Trivia: Despite her efforts to be taken seriously as an actress, Brooke Shields has been unable to escape her youth, during which time she found herself in the precarious position of simultaneously being idolized as a late-'70s icon of adolescent wholesome virginal innocence and being constantly photographed in manners verging on the mildly pornographic. Shields' early career was managed and pushed by her mother, Teri Shields, a small-time actress who placed her daughter in front of the camera before she was even one. As the Ivory Snow baby, Shields was once hailed as the "most beautiful baby in America." After spending many years hawking products, she was in such demand that her mother started marketing her under the logo "Brooke Shields & Co." Shields made her feature film debut in Alice Sweet Alice (1976), but did not become a bona fide star until French director Louis Malle cast her as a 12-year-old New Orleans prostitute who becomes the romantic obsession of a much older painter in Pretty Baby (1978). The film was released amidst great controversy because of the scenes in which Shields (or a body double representing her) appeared nude. But while she did participate in some adult scenes, those moments were handled with taste and discretion by Malle and his cinematographer, Sven Nyquist, and the general consensus was that Shields was not exploited in the film. Thus far, her acting in Pretty Baby remains Shields' best. Through her teens, Shields was among the world's top fashion models and her countenance was everywhere. Controversy again stirred when she did some provocative ads for Calvin Kline in which she was seen wearing a too tight pair of jeans and cooed, "Nothing comes between me and my Calvins." This was in contrast to her other ads in which she advised young girls to abstain from sex and a different campaign against smoking. At the peak of her fame, Shields appeared three times on the cover of Life magazine and once on the cover of Time. Her film career picked up around this time with appearances in such venues as King of the Gypsies (1978) and Wanda Nevada (1979), but her best-known film is the so-bad-it's-good The Blue Lagoon (1980) in which she and teenage hunk Christopher Atkins find themselves shipwrecked for years on a desert island. Ostensibly, the film is a tender tale about innocence and true love, but it's primarily a titillating romp filled with plenty of flesh shots of Shields and Atkins' taut, tanned, and partially clad bodies. In 1981, Shields tried her hand with a more serious role in Franco Zeffirelli's tepid teen romance Endless Love, but did not succeed. Shields decided it was time for college and so enrolled in Princeton, where but for the occasional appearance on a Bob Hope television special, made-for-TV movie, or other special event, she immersed herself in college life. While there, she majored in French Literature and also became interested in the theater, gaining experience in two regional productions of Love Letters. Shields graduated from Princeton with honors. Upon her graduation, Shields returned to acting full time and appeared in films that can most kindly be described as mediocre. In 1996, Shields was given her own situation comedy on NBC network's Suddenly Susan, where she played a single career girl struggling to reassemble her life following her breakup with her wealthy fiancé. Though never among the most natural and relaxed of actresses, Shields gradually grew into her role and proved to be a competent, charismatic comedy actress, turning in guest appearances on popular television shows such as That 70s Show, Nip/Tuck, Two and a Half Men, and Hannah Montana after Suddenly Susan went off the air in 2000. Meanwhile, on Broadway, Shields could bee seen in revivals of Grease, Cabaret, and Chicago before taking over the role of Morticia Addams in the Broadway musical version of The Addams Family. In 1997 Shields married tennis great Andre Agassi, but the union only lasted two years and in 2001 she was wed to television producer Chris Henchy.

Trivia: After only a handful of TV guest spots, New York-born actor Nestor Carbonell landed a starring role on the Brooke Shields sitcom Suddenly Susan. After the show's four-year run, Carbonell appeared on the cult superhero comedy The Tick as Batmanuel before being cast as the lead on the short-lived CBS drama Century City in 2004. In 2007, Carbonell took a recurring role on ABC's hit mindbender Lost as the mysterious and seemingly ageless Richard Alpert. Following that stint, he was cast along with Jimmy Smits as one of the leads on CBS's family drama Cane. Over the coming years, Carbonell would continue to find success on the small screen, starring on shows like Lost and Ringer, and appearing in movies like The Dark Knight Rises.

Trivia: Even by the unexacting standard of Hollywood's 1980s "brat pack," actor Judd Nelson seemed wildly undisciplined and self-indulgent on screen. One tends to conclude that Nelson (a former philosophy student and the son of a Maine politician) has played his screen characters as written: he was, after all, very well trained by famed drama coach Stella Adler, and came up from the exacting ranks of summer stock. Among his earliest screen assignments -- all in his watershed year of 1985 -- including the dope-smoking detentionee in The Breakfast Club, Kevin Costner's parachute-jumping fraternity pal in Fandango, and Ally Sheedy's philandering live-in boyfriend in St. Elmo's Fire. Always seeming to be on the verge of punching someone out, Nelson was well cast as a mercurial killer in 1989's Relentless. Like many brat-packers, Judd Nelson spent the 1990s transitioning into his career as an adult, but he hit his stride by 1996, when he joined the cast of the hit sitcom Suddenly Susan. In the years to come, Nelson would remain a consistent force on screen, appearing in movies like Jay and Silent Bob Strike Back and Grizzley Flats.

