Trivia: Angela Lansbury received an Oscar nomination for her first film, Gaslight, in 1944, and has been winning acting awards and audience favor ever since. Born in London to a family that included both politicians and performers, Lansbury came to the U.S. during World War II. She made notable early film appearances as the snooty sister in National Velvet (1944); the pathetic singer in The Picture of Dorian Gray (1945), which garnered her another Academy nomination; and the madam-with-a-heart-of-gold saloon singer in The Harvey Girls (1946). She turned evil as the manipulative publisher in State of the Union (1948), but was just as convincing as the good queen in The Three Musketeers (1948) and the petulant daughter in The Court Jester (1956). She received another Oscar nomination for her chilling performance as Laurence Harvey's scheming mother in The Manchurian Candidate (1962) and appeared as the addled witch in Bedknobs and Broomsticks (1971), among other later films. On Broadway, she won Tony awards for the musicals Mame (1966), Dear World (1969), the revival of Gypsy (1975), Sweeney Todd (1979) and, at age 82, for the play Blithe Spirit (2009). Despite a season in the '50s on the game show Pantomime Quiz, she came to series television late, starring in 1984-1996 as Jessica Fletcher in Murder, She Wrote; she took over as producer of the show in the '90s. She returned to the Disney studios to record the voice of Mrs. Potts in Beauty and the Beast (1991) and to sing the title song and later reprised the role in the direct-to-video sequel, The Enchanted Christmas (1997). Lansbury is the sister of TV producer Bruce Lansbury.

Trivia: Offbeat leading lady Susan Anspach worked in off-Broadway productions before making her first film, The Landlord, in 1970. Nominal stardom came her way with prime roles in Five Easy Pieces (1971), Play It Again, Sam (1972), and especially Blume in Love (1973). The type of fey, semi-neurotic roles that made Anspach famous went out of vogue as the 1970s became the 1980s, and her career suffered accordingly. She continued to appear in smaller-scale films like Blue Monkey (1987) and Killer Instinct (1990), and was a regular on three TV series: The Yellow Rose (1983), Space (1985), and The Slap Maxwell Story (1987). In 1995, Susan Anspach found herself in the tabloids and columns when she sued her former lover Jack Nicholson over a long-standing monetary arrangement.

Trivia: The son of a wealthy office-supplies dealer, American actor Maxwell Gail Jr. excelled in high-school sports, spending his senior year as an exchange student in Germany. Upon earning collegiate degrees from both Williams University and University of Michigan, he became a teacher in Detroit's inner city, partially to ensure himself a draft deferment. Frustrated at trying to communicate with his sullen poverty-level students, Gail chucked it all to head for San Francisco, where he worked as a guidance counselor. Again, the frustrations of the job got to him, compelling Gail to seek employment as a cocktail-lounge pianist. Trying out for a play on a whim in 1970, Gail finally found his life's calling. He spent the early '70s haunting the casting offices, accepting small TV roles as heavies and bullies. A guest spot as a tough lug on the 1974 sitcom Friends and Lovers caught the attention of producer Danny Arnold, who cast Gail as Detective Stanley "Wojo" Wojohowicz on the new comedy series Barney Miller. Gail played "Wojo" until the series' cancellation in 1980, at which point he re-entered the guest-star pool. Since that time Max Gail Jr. has been seen as a reporter on the short-lived 1983 adventure series Whiz Kids, and as the father of Dweezil Zappa and Moon Unit Zappa on the even shorter-lived 1990 sitcom Normal Life.

Trivia: American actor George Furth attended Northwestern University, a cradle of American acting talent. After getting his master's degree at Columbia, Furth sought out stage work: his first part was in the 1961 play A Cook for Mr. General. Most often cast in films as a bespectacled, nerdish, ineffectual type, Furth appeared in such films as The Best Man (1964) and Myra Breckenridge (1970). His most celebrated movie role was as Woodcock, the by-the-book railroad guard robbed twice by Paul Newman and Robert Redford in Butch Cassidy and the Sundance Kid (1969). On TV, Furth was seen regularly on Broadside, Tammy, The Good Guys and The Dumplings--situation comedies all. Broadway regulars will recognize the name George Furth less for his acting than for his considerable accomplishments as a playwright; in 1970, Furth wrote the book for Stephen Sondheim's Tony-winning musical Company.

