Trivia: The son of a Brooklyn policeman who died when he was eight, African-American comedy superstar Eddie Murphy was raised in the comfortable middle-class community of Hempstead, NY, by his mother and stepfather. A natural-born class clown, he was voted the most popular student at Roosevelt Junior and Senior High. By the age of 15, he was doing standup gigs at 25 to 50 dollars a pop, and within a few years he was headlining on the comedy-club circuit.Murphy was 19 he was when hired as one of the backup performers on the NBC comedy weekly Saturday Night Live. His unique blend of youthful arrogance, sharkish good cheer, underlying rage, and street-smart versatility transformed the comedian into SNL's prime attraction, and soon the country was reverberating with imitations of such choice Murphy characterizations as sourball celebrity Gumby, inner-city kiddie host Mr. Robinson, prison poet Tyrone Green, and the Little Rascals' Buckwheat. Just when it seemed that he couldn't get any more popular, Murphy was hastily added to the cast of Walter Hill's 1982 comedy/melodrama feature film 48 Hours, and voila, an eight-million-dollars-per-picture movie star was born. The actor followed this cinematic triumph with John Landis' Trading Places, a Prince and the Pauper update released during the summer of 1983, the same year that the standup album Eddie Murphy, Comedian won a Grammy. In 1984, he finally had the chance to carry a picture himself: Beverly Hills Cop, one of the most successful pictures of the decade. Proving that at this juncture Murphy could do no wrong, his next starring vehicle, The Golden Child (1986), made a fortune at the box office, despite the fact that the picture itself was less than perfect. After Beverly Hills Cop 2 and his live standup video Eddie Murphy Raw (both 1987), Murphy's popularity and career seemed to be in decline, though his staunchest fans refused to desert him. His esteem rose in the eyes of many with his next project, Coming to America (1987), a reunion with John Landis that allowed him to play an abundance of characters -- some of which he essayed so well that he was utterly unrecognizable. Murphy bowed as a director, producer, and screenwriter with Harlem Nights (1989), a farce about 1930s black gangsters which had an incredible cast (including Murphy, Richard Pryor, Della Reese, Redd Foxx, Danny Aiello, Jasmine Guy, and Arsenio Hall), but was somewhat destroyed by Murphy's lazy, expletive-ridden script and clichéd plot that felt recycled from Damon Runyon stories. Churned out for Paramount, the picture did hefty box office (in the 60-million-dollar range) despite devastating reviews and reports of audience walkouts. Murphy's box-office triumphs continued into the '90s with a seemingly endless string of blockbusters, such as the Reginald Hudlin-directed political satire The Distinguished Gentleman (1992), that same year's "player" comedy Boomerang, and the Landis-directed Beverly Hills Cop III (1994). After an onscreen absence of two years following Cop, Murphy reemerged with a 1996 remake of Jerry Lewis' The Nutty Professor. As directed by Tom Shadyac and produced by the do-no-wrong Brian Grazer, the picture casts Murphy as Dr. Sherman Klump, an obese, klutzy scientist who transforms himself into Buddy Love, a self-obsessed narcissist and a hit with women. As an added surprise, Murphy doubles up his roles as Sherman and Buddy by playing each member of the Klump family (beneath piles and piles of latex). The Nutty Professor grossed dollar one and topped all of Murphy's prior efforts, earning well up into the hundreds of millions and pointing the actor in a more family-friendly direction. His next couple of features, Dr. Dolittle and the animated Mulan (both 1998), were children-oriented affairs, although in 1999 he returned to more mature material with the comedies Life (which he also produced) and Bowfinger; and The PJs, a fairly bawdy claymation sitcom about life in South Central L.A.Moving into the new millennium, Murphy resurrected Sherman Klump and his brood of misfits with the sequel Nutty Professor II: The Klumps (2000) before moving on to yet another sequel in 2001, the decidedly more family-oriented Dr. Dolittle 2. That same year, sharp-eared audiences were served up abundant laughs by Murphy's turn as a donkey in the animated fairy tale spoof Shrek. Nearly stealing the show from comic powerhouse co-star Mike Myers, children delighted at Murphy's portrayal of the put-upon sidekick of the kindhearted ogre and Murphy was subsequently signed for a sequel that would go into pre-production in early 2003. After bottoming out with the subsequent sci-fi comedy flop The Adventures of Pluto Nash, Murphy stepped into Bill Cosby's old shoes for the mediocre big-screen adaptation of I Spy. With the exception of a return to donkeydom in the 2004 mega-hit Shrek 2, Murphy stuck with hapless father roles during the first several years of the new millennium, Daddy Day Care being the most prominent example, with Disney's The Haunted Mansion following closely behind.In December 2006, however, he emerged with a substantial part in Dreamgirls, writer/director Bill Condon's star-studded adaptation of the hit 1981 Broadway musical about a Supremes-esque ensemble's ascent to the top. Murphy plays James Thunder Early, an R&B vocal sensation for whom the titular divas are hired to sing backup. Variety's David Rooney proclaimed, "Murphy...is a revelation. Mixing up James Brown, Marvin Gaye, Smokey Robinson, Jackie Wilson, and some of his own wiseass personae, his Jimmy leaps off the screen both in his scorching numbers (his proto-rap is a killer) and dialogue scenes. It's his best screen work." A variety of critics groups and peers agreed with that assessment, landing Murphy a number of accolades including a Best Supporting Actor Oscar nomination. Around the same time, Murphy wrapped production on director Brian Roberts' Norbit. In that picture, the actor/comedian retreads his Nutty Professor work with a dual turn as Norbit, an insecure, backward geek, and Norbit's monstrous wife, an oppressive, domineering loudmouth. The story has the unhappy couple faced with the possible end of their marriage when Norbit meets his dream-girl (Thandie Newton). Never one to stray too far from familiar territoryMurphy next reteamed with the vocal cast of Shrek yet again for the next installment in the series, Shrek the Third.Over the coming years, Murphy would appear in a handful of comedies like Meet Dave, Imagine That, and Tower Heist. In 2011, he was announced as the host of 2012 Academy Awards, with Brett Ratner (his Tower Heist director) producing the show, but Murphy dropped out after Ratner resigned. In 2013, a fourth Beverly Hills Cop was announced, but the film was pulled from Paramount's schedule after pre-production issues.

