Trivia: In the first ten years of his life, Raymond Burr moved from town to town with his mother, a single parent who supported her little family by playing the organ in movie houses and churches. An unusually large child, he was able to land odd jobs that would normally go to adults. He worked as a ranch hand, a traveling tinted-photograph salesman, a Forest service fire guard, and a property agent in China, where his mother had briefly resettled. At 19, he made the acquaintance of film director Anatole Litvak, who arranged for Burr to get a job at a Toronto summer-stock theater. This led to a stint with a touring English rep company; one of his co-workers, Annette Sutherland, became his first wife. After a brief stint as a nightclub singer in Paris, Burr studied at the Pasadena Playhouse and took adult education courses at Stanford, Columbia, and the University of Chunking. His first New York theatrical break was in the 1943 play Duke in Darkness. That same year, his wife Sutherland was killed in the same plane crash that took the life of actor Leslie Howard. Distraught after the death of his wife, Burr joined the Navy, served two years, then returned to America in the company of his four-year-old son, Michael Evan Burr (Michael would die of leukemia in 1953). Told by Hollywood agents that he was overweight for movies, the 340-pound Burr spent a torturous six months living on 750 calories per day. Emerging at a trim 210 pounds, he landed his first film role, an unbilled bit as Claudette Colbert's dancing partner in Without Reservations (1946). It was in San Quentin (1946), his next film, that Burr found his true metier, as a brooding villain. He spent the next ten years specializing in heavies, menacing everyone from the Marx Brothers (1949's Love Happy) to Clark Gable (1950's Key to the City) to Montgomery Clift (1951's A Place in the Sun) to Natalie Wood (1954's A Cry in the Night). His most celebrated assignments during this period included the role of melancholy wife murderer Lars Thorwald in Hitchcock's Rear Window (1954) and reporter Steve Martin in the English-language scenes of the Japanese monster rally Godzilla (1956), a characterization he'd repeat three decades later in Godzilla 1985. While he worked steadily on radio and television, Burr seemed a poor prospect for series stardom, especially after being rejected for the role of Matt Dillon on Gunsmoke on the grounds that his voice was too big. In 1957, he was tested for the role of district attorney Hamilton Burger in the upcoming TV series Perry Mason. Tired of playing unpleasant secondary roles, Burr agreed to read for Burger only if he was also given a shot at the leading character. Producer Gail Patrick Jackson, who'd been courting such big names as William Holden, Fred MacMurray, and Efrem Zimbalist Jr., agreed to humor Burr by permitting him to test for both Burger and Perry Mason. Upon viewing Burr's test for the latter role, Perry Mason creator Erle Stanley Gardner jumped up, pointed at the screen, and cried "That's him!" Burr was cast as Mason on the spot, remaining with the role until the series' cancellation in 1966 and winning three Emmies along the way. Though famous for his intense powers of concentration during working hours -- he didn't simply play Perry Mason, he immersed himself in the role -- Burr nonetheless found time to indulge in endless on-set practical jokes, many of these directed at his co-star and beloved friend, actress Barbara Hale. Less than a year after Mason's demise, Burr was back at work as the wheelchair-bound protagonist of the weekly detective series Ironside, which ran from 1967 to 1975. His later projects included the short-lived TVer Kingston Confidential (1976), a sparkling cameo in Airplane 2: The Sequel (1982), and 26 two-hour Perry Mason specials, lensed between 1986 and 1993. Burr was one of the most liked and highly respected men in Hollywood. Fiercely devoted to his friends and co-workers, Burr would threaten to walk off the set whenever one of his associates was treated in a less than chivalrous manner by the producers or the network. Burr also devoted innumerable hours to charitable and humanitarian works, including his personally financed one-man tours of Korean and Vietnamese army bases, his support of two dozen foster children, and his generous financial contributions to the population of the 4,000-acre Fiji island of Naitauba, which he partly owned. Despite his unbounded generosity and genuine love of people, Burr was an intensely private person. After his divorce from his second wife and the death from cancer of his third, Burr remained a bachelor from 1955 until his death. Stricken by kidney cancer late in 1992, he insisted upon maintaining his usual hectic pace, filming one last Mason TV movie and taking an extended trip to Europe. In his last weeks, Burr refused to see anyone but his closest friends, throwing "farewell" parties to keep their spirits up. Forty-eight hours after telling his longtime friend and business partner Robert Benevides, "If I lie down, I'll die," 76-year-old Raymond Burr did just that -- dying as he'd lived, on his own terms.