Trivia: The acerbic, razor-tongued, take-no-prisoners comedian Kathy Griffin has built a career for herself -- as an actress and a standup performer -- around the schtick of being permanently under-respected by everyone (as the title of her TV series, My Life on the D List, suggests), and fighting back with her claws extended. Griffin is notorious for mercilessly skewering and taking potshots at worthy targets (particularly fellow celebrities and comedians) through her comedy, and has built a considerable career out of doing so.Born in Oak Park, IL, and raised in the Chicago area, to an electronics store manager father and a hospital administrator mother, Griffin reportedly wanted to become an actress from the age of five and frequently improvised elaborate stage and comedy acts for her family. Griffin attended Oak Park High School, and -- after graduation -- studied acting at the Lee Strasberg Institute in Southern California. In 1988, the then-28-year-old joined the now-infamous sketch comedy troupe the Groundlings, alongside such stars-to-be as Lisa Kudrow, Will Ferrell, and Julia Sweeney, where she evinced an extraordinary gift for improvisatory work. After the Groundlings, Griffin developed and honed a solo standup act, which -- as she later recalled -- opened numerous doors for her as an actress, including a turn as Lucy in the Bobcat Goldthwait vehicle Shakes the Clown (1992), a brief cameo in Pulp Fiction, and a small multi-episode role on Seinfeld. Griffin was particularly memorable in the latter, as Sally Weaver, the standup comedian whose act consists of trashing Jerry Seinfeld by revealing embarrassing details from his personal life. A cameo as herself in the SNL big-screen vehicle It's Pat (1994) reunited Griffin with fellow Groundling Sweeney. Beginning in 1996, Griffin parlayed her comic flair and small-screen experience into a standing role in the hit NBC sitcom Suddenly Susan, starring Brooke Shields; that program cast Griffin as Vicki Groener, magazine columnist Shields' not-so-subtly envious, über-saucy colleague. The program scored with viewers and ran for three seasons. Meanwhile, Griffin continued her big-screen roles, with turns in the 1995 omnibus picture Four Rooms (as Betty), the 1996 Ben Stiller-directed The Cable Guy (as Jim Carrey's mother), and Muppets from Space (1999), as an armed guard. Additional guest contributions on a myriad of sitcoms during the '90s and 2000s gave an added charge to the respective series casts.Griffin also starred in the aforementioned cable series Kathy Griffin: My Life on the D List, which began airing on the Bravo network in 2004. The comically charged reality show cast Griffin as herself, battling through the experiences of everyday life -- such as training a new puppy and teaching a class as The Learning Annex. Griffin would continue to find huge success as a stand-up, as well as a show host on her own aptly titled talkshow, Kathy, which was canceled after two seasons.

Trivia: Handsome, dark-haired Australian Rick Springfield is best known for his upbeat pop songs like "Jesse's Girl," but he is also an occasional actor. Fans of the long-running television soap opera General Hospital will best remember him for playing the dashing Dr. Noah Drake. He was born Richard Lewis Springthrope in Sydney, Australia. The son of a high-ranking British Army officer, Springfield spent his youth shuttling between Australian and British military bases. Though he had been in several rock bands throughout his teens, Springfield had his greatest success with the metal band Zoot and went to the U.S. in hopes of getting a major record contract. When that proved a long time coming, Springfield signed a contract with Universal and guest starred in television series such as The Six Million Dollar Man. He was also a semi-regular on The Young and the Restless before he signed to RCA in the early '80s, the same time he was cast in General Hospital. Since his inauspicious movie debut in Hard to Hold (1984), Springfield has only appeared in a handful of made-for-television movies such as A Change of Place (1994). He also appeared briefly in Aaron Spelling's short-lived series Robin's Hoods (1994). In the years to come, Springfield would continue to act, appearing on shows like Californication.

