular role on the comedy Lateline. In 2002, Ferrar appeared alongside Michael Douglas, Don Cheadle, and Benicio Del Toro in filmmaker Steven Soderbergh's Academy award-winning drama Traffic, and worked in John Sayles' Sunshine state during the same year. Ferrer took on the role of Colonel Garrett in the 2004 update of The Manchurian Candidate, and lent his voice to episodes of the Cartoon Network favorites Robot Chicken (2006) and American Dad! (2007). The actor continued to work in television over the next couple of years, making appearances in NBC's update of the Bionic Woman series, and took on the part of LAPD Lt. Felix Valdez for The Protector, a made-for-television police procedural drama. He also had a recurring role as NCIS assistant director Owen Granger in NCIS: Los Angeles. Ferrer was diagnosed with cancer during his run on NCIS, but chose to stay on the show and work through his illness. He died in 2017, at age 61.

Trivia: Swiss-born actor Bruno Ganz established himself in Germany, first as co-founder of the Schaubuhne Theatre company, then as a romantic lead in films. International renown came Ganz' way when he was starred in Eric Rohmer's The Marquise of O (1976). Subsequent film roles range from Jonathan Harker in Werner Herzog's 1979 remake of Nosferatu, to misplaced angel Damiel in Wim Wenders' Wings of Desire (1987). Another of his many collaborations with director Wenders was The American Friend (1977), which Ganz regards as one of his favorite films, even though he and co-star Dennis Hopper came to blows during a spirited argument about acting technique.

Trivia: With a love for both the screen and the stage, Pablo Schreiber learned the tools of the acting trade in theater, appearing in plays in his home state of Washington. He continued to appear in theatrical productions while attending Carnegie Mellon in the early 2000s, and made his Broadway debut in 2006, with a role in the revival of Awake and Sing!, for which he earned a Tony Award nomination. Meanwhile, Schreiber nurtured an on-screen career, as well, appearing in films like Lords of Dogtown and Vicky Christina Barcelona, and on TV shows like Law & Order, but his most noted role came in 2003, when he took on the role of Nick Sobotka on the critically acclaimed crime drama The Wire. He would stick with the series until 2008, soon moving on to appear in the quirky ensemble movie happythankyoumoreplease in 2011. That same year, having found such success with TV drama in the past, Schreiber returned to the small screen, starring in the boxing drama Lights Out. In 2013, Schreiber played correctional officer George "Pornstache" Mendez on the Netflix series Orange is the New Black, and was a regular on the quickly-canceled Ironside remake on NBC.

Trivia: A Big Easy-born actor who honed his skills at the New Orleans Center for Creative Arts before completing his education at Juilliard, Anthony Mackie portrayed ill-fated rapper Tupac Shakur in a stage production of Up Against the Wind before taunting Detroit-based rapper Eminem as a member of the rival rhyming crew in the box-office hit 8 Mile. Subsequently appearing onscreen alongside some of the biggest names in the business, Mackie took the lead as a sperm-donating former biotech executive opposite Ellen Barkin and Ossie Davis in Spike Lee's She Hate Me, and proved that he could even hold his own against such screen legends as Clint Eastwood and Morgan Freeman with a substantial role in the boxing drama Million Dollar Baby. While it may be on the silver screen that Mackie has courted the majority of fame, the ascending star also appeared on the Broadway stage in high-profile productions of Ma Rainey's Black Bottom and Drowning Crow.Few actors could dream of a career that advanced as quickly as Mackie's did, and the same year he played leading man in She Hate Me, the then-twenty-five-year-old would earn an Independent Spirit Award nomination for his memorable portrayal of a homeless shelter employee struggling with his cultural and sexual identity in Brother to Brother. Just when it seemed as if Mackie's rigorous work schedule couldn't get any more demanding, the actor would appear in no less than six movies in 2006 including the racially charged kidnapping drama Freedomland, the underground street-ball drama Crossover, and opposite Matthew McConaughey and Matthew Fox in the fact-based football film We Are Marshall.Firmly established, he played a supporting role in the Oscar-winning The Hurt Locker in 2008, and reprised his role of Tupac Shakur in the Notorious B.I.G. biopic, Notorious (2009). Mackie played a former Black Panther in Night Catches Us (2010) and played a supporting role in The Adjustment Bureau (2011). In 2012, he played the historical figure William H. Johnson, Abraham Lincoln's valet, in the fictionalized (obviously) historical action film, Abraham Lincoln: Vampire Hunter. Mackie joined the Marvel Cinematic Universe in 2014, playing Sam Wilson/Falcon in Captain America: The Winter Soldier, and reprised the role in later MCU movies.