Trivia: Blonde, fresh-faced supporting actress Patricia Huston never made it to stardom, but still enjoyed a busy career in feature films and television. Her film credits include Hot Shots (1956) and Memoirs of a Woman of Pleasure (1965). On television, she guest starred on series ranging from Westerns (Wells Fargo) and mysteries (Columbo) to medical dramas (Dr. Kildare) and sitcoms (Cheers).

Trivia: Armed with extensive radio and stage credits, Arthur Franz made his first film appearance in 1948's Jungle Patrol. Franz has been prominently featured in a number of "fantastic" films: he played one-third of the title role in Abbott and Costello Meet the Invisible Man (1951), and had leads in Flight to Mars (1952), Invaders From Mars (1953), and The Atomic Submarine (1960). He has also thrived in military characterizations in films like Sands of Iwo Jima (1949), Submarine Command (1951), and The Caine Mutiny (1954). His finest screen portrayal was as the psychopathic "hero" of Stanley Kramer's The Sniper (1952). Arthur Franz flourished as a character actor into the 1980s, retiring from films after appearing in That Championship Season (1982).

Trivia: Louise Fletcher's acting career can be divided into two stages. She started out appearing on television shows such as Wagon Train and The Untouchables during the late '50s, but left acting in 1964, two years after marrying movie producer Jerry Bick, to raise a family. She did not return to her craft until appearing in Robert Altman's well-regarded feature film Thieves Like Us in 1974. Fletcher then appeared in the spy thriller Russian Roulette (1975) before Milos Forman cast her in what was to become her signature role, that of the iron-willed, sadistic Nurse Ratched who tormented Jack Nicholson in One Flew Over the Cuckoo's Nest (1975). Her believable portrayal won her a Best Actress Oscar and a Golden Globe. Perhaps the highest honor is that her Ratched has become a movie icon, one that has been frequently emulated and parodied in numerous subsequent films. Fletcher was born in Birmingham, AL, to a deaf Episcopalian minister and a deaf mother. She started acting in summer stock following her graduation from the University of North Carolina. Fletcher next moved to Los Angeles and found work as a receptionist before breaking into television. Standing 5'10", the strikingly beautiful Fletcher was often taller than her leading men, something that hindered her first bid at stardom. Since her success with One Flew Over the Cuckoo's Nest, Fletcher has found steady employment as a supporting and character actress on television -- where she received a 1996 Emmy nomination for a guest-star appearance on the highly acclaimed CBS series Picket Fences -- and in feature films. She also has a busy stage career.

Trivia: American character actor Edward Platt is best remembered as the eternally exasperated Chief on the Get Smart series. Before making his screen debut in the mid-'50s, he worked as a singer for a band. In feature films, he was typically cast as generals and bosses.

Trivia: One of the most popular--and overworked--second-echelon leading ladies of the 1930s and 1940s, Ellen Drew was the daughter of a Kansas City barber. She came to Hollywood after winning a beauty contest, playing bits under her given name of Terry Ray until she was promoted to leads in 1938. A fixture of Paramount Pictures from 1938 through 1943, Drew appeared in as many as six films per year; among her leading men were Ronald Colman, William Holden, Basil Rathbone, Dick Powell, Robert Preston, George Raft, and even Jack Benny. She moved to Paramount's next-door neighbor RKO in 1944, then free-lanced in the 1950s. Ellen Drew retired from films in 1957, though her fervent fans continued to besiege her with letters of appreciation.

Trivia: Beefy British character actor Robert Brown should not be confused with the actor of the same name who starred in TV's Here Come the Brides (1968-1969), nor with film editor Robert N. "Toby" Brown. In films from 1955's Helen of Troy, Brown specialized in roughneck costume roles, such as the Chief of Rowers in Ben-Hur (1959) and Talbot in Billy Budd (1962). In the 1957 Roger Moore TV series Ivanhoe, Brown was appropriately cast as Gurth. After playing Admiral Hargreaves in the 1977 James Bond entry The Spy Who Loved Me, Robert Brown succeeded Bernard Lee as Bond's immediate superior "M", essaying the role for the first time in Octopussy (1983) and for the last time in A View to a Kill (1989).