Trivia: While growing up in Chicago, Tom Bosley dreamed of becoming the star left-fielder for the Cubs. As it turned out, the closest Bosley got to organized athletics was a sportscasting class at DePauw University. After additional training at the Radio Institute of Chicago and two years' practical experience in various dramatic radio programs and stock companies, he left for New York in 1950. Five years of odd jobs and summer-theater stints later, he landed his first off-Broadway role, playing Dupont-Dufort in Jean Anouilh's Thieves' Carnival. Steadier work followed at the Arena Theatre in Washington, D.C.; then in 1959, Bosley landed the starring role in the Broadway musical Fiorello!, picking up a Tony Award, an ANTA Award, and the New York Drama Critics Award in the bargain. In 1963, he made his film bow as Natalie Wood's "safe and secure" suitor Anthony Colombo in Love With the Proper Stranger. Occasionally cast as two-bit criminals or pathetic losers (he sold his eyes to blind millionairess Joan Crawford in the Spielberg-directed Night Gallery TV movie), Bosley was most often seen as a harried suburban father. After recurring roles on such TV series as That Was the Week That Was, The Debbie Reynolds Show, and The Sandy Duncan Show, Bosley was hired by Hanna-Barbera to provide the voice of flustered patriarch Howard Boyle on the animated sitcom Wait Til Your Father Gets Home (1972-1973). This served as a dry run of sorts for his most famous series-TV assignment: Howard Cunningham, aka "Mr. C," on the immensely popular Happy Days (1974-1983). The warm, familial ambience of the Happy Days set enabled Bosley to weather the tragic death of his first wife, former dancer Jean Elliot, in 1978. In addition to his Happy Days duties, Bosley was narrator of the syndicated documentary That's Hollywood (1977-1981). From 1989 to 1991, he starred on the weekly series The Father Dowling Mysteries, and thereafter was seen on an occasional basis as down-to-earth Cabot Cove sheriff Amos Tupper on Murder, She Wrote. Reportedly as kind, generous, and giving as his Happy Days character, Tom Bosley has over the last 20 years received numerous honors for his many civic and charitable activities.

Trivia: A Brooklynite from head to toe, Dane Clark never completely forsook his streetwise pugnacity, not even while attending Cornell and John Hopkins, and earning a law degree from St. John's University. Clark held down several Depression-era jobs--road gang worker, boxer, ballplayer, magazine model--before making his first stage appearance in 1938. Four years later, he made his entree into films, at first using his given name of Bernard Zanville (sometimes spelled Zaneville). Signed by Warner Bros. in 1943, Clark was given a new professional name and purpose in life: as potential replacement for Warners' resident "tenement tough" John Garfield. Since there was plenty of life left in the original Garfield, however, Clark was largely confined to secondary roles, usually as the hero's best friend or the cocky troublemaker from Brooklyn. As the 1940s drew to a close, Clark was afforded a few leading roles by Warners, though it was while on loan-out to Republic that he delivered his finest performance, as emotionally overwrought accidental murderer Danny Hawkins in Moonrise (1948). His film appearances were fewer and farther between in the 1950s, as he sought out more rewarding roles on television and the Broadway stage. He did get to play Harlem Globetrotters maven Abe Saperstein in the 1954 feature Go, Man, Go, but he also had to produce the film himself. On TV, Clark starred as news correspondent Dan Miller on the weekly adventure series Wire Service (1956), and played hotel owner Slate Shannon on the 1959 TV version of the old Bogart-Bacall radio series Bold Venture. He also co-starred as Lt. Tragg on the ill-advised New Perry Mason (1973), and made innumerable guest appearances on such series as Alfred Hitchcock Presents, The Twilight Zone, The Untouchables and Ellery Queen (1975 version).

Trivia: The sister of the notorious stripper Gypsy Rose Lee, with whom she was driven into performance by an ambitious stage mother, June Havoc began playing bits in silent film shorts at age two, eventually appearing in 24 Hal Roach comedies. She was earning $1500 a week as a vaudeville headliner by the time she was five. At age 13, she married the first of three husbands, and in her late teens, during the Depression and the demise of vaudeville, she modeled and participated in dance marathons (she still holds a record for marathon dancing in 1933), then went on to perform in Catskill Mountain resorts and in stock. In 1936 she made her Broadway debut. Four years later, she scored a big success in the 1940 production of Pal Joey, after which she was invited to Hollywood. She debuted onscreen as an adult in 1941, and over the next decade played leads and second leads in many films. However, Havoc never became a top star and found herself cast in routine films; she rarely appeared onscreen after 1952. Her stage work was more successful, and in 1944 she won a Donaldson Award for Mexican Hayride; she also did much work on TV. She wrote and directed the autobiographical Broadway play Marathon 33 (1963), and authored an autobiography, Early Havoc (1959). She was portrayed as a juvenile stage performer in the Broadway show Gypsy and its screen version. She married actor-director William Spier.

