Trivia: Perhaps the most definitive descriptor for Kiefer Sutherland's career is not any particular niche he's carved for himself, but rather his versatility. From the perfected subtleties he has portrayed in supporting roles, to his command of the screen as a star, Sutherland has covered abundant ground. His roles have ranged from deeply psychological, such as the medical student in Flatliners, to upbeat and authoritative, like the sheriff in Picking Up the Pieces. In addition to his talent on the big screen, Sutherland has earned directorial credits, as well as a Golden Globe Award in 2001 for Best Actor in a TV Drama.Kiefer Sutherland and his twin sister, Rachel, were born to acting parents Donald Sutherland and Shirley Douglas in the U.K. on December 21, 1966. In 1971, his parents divorced, and Sutherland moved from their home in L.A. to Toronto with his mother. Just six years later, he was appearing in theatrical performances, including a production of Throne of Strow. His first film appearance occurred in 1983, in Max Dugan Returns, with a scene featuring Sutherland alongside his father Donald Sutherland.The 1980s brought the beginning of what would become Kiefer Sutherland's lengthy list of film credits. Most notable were his roles in The Bay Boy -- a 1930s coming-of-age story set in Nova Scotia -- for which he won a Genie Award in 1984, and the Rob Reiner drama Stand by Me (1986) in which he played a scene-stealing bully. He appeared in The Lost Boys in 1987, also starring Jason Patric. In 1988, at age 20, Sutherland married Camelia Kath, who was 14 years his senior, and the couple had a daughter named Sarah Jude that same year. The marriage lasted for two years.Flatliners, 1990's groundbreaking psychodrama, starred Sutherland with Kevin Bacon, William Baldwin, and Julia Roberts. The story involved four medical students experimenting with death, attempting to actually die to experience the after-life, and then be revived by their peers. The unique story line and strong performances earned the stars a lot of attention for the film. Sutherland and Roberts engaged in an offscreen romance, which endured for some time after shooting had wrapped.In 1992, Sutherland starred in the blockbuster A Few Good Men, also starring Tom Cruise, Jack Nicholson, Demi Moore, and Kevin Bacon. Within a year, he made his directorial debut with the made-for-television drama Last Light, in which he also starred as a prison inmate. He was married a second time, to Kelly Winn, in 1996, but the relationship had ended by 2000.In the late '90s, his career picked up pace, with multiple acting and directing credits occurring within single years. The year 1997 featured Sutherland as Joey in a modern film noir called The Last Days of Frankie the Fly, and as director of the psycho-thriller Truth or Consequences, N.M. In A Soldier's Sweetheart, adapted from a story by Vietnam-vet writer Tim O'Brien, he played the narrator of the flashbacks, in 1998. That same year, he starred in the science fiction-mystery film Dark City with Jennifer Connelly and Rufus Sewell. His second self-directed TV movie, Woman Wanted, was one of four projects released crediting his name in 1999. He also appeared in a German film called After Alice, the psychotic drama Ground Control with Kristy Swanson and Kelly McGillis, and the thriller The Break Up starring Bridget Fonda.Shifting gears from the deep, psychosomatic, and eerie tones of his late-'90s films, Sutherland played the sheriff in 2000's Picking Up the Pieces. Featuring David Schwimmer, Cheech Marin, and Sharon Stone, the film was a satirical comedy infused with screwball humor, with a notable appearance by Woody Allen. Again revisiting a more dramatic genre, Sutherland starred in Fox's revolutionary action series 24 as antiterrorism agent Jack Bauer. With each 1-hour episode told in real time, the 24 episode season represented a single day in the show's chronology. Immediately garnering rave reviews and a rabid core fanbase, the series became a hit and in 2001, Sutherland's role on the program earned him recognition as Best Actor in a TV Drama at the Golden Globe Awards. The innovative series would continue to collect awards and nominations as it was renewed for successive seasons which each followed the single-day format, but took place months or sometimes years later in the timeline.As he continued to star on 24, Sutherland parlayed the show's success into some higher-profile film roles. In 2003, he played the menacing villain in the thriller Phone Booth, and the following year, he played another bad-guy opposite Ethan Hawke and Angelina Jolie in Taking Lives. 24 continued to be the actor's main gig, however, and by the time he began season six in 2006, the of character Jack Bauer had become a cultural icon as the ultimate anti-hero: and a man capable of doing or enduring anything in the name of justice, protection, or even vengeance. In addition to his work on 24, Sutherland took on a variety of voice roles (Monsters vs Aliens, Twelve, Marmaduke), and co-starred with Kristin Dunst in Lars von Trier's Melancholia (2011).

