Trivia: Despite spending the first 25 years of his life in Adelaide, Australia, Anthony LaPaglia is best known for playing street-savvy Italian New Yorkers. This was not, however, LaPaglia's original plan. Rather than testing the waters of show business, LaPaglia traveled to the United States intending to pursue a full-time teaching career. As luck would have it, however, one of LaPaglia's odd jobs was a small role in Cold Steel (1987), a low-budget detective drama. LaPaglia began pursuing theater and television in his spare time -- one of his more notable early performances was in 1988's Frank Nitti: The Enforcer -- and considered himself a full-time actor by 1989, when he made his feature-film debut in Slaves of New York. It was 1990, however, when the young actor earned critical recognition for his role as an exceedingly polite mobster in Betsy's Wedding.LaPaglia continued to build his résuméthroughout the early '90s, most of which he spent playing either kindly policemen or good-hearted mobsters, and was delighted to work alongside a variety of noted actors so early in his career. Among those actors were Alan Alda in Betsy's Wedding, Michael Keaton in One Good Cop (1991), and Nathan Lane, Sharon Stone, and Kevin Bacon in He Said, She Said (1992). Later in 1992, LaPaglia could be found playing his first leading role in George Gallo's gangster farce 29th Street. Though the film did not fare particularly well, audiences were nonetheless impressed with LaPaglia's intensity, and he played a more serious gangster with great success opposite Susan Sarandon in The Client (1994). The actor switched gears for his next handful of films; in Mixed Nuts (1994) he played a disillusioned Santa Claus, while Empire Records (1995) found him as a down-on-his-luck store manager, and the Australian-helmed Brilliant Lies (1996) featured him as the defendant in a sketchy sexual-harassment case.Despite a smattering of mediocre films between 1995 and the early 2000s, LaPaglia continued to earn critical acclaim for many of his endeavors, such as Steve Buscemi's directorial debut, Trees Lounge (1996), for which LaPaglia joined a star-studded supporting cast, as well as for his role as a detective in Spike Lee's Summer of Sam (1999). Luckily for him, 2000 and 2001 proved excellent for his career, as it was during this period that he played a wealthy businessman in The House of Mirth and an adulterous police detective in Lantana. In addition to receiving international success, Lantana earned LaPaglia the prestigious Best Actor award from the Australian Film Institute, as well as a nomination from the Film Critics Circle. In the meantime, he was adding several major television credits to his résumé, including a starring role as the head of the FBI's Missing Persons Squad on CBS's Without a Trace, and a recurring role on the long-running sitcom Frasier, a performance for which he would receive an Emmy in 2002. Far removed from his fledgling days as a teacher, 2002 also found LaPaglia working with Val Kilmer for The Salton Sea; Sigourney Weaver for The Guys; Robert De Niro and Billy Crystal in Analyze That; and Eric Stoltz in Happy Hour. In 2003, after filming Manhood with Janeane Garofalo and the late John Ritter, LaPaglia agreed to star in director Josh Sternfeld's Winter Solstice (2004).Over the next several years, LaPaglia would appear in a number of big screen projects, like Balibo (2009), Overnight (2012) and A Good Marriage (2014).

Trivia: Harboring an awesome wellspring of determination, Australian émigré actress Poppy Montgomery moved from down under to Los Angeles in 1993 (at the tender age of 18) and, with no connections or leads to her name, bought a copy of a book called How to Make it in Hollywood. In that text, Montgomery read an anecdote about one of Julia Roberts' early managers, who had helped engineer some of the actress' early successes. Montgomery searched diligently until she found the manager's telephone number, then so plagued him with calls, one after another, that she ultimately wore down his resistance; he put Montgomery in touch with a manager who helped launch her career. The self-assurance evident in this "breakout strategy" had taken root early in Montgomery's life; born June 19, 1975, in Paddington, New South Wales, Australia (a suburb of Sydney), Montgomery realized as a young girl that she only wanted to spend her life acting. Once in Hollywood, she refused to be snubbed or overlooked. As an ingenue in Los Angeles, Montgomery sustained smaller turns for seven years, including a role on NYPD Blue and performances in the Eddie Murphy comedy Life and the Garry Marshall tearjerker The Other Sister, until late 2000, when she landed the highly coveted lead role of Marilyn Monroe in the autobiographical miniseries about the superstar, Blonde, adapted from the book by esteemed belletrist Joyce Carol Oates. Though critics felt the telemovie uneven, most singled out Montgomery and raved over her interpretation.This unique, inherent ability to reach down deep into a character and understand her on the most intuitive level shone through again and again in Montgomery's work, and doubtless enabled her to land a recurring role on the CBS drama Without a Trace, about the day-to-day searches of a missing-persons unit headed by Anthony LaPaglia. When she received the call about Without a Trace, Montgomery had contributed exemplary work to two otherwise unsuccessful series -- Elizabeth Waclawek in The Beat (2000) and Ellie Sparks in Glory Days (2002) -- and needed a boost. The program, of course, became a massive hit, thanks in no small part to Montgomery's fine work. In the series she portrays FBI agent Samantha Spade with marked believability. As one season of Without a Trace after another unfolded, Montgomery worked with equal emphasis in film and television. Her cinematic roles included Allison in the Gen-X indie comedy How to Lose Your Lover (2004) and Nadine Roberts in David Ocañas' metaphysical thriller Between (2004); in 2005, Montgomery played Generosa Rand, the issue-ridden (and possibly homicidal) wife of wealthy investment banker Ted Ammon, in the made-for-television true crime saga Murder in the Hamptons. TV would prove a good fit for Montgomery, and she would find additional success with series like Without a Trace and Unforgettable.