Trivia: Has appeared in many national commercials, including spots for Coca-Cola, MTV, and Volvo. Theater credits include a starring role in an off-Broadway production of A Soldier's Play (2005). Breakout role was the part of Damian on the J.J. Abrams series Six Degrees (2006).

Trivia: Bill Irwin certainly qualifies as one of the most unique figures in show business; attempts to compare him to other talent invariably conclude with the observation that there is no one else like Irwin, a testament to his overarching individuality. A native of Santa Monica, Irwin spent periods of his youth in Southern California and Oklahoma, then attended Oberlin College (as a theater arts major) and Ringling Brothers and Barnum & Bailey's Clown College in Florida, where lessons learned in slapstick, pantomime, comedic improvisation, and graceful balletic would continue to inform his art and style throughout his life. Following said education, he spent various periods of time in dramatic ensembles (such as the prestigious Kraken ensemble) and circuses (such as the Frisco-based Pickle Family Circus) and racked up a litany of theatrical accomplishments that included Broadway performances in Waiting for Godot (opposite Steve Martin and Robin Williams) and Accidental Death of an Anarchist (opposite Jonathan Pryce), a critically acclaimed turn in Fool Moon (with the Red City Ramblers), and many other highlights. Meanwhile, on television, Irwin built up a substantial audience of young people with his wordless portrayal of Mr. Noodle (opposite the late Michael Jeter) on the "Elmo's World" segments of Sesame Street. Irwin's feature appearances include A Midsummer Night's Dream (1999), Igby Goes Down (2002), Lady in the Water (2007), and Rachel Getting Married (2008), and Higher Ground (2011).

Trivia: Comedy writer, author, and occasional actor Al Franken was one of the first alumni of the NBC network sketch comedy institution Saturday Night Live (1975) and spent most of his career closely associated with the series and its byproducts. He is also the author of the best-selling book Rush Limbaugh Is a Big Fat Idiot. On television, he starred in the NBC sitcom Lateline (1997-1999).Franken started out as a standup comedian in high school. While attending Harvard, he attempted to get onto the staff of the Harvard Lampoon but was rejected. Later, he teamed up with his former high school classmate Tom Davis and toured the country as a standup comedy duo. They were spotted by Canadian producer Lorne Michaels, who at the time was trying to put together a Monty Pythonesque sketch comedy show for American audiences. He hired them in 1975, as both writers and performers. As writers, Franken and Davis distinguished themselves with their outrageously funny sketches. Franken's recurring segment "Al Franken Decade" was one of his popular creations. They remained with the show until Lorne Michaels departed in 1980. The unemployed duo penned many comedy screenplays together, but most went unproduced. One More Saturday Night (1986) was an exception, but it bombed at the box office. Not long after that, Franken and Davis returned to Saturday Night Live. Around this time, Franken created one of his most memorable and enduring characters, Stuart Smalley, an unlicensed 12-step therapist. A quiet, gentle man whose motto was "I'm good enough, I'm smart enough and doggone it, people like me," Smalley hosted a show in which guests would come on to share their problems and learn to feel better about themselves. Later, Franken later expanded the recurring sketch into the feature film Stuart Saves His Family (1995). Franken then hit the jackpot with his scathing written attack on Limbaugh and other rightwing radicals. The success of the book helped Franken land his own sitcom, Lateline. In 2004 he was the first star to sign on as host of a program on the nascent Air America Radio, and four years later he won the 2008 U.S. Senate seat for Minnesota in a disputed race.