Trivia: Certainly one of the most distinctive looking men ever to be granted the title of movie star, Donald Sutherland is an actor defined as much by his almost caricature-like features as his considerable talent. Tall, lanky and bearing perhaps the most enjoyably sinister face this side of Vincent Price, Sutherland made a name for himself in some of the most influential films of the 1970s and early '80s.A native of Canada, Sutherland was born in New Brunswick on July 17, 1935. Raised in Bridgewater, Nova Scotia, he took an early interest in the entertainment industry, becoming a radio DJ by the time he was fourteen. While an engineering student at the University of Toronto, he discovered his love for acting and duly decided to pursue theatrical training. An attempt to enroll at the London Academy of Music and Dramatic Art was thwarted, however, because of his size (6'4") and idiosyncratic looks. Not one to give up, Sutherland began doing British repertory theatre and getting acting stints on television series like The Saint. In 1964 the actor got his first big break, making his screen debut in the Italian horror film Il Castello dei Morti Vivi (The Castle of the Living Dead). His dual role as a young soldier and an old hag was enough to convince various casting directors of a certain kind of versatility, and Sutherland was soon appearing in a number of remarkably schlocky films, including Dr. Terror's House of Horrors and Die! Die! Darling! (both 1965). A move into more respectable fare came in 1967, when Robert Aldrich cast him as a retarded killer in the highly successful The Dirty Dozen. By the early '70s, Sutherland had become something of a bonafide star, thanks to lead roles in films like Start the Revolution without Me and Robert Altman's MASH (both 1970). It was his role as Army surgeon Hawkeye Pierce in the latter film that gave the actor particular respect and credibility, and the following year he enhanced his reputation with a portrayal of the titular private detective in Alan J. Pakula's Klute.It was during this period that Sutherland became something of an idol for a younger, counter culture audience, due to both the kind of roles he took and his own anti-war stance. Offscreen, he spent a great deal of time protesting the Vietnam War, and, with the participation of fellow protestor and Klute co-star Jane Fonda, made the anti-war documentary F.T.A. in 1972. He also continued his mainstream Hollywood work, enjoying success with films like Don't Look Now (1973), The Day of the Locust (1975), and Fellini's Casanova (1976). In 1978, he won a permanent place in the hearts and minds of slackers everywhere with his portrayal of a pot-smoking, metaphysics-spouting college professor in National Lampoon's Animal House.After a starring role in the critically acclaimed Ordinary People (1980), Sutherland entered a relatively unremarkable phase of his career, appearing in one forgettable film after another. This phase continued for much of the decade, and didn't begin to change until 1989, when the actor won raves for his starring role in A Dry White Season and his title role in Bethune: The Making of a Hero. He spent the 1990s doing steady work in films of widely varying quality, appearing as the informant who cried conspiracy in JFK (1991), a Van Helsing-type figure in Buffy The Vampire Slayer (1992), a wealthy New Yorker who gets taken in by con artist Will Smith in Six Degrees of Separation (1993), and a general in the virus thriller Outbreak (1995). In 1998, the actor did some of his best work in years (in addition to the made-for-TV Citizen X (1995), for which he won an Emmy and a Golden Globe) when he starred as a track coach in Without Limits, Robert Towne's biopic of runner Steve Prefontaine. In 2000, Sutherland enjoyed further critical and commerical success with Space Cowboys, an adventure drama that teamed the actor alongside Tommy Lee Jones, Clint Eastwood, and James Garner as geriatric astronauts who get another chance to blast into orbit.Sutherland didn't pause as the new millennium began, continuing to contribute to several projects a year. He won a Golden Globe for his performance in the 2003 Vietnam era HBO film Path to War, and over the next few years appeared in high-profile films such as The Italian Job, Cold Mountain, and Pride and Prejudice, while continuing to spend time on smaller projects, like 2005's Aurora Borealis. The next year, Sutherland appeared with Mira Sorvino in the TV movie Human Trafficking, which tackled the frightening subject matter of modern day sexual slave trade. He also joined the cast of the new ABC series Commander in Chief, starring Geena Davis as the American vice president who assumes the role of commander in chief when the president dies. Sutherland's role as one of the old boys who is none too pleased to see a woman in the Oval Office earned him a Golden Globe nomination in 2006, as did his performance in Human Trafficking. In 2006, Sutherland worked with Collin Farrell and Salma Hayek in one of screenwriter Robert Towne's rare ventures into film direction with Ask the Dust. Sutherland has also earned a different sort of recognition for his real-life role as the father of actor and sometimes tabloid fodder Kiefer Sutherland. The elder Sutherland named his son after producer Warren Kiefer, who gave him his first big break by casting him in Il Castello dei Morti Vivi. In 2009 he voiced the part of President Stone in the film Astro Boy, an adventure comedy for children. Sutherland played a supporting role in the action thriller The Mechanic (2011), and joined the cast of The Hunger Games in the role of the coldhearted President Stone.

