Trivia: Milburn Stone got his start in vaudeville as one-half of the song 'n' snappy patter team of Stone and Strain. He worked with several touring theatrical troupes before settling down in Hollywood in 1935, where he played everything from bits to full leads in the B-picture product ground out by such studios as Mascot and Monogram. One of his few appearances in an A-picture was his uncredited but memorable turn as Stephen A. Douglas in John Ford's Young Mr. Lincoln. During this period, he was also a regular in the low-budget but popular Tailspin Tommy series. He spent the 1940s at Universal in a vast array of character parts, at one point being cast in a leading role only because he physically matched the actor in the film's stock-footage scenes! Full stardom would elude Stone until 1955, when he was cast as the irascible Doc Adams in Gunsmoke. Milburn Stone went on to win an Emmy for this colorful characterization, retiring from the series in 1972 due to ill health.

Trivia: It was while attending Colorado College that American actor/singer Ken Curtis discovered his talent for writing music. After an artistic apprenticeship on the staff of the NBC radio network's music department in the early '30s, Curtis was hired as male vocalist for the Tommy Dorsey Orchestra, then went on to work for bandleader Shep Fields. Preferring country-western to swing, Curtis joined the Sons of the Pioneers singing group in the 1940s, and in this capacity appeared in several western films. Columbia Pictures felt that Curtis had star potential, and gave the singer his own series of westerns in 1945, but Ken seemed better suited to supporting roles. He worked a lot for director John Ford in the '40s and '50s, as both singer and actor, before earning starring status again on the 1961 TV adventure series Ripcord. That was the last we saw of the handsome, clean-shaven Ken Curtis; the Ken Curtis that most western fans are familiar with is the scraggly rustic deputy Festus Haggen on the long-running TV Western Gunsmoke. Ken was hired to replace Dennis Weaver (who'd played deputy Chester Good) in 1964, and remained with Gunsmoke until the series ended its 20-year run in 1975. After that, Ken Curtis retired to his spread in Fresno, California, stepping back into the spotlight on occasion for guest appearances at western-movie conventions.

Trivia: American actor Buck Taylor was the son of western comical sidekick Dub "Cannonball" Taylor. Buck was born in 1938, coincidentally the same year that Taylor pere made his film debut in You Can't Take it with You. True to his heritage, Buck showed up in the occasional western, notably Cattle Annie and Little Britches (1980) and Triumphs of a Man Called Horse (1983). For the most part, Taylor's film roles fell into the "young character" niche, notably his appearances in Ensign Pulver (1964), The Wild Angels (1966) (as motorcycle punk Dear John), and Pickup on 101 (1972). Buck Taylor will probably be seen on TV in perpetuity thanks to his recurring role as Newly O'Brian on the marathon TV western Gunsmoke, a role which he recreated for a 1987 Gunsmoke reunion film.

Trivia: The son of a movie stunt man, Victor French made his screen entree in westerns, where his unkempt beard and scowling countenance made him a perfect heavy. He carried over his robbin' and rustlin' activities into television, making multiple appearances on such series as Gunsmoke and Bonanza. It was former Bonanza star Michael Landon, a great friend of French's, who "humanized" the veteran screen villain with the role of farmer Isiah Edwards in the weekly TV drama Little House on the Prairie. French temporarily left Little House in 1977 to star in his own sitcom, Carter Country, in which he played an affable Southern sheriff who tried his best to accommodate the ever-changing racial relationships of the 1970s. In 1984, Landon cast French as ex-cop Michael Gordon, whose bitterness at the world was softened by the presence of a guardian angel (Landon), in the popular TV series Highway to Heaven. French directed every third episode of this series, extending his directorial activities to the Los Angeles theatre scene, where he won a Critics Circle award for his staging of 12 Angry Men. In contrast to his earlier bad-guy roles, French went out of his way in the 1980s to avoid parts that required him to exhibit cruelty or inhumanity. Victor French died in 1989, shortly after completing work on the final season of Highway to Heaven.

Trivia: American actor Anthony James has been playing unlovable, unsavory film roles since the late 1960s. James' lean-and-hungry appearance has usually led him to be cast as characters named Skinny (1975's Hearts of the West) or Slim (1992's The Unforgiven). His larger film assignments include Blue Thunder (1982, as Grundeltus) and Naked Gun 2 1/2: The Smell of Fear (1991, as Hector Savage). Anthony James should not be confused with the "Anthony James" who appeared in the 1949 British film Last Days of Dolwyn.

Trivia: Life literally began at 60 for American actor Burt Mustin, who didn't enter show business until that age and didn't make his film debut until Detective Story (1951), at which time he was 68. After a decade of uncredited movie roles as hillbilly patriarchs and Town's Oldest Citizens, Mustin began getting name recognition for numerous TV appearances in the late '50s and early '60s. The actor was a particular favorite of producer/actor Jack Webb, who cast Mustin several times on Dragnet; in one episode Burt was an octogenarian burglar, and in another was a retired detective who solved a murder case - and chewed out a young cop for not knowing the proper way to take fingerprints! Situation comedy producers made good use of Burt Mustin as well, and he was featured in innumerable cameos on such programs as The Dick Van Dyke Show, Get Smart and The Jack Benny Program, usually stealing most of the laughs from the stars. Mustin had regular TV roles as eccentric neighbor Finley on Date with the Angels, Gus the Fireman on Leave It to Beaver, barber shop patron Jud Crowley on The Andy Griffith Show, the amorous senior-citizen husband of Queenie Smith on The Funny Side, and nursing-home refugee Justin Quigley on All in the Family. Mustin got the biggest press coverage of his career when, in character as Arthur Lanson, he married Mother Dexter - played by 82-year-old Judith Lowry - on the December 13, 1976 episode of Phyllis. It was a hilarious and, in retrospect, poignant moment in TV history: Judith Lowry had died a few days before the program was aired, and Burt Mustin, who was too ill to watch the show, passed away six weeks later.