Trivia: Six-foot four-inch, beefy character actor with rubbery, homely face, Quaid's first professional show-business work was as the "straight man" half of a comedy duo with actor Trey Wilson in Houston. While a third-year college drama student he was cast by Peter Bogdanovich in a supporting role in The Last Picture Show (1971), then went on to have small roles in Bogdanovich's next two movies. He made a big impression as a naive sailor alongside Jack Nicholson in The Last Detail (1973), for which he received a Best Supporting Actor Oscar nomination. By the mid '70s, he worked in films frequently, usually typecast as a dim-witted fool or redneck. In the mid '80s he was (for one season) in the regular cast of the weekly sketch-comedy series "Saturday Night Live," on which he demonstrated his considerable comedic talent and often impersonated President Ronald Reagan. More recently he has gotten straight dramatic roles, a transition marked by his off-Broadway stage debut in True West in 1983. He has also worked frequently in TV movies, portraying Lenny in Of Mice and Men (1981) and Lyndon Johnson in LBJ: The Early Days (1987); for his portrayal of Mitch in the TV version of A Streetcar Named Desire (1984) he won an Emmy. He is the brother of actor Dennis Quaid, with whom he appeared in The Long Riders (1980).

Trivia: New York-born and bred actress Rosario Dawson made her screen debut in Larry Clark's controversial Kids (1995). Literally picked off the street to play Ruby, one of the film's titular teens, Dawson -- who is of Puerto Rican, Cuban, Black, Irish, and Native American heritage -- had never acted before being cast in the film. Following Kids, she next appeared in Spike Lee's He Got Game (1998) and that same year starred in Side Streets, a series of vignettes about life in New York's five boroughs. Faithful to her New York roots through and through, Dawson has continued to star in films set in her hometown, including Light It Up and Down to You.Soon, Dawson branched into mainstream film, appearing in populist projects like Josie and the Pussycats, Men in Black 2, The Rundown, and the big-screen adaptation of Rent. The actress would also appear in harder films, like Sin City and Death Proof, as well as damanding dramatic roles, like that of a rape victim struggling to recover in Descent.

Trivia: One of today's best character actors, the inexhaustible Joe Pantoliano boasts over 100 film, television, and stage credits. A favorite of directors Richard Donner, Steven Spielberg, Andrew Davis, and Andy and Larry Wachowski, he is also a dependable scene stealer with more than his share of memorable roles -- including killer pimp Guido in Risky Business (1983), bumbling criminal Francis Fratelli in The Goonies (1985), double-crossing bail bondsman Eddie Moscone in Midnight Run (1988), cynical U.S. Marshall Cosmo Renfro in The Fugitive (1993), turncoat Cypher in The Matrix (1999), and shady sidekick Teddy in Memento (2000). Born on September 12, 1951 in Hoboken, NJ, the actor is the only son of Dominic, a hearse driver, and Mary Pantoliano, a part-time seamstress/bookie. When he was 12, Pantoliano's mother left his father for her distant cousin Florio, though the couple never officially divorced. Pantoliano and his younger sister Maryann grew up throughout northern New Jersey with their mother and Florio, whom they eventually came to regard as their stepfather. Pantoliano suffered from severe dyslexia, and at age 17, he was still reading at the third-grade level. After seeing the youngster perform in his senior play, Up the Down Staircase, Florio convinced him to pursue acting professionally. Pantoliano moved to Manhattan, where he worked as a waiter while juggling acting classes and auditions. In 1972, he landed the coveted role of stuttering Billy Bibbit in the touring production of One Flew Over the Cuckoo's Nest. Four years later, Pantoliano moved west to try his luck in Hollywood. After making his television debut in the sitcom pilot McNamara's Band, he landed a recurring role in Rob Reiner's summer replacement series, Free Country. Reiner then tapped Pantoliano to co-star with him in James Burrows' television movie More Than Friends (1978). This led to the part of Angelo Maggio -- a role originated by fellow Hoboken-ite Frank Sinatra -- in NBC's miniseries adaptation of James Jones' From Here to Eternity (1979). After making his major feature-film debut in The Idolmaker (1980), Pantoliano guest starred on Hart to Hart, M*A*S*H, and Hardcastle and McCormick, as well as appeared on the Los Angeles stage in Orphans. He also landed a sizable part opposite a young Tom Cruise in the surprise hit Risky Business (1983). The comic ruthlessness with which Pantoliano's pimp tortures Cruise quickly earned the character actor a loyal cult following. He gave standout performances in Eddie and the Cruisers (1983) and the off-Broadway play Visions of Kerouac, before thrilling audiences again in the Spielberg-produced adventure The Goonies (1985). Scores of plum roles followed: Pantoliano joined Billy Crystal and Gregory Hines in Running Scared (1986), portrayed Lou Diamond Phillips' music producer in La Bamba (1987), re-teamed with Spielberg in Empire of the Sun (1987), and acted opposite Robert De Niro in Midnight Run (1988). He then topped these performances off with an unforgettable turn opposite Tommy Lee Jones and Harrison Ford in The Fugitive (1993), delivering a funny, fiery tour de force that was pure Pantoliano right down to the name he chose for his character, Cosmo -- his grandfather's name. By the mid-'90s, Pantoliano had a recognizable name and a devoted fan base. While making numerous television guest appearances, he starred with Jennifer Tilly and Gina Gershon in directors Andy and Larry Wachowski's debut thriller, Bound (1996). Pantoliano's