Trivia: Stocky, blondish character actor John Karlen gained a mid-1966s following as Willie Loomis (and several other roles) on the Gothic TV soap opera Dark Shadows. Thereafter, Karlen became a fixture in other Dan Curtis productions, appearing in such feature-length Curtis endeavors as House of Dark Shadows (1970) and Trilogy of Terror (1973). In 1987, Karlen won an Emmy for his portrayal of Harvey Lacey, the contractor husband of Mary Beth Lacey (Tyne Daly), on the TV series Cagney and Lacey (1982-88); two years later he co-starred on the less successful video weekly Snoops. John Karlen's TV movie credits include the role of Jerry Barr in the execrable Roseanne: An Unauthorized Biography (1994).

Trivia: Often introduced as "one of America's most familiar faces," it's likely that you've caught a glimpse of Ron Masak either in one of his over 300 appearances in various television shows, on that commercial that lingers in the back of your memory somewhere (he was once blessed with the moniker "king of commercials" and was the voice of the Vlassic Pickle Stork for 15 years), or maybe in one of his 15 feature film appearances. Whatever you might recognize him from, if you don't remember his name, he's the guy that you know you've seen somewhere before, but just might not be able to place where. A native of Chicago, IL (he was once offered a contract with the Chicago White Sox by Hall-of-Famer Rogers Hornsby), Masak was classically trained as an actor at the Windy City's own CCC. A tireless performer, Masak found an initial platform for his talents in the Army, where he toured the world entertaining in an all-Army show in which he served as writer, performer, and director. Masak became well-known not only for his acting abilities, but for the fact that he was a dedicated performer who never missed a show. Proving himself adept at roles ranging from Shakespeare to his almost decade-long stint as the sheriff on Murder She Wrote, Masak thrived in theater and in commercial work around Chicago in the late '50s and early '60s.After a few minor roles in such television series as Bewitched, I Dream of Jeannie, The Monkees, and The Flying Nun (not to mention what many consider to be one of the earliest Elvis impersonations on the Spade Cooley Show in 1958), Masak was spotted by producer Harry Ackerman early in his career and went to California to audition for a lead in a pilot. Though that particular prospect fell through, Masak was introduced to John Sturges, a meeting which resulted in his feature debut in the cold-war thriller Ice Station Zebra (1968). Masak's work as an emcee is another testament to his universal appeal and versatile likeability; he has served as host for some of the biggest names in show business, including such talents as Kenny Rogers and Billy Crystal. Masak also starred in four of the most successful sales motivational videos of all time, including Second Effort with Vince Lombardi and Ya Gotta Believe with Tommy Lasorda (which Masak also wrote and directed). The first recipient of MDA's Humanitarian of the Year Award, Masak's work as field announcer for the Special Olympics and his eight-year stint as host of The Jerry Lewis Telethon represents only a fraction of his remarkable work as a compassionate philanthropist, and though Masak's film work may not be as prolific or as frequent as his extensive television work, his roles in such films as Tora! Tora! Tora! (1970) are always memorable and constantly ring true with an appeal that often leaves a lasting impression, even though his screen time may be brief and his characters secondary.

Trivia: Ubiquitous Canadian actor/director Al Waxman is not always cast in leading roles, but he is invariably given special billing, usually with a box around his name in the opening credits. This honor is well-deserved; in show business since the 1950s, Waxman labored long and hard to make a name for himself. During his first Hollywood stay in the 1960s, Waxman worked as a waiter and bouncer between engagements. He was fired from his job as a short-order cook at Barney's Beanery after sneaking extra portions of food to his fellow starving artists. Returning to Canada in the late 1960s, Waxman directed several intriguing but unsuccessful low-budget films, among them Tviggy (the story of a Jewish model), The Crowd Inside, and the soft-core My Pleasure is My Business. He finally struck gold in the role of blue-collar blowhard Larry King on the popular 1970s Canadian sitcom King of Kensington, which clocked in at 111 episodes, 65 of which were syndicated to the U.S. On the strength of this series, Louis Malle cast Waxman as ever-grinning cocaine dealer Alfie in Atlantic City (1980). Waxman has remained busy ever since, as both actor and director (White Light [1991], The Diamond Fleece [1992]). Most American televiewers know Waxman as short-tempered Lt. Bert Samuels on Cagney and Lacey (1982-88). For many years, Al Waxman's wife Sara wrote a food and restaurant column for a major Toronto newspaper.