Trivia: Actress, tabloid fodder, provocative Vanity Fair cover piece: the husky-voiced brunette Demi Moore is nothing if not an unforgettable roadside attraction on the pop culture highway. Rising to prominence with a string of successful films during the '80s and early '90s, Moore became known for both her onscreen and offscreen ability to draw attention for everything from her grin-and-bare-it roles in films like Striptease to her well-publicized marriage to (and divorce from) Bruce Willis.Born Demetria Guynes in Roswell, NM, on November 11, 1962, Moore led a troubled childhood. To call it tumultuous would be something of an understatement: along with her mother, half-brother and stepfather, she moved no less than 30 times before her adolescence, thanks to her stepfather's job as a newspaper ad salesman. The problems that went along with such an itinerant lifestyle were compounded by the dysfunctional, sometimes abusive relationship between Moore's mother and stepfather. The latter committed suicide when Moore was 15, around the time that she discovered that he was not her biological father. She dropped out of school a year later and did some modeling in Europe. When she was 18, Moore married rocker Freddy Moore; the union lasted four years, during which time the actress landed her first role playing Jackie Templeton on the TV daytime drama General Hospital. Moore made her film debut in 1981, appearing in both the coming-of-age drama Choices and the schlock-tastic Parasite. Following a bit role in 1982's Young Doctors in Love, she had her first lead role in No Small Affair (1984) as an aspiring rock singer opposite Jon Cryer. Her real breakthrough came the next year, when she starred as an unstable member of a group of college friends in St. Elmo's Fire. Apparently, her onscreen instability mirrored her offscreen condition at the time; she was reportedly fired from the film at one point and then rehired after going into drug rehab. The film was a hit, and Moore, along with such co-stars as Emilio Estevez (to whom she was engaged for three years), Rob Lowe, and Ally Sheedy, became a member of the infamous "Brat Pack."Fortunately for Moore, she managed to avoid the straight-to-oblivion fate of other Brat Pack members, increasing her fame and resume with films like About Last Night (1986) and The Seventh Sign (1988). Her fame further increased in 1987 when she wed Bruce Willis in a Las Vegas ceremony presided over by singer Little Richard. In 1990, Moore had her biggest hit to date with Ghost, a romantic drama that cast her as the grieving girlfriend of the deceased Patrick Swayze. A huge success, Ghost secured Moore a place on the A-list, something she managed to sustain despite the subsequent twin flops of The Butcher's Wife and Mortal Thoughts, both released in 1991. That same year, Moore gained exposure of a different sort when she appeared nude and hugely pregnant on the cover of Vanity Fair; the resulting hoopla gained her more attention than either of her movies that year. She was back on the magazine's cover the following year, nude again but fetus-free and sporting a layer of artfully applied body paint. The controversy surrounding her cover-girl appearances may have helped Moore weather similar flak around her next feature, 1993's Indecent Proposal. The story of a woman (Moore) who agrees to a one-night stand with a wealthy man (Robert Redford) for one million dollars after she and her husband (Woody Harrelson) find themselves in dire financial straits, Proposal was decried by a number of feminist groups as well as various film critics and went on to be another big, if controversial, hit for Moore.Following the commercial success of Indecent Proposal, Moore's career hit something of a downward spiral. 