edgy performance as a doomed money launderer impressed the Wachowskis so much that they created the character of Cypher in The Matrix (1999) exclusively for him. Shortly afterward, his co-star in the sci-fi spectacular, Carrie-Anne Moss, insisted that director Christopher Nolan hire Pantoliano for the third lead in his sleeper-hit Memento (2000). In 2001, at the behest of producer David Chase, Pantoliano joined the cast of the landmark HBO series The Sopranos. While earning a well-deserved Emmy as psychopathic mobster Ralphie Cifaretto on the hit show, the actor published Who's Sorry Now: The True Story of a Stand-Up Guy, a bittersweet memoir about his New Jersey childhood. He also put the finishing touches on his directorial debut, Just Like Mona (2002), and began filming his role as reporter Ben Urich in the comic book adaptation Daredevil (2003). Over the course of the next decade, the versatile actor continued his trend of turning in memorable supporting performances on film and television, with turns in films like Bad Boys II and Pecy Jackson and the Olympians: The Lightning Thief offering the most exposure. Meanwhile, in 2009, Pantoliano got personal with his fans as the director of No Kidding, Me Too!, a playful yet poignant documentary exploring the devastating effects of mental illness, and the steps being taken to eradicate it.

Trivia: When Jay Mohr was a boy growing up in Verona, NJ, he dreamed of becoming a comedian. By the time he was a young adult, he had fulfilled that dream, first finding popularity in standup comedy and then making his way to television and feature films. Early in his career, he gained recognition for his uncanny and hilarious impressions, particularly for that of stony Christopher Walken. He made his television debut as part of the Not Ready for Prime Time Players on NBC's Saturday Night Live. While on the show, Mohr received an Emmy nomination for his work. After leaving SNL, Mohr began guest starring on other shows and landed regular parts on The Jeff Foxworthy Show and Local Heroes. For hosting the MTV network's Lip Service, Mohr won an Espy Award. He made his feature film debut in 1995, with The Barefoot Executive, but gained real recognition playing Tom Cruise's rival sports agent, Bob Sugar, in Jerry Maguire (1995). Following a nice-guy role in Picture Perfect (1997) and a turn as Ellen Burstyn's AIDS-stricken son in Playing By Heart (1998), Mohr had starring roles in two high-profile 1999 projects, the eagerly awaited but ultimately disappointing 200 Cigarettes and Doug Liman's acclaimed Go. In both films, Mohr acted as part of a Who's Who of Up-and-Comers cast, appearing as the man who screws over Kate Hudson in the former, and as a gay soap opera actor in the latter. The same year, he returned to his television roots with Action, a Fox show that featured him as a loathsome, foul-mouthed film executive. Despite rave reviews and a cult following, the show was given the axe by the network.After supporting roles in such high-profile box-office bombs as The Adventures of Pluto Nash and S1mone, Mohr took a couple more stabs at the small-screen. First he hosted the talk-show Mohr Sports on ESPN, which began airing in 2002. Then, in 2003, he served as both host and executive producer on NBC's Last Comic Standing, a reality show that attempted to find the funniest undiscovered stand-up comedian in America.In between a starring role in the sex-comedy Seeing Other People and several stand-up performances, Mohr spent much of 2004 promoting his first book, Gasping for Airtime. In the years to come, he would enjoy major roles on The Ghost Whisperer, Gary Unmarried, and Suburgatory, while continuing his work in stand-up and hosting gigs.

Trivia: A well-respected character actor who specializes in playing tough guys with a heart, Luis Guzman has appeared in a dizzying array of film and television productions since he began his professional acting career in the early 1980s.Born August 28, 1956, Guzman graduated from City College and worked for some years as a youth counselor at the Henry Street Settlement House. During his time as a social worker, he began performing in street theatre and independent films. Guzman got his first big break in the early '80s with a role on the popular TV series Miami Vice. He went on to work sporadically in film and television throughout the rest of the decade, appearing in such films as Sidney Lumet's Family Business and Ridley Scott's Black Rain (both 1989).Guzman's work schedule grew increasingly crowded as the 1990s progressed; kicking off the decade with an appearance in another Lumet piece, Q & A (1990), the actor began popping up in films ranging from romantic comedy (Anthony Minghella's Mr. Wonderful, 1993) to crime drama (Brian De Palma's Carlito's Way, 1993) to gay and lesbian historical docudrama (Nigel Finch's Stonewall, 1995). Thanks to directors Steven Soderbergh and Paul Thomas Anderson, Guzman became more readily recognizable in the late 1990s. For Soderbergh, he had substantial roles in Out of Sight (1998), which cast him as a prisoner whose planned escape is ruined by George Clooney; and The Limey (1999), in which he played Terence Stamp's gruff but good-hearted partner in revenge. For Anderson, Guzman appeared in both Boogie Nights (1997) and Magnolia (1999), playing a wannabe porn star in the former and a game show contestant in the latter. 2002 proved Guzman's busiest year to date as the increasingly visible actor appeared in no less than five films, including a prominant role in the caper comedy Welcome to Collinwood and a re-teaming with director Anderson with Punch-Drunk Love. On television, Guzman became a regular presence thanks to a recurring role on the HBO prison drama Oz, as well as appearances on such shows as Law and Order, NYPD Blue, and Walker, Texas Ranger.

