Trivia: American actor James Arness had an unremarkable Minneapolis childhood, but his wartime experiences shattered that normality - literally. During the battle of Anzio, Arness' right leg was peppered with machine gun bullets, and when the bones were set they didn't mend properly, leaving him with a slight but permanent limp. The trauma of the experience mellowed into aimlessness after the war. Arness became a "beach bum," lived out of his car, and worked intermittently as a salesman and carpenter. Acting was treated equally lackadaisically, but by 1947 Arness had managed to break into Hollywood on the basis of his rugged good looks and his 6'6" frame. Few of his screen roles were memorable, though one has become an object of cult worship: Arness was cast as the menacingly glowing space alien, described by one character as "an intellectual carrot," in The Thing (1951). For a time it looked as though Arness would continue to flounder in supporting roles, while his younger brother, actor Peter Graves, seemed destined for stardom. John Wayne took a liking to Arness when the latter was cast in Wayne's Big Jim McLain (1953). Wayne took it upon himself to line up work for Arness, becoming one of the withdrawn young actor's few friends. In 1955, Wayne was offered the role of Matt Dillon in the TV version of the popular radio series Gunsmoke. Wayne turned it down but recommended that Arness be cast and even went so far as to introduce him to the nation's viewers in a specially filmed prologue to the first Gunsmoke episode. Truth be told, Arness wasn't any keener than Wayne to be tied down to a weekly series, and as each season ended he'd make noises indicating he planned to leave. This game went on for each of the 20 seasons that Gunsmoke was on the air, the annual result being a bigger salary for Arness, more creative control over the program (it was being produced by his own company within a few years) and a sizeable chunk of the profits and residuals. When Gunsmoke finally left the air in 1975, Arness was the only one of the original four principals (including Amanda Blake, Milburn Stone and Dennis Weaver) still appearing on the series. Arness made plans to take it easy after his two-decade Gunsmoke hitch, but was lured back to the tube for a one-shot TV movie, The Macahans (1976). This evolved into the six-hour miniseries How the West Was Won (1977) which in turn led to a single-season weekly series in 1978. All these incarnations starred Arness, back in the saddle as Zeb Macahan. The actor tried to alter his sagebrush image in a 1981 modern-day cop series, McClain's Law -- which being set in the southwest permitted Arness to ride a horse or two. It appeared, however that James Arness would always be Matt Dillon in the hearts and minds of fans, thus Arness obliged his still-faithful public with three Gunsmoke TV movies, the last one (Gunsmoke: The Last Apache) released in 1992. In between these assignments, James Arness starred in a 1988 TV-movie remake of the 1948 western film classic Red River, in which he filled the role previously played by his friend and mentor John Wayne.

Trivia: Milburn Stone got his start in vaudeville as one-half of the song 'n' snappy patter team of Stone and Strain. He worked with several touring theatrical troupes before settling down in Hollywood in 1935, where he played everything from bits to full leads in the B-picture product ground out by such studios as Mascot and Monogram. One of his few appearances in an A-picture was his uncredited but memorable turn as Stephen A. Douglas in John Ford's Young Mr. Lincoln. During this period, he was also a regular in the low-budget but popular Tailspin Tommy series. He spent the 1940s at Universal in a vast array of character parts, at one point being cast in a leading role only because he physically matched the actor in the film's stock-footage scenes! Full stardom would elude Stone until 1955, when he was cast as the irascible Doc Adams in Gunsmoke. Milburn Stone went on to win an Emmy for this colorful characterization, retiring from the series in 1972 due to ill health.

Trivia: American actor Anthony James has been playing unlovable, unsavory film roles since the late 1960s. James' lean-and-hungry appearance has usually led him to be cast as characters named Skinny (1975's Hearts of the West) or Slim (1992's The Unforgiven). His larger film assignments include Blue Thunder (1982, as Grundeltus) and Naked Gun 2 1/2: The Smell of Fear (1991, as Hector Savage). Anthony James should not be confused with the "Anthony James" who appeared in the 1949 British film Last Days of Dolwyn.

