Trivia: Born Carlos Ray Norris, Chuck Norris served in Korea in the Army. While there, he studied karate and later became the World Middleweight Karate Champion. He was encouraged by one of his karate students, actor Steve McQueen, to go into acting. He debuted onscreen in the enormously popular Bruce Lee vehicle Enter the Dragon (1973); since the death of Lee he has been the screen's premier martial arts star. He has appeared primarily in militaristic movies in which he single-handedly kills many enemies. His breakthrough film was Missing in Action (1984), in which he played an ex-POW in search of American prisoners still held in Vietnam.

Trivia: Formerly a schoolteacher, Texas-born Noble Willingham has been essaying crusty character roles since 1969. Willingham's resumé includes a brace of location-filmed Peter Bogdanovich films, The Last Picture Show (1971) and Paper Moon (1973), and the role of Clay Stone in both of Billy Crystal's City Slickers comedies. Among his TV-movie credits is the part of President James Knox Polk in 1985's Dream West. A regular on several TV series (The Ann Jillian Show, Texas Wheelers, Cutter to Houston, AfterMASH, When the Whistle Blows), Willingham is best known to 1990s viewers as Mr. Binford (of Binford Tools) in Home Improvement and C. D. Parker in Walker, Texas Ranger. Noble Willingham's most recent film assignments include Ace Ventura, Pet Detective (1994) Up Close and Personal (1996) and Space Jam (1996). In 2000, Willingham left Walker, Texas Ranger to run for Congress in Texas. After losing the election to his Democratic opponent, Max Sandlin, Willingham returned to acting with a supporting role in the Val Kilmer thriller Blind Horizon. Sadly, the part would be the actor's last. In early 2004, at the age of 72, Willingham passed away at home from natural causes.

Trivia: Describing his career as a "five-years upwards first act and a 25-year sliding second act," actor Robert Forster finally got to settle into a satisfying third act when Quentin Tarantino worked his '70s resurrection magic by casting Forster in Jackie Brown (1997). Born and raised in Rochester, NY, Forster was a high school and college athlete, and occasional school thespian. After graduating from the University of Rochester (his third college) with a degree in psychology, Forster opted for acting over law school. Honing his craft in local theater, Forster subsequently moved to New York City where he landed his first Broadway role in 1965. After garnering attention in a 1967 production of A Streetcar Named Desire opposite Julie Harris, Forster made his movie debut in John Huston's Reflections in a Golden Eye (1967) as the au natural horseback-riding private who ignites military officer Marlon Brando's desire. Holding out for interesting offers after Reflections, Forster retreated to Rochester with his wife and worked as a substitute teacher and manual laborer.Enticed back into movies with a role opposite Gregory Peck in Robert Mulligan's Western The Stalking Moon (1968), Forster impressed cinephiles with his third film, Haskell Wexler's seminal counterculture work Medium Cool (1969). As a TV cameraman forced to confront the implications of the tumultuous events he so coolly records, Forster and his co-star, Verna Bloom, were thrust into the real-life turmoil surrounding the 1968 Chicago Democratic Convention, while Forster's nuanced performance illuminated his narcissist's metamorphosis. Despite its timely subject, however, Medium Cool made little impression at the box office. Though he continued to work in such varied films as George Cukor's widescreen spectacle Justine (1969) and the location-shot Indian reservation drama Journey Through Rosebud (1972), Forster attempted to move to potentially greener TV pastures as the eponymous '30s detective in the series Banyon (1972). Banyon, however, lasted only one season, as did Forster's subsequent TV stint as a Native American lawman in the series Nakia (1974).Forster's slide into B-movie oblivion was hardly stanched by his forays into TV. Though he managed to acquit himself well onscreen in different kinds of parts, Forster professed no illusions about the quality of such movies as The Don Is Dead (1973), Stunts (1977), Disney's sci-fi The Black Hole (1979), and the Rock Hudson disaster flick Avalanche (1978). The smartly comic, John Sayles-scripted creature feature Alligator (1980) failed to thrive beyond its schlock status; Vigilante (1983), starring Forster as a, well, vigilante, was described by one critic as "truly distasteful." Trying his hand behind the camera, Forster produced, wrote, directed, and starred in, alongside his daughter, Katherine Forster, the detective spoof Hollywood Harry (1986), but he got more mileage that same year out of his performance as an Arab terrorist embarking on jihad in Delta Force (1986). Playing a host of bad guys as well as the occasional not-so-bad-guy, Forster put his four children through college from the late '80s into the early '90s with such video fodder as The Banker (1989) and Peacemaker (1990), as well as the TV series Once a Hero (1987) and the well-received indie 29th Street (1991).His career languishing by the mid-'90s, Forster taught acting classes between occasional roles and maintained an optimistic hope that, "some kid who liked me when he was young was going to turn into a filmmaker and hire me." Two casting near-misses for Reservoir Dogs (1992) and True Romance (1993) later (Lawrence Tierney and Christopher Walken respectively got the parts), the by then agent-less Forster finally got his wish when Banyon and B-movie fan Quentin Tarantino cast him in Jackie Brown (1997). Beating out bigger names for the part, Forster proceeded to steal the film from flamboyant co-stars Robert De Niro and Samuel L. Jackson with his subtle performance as weathered, rueful bail bondsman Max Cherry. Though stellar co-star Pam Grier got more attention as Tarantino's latest career rescue, Forster garnered Jackie Brown's sole Oscar nomination. After his Jackie Brown triumph, Forster's image of low-key, regular guy authority kept him steadily employed. Along with playing the de facto voice of sanity in the TV remake of Alfred Hitchcock's Rear Window (1998) and Gus Van Sant's retread of Psycho (1998), Forster faced down space (and production) chaos in Walter Hill's ill-fated Supernova (2000) and played the straight man as Jim Carrey's commanding officer in Me, Myself & Irene (2000). Though his brief appearance suggests David Lynch had more in mind for Forster's role in the aborted TV series, Forster's performance as a deadpan police detective still made it into the critically acclaimed film version of Mulholland Drive (2001).He continued to work in a variety of projects including the kids basketball movie Like Mike and the quirky biopic Grand Theft Parsons. He moved to the small screen to play the father of Karen Sisco in the short-lived TV series of the same name. He also appeared occasionally in the cable series Huff, and had a recurring role in the NBC series Heroes. He had his highest profile success in yeas in 2011 when he played the father of George Clooney's comatose wife in Alexander Payne's Oscar-winning The Descendants.