Trivia: British actress Marianne Jean-Baptiste first became known to an international audience through her breakthrough performance in Mike Leigh's Secrets & Lies (1996). Jean-Baptiste has received Best Supporting Actress Oscar, BAFTA, and Golden Globe nominations for her measured, insightful portrayal of a young woman who is reunited with her biological mother who gave her up for adoption at birth. Jean-Baptiste subsequently began doing steady work in both film and television, appearing in a disparate number of films, including Noah Baumbach's Mr. Jealousy (1997), the psychological thriller A Murder of Crows (1998), the independent comedy How to Make the Cruelest Month (1998), and Nancy Savoca's The 24-Hour Woman (1999). The beginning of the next decade founding Jean-Baptiste scoring roles in the thriller The Cell, the comedy drama 28 Days, and the thriller Spy Game. From 2002 to 2009 Jean-Baptiste could be seen in the Jerry Bruckheimer produced CBS television series Without a Trace as FBI agent Vivian Johnson who works in the missing persons division. She appeared in the 2006 drama Jam, and joined the cast of City of Ember (2008), a science-fiction fantasy drama following a society living in an underground city following a nuclear war. In 2010 the actress joined the cast of Takers, a crime thriller, and starred in Secrets in the Walls, a made-for-television horror film from Lifetime the same year. In addition to acting, Jean-Baptiste is also a composer. She supplied the music for Leigh's Career Girls in 1997.

Trivia: As far as role choice is concerned, Cuban-American supporting actor Enrique Murciano Jr. arrived in Hollywood at something of a low ebb -- with an appearance in one of the most embarrassing duds of the late '90s: the action thriller Speed 2: Cruise Control. Mercifully, his constituted a brief turn, and Murciano subsequently evinced a more acute predilection for solid material. He was memorable as Ruiz in Ridley Scott's Mogadishu-themed war drama Black Hawk Down (2001) and as Jeff Foreman in Miss Congeniality 2: Armed and Fabulous (2005), but is probably best known for his ongoing portrayal of Missing Persons Agent Danny Taylor in the crime-investigation series drama Without a Trace, opposite Anthony LaPaglia and Poppy Montgomery. Murciano also signed for a small role in Michelle Danner's 2006 indie comedy How to Go Out on a Date in Queens.

Trivia: Actor Eric Close found his breakthrough role on the prime-time serial drama Sisters (1991), opposite Julianne Phillips, Sela Ward, and Swoosie Kurtz. Close's performance as a policeman in the sixth season of the program established his onscreen reputation as a solid and reliable performer. Alongside that program, Close landed roles in low-rent films such as Hercules and the Lost Kingdom (1994) and the made-for-television soaper The Stranger Beside Me (1995). The actor then received second billing after small-screen mainstay Michael Biehn in the Western series The Magnificent Seven (1998), joined the regular cast of the short-lived sci-fi drama The Sky Is Falling (1999), and scored a lead in Glenn Gordon Caron's eccentric, short-lived superhero series Now and Again. Close drew his largest audience, however, with his contributions to the outstanding crime-investigation drama Without a Trace, as Martin Fitzgerald, the missing-persons agent amorously, and perhaps unwisely, involved with colleague Samantha Spade (Poppy Montgomery).