Trivia: A former engineering student, Roger Corman entered the picture business as a messenger and ended up a producer/director after a stint as a story analyst and a brief detour to Oxford University. After returning to Hollywood, he saw an opportunity to make money and gain experience by making low-budget films to feed the drive-in and neighborhood theater circuits, which had been abandoned in large part by the major studios. Working from budgets of as little as 50,000 dollars, he quickly learned the art of creating bargain-basement entertainment and making money at it, producing and directing pictures for American International Pictures and Allied Artists. Five Guns West, Apache Woman, The Day the World Ended, It Conquered the World, Not of This Earth, The Undead, Attack of the Crab Monsters, Teenage Doll, Machine Gun Kelly, The Wasp Woman, and Sorority Girl were only a few of the titles, and they were indicative of their subjects. These films were short (some as little as 62 minutes) and threadbare in production values. (Reportedly, distributor Samuel Z. Arkoff used to look at the film footage at the end of each day of shooting and call Corman, telling him, "Roger, for chrissake, hire a couple more extras and put a little more furniture on the set!") But his films were also extremely entertaining, and endeared Corman to at least two generations of young filmgoers.During the early '60s, Corman became more ambitious, and made the serious school desegregation drama The Intruder. Adapted for the screen by his brother Gene Corman from Charles Beaumont's novel, it was the only one of his movies to lose money -- because few theaters would book it -- although it was one of the finest B-movies ever made. Corman also began working in color, most notably on a series of adaptations of Edgar Allen Poe stories starring Vincent Price that won the respect of younger critics and aspiring filmmakers alike. Corman also employed many young film students and writers during this period, including Francis Ford Coppola, Curtis Harrington, and author Robert Towne. His output decreased as his budgets went up, and Corman moved away from directing and into producing. In the 1970s, '80s and '90s, Corman was still producing exploitation films (such as Humanoids From the Deep), but his New World Pictures also distributed several important foreign movies, including Ingmar Bergman's Cries and Whispers and the groundbreaking Jamaican crime drama The Harder They Come.

Trivia: Possessing a near-perfect balance of everyman looks and tremendous talent on both stage and screen, actor Zeljko Ivanek has been a key supporting player in feature films since the early '80s. A native of Ljubljana, Yugoslavia (now Slovenia), Ivanek's family moved to the United States in 1960 in order for his father to complete his doctoral research in electronic engineering at Stanford University. Briefly returning to Yugoslavia before settling in Palo Alto, CA, in 1967, it was only a few short years before young Ivanek was pursuing his higher education at Yale. Subsequently accepted at The London Academy of Music and Dramatic Art, he continued to refine his passion for acting and the summers of 1978-1980 found him honing his stage skills in the Williamstown Theater Festival in such efforts as Hay Fever and The Front Page. In 1983, Ivanek was nominated for a Tony award for his role in Brighton Beach Memories and it was around this time that he made his first film and television appearances. An early role as a telepathic killer in the 1982 thriller The Sender found Ivanek making a chilling impression, and strong performances in Mass Appeal (1984) and the AIDS drama Our Sons (1991) kept expectations high for the rising star. As his feature credits continued to build, Ivanek began appearing in such popular television series as L.A. Law, Law & Order, The X-Files, and Murder, She Wrote. Though the adjustment from stage to screen was initially daunting for the classically trained actor, once he got accustomed to the change of pace, he adjusted remarkably well. As the '90s rolled on, Ivanek's film credits included such A-list releases as Courage Under Fire (1996), Donnie Brasco (1997), and the John Travolta thriller A Civil Action (1998). It was also around this time that Ivanek embarked on a six-year stint as Governor James Devlin on HBO's acclaimed series Oz. As the millennium turned, so did Ivanek's onscreen career, and his resume seemed to be exclusively built of nothing but high-profile efforts in both film and television. In addition to appearing in Dancer in the Dark (2000), Hannibal (2001), Black Hawk Down (2001), Unfaithful (2002), and Dogville (2003), memorable roles on The Practice and The West Wing kept television audiences glued to their sets. He reteamed with Lars Von Trier for the director's drama Maderlay, and continued his film career in projects such as The Hoax, In Bruges, and Tower Heist, while maintaining a presence on the small-screen with appearances on Damages, Heroes, and Big Love.

Trivia: Was inspired to attend Holy Cross by her father, who passed away during her senior year in high school. Planned to become a doctor before turning to acting. Made her Broadway debut in Candida in 1993. Has made guest appearances on four different Law & Order series.

Trivia: Gayle King made headlines during the mid- to late 2000s for her long-standing personal relationship and professional association with entertainment mogul and television personality Oprah Winfrey. Via her Winfrey connection, King served as the editor in chief of the periodical O, The Oprah Magazine, hosted the radio program The Gayle King Show on the station "Oprah & Friends" (channel 156 on XM radio), and appeared from time to time on The Oprah Winfrey Show.

