Trivia: Intense, versatile African-American actress Alfre Woodard attended Boston University, then made her stage bow in 1974 with Washington, D.C.'s Arena Stage. After a few minor appearances in films like Remember My Name (1978) and H.E.A.L.T.H (1979), the Tulsa, OK, native was nominated for an Oscar for her performance as Geechee in 1983's Cross Creek. She went on to further television acclaim during the decade, appearing on St. Elsewhere and winning Emmys for her recurring roles on Hill Street Blues and L.A. Law, and an ACE award for the made-for-cable Mandela (1987). In film, the actress consistently shone in roles that featured her as unconventional women who usually had a troubled past; after a memorable appearance in Miss Firecracker (1989), she went on to star in such films as Lawrence Kasdan's Grand Canyon (1991) and John Sayles' Passion Fish (1992), for which she won a Golden Globe nomination. Other notable film appearances included those in Rich in Love (1993), Crooklyn (1994), and Maya Angelou's Down in the Delta, in which Woodard played a single mother with drug and alcohol problems who returns to her family's southern hometown. In 1999, the actress starred in two films, Funny Valentines and Mumford, Lawrence Kasdan's tale of a small-town psychologist.Woodard has also continued to work in television, earning considerable acclaim for her performances. In 1995, she won an Emmy nomination and a Screen Actors Guild Best Actress Award for her performance in the The Piano Lesson, and two years later won an Emmy, a Golden Globe, and a SAG Award for her portrayal of the title character of Miss Evers' Boys, a nurse who consoled many of the subjects of the notorious 1930s Tuskeegee Study of Untreated Blacks with Syphilis. In addition, she has done a fair amount of narration, lending her voice to a variety of television documentaries.The actress reteamed with HBO in 2003 for the film Unchained Memories, and took on a starring role on ABC's Desperate Housewives in 2006. In addition to appearing on a variety of popular television shows (Hill Street Blues, St. Elsewhere, The Practice, Homicide: Life on the Street). Woodard played the part of a woman falsely accused of drug trafficking in the 2009 drama American Violet, and was nominated for yet another Emmy in 2010 for her work on HBO's hit drama True Blood.

Trivia: Actress Kathy Bates has been involved in the arts in one way or another since graduating from Southern Methodist University. Among the Memphis native's earliest jobs were a stint as a singing waitress in a Catskill resort and a sojourn as a gift shop cashier in New York's Museum of Modern Art. Bates was type-cast in character roles early on, which assured her a lot more work than the thousands of faceless ingenues in the business. Her film debut occurred with 1971's Taking Off, and she made her off-Broadway debut five years later in Vanities.For a long while, Bates made her name on the stage, only to see her roles go to other actresses in the plays' subsequent film adaptations. In 1983, she was nominated for a Tony award for her stage appearance as a garrulous would-be suicide in 'Night, Mother, a role played on screen by Sissy Spacek. She also appeared as Lenny McGrath in Beth Henley's Pulitzer Prize-winning play Crimes of the Heart, a role played on screen by Diane Keaton. And in 1987, playwright Terrence McNally wrote a part specifically tailored to Bates' talents: the much-abused waitress Frankie in Frankie and Johnny in the Clair de Lune, a role which won her an Obie award, and, following a familiar pattern, was played on screen by Michelle Pfeiffer.Bates finally got to star in a movie herself in 1990. And what a starring role it was: in Misery, she portrayed the psychotic "Number One Fan" of romance writer Paul Sheldon (James Caan), a searing performance which earned the actress an Academy Award and a Golden Globe. Appropriately enough, Hollywood screenwriters subsequently began making more room for Bates in their scripts. She worked steadily throughout the rest of the decade in films of greatly varying quality. Particular highlights included Fried Green Tomatoes (1991), A Prelude to a Kiss (1992), Dolores Claiborne (1995), Titanic (1997), and Primary Colors (1998), the latter of which featured Bates giving an Oscar and Golden Globe nominated performance as a political muckraker. Following her firey, foul-mouthed performance in that thinly veilied political biopic, Bates added a new credential to her resume, that of director. Initially taking the helm for the made-for-cable feature Dash and Lilly, Bates would subsequently direct episodes of the quirky HBO drama series Six Feet Under, simultaniously taking minor film roles before returning to more substantial roles with the CBS Hallmark Hall of Fame entry My Sister's Keeper. Roles in Love Liza and Dragonfly (both 2002) were soon to follow, and with her turn as an extroverted mother who catches the attention of Jack Nicholson in About Schmidt Bates would recieve her third Oscar nomination.She directed a number of episodes of the HBO series Six Feet Under before joining the cast in season 3 as Bettina. The next year she portrayed Queen Victoria in the big-budget remake of Around the World in 80 Days. She directed he feature Ambulance Girl in 2005. She continued to act steadily in a variety of projects including Failure to Launch, P.S. I Love You, Fred Claus, Bee Movie, and Revolutionary Road. She provided expert support for Sandra Bulock as the younger actress was winning an Oscar in The Blind Side, and Bates joined the cast of The Office in 2009. She was part of the large ensemble in 2010'ss Valentine's Day, and in 2011 starred as Gertrude Stein in Woody Allen's Oscar winning Midnight in Paris. That same year she launched her own network Drama series Harry's Law.