Trivia: Upon her election by The New York Times as a "top celebutante" in 1986 (due to her popularity in N.Y.C.'s club scene), then-19-year-old Lisa Edelstein reportedly grew wary of "fame for fame's sake" and spent years grounding her celebrity in a series of well-respected, if minor, acting assignments. She made a small-scale debut in a prestigious film -- the role of the makeup artist in Oliver Stone's controversial Jim Morrison biopic The Doors (1991) -- and thereafter was often pigeonholed in sitcom appearances, typically as a comically eccentric girlfriend or wife. This typecasting characterized Edelstein's appearances on Seinfeld, Mad About You, Sports Night, Frasier, and a myriad of other programs. There were exceptions, though, as the actress also starred on the short-lived but critically acclaimed drama Relativity in the mid-'90s as Rhonda Roth, a lesbian whose complex, non-sensationalized portrayal marked a step forward for homosexual characters on network TV. Edelstein also garnered recurring roles on such series as The West Wing (playing a law student whom Rob Lowe's character romances until he finds out she moonlights as a call girl), Felicity, and Ally McBeal (appearing as a transsexual who dates a lawyer played by James LeGros). Edelstein would score her biggest break to date with a lead role on the hit medical drama House in 2004. She would stick with the hugely successful show until 2011, in addition to roles on other shows throughout the 2000's, like American Dad!, The Good Wife, House of Lies and Castle.

Trivia: Moved from New York to Oregon at the age of 10. She and her cousins put together performances for their families as children. Was hired to read opposite the voice actors for the animated movie Paranorman (2012), but the filmmakers liked her so much they offered her a role. Enjoys playing troubled characters and has said she would "be at a loss" to portray a "good girl."

Trivia: Started acting while at musical-theater camp when she was a child. Worked as a model. Her first TV role was on the Fox sitcom The Grubbs. Appeared on Lost as the teenage Eloise Hawking.

Trivia: Is the son of a drama teacher. Has been in more than 50 plays, and is well known for his stage work in the Los Angeles area. Did voice-over work in the 2002 Activision video game Soldier of Fortune II: Double Helix. Has had many guest roles on numerous television shows, including CSI: Miami, Close to Home, Crossing Jordan, Charmed, JAG and Cold Case. After his General Hospital character, Dr. Ian Devlin, was killed off, he went on to play another doctor, Dr. Chris Ferlinghetti, on Army Wives.

Trivia: For a time at the tail-end of the 1960s and the beginning of the 1970s, Marcia Rodd seemed poised for stardom, either on the big-screen or on television. She was, at the outset of the 1970s, the ideal "gently" liberated woman. Rodd was one of the first actresses who looked good in the briefly fashionable, close-cropped female hairstyle (a sort of attractive version of the "Moe Howard" cut) of the period, conveying intelligence and sensitivity as well as independence. What's more, her first two film appearances included a starring role in Alan Arkin's fashionable black comedy Little Murders (1971) and a major supporting role in Herbert Ross' high-profile adult romance T.R. Baskin, and she was also a recipient of choice roles from television producer Norman Lear. Rodd was born in Lyons, KS, and attended Northwestern University at the end of the 1950s and the start of the 1960s as a drama major, studying under Alvina Krause; her fellow undergraduates included Richard Benjamin and Paula Prentiss. Arriving in New York during the early '60s, she made her off-Broadway debut at the Provincetown Playhouse in Oh Say Can You See! in 1962, which got her onto her first cast album as part of a quartet called "the Girls"; she also appeared in the showcase Talent 64. She made her Broadway debut in the replacement cast of Oh! What a Lovely War and later appeared in The Mad Show. In 1968, she managed to appear in two different adaptations of Shakespeare's Twelfth Night, Love and Let Love, and Your Own Thing (as Olivia), and played Bobbi Mitchell in Last of the Red Hot Lovers, working opposite James Coco. In 1970, she was cast as the doomed Patsy Newquist in Little Murders (1971), Alan Arkin's dark comedy of life in New York City, based on Jules Feiffer's off-Broadway play. Her supporting role in T.R. Baskin followed later in 1971, and then Rodd began her first foray into television, principally through the work of Norman Lear in the second season of All in the Family; she played a harried single mother driven to desperate measures to make a decent life for her young son, and in episode No. 37, which was the pilot for the series Maude, Rodd played Carol, the divorced daughter of the title character. Rodd declined to portray the role when the series was picked up, however, and the part went to the more physically endowed but less professionally adept Adrienne Barbeau. Rodd busied herself in New York theater during the early '70s, including a production of The Merry Wives of Windsor at The New York Shakespeare Festival. She was also very briefly in the cast of the ill-fated musical Mack and Mabel as Mabel Normand (succeeded by Kelly Garrett and then Bernadette Peters). She then moved to Los Angeles, where she continued her stage work and also acted in two successive films by director Jonathan Demme, Citizens Band (1977) and The Last Embrace (1979). By the 1980s, she was no longer in the running for starring roles, but was a busy working actress in television, portraying Jack Weston's wife in the short-lived series The Four Seasons and playing the wife of Dr. Stanley Riverside on Trapper John, M.D. During the 1990s, Rodd returned to doing occasional feature films. She has also done a one-woman play about the life of Diana Vreeland, and guest starred on such series as Home Improvement and Sisters.