Trivia: Danced for the Joffrey Ballet during her childhood. Studied Chinese at Vassar College and intended to be a translator before opting to become an actress. Starred in the Funny or Die online sitcom Halal in the Family alongside Aasif Mandvi. Was a passenger on the Amtrak train that crashed in Philadelphia on May 12, 2015.

Trivia: Englishman Simon McBurney enjoyed two distinct phases of his screen career; he began as a character player, who excelled at playing ruddy-faced, wizened, vaguely sinister types, often of a European or Eastern European origin. His resumé -- in this capacity -- includes such films as Kafka (1991), Eisenstein (as the famous Russian director), and Jonathan Demme's political thriller remake The Manchurian Candidate (2004). As of 2007, however, McBurney shifted gears somewhat by stepping behind the camera, when he executive produced and authored the screen story of the Rowan Atkinson vehicle Mr. Bean's Holiday.

Trivia: Towering American character actor Charles Napier has the distinction of being one of the few actors to transcend a career start in "nudies" and sustain a successful mainstream career. Napier, clothed and otherwise, was first seen in such Russ Meyer gropey-feeley epics as Cherry, Harry and Raquel (1969) and Beyond the Valley of the Dolls (1970). Graduating from this exuberant tawdriness, Napier became a dependable film and TV villain, playing nasty characters in films like Handle With Care (1977) and Rambo (1984). Napier would continue to become an ever more familiar face throughout the 80's and 90's, with roles in movies like The Blues Brothers (1980), Married to the Mob (1990), Ernest Goes to Jail (1991) and the-Oscar winning Silence of the Lambs (1991), Philadelphia (1994), The Cable Guy (1996), and Austin Powers: The Spy Who Shagged Me (1999) - just to name a few. He would also remain active in the realm of TV, appearing on shows like Walker, Texas Ranger and Roswell. The new millennium would find Napier playing roles on shows like Curb Your Enthusiasm and CSI: Crime Scene Investigation, as well as lending his voice to animated shows like The Simpsons, Squidbillies, and Archer. Napier passed away in October of 2011 at the age of 75.

Trivia: Aprea is a supporting actor, onscreen from Bullitt (1968); he married Cherie Latimer.

Trivia: Was athletic as a kid and teen; once hit three home runs in an All-Star game and later pitched a 10-inning no-hitter with 20 strikeouts. Played football at Brown University. Loved movies so much he decided to take an acting class in college and immediately knew acting was his calling. Early TV roles included guest spots on The Equalizer, Spenser: For Hire and Kate & Allie before landing pivotal roles in movies Glengarry Glen Ross (1992) and The Shawshank Redemption (1994). Appeared in Star Trek: Nemesis (2002) as Romulan commander Suran. Best known for playing the Presidential Chief of Staff on 24 and the principal on Everybody Hates Chris. Co-founded theatrical production company the Eumenides Group. Is an acclaimed singer and has recorded four CDs; tours with the Jude Ciccolella Band.