Trivia: An actress who has been noted equally for her talent and beauty, Sanaa Lathan first caught the attention of critics and audiences alike in a series of witty, thought-provoking late-'90s films about the lives of young African-Americans. Featured prominently in such ensemble pieces as The Best Man and The Wood (both 1999), Lathan won her first starring role in Gina Prince-Bythewood's widely acclaimed Love & Basketball (2000), playing a talented basketball player who finds her professional dreams complicated by her relationship with her boyfriend and her own expectations of herself. Lathan's work in the film, along with her performance that same year in Prince-Bythewood's HBO movie Disappearing Acts, announced the actress as a charismatic new talent to watch. Born on October 19, 1971, Lathan -- whose first name is Swahili for "work of art" -- was the second oldest of five children born to Broadway actress and dancer Eleanor McCoy and director/producer Stan Lathan. Surrounded by show business since day one, Lathan began training in dance and gymnastics at an early age. Following her parents' divorce, she grew up shuttling between her mother's home in New York and Los Angeles, where her father lived. During her undergraduate education at UC Berkeley, where she studied English and toyed with the idea of becoming a lawyer, Lathan became involved with the Black Theater Workshop. Thanks in part to her stage experiences with the Workshop, she was encouraged to try out for the Yale School of Drama, where she was ultimately accepted.Following her training at Yale, where she performed in a number of Shakespeare's plays, Lathan earned acclaim both off-Broadway and on the Los Angeles stage. Encouraged by her father to make L.A. her professional base, the young actress found early TV work on episodes of such shows as Family Matters, NYPD Blue, and Moesha. During that same period, she won raves and a Best Actress nod from the Los Angeles NAACP Theatrical Award Committee for her performance in To Take Arms.In 1998, Lathan earned a degree of big-screen recognition with her role as the mother of Wesley Snipes' title character in Blade. She followed this the subsequent year with back-to-back turns in The Best Man and The Wood. The former was a comedic ensemble piece starring Taye Diggs, Nia Long, Morris Chestnut, Harold Perrineau Jr., and Monica Calhoun, and featured Lathan as Diggs' girlfriend; while the latter, another ensemble piece starring Diggs, Omar Epps, and Richard T. Jones, cast her as the love interest of Epps, who also happened to be her real-life boyfriend. In 1999, Lathan played yet another girlfriend, this time Eddie Murphy's, in Ted Demme's comedy Life. Lathan and Epps were reunited onscreen in Prince-Bythewood's Love & Basketball, this time playing a couple as passionate about basketball as they are about each other. The widely lauded film served as a break-out role for Lathan, who was finally able to play a leading character instead of the girlfriend of one. Her work in Love & Basketball earned her Best Actress nominations for both the N.A.A.C.P. Image Award and the Independent Spirit Award. That same year, Lathan earned additional acclaim for her work in the multicultural comedy Catfish in Black Bean Sauce and for her second collaboration with Prince-Bythewood, Disappearing Acts. Based on a novel by Terry McMillan, the HBO movie cast Lathan as an aspiring singer/songwriter in love with a carpenter, played by her Blade co-star Wesley Snipes. For her work in the film Lathan earned an Essence Award for Best Actress, as well as the added assurance of a very busy work schedule.