Trivia: One of America's most recognizable character actors, James Rebhorn was a veteran of over 100 television shows, feature films, and plays. While best known for portraying lawyers, politicians, doctors, and military men, he delivered equally notable performances in a variety of other roles, including that of a brutal serial killer on NBC's Law & Order, a shipping magnate in Anthony Minghella's The Talented Mr. Ripley (1999), and a comically doomed restaurateur in Billy Morrisette's Scotland, PA (2001).Born in Philadelphia, PA, on September 1, 1948, Rebhorn moved to Anderson, IN, as a child. A devout Lutheran, he attended the Evangelical Lutheran Church in America's Wittenburg University in Ohio, where he studied political science. After graduating in 1970, Rebhorn moved to New York City, where he earned a Master's of Fine Arts in acting from Columbia University's School of the Arts and joined the metropolitan theater scene.After making his television debut on the NBC soap opera The Doctors in 1977, Rebhorn starred on Another World: Texas and The Guiding Light, as well as earned a 1989 Soap Opera Digest Award for his performance as Henry Lange on As the World Turns. He displayed his comic talents during a recurring role on Kate and Allie, and in an unforgettable turn as the district attorney who jails the Seinfeld gang in the show's final episode. He also garnered recurring roles on some of television's most heralded dramas -- including Law & Order, Third Watch, Now and Again, and The Practice -- and memorable telefilms -- including Sarah, Plain and Tall (1981), North and South (1985), Skylark (1993), From the Earth to the Moon (1998), and A Bright Shining Lie (1998).Rebhorn's feature-film career began in the early '80s with roles such as "Lawyer" in Soup for One (1982), "Los Alamos Doctor" in Silkwood (1983), and "Drunken Business Man" in Cat's Eye (1985). As the decade progressed, his parts increased in importance and he emerged in the '90s as an established supporting actor with roles in several high-profile films. After appearing in 1991's Regarding Henry with Harrison Ford and Annette Bening, Rebhorn gave stand-out performances opposite Marisa Tomei and Joe Pesci in My Cousin Vinny (1992), Sharon Stone and Michael Douglas in Basic Instinct (1992), Chris O'Donnell and Al Pacino in Scent of a Woman (1992), and Susan Sarandon and Nick Nolte in Lorenzo's Oil (1992). He went on to earn prominent roles in Carlito's Way (1993), Guarding Tess (1994), I Love Trouble (1994), Up Close & Personal (1996), Independence Day (1996), If Lucy Fell (1996), and My Fellow Americans (1996). Rebhorn rounded out the '90s by playing the mysterious Consumer Recreation Services representative in The Game (1997), the prosecuting attorney in Snow Falling on Cedars (1999), and Jude Law's shipping magnate father in the above-mentioned The Talented Mr. Ripley (1999). The new millennium saw him starring as Robert De Niro's future in-law in Meet the Parents (2000) and a modern-day version of Macbeth's Duncan in the above-mentioned Scotland, PA, before gearing up for the Eddie Murphy sci-fi vehicle The Adventures of Pluto Nash (2002), and Todd Haynes' long-awaited return to directing, Far From Heaven (2002).Towards the end of his career, Rebhorn returned to television, playing recurring characters on several different shows, playing the CEO of Abbadon Industries on HBO's Enlightened, an FBI special agent on USA's White Collar and, his final role, Carrie Mathison's father on Showtime's Homeland.While juggling his film and television work, Rebhorn frequently returned to the stage. He appeared at the Manhattan Theater Club, Playwright's Horizons, the New York Shakespeare Festival, the LaJolla Playhouse, the Ensemble Studio Theater, and Lincoln Center. In 2002, he earned rave reviews for his performance in the Roundabout Theater's production of Arthur Miller's first play, The Man Who Had All the Luck, with Chris O'Donnell and Samantha Mathis.Rebhorn was diagnosed with melanoma in 1992 and struggled with the disease for the next two decades, before succumbing in 2014 at the age of 65.