Trivia: The great-grandson of a famous and influential 19th century Minnesota senator, actor William Windom was born in New York, briefly raised in Virginia, and attended prep school in Connecticut. During World War II, Windom was drafted into the army, which acknowledged his above-the-norm intelligence by bankrolling his adult education at several colleges. It was during his military career that Windom developed a taste for the theater, acting in an all-serviceman production of Richard III directed by Richard Whorf. Windom went on to appear in 18 Broadway plays before making his film debut as the prosecuting attorney in To Kill a Mockingbird. He gained TV fame as the co-star of the popular 1960s sitcom The Farmer's Daughter and as the James Thurber-ish lead of the weekly 1969 series My World and Welcome to It. Though often cast in conservative, mild-mannered roles, Windom's offscreen persona was that of a much-married, Hemingway-esque adventurer. William Windom was seen in the recurring role of crusty Dr. Seth Haslett on the Angela Lansbury TV series Murder She Wrote.

Trivia: A Windy City native, distinguished character actor Richard Riehle earned his undergraduate degree from Notre Dame and his master's from the University of Minnesota, then took his first cinematic bow with a bit part in 1975's Western Rooster Cogburn -- opposite John Wayne and Katharine Hepburn. After Rooster, Riehle abandoned screen work for over a decade to hit the East Coast and focus almost exclusively on Broadway and regional theater. Ed Zwick's acclaimed Civil War opus Glory (1989) marked Riehle's Hollywood comeback; he subsequently increased his screen time dramatically, and chalked up a resumé playing everymen -- usually heavyset and unpolished working stiffs such as policemen, detectives, judges, and bartenders -- in literally dozens of films. Riehle's credits include Ghosts of Mississippi (1996), Mercury Rising (1998), Office Space (1999), Deuce Bigalow: Male Gigolo (1999), and National Lampoon's Dorm Daze 2 (2006). The actor is also known for his regular presence on two television series: the 1990 Ferris Bueller (as Principal Ed Rooney) and the 2001-2005 Grounded for Life (as Walt Finnerty). Riehle subsequently returned to National Lampoon work with the 2007 frat-boy comedy National Lampoon Presents The Beach Party at the Threshold of Hell.

Trivia: From her earliest stage work onward, American actress Rosemary DeCamp played character roles that belied her youth and fresh-scrubbed attractiveness. On radio, DeCamp developed the vocal timbre that enabled her to portray a rich variety (and age-range) of characters. A peripheral performer on One Man's Family at 21, DeCamp showed up on several radio soap operas and anthologies before settling into the role of secretary Judy Price on the Dr. Christian series in 1937. DeCamp made her film bow in Cheers for Miss Bishop (1941), in which she and most of the cast were required to "age" several decades. With The Jungle Book (1941), the actress played the first of her many mother roles. The most famous examples of DeCamp's specialized film work are Yankee Doodle Dandy (1942), in which she was the Irish-American mother of George M. Cohan (James Cagney, who was 14 years her senior), and Rhapsody in Blue (1945), in which she played George Gershwin's Jewish mother (Gershwin was impersonated by Robert Alda, who was one year younger than DeCamp). Even when playing a character close to her own age, such as the Red Cross worker in Pride of the Marines (1945), DeCamp's interest in the leading man (in this case the same-aged John Garfield) was strictly maternal. On television, DeCamp was Peg Riley to Jackie Gleason's Chester A. Riley on the original 1949 run of The Life of Riley. She also played rakish Bob Cummings' levelheaded sister Margaret in Love That Bob (1955-59), and later was seen as Marlo Thomas' mother on That Girl (1966-70). In 1965, Rosemary subbed for her old friend Ronald Reagan as host on Death Valley Days; FCC rules of the time compelled the removal of Reagan's scenes when the show was telecast in California, where he was running for governor. Upon Reagan's election, Robert Taylor took over as host, but DeCamp was installed as permanent commercial spokesperson for 20 Mule Team Borax. Semi-retired for several years, DeCamp reemerged in 1981 for a "de-campy" cameo part in the horror spoof Saturday the 14th.