1994's Disclosure proved a disappointment, and the following year's Now and Then (which she also produced) staged a similarly wan performance at the box office; however, it was Moore's other film that year, a "free,"or, as some would say, staggeringly misguided, adaptation of Nathaniel Hawthorne's The Scarlet Letter, that had critics howling and audiences cowering like small children being forced to watch German expressionist films. An unintentionally hilarious rendering of the classic tale, it featured Moore's Hester Prynne exposing plenty of skin, luxuriating in what must have been one of Puritan New England's few hot tubs, having steamy sex on a shifting bed of grain, and walking off into the sunset with her beloved Reverend Dimmesdale (a moody Gary Oldman). Following this debacle, Moore took refuge on safer grounds, lending her voice to Disney's animated The Hunchback of Notre Dame in 1996; however, that same year, she encountered another career pitfall in the form of Striptease. Based on Carl Hiaasen's satirical novel about a divorcée who turns to stripping so that she can raise money to win back custody of her daughter, the tonally inconsistent film proved a failure, despite titillating advertisements promising that Moore would bare all for audiences. The actress' career suffered a further blow with the disappointment of Ridley Scott's G.I. Jane in 1997, and she found herself getting more attention for her offscreen life as she was, by that point, embroiled in a very public divorce from Willis. The two formally separated in 1998. Although her career in front of the camera suffered, Moore managed to do well for herself as a producer. In 1997, she produced the hugely successful Austin Powers: International Man of Mystery and served in the same capacity for its mega-hit sequels, 1999's Austin Powers: The Spy Who Shagged Me and 2002's Austin Powers in Goldmember. In 2000, Moore returned to the screen to star in Alain Berliner's Passion of Mind, a psychological drama that cast the actress in a dual role as two women who lead different lives but are tied by a single identity.The year 2003 brought Moore back to the spotlight in a big way -- not only did the 41-year-old actress play the shockingly buff-bodied bad guy in Charlie's Angels: Full Throttle, she gave the paparazzi something of a godsend by dating Punk'd and That '70s Show heartthrob Ashton Kutcher, sixteen years her junior. The two wed in late September 2005, at a ceremony attended by hundreds, including Bruce Willis and his three daughters with Moore; they later divorced amid tremendous media scrutiny in 2011. Moore maintained a lower profile after this union, but returned to the spotlight for former flame Estevez's ambitious political period-ensemble Bobby, about the events leading up to Robert Kennedy's assasination. Among the star-studded cast, Moore was given a showy, standout role as an alcoholic lounge singer; there was room, too, for Kutcher, as an acid-dropping hippie. The film garnered decidedly mixed reviews, even if Moore attracted some attention for her part.In 2007 the actress joined the cast of director Bruce A. Evans's psychological thriller Mr. Brooks, as a tough-as-nails detective on the trail of Kevin Costner's titular, obsessive suburban serial killer. The movie suffered an ignominious fate at the box office, and Moore was singled out by critics for her implausibility. This didn't stop her from taking on new projects, however, starring with Parker Posey in the 2009 comedy Happy Tears in 2009, and playing the female lead in the 2011 Wall Street drama Margin Call, before joining the cast of the romantic comedy LOL in 2012.