Trivia: Well-reputed for his "extreme" cinematic personifications in multiple genres, the American character player Peter Boyle doubtless made his onscreen personas doubly intense by pulling directly from his own personal journey to the top -- a wild, unlikely, and occasionally tortuous trek that found Boyle aggressively defining and redefining himself, and struggling constantly with a number of inner demons. Born October 18, 1935, in the hamlet of Northtown, PA, Boyle graduated from La Salle College and joined the Christian Brothers monastic order, under the name "Brother Francis." He prayed endlessly and earnestly until he developed callouses on his knees, but could never quite adjust to the monastic life, which he later declared "unnatural," with its impositions of fasting and celibacy. Dissatisfied, Boyle dropped out and headed for the Navy, but his brief enlistment ended in a nervous breakdown. With no other options in sight that piqued his interest, Boyle opted to pack his bags and head for New York City, where he worked toward making it as an actor. It made perfect sense that Boyle -- with his distinctively stocky frame, bald pate, oversized ears, and bulbous nose -- would fit the bill as a character actor -- more ideally, in fact, than any of his contemporaries on the American screen. He trained under the best of the best -- the legendary dramatic coach Uta Hagen -- while working at any and every odd job he could find. Boyle soon joined a touring production of Neil Simon's Odd Couple (as Oscar Madison) and moved to Chicago, where he signed on with the sketch comedy troupe The Second City -- then in its infancy. Around 1968, Haskell Wexler -- one of the most politically radical mainstream filmmakers in all of Los Angeles (a bona fide revolutionary) -- decided to shoot his groundbreaking epic Medium Cool in the Windy City, and for a pivotal and notorious sequence, mixed documentary and fictional elements by sending the members of his cast (Verna Bloom and others) "right into the fray" of the 1968 Democratic National Convention riots. Boyle happened to still be living in Chicago at the time of the tumult, which dovetailed rather neatly with Wexler's production and brought Boyle one of his first credited Hollywood roles -- that of the Gun Clinic Manager in the film. Unfortunately (and typically), Paramount cowed when faced with the final cut of the film -- terrified that it could incite riots among its youthful audience -- and withheld its distribution for a year. In the interim, Boyle landed the role that would help him "break through" to the American public -- the lead in neophyte writer-director John G. Avildsen's harrowing vigilante drama Joe (1970). The film casts Boyle as a skin-crawling redneck and bigot who wheedles an Arrow-collared businessman (Dennis Patrick) into helping him undertake an onslaught of death against the American counterculture. This sleeper hit received only fair reviews from critics (and has dated terribly), and Boyle reputedly was paid only 3,000 dollars for his contribution. But even those who detested the film lavished praise onto the actor's work -- in 1970, Variety called the picture "flawed" but described Boyle as "stunningly effective." Film historians continue to exalt the performance to this day. Innumerable roles followed for Boyle throughout the '70s, many in a similar vein -- from that of Dillon, the slimy underworld "friend" who betrays career criminal Robert Mitchum by handing him over to death's jaws in Peter Yates' finely-wrought gangster drama The Friends of Eddie Coyle, to that of Wizard, a veteran cabbie with a terrifying degree of "seen it all, done it all" jadedness, in Martin Scorsese's masterful neo-noir meditation on urban psychosis, Taxi Driver (1976), to Andy Mast, a sleazy private dick, in Paul Schrader's Hardcore (1979). In 1974, however, Boyle broke free from his pattern of creepy typecasting and temporarily turned a new leaf. He unveiled a deft comic flair by playing the lead in Young Frankenstein, Mel Brooks' daffy spoof of old Universal horror pictures. The film's two comic highlights have Boyle and Gene Wilder (as the grandson of Dr. Victor Frankenstein) soft-shoeing to "Puttin' on the Ritz," and Boyle and Gene Hackman (as a hapless, bearded blind man) farcically sending up the gothic cabin scene from Mary Shelley's novel in a riotous pas de deux. Boyle's subsequent forays into big-screen comedy proved decidedly less successful on all fronts, however. He played Carl Lazlo, Esquire, the solicitor of Bill Murray's Hunter S. Thompson, in producer/director Art Linson's Where the Buffalo Roam, the pirate Moon in Mel Damski's dreadful swashbuckling spoof Yellowbeard (1983), and Jack McDermott, a Jesus-obsessed escaped mental patient with delusions of healing, in Howard Zieff's The Dream Team (1989) -- all of which received lukewarm critical reactions and flopped with ticket-buyers. (Though it went undocumented as such, the Zieff role appeared to pull heavy influence from Boyle's monastic experience). A more finely tuned and impressive comic role arrived in 1992, when Boyle teamed with Andrew Bergman for an outrageous bit part in Bergman's madcap farce Honeymoon in Vegas. As Chief Orman, a moronic Hawaiian Indian who bears more than a passing resemblance to Marlon Brando, Boyle delighted viewers, and caught the attention of critics. Many read the role as less of an homage than a dig at Brando, who had viciously insulted one of Bergman's movies in the press. For many viewers, this ingenious sequence made the entire film worthwhile. On the whole, the actor continued to fare best with big-screen dramatic roles throughout the '80s and '90s. Highlights include his role as Detective Jimmy Ryan in Wim Wenders' film noir Hammett (1982); Commander Cornelius Vanderbilt, the assistant of South-American explorer William Walker, in Alex Cox's 1987 biopic Walker; and Captain Green in Spike Lee's Malcolm X (1992). In 1996, Boyle transitioned to the small screen for a permanent role as Frank Barone, the father of comedian Ray Romano's Ray Barone, on the hit CBS sitcom Everybody Loves Raymond. The series brought the actor his broadest popularity and exposure, especially among younger viewers -- a popularity not only attested to by the program's seemingly endless syndicated appearance on local stations and cable affiliates such as TBS, but by its initial series run -- it lasted nine seasons. Tragically, Peter Boyle died of multiple myeloma and heart disease almost exactly one year after Raymond took its final network bow, and shortly after his appearance in the holiday film The Santa Clause 3: The Escape Clause. He passed away in New York's Presbyterian Hospital, on December 12, 2006, only two months after his seventy-first birthday. Alongside his film and television work, Boyle occasionally acted on Broadway, off-Broadway, and repertory stages, in such productions as Carl Reiner's The Roast (1980), Sam Shepard's True West (1982), and Joe Pintauro's Snow Orchid (1982). Boyle met journalist Laraine Alderman in the early '70s, while she was interviewing Mel Brooks for Rolling Stone. They wed in 1977, with former Beatle John Lennon as Boyle's best man; the marriage lasted until Peter's death. The Boyles had two daughters, Lucy and Amy, both of whom outlived their father.

Trivia: A former prizefighter, Burt Young opted for a less injurious profession when he began taking acting lessons from Lee Strasberg. In films from 1971, Young reached a career pinnacle as Rocky Balboa's (Sylvester Stallone) contentious brother Paulie in the 1975 megahit Rocky. He earned one of the film's ten Oscar nominations, and went on to reprise the role in all four Rocky sequels. Young's subsequent film and TV work has been largely confined to pug-like supporting roles, though he did star in the 1978 TV movie Uncle Joe Shannon, which he also scripted. Additional Burt Young credits include the Broadway play Cuba and His Teddy Bear and the role of ex-marine collegiate Nick Chase in the TV sitcom Roomies (1987).