Trivia: In 1999, Doris Roberts achieved "overnight" stardom in the role of Marie Barone in the series Everybody Loves Raymond, going from working actress -- which she'd been for more than 40 years -- to being an instantly recognized performer. It was an improbable climb to the top rank of popular culture stardom. Roberts was born in St. Louis, MO, in 1925, to a family that was soon shattered when the father abandoned them. She had a difficult but loving childhood as her mother sought to provide for both of them by herself, and eventually Roberts gravitated toward the idea of an acting career. To do this, she had to work at any jobs that she could find, including clerk typist, to afford the lessons that she needed from teachers that included Lee Strasberg and Sanford Meisner. She made her first television appearance in the early '50s, in a Studio One production of Jane Eyre, and made the usual rounds between theater and television. Her theatrical debut came on the a stage at New York's City Center in 1955, and she was Shirley Booth's understudy in the theatrical version of the comedy Desk Set. She distinguished herself in the role of Mommy in the original production of Edward Albee's The American Dream, and since the early '60s, had carved a niche for herself in maternal and neighborly roles, on both stage and screen. Following her screen debut in Jack Garfein's New York-filmed drama Something Wild (1961), she tended more toward comedy (albeit often black comedy), with performances in Jack Smight's No Way to Treat a Lady, where she played the skeptical onlooker whose questions and low-key intervention save the life of a would-be victim; Leonard Kastle's The Honeymoon Killers (1970), in which she played the roommate of the nurse-turned-murderer played by Shirley Stoler; and Alan Arkin's Little Murders (1971), where she played Elliott Gould's mother. Female comics seemed to perceive Roberts' gifts as an actress especially well, as she got two of her better roles, in A New Leaf (1971) and Rabbit Test (1978), from Elaine May and Joan Rivers, respectively. Although she began appearing in television in the 1950s, with appearances on Ben Casey, The Mary Tyler Moore Show, Baretta, All in the Family, The Streets of San Francisco, Rhoda, Soap, and Barney Miller, Roberts didn't start to make a lasting impression in the medium -- which would become her vehicle for stardom -- until the 1970s. She was supposed to have a role in a proposed new series starring Mary Tyler Moore, but when that series failed to sell, she was cast in the role of Donna Pescow's mother in the series Angie (1979), which got Roberts her first real notice by the public or the press. After that, the television appearances grew more frequent, and finally in 1983, she joined the cast of Remington Steele midway through the series' run, as Mildred Krebs, an IRS investigator-turned-secretary-turned-detective, working alongside Pierce Brosnan and Stephanie Zimbalist, and often stealing the show with her low-key comedic work. Roberts' first marriage ended in divorce, and her second, to novelist William Goyen, ended when he died in 1983 -- her son from her first marriage, Michael Cannata, has been her manager since the 1970s. It was a dozen years after Remington Steele, and some notable guest star appearances on shows like St. Elsewhere, that she landed the role of Marie on Everybody Loves Raymond. Since then, she has been a guest on talk shows and an acting celebrity, with a brace of Emmy nominations to her credit.In 2003 Roberts published the book Are You Hungry, Dear?: Life, Laughs and Lasagna, and the following year she was appointed a cultural ambassador by the U.S. Department of State. But back on the small screen Roberts was more recognizable than ever before, with appearances in Grey's Anatomy, Hot in Cleveland, and Desperate Housewives keeping her as active as ever. Roberts continued to work steadily until her death in 2016, at age 90.

Trivia: American character actor Milton Selzer trafficked in bookish types, sometimes with an undercurrent of menace. An ineluctable TV presence, Selzer guest-starred on virtually every major program of the 1950s, 1960s and 1970s. He was a regular on Needles and Pins (1973) and The Famous Teddy Z (1989, second-billed as showbiz agent Abe Werkfinder); and on the popular spy spoof Get Smart (1965-70), he was brilliantly cast as a nervous special-weapons expert, who suffered a mild coronary every time dunderheaded Maxwell Smart (Don Adams) inadvertently destroyed Selzer's latest inventions. In films from 1959, Milton Selzer was given ample opportunity to shine as a sharkish movie mogul in Legend of Lylah Clare (1968) and as Nancy Spungen's grandfather in Sid and Nancy (1986).