Trivia: Fans of the science fiction television series Quantum Leap will know supporting and character actor Dean Stockwell as the scene-stealing, cigar chomping, dry-witted, and cryptic hologram Al. But to view him only in that role is to see one part of a multi-faceted career that began when Stockwell was seven years old.Actually, his ties with show business stretch back to his birth for both of his parents were noted Broadway performers Harry Stockwell and Nina Olivette. His father also provided the singing voice of the prince in Disney's Snow White and the Seven Dwarfs (1931). Stockwell was born in North Hollywood and started out on Broadway in The Innocent Voyage (1943) at age seven. Curly haired and beautiful with a natural acting style that never descended into cloying cuteness, he made his screen debut after contracting with MGM at age nine in Anchors Aweigh (1945) and continued on to play sensitive boys in such memorable outings as The Mighty McGurk (1946), The Boy With Green Hair (1948), and The Secret Garden (1949). He would continue appearing in such films through 1951 when he went into the first of several "retirements" from films. When Stockwell resurfaced five years later it was as a brooding and very handsome 20-year-old who specialized in playing introverts and sensitive souls in roles ranging from a wild, young cowboy in Gun for a Coward (1957) to a murderous homosexual in Compulsion (1958) to an aspiring artist who cannot escape the influence of his domineering mother in Sons and Lovers (1960). Stockwell topped off this phase of his career portraying Eugene O'Neill in Long Day's Journey Into Night (1962). Stockwell would spend the next three years as a hippie and when he again renewed his career it was in such very '60s efforts as Psych-Out (1968) and the spooky and weird adaptation of a Lovecraft story, The Dunwich Horror. During this period, Stockwell also started appearing in television movies such as The Failing of Raymond (1971). In the mid-'70s, the former flower child became a real-estate broker and his acting career became sporadic until the mid-'80s when he began playing character roles. It was in this area, especially in regard to comic characters, that Stockwell has had his greatest success. Though he claims it was not intentional, Stockwell has come to be almost typecast as the king of quirk, playing a wide variety of eccentrics and outcasts. One of his most famous '80s roles was that of the effeminate and rutlhess sleaze, Ben, in David Lynch's Blue Velvet (1986). Stockwell had previously worked with Lynch in Dune and says that when the director gave him the script for Velvet, his character was not specifically mapped out, leaving Stockwell to portray Ben in any way he felt appropriate. The actor's intuition has proven to be one of his greatest tools and helped create one of modern Hollywood's most creepy-crawly villains. Whenever possible, Stockwell prefers working by instinct and actively avoids over-rehearsing his parts. His career really picked up after he landed the part of Al in Quantum Leap. Since the show's demise, Stockwell has continued to appear on screen, starring on series like Battlestar Galactica.

Trivia: Supporting actor, onscreen from the late '80s.

Trivia: The memorable but fleeting appearance of American actor Tracey Walter as "Bob the Goon" in Batman was typical of Walter's career. In the grand tradition of such Hollywood character actors as Percy Helton, Dick Wessel and Louis Jean Heydt, Walter is in the "who is that?" category--familiar yet anonymous--and has developed a cult following amongst cinema buffs. The stage-trained Walters can be seen in such films as Repo Man (1984) City Slickers (1991), Pacific Heights (1992), and Philadelphia (1993). As far back as the 1984 critic's-darling sitcom Best of the West, Walter played Frog, the knuckle-dragging henchman of villain Leonard Frey.

Trivia: Lead actor, onscreen from the early '70s.

Trivia: American director Sidney Lumet originally planned to follow in the footsteps of his father, Yiddish Art Theatre actor Baruch Lumet. On-stage from the age of five, the younger Lumet studied at New York's Professional Children's School and acted in numerous Broadway productions, most notably Dead End. With several other New York-based actors, Lumet was featured in the agitprop film drama One Third of a Nation (1939); he played Sylvia Sidney's crippled kid brother, sparking the film's climax by setting fire to a disease-ridden tenement house and perishing in the conflagration. After wartime service, Lumet decided he'd had enough of acting and started to focus on the production end of the business. Working his way up the summer stock ladder, Lumet began directing for live television in 1950, working on such distinguished series as Omnibus and Studio One, and filmed anthologies like Alcoa-Goodyear Theatre. He directed his first film, Twelve Angry Men (1957), at the request of producer/star Henry Fonda; the director later confessed that it was a grueling learning experience for both himself and novice producer Fonda, though he took pride in finishing the film in 19 days and under budget. For his efforts, he garnered a Best Director Oscar nomination. Lumet directed a few more films, but drew more satisfaction out of stage and TV work. In 1960, he gained notoriety for directing The Sacco-Vanzetti Story on NBC; the drama drew flack from the state of Massachusetts (where Nicola Sacco and Bartolomeo Vanzetti were tried and executed) because it was thought to postulate that the condemned murderers were, in fact, wholly innocent. But the brouhaha actually did Lumet more good than harm, sending several prestigious film assignments his way, including his 1962 artistic triumph Long Day's Journey Into Night. Proponents of the "auteur" theory, who insist that a director should leave his personal signature on each film, have long been confounded by Lumet, who has refused to do anything twice in his movie work. After directing the Cold War suspense dramaFail-Safe (1964) and the tense war-guilt character study The Pawnbroker (1965), he went on to explore Jewish middle-aged angst in Bye Bye Braverman (1969); tried his hand at a roller coaster police-thriller with Serpico (1973); made the shaggy-dog bank robbery account Dog Day Afternoon (1974); ventured into mystery with the slick, stylish Murder on the Orient Express (1974); won awards for his media satire Network (1976); explored the battle between the sexes in the hilarious Just Tell Me What You Want (1980); and looked at the grim arena of underworld crime in The Family Business (1989). Lumet handled these diverse projects with considerable skill, managing to turn out a body of remarkably diverse work. In 1993, the director, as full of surprises as ever, delivered a nail-biting whodunit, Guilty As Sin. Plagued with numerous plot holes and illogical character behavior, it was not his best, but after a couple of years of inactivity, Lumet was back at work, producing and directing 1997's Critical Care, and writing and directing Night Falls on Manhattan the same year. The former, a hospital satire starring Albert Brooks, James Spader, and Helen Mirren, failed to make much of a critical or commercial impression, but the latter, a crime thriller featuring Andy Garcia, Richard Dreyfuss, Lena Olin, and Ian Holm, enjoyed some measure of critical acclaim. Lumet's next effort was a 1999 remake of John Cassavetes' 1980 film Gloria. Starring Sharon Stone in the title role that was originally played by Gena Rowlands, the film met an unfortunate critical and commercial fate, netting bad reviews and audience indifference. However, Lumet -- who had, by this point, been nominated for five Oscars (four for Best Director and one for Best Adapted Screenplay) over the course of his career -- managed to survive this relative failure with his reputation pretty much intact; in fact, many acknowledged that even a second-rate Lumet was better than the first-rate work of many other directors.