Trivia: The reigning queen of the 1970s blaxploitation genre, Pam Grier was born May 26, 1949, in Winston-Salem, NC. An Air Force mechanic's daughter, she was raised on military bases in England and Germany. During her teen years the family settled in Denver, CO, where at the age of 18, Grier entered the Miss Colorado Universe pageant. Named first runner-up, she attracted the attention of Hollywood agent David Baumgarten, who signed her to a contract. After relocating to Los Angeles, Grier struggled to mount an acting career, and worked as a switchboard operator at the studios of Roger Corman's American International Pictures. Finally, with Corman's aid, she made her film debut in the 1970 Russ Meyer cult classic Beyond the Valley of the Dolls, followed by an appearance in Jack Hill's 1971 cheapie The Big Doll House. For several years, Grier languished virtually unnoticed in grindhouse fare like 1971's Women in Cages and 1973's Arena (aka Naked Warriors) before winning the title role in Hill's 1973 action outing Coffy. Playing a nurse seeking vengeance against the drug dealers responsible for her sister's descent into heroin addiction, Grier immediately rose to the forefront of the so-called "blaxploitation" genre, a group of action-adventure films aimed squarely at African-American audiences. Portraying the 1974 superheroine Foxy Brown, she became a major cult figure, as her character's fierce independence, no-nonsense attitude, and empowered spirit made her a role model for blacks and feminists alike. At the peak of her popularity, Grier even appeared on the covers of Ms. and New York magazines. Her films' often racy content also made her a sex symbol, and additionally she posed nude for the men's magazine Players. Successive action roles as gumshoe Sheba Shayne in 1975's Sheba, Baby and as the titular reporter Friday Foster further elevated Grier's visibility, but fearing continued typecasting she shifted gears to star opposite Richard Pryor in the fact-based 1977 auto-racing drama Greased Lightning. She did not reappear onscreen for four years, resurfacing to acclaim in 1981 as a murderous prostitute in Fort Apache, the Bronx; however, no other major roles were forthcoming, and she spent much of the decade appearing on television and in straight-to-cable features. A major role in the 1988 Steven Seagal action hit Above the Law marked the beginning of a comeback, and after appearing in 1993's Posse, Grier starred with fellow blaxploitation vets Jim Brown, Richard Roundtree, and Fred "the Hammer" Williamson in 1996's Original Gangstas, a throwback to the films of the early '70s. In 1997, the actress' career resurgence was complete with the title role in Jackie Brown, written in her honor by director and longtime fan Quentin Tarantino. Grier's tough, sexy portrayal of a jaded flight attendant earned praise from critics far and wide, as well as the promise of steady work. She could subsequently be seen in a consistently wide range of films, like Jawbreaker (1999), Holy Smoke (1999), The Invited, and Larry Crowne, in addition to a host of successful TV roles on shows like Smallville and The L Word.

Trivia: An instigator of some of the more groundbreaking developments in twentieth-century comedy, John Cleese is one of Britain's best-known actors, writers, and comedians. Famous primarily for his comic efforts, such as the television series Fawlty Towers and the exploits of the Monty Python troupe, he has also become a well-respected actor in his own right.Born John Marwood Cleese (after his family changed their surname from "Cheese") on October 27, 1939, Cleese grew up in the middle-class seaside resort town of Weston-Super-Mare. He enrolled at Cambridge University with the intention of studying law, but soon discovered that his comic leanings held greater sway than his interest in the law. He joined the celebrated Cambridge Footlights Society--he was initially rejected because he could neither sing nor dance, but was accepted after collaborating with a friend on some comedy sketches--where he gained a reputation as a team player and met future writing partner and Python Graham Chapman.Cleese entered professional comedy with a writing stint on David Frost's The Frost Report in 1966. While working for that BBC show, he and Chapman (who was also writing for the show) met fellow Frost Report writers Eric Idle, Terry Jones, and Michael Palin. Continuing his writing collaboration with Chapman (with whom he wrote the 1969 Ringo Starr/Peter Sellers vehicle The Magic Christian), Cleese soon was working on what would become Monty Python's Flying Circus with Chapman, Idle, Jones, Palin, and Terry Gilliam. The show, which first aired in 1969, was an iconoclastic look at British society: its genius lay in its seemingly random, bizarre take on the mundane facets of everyday life, from Spam to pet shops to the simple act of walking. Cleese stayed with Monty Python for three series; after he left, he reunited with his fellow Pythons for three movies. The first, Monty Python and the Holy Grail (1974), was a revisionist take on the Arthurian legend that featured Cleese as (among other things) the Black Knight, who refuses to end his duel with King Arthur even after losing his arms and legs. Life of Brian followed in 1979; a look at one of history's lesser-known messiahs, it featured lepers, space aliens, and condemned martyrs singing a rousing version of "Always Look on the Bright Side of Life" while hanging from their crucifixes. The Pythons' third outing, the 1983 Monty Python's the Meaning of Life, was a series of increasingly outrageous vignettes, including one about the explosion of a stupendously obese man and another featuring a dinner party with Death.In addition to his work with the Pythons, Cleese, along with first wife Connie Booth, created the popular television series Fawlty Towers in 1975. It ran for a number of years, during which time Cleese also continued to make movies. Throughout the 1980s, he showed up in films ranging from The Great Muppet Caper (1981) to Privates on Parade (1982) to Silverado (1985), which cast him as an Old West villain. In 1988, Cleese struck gold with A Fish Called Wanda, which he wrote, produced, and starred in. An intoxicating farce, the film won both commercial and critical success, earning Cleese a British Academy Award and an Oscar nomination for his screenplay, and an Oscar for co-star Kevin Kline. Cleese continued to work steadily through the 1990s, appearing in Splitting Heirs (1993) with Idle, Mary Shelley's Frankenstein (1994), The Wind in the Willows (1997) and George of the Jungle (1997). Fierce Creatures, his 1997 sequel to A Fish Called Wanda, proved a disappointment, but Cleese maintained his visibility, reuniting with the surviving Pythons on occasion and starring in The Out-of-Towners and The World is Not Enough, the nineteenth Bond outing, in 1999.As the new century got underway, Cleese wrote and hosted a documentary series about the human face, and he took a small but recurring role in the Harry Potter film series. In 2002 he appeared in the infamous Eddie Murphy turkey The Adventures of Pluto Nash, and showed up in another Bond film. In 2007 he was cast to voice the role of Fiona's father in Shrek 2, leading to a series of appearances for him in other animated films such as Igor, Planet 51, and Winnie the Pooh. He also appeared opposite Steve Martin in 2009's The Pink Panther 2.