Trivia: One of the most acute and savagely satiric songwriters of his era, Warren Zevon was born in Chicago on January 24, 1947. His formative years were as colorful as the scenarios played out in his music: his father was a professional gambler, a lifestyle which forced the family to move frequently, and Zevon spent most of his early years in California and Arizona. He learned to play piano, focusing primarily on classical material before a disintegrating home life led him into pop music, as well as a few run-ins with the law; after his parents divorced when he was 16 years old, Zevon hopped into the Corvette his father won in a card game and headed for New York to become a folksinger. His music found little response, however, and he returned to California, eventually releasing his first recordings as part of the duo Lyme and Cybelle. Session work followed before Zevon issued his solo debut, Wanted Dead or Alive, in 1969; the LP received a poor reception, so he returned to session work composing advertising jingles, and also served as the Everly Brothers' pianist before the duo's breakup. Following a 1974 sabbatical to Spain, Zevon returned to Los Angeles, where his longtime friend Jackson Browne had secured him a recording deal; with Browne in the producer's seat, Zevon cut a self-titled offering which was met with lavish critical praise upon its 1976 release. His 1978 follow-up, Excitable Boy, established him as a wholly unique talent and earned a sizable hit with its wry single "Werewolves of London." However, Zevon had fallen prey to alcoholism, and his personal demons sidelined him for the next two years; 1980's Bad Luck Streak in Dancing School and 1981's live set Stand in the Fire marked his gradual return to form, and the promise of his early work was restored on 1982's brilliant release The Envoy. The album fared miserably on the charts, however, and Zevon again fell off the wagon. A long period of therapy and counseling followed before, and later, the newly sober and revitalized Zevon issued Sentimental Hygiene in 1987, recorded with backing assistance from members of R.E.M. (In 1990, another collection of material from the sessions featuring Zevon and R.E.M.'s Peter Buck, Mike Mills and Bill Berry was released under the name Hindu Love Gods.) Zevon continued his comeback in 1989 with Transverse City, a concept record inspired by science fiction's cyberpunk movement, and 1991's Mr. Bad Example. In 1993, Zevon issued his second live album, Learning to Flinch, followed in 1995 by Mutineer. His next studio effort, Life'll Kill Ya, did not appear until early 2000. It was a moderate success, enough to inspire him to step back into the studio after touring the U.S. My Ride's Here, featuring a guest appearance from David Letterman (of all people), was released in the spring of 2002. Several months later, Zevon was diagnosed with mesothelioma, an inoperable form of lung cancer, and doctors expected him to live no more than a few months. Zevon decided to work on a final album with the help of a handful of celebrity friends and collaborators; The Wind was released in August of 2003, nearly a year to the day after Zevon learned of his condition, and he lived long enough to see its release, as well as the birth of his first grandchild.

Trivia: John F. O'Donohue may not be as well known as Dennis Farina, Eddie Egan, or Barney Martin -- three police officers who became television stars -- but he's in the running. A 20-year veteran of the New York Police Department, O'Donohue joined the acting profession in the late '80s and ascended to bit parts in movies, moving up to supporting and guest-starring roles in television before reaching regular status on NYPD Blue in 2004. Born in New York, he was a career officer who rose as high as lieutenant in the Midtown North precinct, turning to acting as an outlet for feelings he repressed as a police officer. After some classes, and appearances in off-off-Broadway productions, he made his debut in the Ben Stiller-directed MTV program Colin Quinn: Back to Brooklyn. O'Donohue retired from the force and moved to Los Angeles to pursue work in television, making appearances in bit roles in episodes of Knots Landing and Reasonable Doubts, but it was Stiller who pulled him out of the pack of working actors. Stiller remembered O'Donohue's work in the MTV show when he was putting together the cast for his FOX network satirical series The Ben Stiller Show, and made him a regular on the series. O'Donohue showed his comedic abilities as a member of Stiller's stock company, and he later worked on The John Larroquette Show as a regular cast member in addition to appearances in series such as Knots Landing, Reasonable Doubts, and Matlock. He was a natural at playing cops (and also, occasionally, firemen), not just by experience but also with his easy New York working-class vernacular, bald physiognomy, and muscular presence. He made his first appearance on NYPD Blue in 1994 as a court clerk in the second season lead-off episode "Trials and Tribulations" and its follow-up, "From Whom the Skell Rolls." O'Donohue made the rounds on television, alternating between dramas and comedies, including Mad About You, Seinfeld, The Single Guy, Chicago Hope, Brooklyn South, Cybill, Diagnosis Murder, and Columbo, in ever larger parts. One of his funniest guest appearances was in the 1998 "Civil War" episode of Everybody Loves Raymond, playing Harry, the Civil War reenactor friend of Peter Boyle's Frank Barone. Although it was drama that would make O'Donohue into a star, he got there by way of his ability with comedy. In 2000, he rejoined NYPD Blue as a recurring cast member, portraying Detective Eddie Gibson, a veteran cop who's gone a little bit goofy working the night tour at the 15th squad, a character intended to interact comically with Dennis Franz's taciturn, slow-burning Detective Andy Sipowicz. O'Donohue was good enough as Gibson that the character was brought back and embellished over the ensuing seasons, presented as a man out-of-his-depth in modern detective work, but who also has a big heart where kids are concerned. In March 2004, O'Donohue rejoined the cast as a regular in March of 2004, playing newly promoted squad commander Det./Sgt. Eddie Gibson, still a tiny bit goofy, but knowing his limitations. During that season of the cop drama, O'Donohue gave a vivid portrayal of the increasingly rare old-fashioned cop, probably second generation on the force and Irish on at least one side, and likely a member of the Emerald Society. His presence on the series since 2000 was reminiscent of actors such as Horace McMahon on Naked City, among dozens of others, and provided the show with a great degree of verisimilitude.

Trivia: Is the youngest of six children. Was inspired to explore show business after a childhood trip to Universal Studios. Attended Boston University on a NROTC scholarship, and was commissioned as a Naval officer after graduation. Member of the acclaimed L.A. sketch-comedy troupe ACME Comedy Theater.