Trivia: Worked for an airline to support herself when she first moved to New York City. Interviewed more than 50 people from Brooklyn's Crown Heights neighborhood about their experiences to create her 1992 one-woman show Fires in the Mirror. Portrays cyclist Lance Armstrong as one of the characters in her stage show Let Me Down Easy. Has taught at academic institutions including New York University, Yale University, the University of Southern California at Los Angeles, and as a tenured professor at Stanford University. Has been an Artist in Residence for the Ford Foundation, MTV Networks, the Aspen Institute, the Center for American Progress, and Grace Cathedral. Has received honorary degrees from academic institutions including the Juilliard School; the School of Visual Arts, University of Pennsylvania; Wesleyan College; and Bryn Mawr College.

Trivia: A self-styled renaissance man, Fab 5 Freddy arguably qualifies as one of the most colorful figures in rap music history and certainly one of the most diverse, juggling successful stints as not merely a rapper, but a Hollywood scriptwriter, thespian, graffiti artist, painter (with his work displayed in prestigious galleries) and MTV host. Through it all, Freddy exhibited an infectious zeal and enthusiasm that lifted him above the pack.Born Fred Braithwaite in 1959, in the tough-as-nails Bed Stuy section of New York, Freddy began his career as a graffiti artist, with the imprimaturs "Fred Fab 5" and "Bull 99." The work quickly netted such popularity that it gained iconic stature in Manhattan and seemed to predestine Freddy for a successful and lucrative career as a painter. Following suit, he graduated from high school in the late '70s and enrolled at Medgar Evans College as an art major, turning to the pop art of Andy Warhol as a stylistic inspiration and touchstone. That marked a prescient move: within the next few years, Freddy found his way into the exclusive avant-garde of early-'80s New York, alongside Warhol, Deborah Harry, Jean-Michel Basquiat, and others, even turning up in Edo Bertoglio's long-lost feature film about that community, Downtown 81. Freddy broke into these cliques courtesy of his friendship with music journalist Glenn O'Brien (frequently appearing on O'Brien's local access talk show and operating camera on it). As time rolled on, however, Freddy became increasingly interested in various then-nascent aspects of black culture, such as rap, breakdancing, and hip-hop. That led him to star in the 1983 film Wild Style and produce the soundtrack, as well. By the late '80s, Freddy began producing rap videos for artists including Queen Latifah, KRS-One, and Shabba Ranks, and accepted the gifted young MTV producer Ted Demme's invitation to host Yo! MTV Raps, an assignment that established his image as one of the godfathers of the hip-hop scene (as did his publication of a dictionary of hip-hop slang). Freddy subsequently moved into features as a producer (New Jack City, 1991), occasional actor, and documentary contributor. Projects in which he participated include Juice (1992), Who's the Man? (1993), Just For Kicks (2005), and The Universe of Keith Haring (2007).