Trivia: Saucer-eyed actress Illeana Douglas has been regularly appearing in major films since 1987, when she debuted in the Shelley Long comedy Hello Again. The granddaughter of actor Melvyn Douglas and actress-turned-Congresswoman Helen Gahagan, Douglas was born July 25, 1965, in Massachusetts.After her film debut, the actress worked for years in relative obscurity, at one point dubbing a chilling scream for The Last Temptation of Christ. She frequently appeared in other Martin Scorsese films, most notably Goodfellas (1990) and 1991's Cape Fear. Her collaboration with the director also took place offscreen, as the two dated for years.Following roles in a number of films, including Household Saints (1993) and Quiz Show (1994), Douglas was cast in Gus Van Sant's 1995 To Die For. She won some measure of recognition and critical praise for her role as Nicole Kidman's sarcastic sister-in-law, and the following year landed the lead in Allison Anders' Grace of My Heart. Although Douglas was again praised for her work -- here portraying a Carole King-like singer/songwriter -- the film did poorly among critics and at the box office.The actress went on to do a number of made-for-TV films, including the satirical Weapons of Mass Distraction in 1997. In 1999 she had a full plate, doing both television work (appearing as a prostitute on the Fox series Action) and more film work. She appeared with Kevin Costner in Message in a Bottle before going on to make the independent film Happy, Texas, the supernatural thriller Stir of Echoes with Kevin Bacon, and Can't Stop Dancing, a comedy in which she acted alongside Margaret Cho and Janeane Garofalo.She had a fine turn in the well-reviewed indie Ghost World, and a small turn in the infamous turkey The Adventures of Pluto Nash. She had major roles in Dummy and Factory Girl, and in 2007 she joined the cast of the hit ABC series Ugly Betty. In addition to her acting career, she has directed, written, and starred in a number of shorts and web series.

Trivia: Actor Lillo Brancato Jr. found his niche in acting early on, playing the young Calogero Anello in Robert De Niro's A Bronx Tale in 1993. Born in Colombia in 1976, Brancato was adopted by Italian-Amerian parents when he was only months old, and grew up in Yonkers, NY -- an upbringing that would create his sense of heritage and cultural identity. Noticed by a talent scout who thought he looked like a young DeNiro, Brancato fell into an acting career at 17, appearing in a number of films and TV shows, most notably playing Matthew Bevilaqua on The Sopranos. The actor has also struggled with the law and was arrested in 2005 on suspicion of second-degree murder of a police officer.

Trivia: Glamorous blonde leading lady Cornelia Sharpe began appearing on TV and in films with regularity in the early 1970s. Among her more prominent film roles were the thrown-over girlfriend of detective Al Pacino in Serpico (1973), and the would-be assassin of Saudi Ambassador Sean Connery in The Next Man (1976). Somewhere along the line, someone decided that Sharpe would be the "next Farrah Fawcett." How else to explain the fact that Cornelia Sharpe starred in no fewer than two Charlie's Angels TV-movie rip-offs, Cover Girls (1977) and S*H*E (1980)?