Trivia: Growing up in Scotland, the descendent of Irish immigrants, Brian Cox always felt an affinity to American cinema that eventually led him to pursue his career stateside. Born on June 1, 1946, in Dundee, Scotland, Cox knew he wanted to act from an early age, but identified more with the characters portrayed in American films than in "zany British comedies," to use his phrase. While working at the local theater, where he started by mopping the stage, the 15-year-old Cox would watch the actors and study their styles to separate the wheat from the chaff. He attended drama school in London and got caught up in British theater and television during the 1970s. Cox landed on Broadway in the early '80s, but found more closed doors than open ones. It was while performing a play transplanted from the U.K. that a casting agent for Michael Mann's Manhunter (1986) noticed him. The film would become the first cinematic treatment of Thomas Harris' Hannibal Lecter (spelled "Lecktor" at the time) character, which Anthony Hopkins would make his own in Silence of the Lambs (1991). Cox was cast in the role, paving the way for the success that had eluded him until his 40th year.Despite the breakthrough, Cox remained better identified with television than film during the late '80s and early '90s, though his roles significantly increased in number. His initiation to regular film work came through appearances in two 1995 sword epics, Braveheart and Rob Roy. Over the latter half of the 1990s he materialized in character-actor roles -- police officers, doctors, fathers -- in such films as The Long Kiss Goodnight (1996), Kiss the Girls (1997), Rushmore (1998), and The Minus Man (1999). Although he appears more often in American than British cinema, Cox has also paid homage to his Scottish and Irish roots, such as playing an IRA heavy in Jim Sheridan's The Boxer (1997).In 2001, Cox secured major acclaim -- and an American Film Institute nomination for best supporting actor -- with the release of L.I.E., the debut film of director Michael Cuesta. Like Todd Solondz' critical darling Happiness (1998), the film presents a child molester (Cox) as one of its major characters without condemning him, if not actually leaving him altogether unjudged. Cox's complicated, intense portrayal enabled such shades of gray, raising the character above the bottom rung of the morality food chain.As the decade continued, so did Cox's visibility in bigger hollywood films. In 2002 alone, he took on substantial roles in The Bourne Identity, The Rookie, The Ring, The 25th Hour, and Adaptation, a film that saw him stealing scenes with an appropriately over-the-top turn as blowhard screenwriting guru Robert McKee. The following year audiences could see him in the blockbuster comic-book sequel X2: X-Men United, and in 2004 he starred alongside Brad Pitt and Orlando Bloom in the epic retelling of the Iliad, Troy. He returned to the Bourne franchise for The Bourne Supremacy, and appeared in the thriller Red Eye. He was the psychiatrist in the comedy Running With Scissors, and in 2007 portrayed Melvin Belli in David Fincher's Zodiac. He was cast in the geriatric action film Red, and joined up with Wes Anderson a second time to lend his voice to a bit part in Fantastic Mr. Fox. In 2011 Ralph Finnes tapped Cox to play Menenius in his big-screen adaptation of The Bard's Coriolanus.

Trivia: Michael Wincott's filmography contains a veritable rogues' gallery of brooding villains and charismatic scalawags. Interestingly, he consistently wins high marks for his performances but remains largely unknown outside of a growing circle of devoted fans. He was born in London, Ontario, and trained at the prestigious Juilliard School. He launched his professional career on the New York Stage, appearing in such productions as The Plough and the Stars, When You Comin' Back, Red Ryder, and 'Tis a Pity She's a Whore. He also appeared in a few Broadway dramas, including Sam Shepard's premiere production of States of Shock. He made his feature film debut in a Canadian production, Wild Horse Hank (1979). Some of his more memorable roles include his reprisal of his Broadway performance as a zoned-out rocker in Oliver Stone's film adaptation of Eric Bogosian's Talk Radio (1988). In villainous roles, Wincott projects a charismatic intensity that eclipses the actor behind the them, which is perhaps one reason why major stardom has eluded him. He was riveting as Top Dollar, the supervillain in The Crow (1994). Wincott's brother, Jeff Wincott, is also an actor.

Trivia: First exposure to theater came through the Missoula (Montana) Children's Theatre, which toured western Canada and the U.S. Northwest. In ninth grade, there were a total of 21 students in his school. Best known for playing heartthrob Declan Coyne in the series Degrassi: The Next Generation (aka Degrassi). Nominated for a Gemini Award for Best Performance in a Children's or Youth Program or Series in 2010 for an episode of Degrassi: The Next Generation titled "Waiting for a Girl Like You." Was cast as Josh in Steven Spielberg's time-travel drama series Terra Nova in the fall of 2010.

Trivia: Grew up in New Finland and Calgary. Studied ballet since age 3. Attended the School of Alberta Ballet in Canada; trained for 13 years in dance, singing, theatre, violin and guitar. Played the violin for 7 years; stopped practicing to focus on her dream of dancing professionally. Forced to give up ballet in her mid-teens after suffering a severe knee injury. In 2010, made her acting debut in the Canadian drama series Heartland.

Trivia: Costarred with Catherine Zeta-Jones in Bugsy Malone on the West End. Appeared in the original West End cast of Miss Saigon as an understudy for the character Chris. Memorably played the villainous Michael Amador on Season 3 of 24. Does extensive voice-over work, including animated films and TV shows, video and computer games, and commercials.