Trivia: American actor James Arness had an unremarkable Minneapolis childhood, but his wartime experiences shattered that normality - literally. During the battle of Anzio, Arness' right leg was peppered with machine gun bullets, and when the bones were set they didn't mend properly, leaving him with a slight but permanent limp. The trauma of the experience mellowed into aimlessness after the war. Arness became a "beach bum," lived out of his car, and worked intermittently as a salesman and carpenter. Acting was treated equally lackadaisically, but by 1947 Arness had managed to break into Hollywood on the basis of his rugged good looks and his 6'6" frame. Few of his screen roles were memorable, though one has become an object of cult worship: Arness was cast as the menacingly glowing space alien, described by one character as "an intellectual carrot," in The Thing (1951). For a time it looked as though Arness would continue to flounder in supporting roles, while his younger brother, actor Peter Graves, seemed destined for stardom. John Wayne took a liking to Arness when the latter was cast in Wayne's Big Jim McLain (1953). Wayne took it upon himself to line up work for Arness, becoming one of the withdrawn young actor's few friends. In 1955, Wayne was offered the role of Matt Dillon in the TV version of the popular radio series Gunsmoke. Wayne turned it down but recommended that Arness be cast and even went so far as to introduce him to the nation's viewers in a specially filmed prologue to the first Gunsmoke episode. Truth be told, Arness wasn't any keener than Wayne to be tied down to a weekly series, and as each season ended he'd make noises indicating he planned to leave. This game went on for each of the 20 seasons that Gunsmoke was on the air, the annual result being a bigger salary for Arness, more creative control over the program (it was being produced by his own company within a few years) and a sizeable chunk of the profits and residuals. When Gunsmoke finally left the air in 1975, Arness was the only one of the original four principals (including Amanda Blake, Milburn Stone and Dennis Weaver) still appearing on the series. Arness made plans to take it easy after his two-decade Gunsmoke hitch, but was lured back to the tube for a one-shot TV movie, The Macahans (1976). This evolved into the six-hour miniseries How the West Was Won (1977) which in turn led to a single-season weekly series in 1978. All these incarnations starred Arness, back in the saddle as Zeb Macahan. The actor tried to alter his sagebrush image in a 1981 modern-day cop series, McClain's Law -- which being set in the southwest permitted Arness to ride a horse or two. It appeared, however that James Arness would always be Matt Dillon in the hearts and minds of fans, thus Arness obliged his still-faithful public with three Gunsmoke TV movies, the last one (Gunsmoke: The Last Apache) released in 1992. In between these assignments, James Arness starred in a 1988 TV-movie remake of the 1948 western film classic Red River, in which he filled the role previously played by his friend and mentor John Wayne.

Trivia: While touring in a USO show during World War II, singing cowboy Monte Hale was discovered by Republic pictures talent scout Phil Isley (the father of actress Jennifer Jones). Given the fact that Hale was hired as a possible replacement for Roy Rogers, it is puzzling that Republic took its sweet time promoting their new contractee to "B"-western stardom. He played straight contemporary roles in such films as Steppin' in Society (1944) and the 1945 serial The Purple Monster Strikes, then worked in support of non-singing sagebrusher Sunset Carson. Hale was finally allowed to carry his own series beginning in 1947. Hale remained at Republic until 1950 (he guest-starred with the rest of the studio's western lineup in the Roy Rogers "special" Trail of Robin Hood), then concentrated on his stage appearances with country-western bandleader Ray Whitley. He also began writing and performing patriotic songs, the most popular of which was "That Statue in the Bay," before making one of his last appearances in the 1966 Marlon Brando picture The Chase.

Trivia: Fans of the television western Rawhide (1959-66) will remember rugged actor and stuntman Steve Raines for playing Jack Quince. Prior to landing the role, Raines had appeared in numerous low-budget westerns like Under Colorado Skies (1947), The Naked Gun (1956), and Cattle Empire (1958). Raines also guest-starred in western TV series ranging from The Roy Rogers Show to Bonanza to Wild Wild West.

Trivia: Following her training in regional theatre and radio, red-headed actress Amanda Blake was signed by MGM in 1949, where she was briefly groomed for stardom. Among her MGM assignments was 1950's Stars in My Crown, in which she was cast for the first time opposite James Arness. Film fame eluded Amanda, especially after her sizeable role in the 1954 version of A Star is Born was almost completely excised from the release print. By 1955, she had to make do with appearances in such epics as the Bowery Boys' High Society. Amanda's fortunes took a turn for the better later in 1955, when she won the role of Miss Kitty, the euphemistically yclept "hostess" of the Long Branch Saloon on the TV western Gunsmoke, which starred James Arness as Marshal Matt Dillon. She remained with Gunsmoke until its next-to-last season in 1974. After Gunsmoke, Amanda went into semi-retirement save for a handful of film projects like the made-for-TV Betrayal (1974), the theatrical releases The Boost (1988) and B.O.R.N (1989), and the 1987 reunion project Gunsmoke: Return to Dodge. Amanda Blake died in 1989 at the age of sixty.