Trivia: A theatrically trained actor who has subsequently made a name for himself as a valuable film and television commodity, Rockmond Dunbar is much more than just another charismatic performer -- he's also a talented producer and director. It was Dunbar's role on the mid-'90s sci-fi show Earth 2 that first served to introduce the ambitious cinematic Renaissance man to viewers, with subsequent appearances on The Practice and Felicity preceding more substantial roles on Girlfriends and Soul Food -- the latter of which found Dunbar winning over critics and viewers as a dedicated family man and hardworking entrepreneur. Additional roles in such independent films as Punks, All About You, Kiss Kiss Bang Bang, and Dirty Laundry showed an actor who was as charismatic on the big screen as he was on the small one, with behind-the-scenes work on Dirty Laundry and the 2003 drama The Great Commission marking his arrival as a producer and director as well. In 2005, Dunbar resurfaced on the small screen in a role that couldn't have been more different than the one he previously played in Soul Food. Cast as hardened prison inmate "C-Note" on the hit Fox series Prison Break, Dunbar portrayed his most compelling television character to date. From inmate to medico, the versatile star named one of "Television's 50 Sexiest Stars of All Time" by TV Guide could next be seen as compassionate Dr. Tom Jonas on the small-screen medical drama Heartland. Dunbar continued to showcase strong TV work in the coming years, with guest roles on Grey's Anatomy, Private Practice and the Closer and long recurring arcs on The Game, The Mentalist and Sons of Anarchy.

Trivia: Many filmgoers first caught delicately beautiful Georgian actress KaDee Strickland via her portrayal of Kristen, one of the vivacious young woman who accompany world-weary playboy Jack Nicholson at the outset of the Nancy Meyers romantic comedy Something's Gotta Give (2003). This marked the beginning of a long sequence of small roles for the rising star, in such A-listers as The Grudge (2004), Fever Pitch (2005), and The Flock (2007). On the small screen, in 2007, Strickland had a regular role on the very short-lived comedy drama The Wedding Bells, which she quickly followed up with another regular part, this time on the highly successful Grey's Anatomy spin-off, Private Practice, playing Dr. Charlotte King. That same year she could be seen on the big screen in American Gangster, and the next year she appeared in Tyler Perry's The Family That Preys.

Trivia: After making his film debut alongside a cast of future stars, Cole Hauser made his own mark as a TV and indie film actor in the 1990s. Raised in Santa Barbara, Hauser got hooked on acting in junior high. Shortly after he moved to Los Angeles at age 15 to pursue his chosen career, Hauser was cast in the prep school anti-Semitism drama School Ties (1992) along with up-and-comers Brendan Fraser, Chris O'Donnell, Matt Damon, and Ben Affleck. After this auspicious beginning, Hauser became part of an equally noteworthy ensemble of young stars-to-be in Richard Linklater's Dazed and Confused (1993), appeared in the NBC TV movie A Matter of Justice (1993), played a skinhead in John Singleton's college drama Higher Learning (1995), and starred as an abusive boyfriend in All Over Me (1997). Hauser was cast in the lead role in the ABC series High Incident in 1996, but the show lasted only two seasons. Following a supporting role as one of Damon and Affleck's Boston cronies in their breakthrough hit Good Will Hunting (1997), Hauser played a small part in Stephen Frears' little seen modern Western The Hi-Lo Country (1998) and scored a hit as one of the marooned travelers battling mutant aliens in the sci-fi sleeper Pitch Black (2000). After reuniting with his Tigerland (2000) co-star Colin Farrell in the box office failure Hart's War (2002), Hauser gained more notice for his supporting role later that year in the women's melodrama White Oleander (2002). Though he only appeared in a few scenes, Hauser's kindly and sexy young foster dad Ray easily caught the eye of the audience as well as troubled foster teen Alison Lohman. Returning to more testosterone-friendly work, Hauser subsequently co-starred with Hart's War officer Bruce Willis in Antoine Fuqua's action thriller Man of War (2003), and got behind the nitro-charged wheel for the sequel The Fast and the Furious 2 (2003). He continued to work in little-seen fare like Paparazzi and The Cave, but did score a part as one of Vince Vaughn's brothers in the aptly titled comedy The Break-Up. Over the next several years, Hauser would remain active on screen, appearing in films like The Cave, The Break-Up, and The FAmily That Prays, as well as on TV series like K-Ville and Chase. Hauser's father is actor Wings Hauser.

Trivia: Washington, D.C., native Taraji P. Henson didn't always know that her smoldering charisma and beautiful face would make her a professional actress. On the contrary, she originally studied electrical engineering when she enrolled at North Carolina Agric & Tech. She later transferred to Howard University, where she attended classes while working as a secretary at the Pentagon, and as a singer and dancer aboard a cruise ship. She eventually changed her academic focus to theater and graduated in 1995. Henson's career began with appearances on Homicide: Life on the Street and ER, but it really took off when she was cast in a major supporting role in 2001's Baby Boy and 2004's Hustle & Flow, in which she also showcased her vocal talents, singing on the track "It's Hard Out Here for a Pimp" for the movie's soundtrack, which took home the Best Song Oscar that year. Henson later moved on to take major roles in Smokin' Aces and Talk to Me. Henson made the most of her work as the mother of the backward-aging man in David Fincher's The Curious Case of Benjamin Button, and her performance garnered Best Supporting Actress nominations from both the Screen Actors Guild, and the Academy. She became an in-demand character actress after that success and appeared in a series of films including Tyler Perry's The Family That Preys, the remake of The Karate Kid, Date Night, and Larry Crowne. In 2012, she was part of the ensemble in the hit comedy Think Like a Man, and later reprised her role in the sequel, Think Like a Man Too. Henson returned to television on the CBS crime drama Person of Interest, playing an NYPD detective. Her character was dramatically killed off in the third season, with Henson claiming she wanted to focus on her film career. However, she quickly took a role on the FOX musical drama Empire, playing breakout character Cookie Lyon.

