Trivia: Despite a thick Australian accent in some of his earlier films, actor Mel Gibson was born in Peeksill, NY, to Irish Catholic parents on January 3rd, 1956. One of eleven children, Gibson didn't set foot in Australia until 1968, and only developed an Aussie accent after his classmates teased him for his American tongue. Mel Gibson's looks have certainly helped him develop a largely female following similar to the equally rugged Harrison Ford, but since his 1976 screen debut in Summer City, Gibson has been recognized as a critical as well as physiological success.Though he had, at one point, set his sights on journalism, Gibson caught the acting bug by the time he had reached college age, and studied at the National Institute of Dramatic Art in Sydney, Australia, despite what he describes as a crippling ordeal with stage fright. Luckily, this was something he overcame relatively quickly -- Gibson was still a student when he filmed Summer City and it didn't take long before he had found work playing supporting roles for the South Australia Theatre Company after his graduation. By 1979, Gibson had already demonstrated a unique versatility. In the drama Tim, a then 22-year-old Gibson played the role of a mildly retarded handy man well enough to win him a Sammy award -- one of the Australian entertainment industry's highest accolades -- while his leather clad portrayal of a post-apocalyptic cop in Mad Max helped the young actor gain popularity with a very different type of audience. Gibson wouldn't become internationally famous, however, until after his performance in Mad Max 2 (1981), one of the few sequels to have proved superior to its predecessor. In 1983, Gibson collaborated with director Peter Weir for the second time (though it was largely overlooked during the success of Mad Max 2, Gibson starred in Weir's powerful WWI drama Gallipoli in 1981) for The Year of Living Dangerously, in which he played a callous reporter responsible for covering a bloody Indonesian coup. Shortly afterwards, Gibson made his Hollywood debut in The Bounty with Oscar-winner Anthony Hopkins, and starred opposite Sissy Spacek in The River during the same year. He would also star in Mad Max Beyond Thunderdome (1985) alongside singer Tina Turner.After the third installment to the Mad Max franchise, Gibson took a two-year break, only to reappear opposite Danny Glover in director Richard Donner's smash hit Lethal Weapon. The role featured Gibson as Martin Riggs, a volatile police officer reeling from the death of his wife, and cemented a spot as one of Hollywood's premier action stars. Rather than letting himself become typecast, however, Gibson would surprise critics and audiences alike when he accepted the title role in Franco Zeffirelli's Hamlet (1990). Though his performance earned mixed reviews, he was applauded for taking on such a famously tragic script.In the early '90s, Gibson founded ICON Productions, and through it made his directorial debut with 1993's The Man Without a Face. The film, which also starred Gibson as a horrifically burned teacher harboring a secret, achieved only middling box-office success, though it was considered a well-wrought effort for a first-time director. Gibson would fare much better in 1994 when he rejoined Richard Donner in the movie adaptation of Maverick; however, it would be another year before Gibson's penchant for acting, directing, and producing was given its due. In 1995, Gibson swept the Oscars with Braveheart, his epic account of 13th century Scottish leader William Wallace's lifelong struggle to forge an independent nation. Later that year, he lent his vocal talents -- surprising many with his ability to carry a tune -- for the part of John Smith in Disney's animated feature Pocahontas. Through the '90s, Gibson's popularity and reputation continued to grow, thanks to such films as Ransom (1996) and Conspiracy Theory (1997). In 1998, Gibson further increased this popularity with the success of two films, Lethal Weapon 4 and Payback. More success followed in 2000 due to the actor's lead role as an animated rooster in Nick Park and Peter Lord's hugely acclaimed Chicken Run, and to his work as the titular hero of Roland Emmerich's blockbuster period epic The Patriot (2000). After taking up arms in the battlefield of a more modern era in the Vietman drama We Were Soldiers in 2002, Gibson would step in front of the cameras once more for Sixth Sense director M. Night Shyamalan's dramatic sci-fi thriller Signs (also 2002). The film starred Gibson as a grieving patriarch whose rural existence was even further disturbed by the discovery of several crop circles on his property.Gibson would return to more familiar territory in Randall Wallace's We Were Soldiers -- a 2002 war drama which found Gibson in the role of Lt. Col. Hal