Trivia: The son of a movie stunt man, Victor French made his screen entree in westerns, where his unkempt beard and scowling countenance made him a perfect heavy. He carried over his robbin' and rustlin' activities into television, making multiple appearances on such series as Gunsmoke and Bonanza. It was former Bonanza star Michael Landon, a great friend of French's, who "humanized" the veteran screen villain with the role of farmer Isiah Edwards in the weekly TV drama Little House on the Prairie. French temporarily left Little House in 1977 to star in his own sitcom, Carter Country, in which he played an affable Southern sheriff who tried his best to accommodate the ever-changing racial relationships of the 1970s. In 1984, Landon cast French as ex-cop Michael Gordon, whose bitterness at the world was softened by the presence of a guardian angel (Landon), in the popular TV series Highway to Heaven. French directed every third episode of this series, extending his directorial activities to the Los Angeles theatre scene, where he won a Critics Circle award for his staging of 12 Angry Men. In contrast to his earlier bad-guy roles, French went out of his way in the 1980s to avoid parts that required him to exhibit cruelty or inhumanity. Victor French died in 1989, shortly after completing work on the final season of Highway to Heaven.

Trivia: American actor Buck Taylor was the son of western comical sidekick Dub "Cannonball" Taylor. Buck was born in 1938, coincidentally the same year that Taylor pere made his film debut in You Can't Take it with You. True to his heritage, Buck showed up in the occasional western, notably Cattle Annie and Little Britches (1980) and Triumphs of a Man Called Horse (1983). For the most part, Taylor's film roles fell into the "young character" niche, notably his appearances in Ensign Pulver (1964), The Wild Angels (1966) (as motorcycle punk Dear John), and Pickup on 101 (1972). Buck Taylor will probably be seen on TV in perpetuity thanks to his recurring role as Newly O'Brian on the marathon TV western Gunsmoke, a role which he recreated for a 1987 Gunsmoke reunion film.

Trivia: American actor Vaughn Taylor was trained as a certified public accountant at Northeastern University. While performing in college theatricals, Taylor entertained notions of a stage career; he won a scholarship at the Leland Powers School of Theatre, but his resources were so low that he had to sell his blood to blood banks to pay his expenses. Steady stock, tent-show, and radio work convinced Taylor that he'd made the right career move, and upon completing his Army duties in 1945, the actor took on the new challenge of live television. Taylor played so many TV roles that it is fruitless to try to list them, though the first "couch potato generation" might have affectionate memories of the actor as sharp-witted janitor Ernest P. Duckweather on the 1953 satirical puppet show Johnny Jupiter. (Taylor was replaced by Wright King when the series went from live to film). Taylor was also a prominent "summer repertory" actor on the prestigious anthology Robert Montgomery Presents from 1952 through 1954. The movies utilized Taylor's talents, often in roles as duplicitous executives or crooked business partners: he was the two-timing showman beheaded by magician Vincent Price in The Mad Magician (1954). Anyone who follows the reruns of The Twilight Zone will be more than familiar with the skill and range of Vaughn Taylor: he played bookworm Burgess Meredith's hardhearted boss in "Time Enough at Last," a crazed old conjurer in "Still Valley," an unctuous robot salesman in "I Sing the Body Electric" and a kindly wheelchair-bound gent who sells his kindness and becomes a killer in "The Self-Improvement of Salvatore Ross."

Trivia: American actor Ken Drake appeared regularly on the television series Not for Hire, and made guest appearances on numerous other shows during the 1960s. He also appeared in a few films during the '50s and '60s. Drake got his start in the early 1950s after graduating from the Pasadena Playhouse and working with the Stage Society. His wife was Los Angeles Times drama critic Sylvie Drake.

Trivia: Fans of the television western Rawhide (1959-66) will remember rugged actor and stuntman Steve Raines for playing Jack Quince. Prior to landing the role, Raines had appeared in numerous low-budget westerns like Under Colorado Skies (1947), The Naked Gun (1956), and Cattle Empire (1958). Raines also guest-starred in western TV series ranging from The Roy Rogers Show to Bonanza to Wild Wild West.