Trivia: As an actor, writer, producer, and director of films and stage plays, the New Orleans-born Tyler Perry began his career as a dramatist in 1992. When inspired by Oprah Winfrey to channel his creativity through writing, Perry put pen to paper as a method of healing the wounds that lingered from a painful childhood. His first production, entitled I Know I've Been Changed, hit the stage to rapturous reviews in 1997, and following a collaborative period with Bishop T.D. Jakes that resulted in the plays Woman, Thou Art Loosed and Behind Closed Doors, Perry flew solo to create cantankerous 68-year-old grandmother Mabel "Madea" Simmons (whom Perry played, in full drag) in I Can Do Bad All by Myself around 2000 A slew of Madea-based projects were quick to follow, and shortly thereafter Perry joined Grammy Award-winner Kelly Price for the play Why Did I Get Married?. His plays garnered countless fans thanks to Perry's trademark practice of releasing them on home video. Throughout this period, many credited Perry with resuscitating (and reinventing) African-American theater; in the process, Perry's first eight plays reportedly earned a cumulative gross of over 75 million dollars in ticket and video sales.Perry didn't fully enter the public spotlight, however, until he cropped up in mid-2005 with the oddball A-lister Diary of a Mad Black Woman, self-adapted from his own hit play. This story of an African-American woman Helen McCarter (Kimberly Elise) struggling to rebound after a painful separation, whose life is invaded (in more ways than one) by the obnoxious, loudmouthed, chainsaw-wielding (!) Madea, Diary -- a bizarre combination of domestic melodrama, violent, racially-oriented farce, and Christian proselytizing -- understandably left many critics running for the exit, but, of course, ticket buyers prevailed. The film scored with its intended African-American audience and grossed a healthy 50 million dollars (it ranked as number one at the box office during February 2005), leading to an early 2006 sequel, Madea's Family Reunion, this one written and directed by Perry. Either because Perry's talent had matured within a year or because the press had grown accustomed to the playwright-cum-filmmaker's defiantly unconventional style, critics were slightly kinder about the sophomore Madea outing, which benefits from finely-felt supporting turns by the legendary Cicely Tyson and Maya Angelou. Like its predecessor, Reunion struck box office gold, and even topped Diary's net, reeling in an estimated 63.3 million dollars in international grosses. Perry then scrapped the Madea character for a tertiary cinematic outing, Tyler Perry's Daddy's Little Girls. This romantic dramedy concerns Monty (Idris Elba), a financially strapped African-American mechanic who loses custody of his children to his drug-pushing ex-wife, and then falls in love with the beautiful attorney (Gabrielle Union) whom he hires to get the children back. Increasingly prolific on stage and screen in the following years, Perry continued packing fans into theaters with Madea Goes to Jail (2009), I Can Do Bad All By Myself (also 2009), Good Deeds (2012) and Madea's Witness Protection while simultaneously making a mark on television as creator of the hit sitcom Tyler Perry's House of Payne. Perry also began to take some acting roles in films that he didn't write/direct/producer, like the titular character in Alex Cross (2012) and a supporting role in David Fincher's Gone Girl (2014).

Trivia: African American model/actress Robin Givens first gained national prominence as a regular on the TV series Head of the Class. From 1986 through 1991, Robin played Darlene Merriman, a prep-school type attending a high school honors program. Though she was but one of an ensemble, Givens's participation in the series was hyped by the network on the occasion of her marriage to boxing champ Mike Tyson. The marriage ended in divorce, after only a few years, amidst accusations of brutality and infidelity. Givens has proven she is not merely an adjunct to Mike Tyson's fame with excellent performances in such TV and movie projects as The Women of Brewster Place (1989) and A Rage in Harlem (1991), and the TV series Courthouse. Givens would remain active on screen over the coming decades, starring on other series, like Sparks, and in movies like Head of State and The Family That Preys.