Trivia: As the son of broadcast journalist Nick Clooney and the nephew of chanteuse Rosemary Clooney, George Clooney entered the world with show business coursing through his veins. Born May 6, 1961 in Lexington, Kentucky, the future E.R. headliner appeared at the tender age of five on his father's Cincinnati talk program, The Nick Clooney Show. In his youth, Clooney honed a sharp interest in sports - particularly baseball - but by adulthood, Clooney launched himself as an onscreen presence, seemingly without effort. Beginning with a string of television commercials, then signed with Warner Brothers Entertainment as a supporting player. By the time Clooney had paid his dues, he'd appeared in single episodes of The Golden Girls, Riptide, Crazy Like a Fox, Street Hawk and Hunter.After regular gigs on TV shows like The Facts of Life, Roseanne, and Sisters, Clooney scored a role on the NBC medical drama E.R., which proved his breakthrough to superstardom. When that program shot up to #1 in prime time ratings, Clooney carried it (much more, in fact, than a first-billed Anthony Edwards) - his inborn appeal to women and his onscreen grace and charm massive contributing factors. This appeal increased as his character - initially something of a callous womanizer - matured with the show, eventually evolving into a kind and thoroughly decent, if somewhat hotheaded, human being.The performer's newfound star power led to big screen opportunities, like an acid-mouthed, rifle-wielding antihero (one of the Gecko Brothers, alongside Quentin Tarantino) in the Robert Rodriguez-directed, Tarantino-scripted horror comedy From Dusk Till Dawn (1995). Not long after, Clooney shifted gears altogether, co-headlining (with Michelle Pfeiffer) in the charming romcom One Fine Day (1996). Though he would notoriously misstep in accepting the role of Bruce Wayne in the 1997 attempted Batman reboot Batman & Robin, Clooney's honesty about the part being a bad fit was refreshing to audiences, and he took little flack for the movie, moving on to critically acclaimed movies like the action-laced crime comedy Out of Sight, and Terrence Malick's adaptation of The Thin Red Line. Out of Sight represented a massive watershed moment for Clooney: the first of his numerous collaborations with director Steven Soderbergh. In 1999 -- following his much-talked-about departure from E.R. - Clooney continued to work on a number of high-profile projects. He would star alongside Mark Wahlberg and Ice Cube as an American soldier reclaiming Kuwaiti treasure from Saddam Hussein in David O. Russell's Three Kings, and eventually win a 2000 Golden Globe for his portrayal of a pomade-obsessed escaped convict in the Coen brothers' Odyssey update O Brother Where Art Thou?. It was around this time that Clooney, now an established actor equally as comfortable on the big screen as the small, began to branch out as the Executive Producer of such made-for-TV efforts as Killroy (1999) and Fail Safe (2000). Soon producing such features as Rock Star (2001) and Insomnia (2002), Clooney next re-teamed with Soderbergh for a modern take on a classic Rat Pack comedy with Ocean's Eleven (2001). After the dynamic film duo stuck together for yet another remake, the deep-space psychological science-fiction drama Solaris (2002), busy Clooney both produced and appeared in Welcome to Collinwood and Confessions of a Dangerous Mind later the same year.Confessions marked Clooney's behind-the-camera debut, and one of the most promising actor-turned-director outings in memory. Adapted by Charlie Kaufman from Gong Show host Chuck Barris's possibly fictionalized memoir, the picture exhibited Clooney's triple fascinations with politics, media and celebrity; critics did not respond to it with unanimous enthusiasm, but it did show Clooney's promise as a director. He went on to star alongside Catherine Zeta-Jones in the Coen Brothers movie Intolerable Cruelty. The small film was a major sleeper hit among the lucky few who got to see it, and it proved to be a great showcase for Clooney's abilities as a comedian. He moved on to team up with Zeta-Jones again, along with almost the entire cast of Ocean's Eleven, for the sequel, Oceans Twelve, which earned mixed critical reviews, but (like its predecessor) grossed dollar one at the box office. By 2005, Clooney achieved his piece-de-resistance by writing, directing, and acting a sophomore outing: the tense period drama Good Night, and Good Luck.. Shot in black-and-white by ace cinematographer Robert Elswit, the picture followed the epic decision of 1950's television journalist Edward R. Murrow (played by David Strathairn) to confront Senator Joseph McCarthy about his Communist witch hunt. The picture drew raves from critics and received nominations for Best Picture and Best Director.Clooney next appeared in the harshly explicit and openly critical Syriana. He took the lead in this ensemble political thriller about the oil industry, directed by Stephen Gaghan of Traffic and heralded by critics as a disturbingly real look at a hopelessly flawed and corrupt system. Clooney won an Oscar for Best Supporting Actor for his role as a veteran CIA officer. Never one to rest for very long, Clooney then joined the cast of The Good German. Directed by longtime collaborator Steven Soderbergh, German unfolds in post-WWII Berlin, where Clooney plays a war correspondent who helps an ex-lover (Cate Blanchett) search for her missing husband. The actor-director team would pair up again the following year for the third installment in the Ocean's saga, Ocean's Thirteen. Next turning towards a more intimate, individualized project, Clooney earned yet more acclaim playing the title role in Tony Gilroy's Michael Clayton, where his portrayal of a morally compromised legal "fixer" earned him strong reviews and an Oscar nomination for Best Actor.Complications during the pre-production of the period comedy Leatherheads led to Clooney rewriting the script, as well as starring in and directing the picture. Though the movie made few ripples with audiences or critics, Clooney's adeptness continued to impress. In 2009, he gave voice to the lead character in Wes Anderson's thoroughly charming stop-motion animation feature Fantastic Mr. Fox, played a soldier with ESP in the comedy The Men Who Stare at Goats, and earned arguably the best notices of his career as corporate hatchet man Ryan Bingham in Jason Reitman's Up in the Air. His work in that well-reviewed comedy/drama earned him nominations from the Screen Actors Guild, the Golden Globes, and the Academy. In the midst of awards season, Clooney again produced a successful telethon, this time to help earthquake victims in Haiti.In 2011 Clooney would, for the second time in his already impressive career, score Oscar nominations for writing and acting in two different films. His leading role in Alexander Payne's The Descendants earned him a wave of critical praise, as well as Best Actor nods from the Screen Actors Guild and the Academy, as well as capturing the Best Actor award from the Golden Globes. The film he co-wrote and directed that year, the political drama The Ides of March garnered the heartthrob a Best Adapted Screenplay nomination from BAFTA, the Academy, and the Golden Globes. In 2012 he earned his second Oscar as one of the producers of that year's Best Picture winner, the Ben Affleck-directed political thriller/Hollywood satire Argo. The following year, he appeared in the critically-acclaimed, box office smash Gravity, and also produced August: Osage County. In 2014, he co-wrote and co-produced (with Grant Heslov) and starred in The Monuments Men, but the film was delayed from a late-2013 release and didn't score well with critics or at the box office.