Trivia: The son of an itinerant sharecropper, Roy Barcroft harbored dreams of becoming an army officer, and to that end lied about his age to enter the service during World War I. Discouraged from pursuing a military career by his wartime experiences, Barcroft spent the 1920s in a succession of jobs, ranging from fireman to radio musician. In the 1930s he and his wife settled in California where he became a salesman. It was while appearing in an amateur theatrical production that Barcroft found his true calling in life. He eked out a living as a movie bit player until finally being signed to a long contract by Republic Pictures in 1943. For the next decade, Barcroft was Republic's Number One villain, growling and glowering at such cowboy stars as Don "Red" Barry, Wild Bill Elliot, Sunset Carson, Allan Lane, Roy Rogers and Gene Autry. His best screen moments occurred in Republic's serial output; his favorite chapter-play roles were Captain Mephisto in Manhunt of Mystery Island (1945) and the invading Martian in The Purple Monster Strikes (1945). In the 1948 serial G-Men Never Forget, Barcroft played a dual role--an honest police commissioner and his less-than-honest look-alike--ending the film by shooting "himself." In contrast to his on-screen villainy, Barcroft was one of the nicest fellows on the Republic lot, well-liked and highly respected by everyone with whom he worked. When the "B"-picture market disappeared in the mid-1950s, Barcroft began accepting character roles in such A-pictures as Oklahoma (1955), The Way West (1967), Gaily Gaily (1969) and Monte Walsh (1970). Heavier and more jovial-looking than in his Republic heyday, Roy Barcroft also showed up in dozens of TV westerns, playing recurring roles on Walt Disney's Spin and Marty and the long-running CBS nighttimer Gunsmoke.

Trivia: American actress Peggy Rea began gaining notice in the 1960s as a member of Red Skelton's TV stock company. In the 1970s, she was seen as Olivia Walton's cousin Rose Burton in The Waltons and on an irregular basis as man-chasing Lulu Hogg in The Dukes of Hazzard. Later seen in maternal roles, Peggy Rea was featured on Step By Step (1991) as Ivy Williams, the mother of Suzanne Sommers' character, and as Brett Butler's mom Jean Kelly in Grace Under Fire (1993- ).

Trivia: Following her training in regional theatre and radio, red-headed actress Amanda Blake was signed by MGM in 1949, where she was briefly groomed for stardom. Among her MGM assignments was 1950's Stars in My Crown, in which she was cast for the first time opposite James Arness. Film fame eluded Amanda, especially after her sizeable role in the 1954 version of A Star is Born was almost completely excised from the release print. By 1955, she had to make do with appearances in such epics as the Bowery Boys' High Society. Amanda's fortunes took a turn for the better later in 1955, when she won the role of Miss Kitty, the euphemistically yclept "hostess" of the Long Branch Saloon on the TV western Gunsmoke, which starred James Arness as Marshal Matt Dillon. She remained with Gunsmoke until its next-to-last season in 1974. After Gunsmoke, Amanda went into semi-retirement save for a handful of film projects like the made-for-TV Betrayal (1974), the theatrical releases The Boost (1988) and B.O.R.N (1989), and the 1987 reunion project Gunsmoke: Return to Dodge. Amanda Blake died in 1989 at the age of sixty.

Trivia: It was while attending Colorado College that American actor/singer Ken Curtis discovered his talent for writing music. After an artistic apprenticeship on the staff of the NBC radio network's music department in the early '30s, Curtis was hired as male vocalist for the Tommy Dorsey Orchestra, then went on to work for bandleader Shep Fields. Preferring country-western to swing, Curtis joined the Sons of the Pioneers singing group in the 1940s, and in this capacity appeared in several western films. Columbia Pictures felt that Curtis had star potential, and gave the singer his own series of westerns in 1945, but Ken seemed better suited to supporting roles. He worked a lot for director John Ford in the '40s and '50s, as both singer and actor, before earning starring status again on the 1961 TV adventure series Ripcord. That was the last we saw of the handsome, clean-shaven Ken Curtis; the Ken Curtis that most western fans are familiar with is the scraggly rustic deputy Festus Haggen on the long-running TV Western Gunsmoke. Ken was hired to replace Dennis Weaver (who'd played deputy Chester Good) in 1964, and remained with Gunsmoke until the series ended its 20-year run in 1975. After that, Ken Curtis retired to his spread in Fresno, California, stepping back into the spotlight on occasion for guest appearances at western-movie conventions.