Moore, commander of the First Battalion, Seventh Cavalry -- the same regiment so fatefully led by George Armstrong Custer. In 2003, Gibson starred alongside Robert Downey Jr. and Robin Wright-Penn in a remake of The Singing Detective. The year 2004 saw Gibson return to the director's chair for The Passion of The Christ. Funded by 25 million of Gibson's own dollars, the religious drama generated controversy amid cries of anti-Semitism. Despite the debates surrounding the film -- and the fact that all of the dialogue was spoken in Latin and Aramaic -- it nearly recouped its budget in the first day of release.The actor stepped behind the camera again in 2006 with the Mayan tale Apocalypto and was preparing to product a TV movie about the Holocaust, but by this time, public attention was not pointed at Gibson's career choices. That summer, he was pulled over for drunk driving at which time he made extremely derogatory comments about Jewish people to the arresting officer. When word of Gibson's drunken, bigoted tirade made it to the press, the speculation of the actor's anti-Semitic leanings that had circulated because of the choices he'd made in his depiction of the crucifixion in Passion of the Christ seemed confirmed. Gibson's father being an admitted holocaust denier hadn't helped matters and now it seemed that no PR campaign could help. Gibson publicly apologized, expressed extreme regret for his comments, and checked himself into rehab. Still, the plug was pulled on Gibson's Holocaust project and the filmmaker's reputation was irreparably tarnished.

Trivia: Hailed by many critics as one of the most brilliant and versatile actors of his generation, Robert Downey Jr. chalked up a formidable onscreen track record that quickly launched the young thesp into the stratosphere. Although, for a time, Downey's stormy offscreen life and personal problems threatened to challenge his public image, he quickly bounced back and overcame these setbacks, with a continued array of impressive roles on the big and small screens that never sacrificed his audience appeal or affability.The son of underground filmmaker Robert Downey, Downey Jr. was born in New York City on April 4, 1965. He made his first onscreen appearance at the age of five, as a puppy in his father's film Pound (1970). Between 1972 and 1990, he made cameo appearances in five more of his father's films. The actor's first significant role, in 1983's Baby, It's You, largely ended up on the cutting-room floor; it wasn't until two years later that he began landing more substantial parts, first as a one-season cast member on Saturday Night Live and then in the comedy Weird Science. In 1987, he landed plum roles in two films that capitalized on the Brat Pack phenomenon, James Toback's The Pick-Up Artist, (opposite Molly Ringwald), and Less Than Zero, for which he won acclaim playing cocaine addict Julian Wells.Through it all, Downey cultivated an enviable instinct for role (and script) selection. His turns in Emile Ardolino's classy reincarnation fantasy Chances Are (1989), Michael Hoffman's Soapdish (1992), Robert Altman's Short Cuts (as the Iago-like Hollywood makeup artist Bill Bush), and Richard Loncraine's Richard III (1995) wowed viewers around the world, and often, on those rare occasions when Downey did choose substandard material, such as the lead in Richard Attenborough's deeply flawed Chaplin (1992), or an Australian media parasite in Oliver Stone's Natural Born Killers (1994), his performance redeemed it. In fact, critics deemed Downey's portrayal as one of the only worthwhile elements in the Chaplin biopic, and it earned the thesp a Best Actor Oscar nomination, as well as Golden Globe and British Academy Award noms.Around this time, Downey's personal life took a turn for the worse. In June 1996, the LAPD arrested the actor (who had already spent time in three rehabilitation facilities between 1987 and 1996) on counts including drug use, driving under the influence, possession of a concealed weapon, and possession of illegal substances, a development which struck many as ironic, given his star-making performance years prior in Less than Zero. A month after this arrest, police found Downey Jr. unconscious on a neighbor's lawn, under the influence of a controlled substance, and authorities again incarcerated him, taking him -- this time -- to a rehab center. A third arrest soon followed, as did another stint in rehab. His stay in rehab didn't last long, as he walked out, thereby violating the conditions of his bail. More arrests and complications followed -- in fact, the actor had to be released from rehab to make James Toback's Two Girls and a Guy -- but he still landed a few screen appearances and won praise for his work in Mike Figgis' One Night Stand (1997) and Altman's otherwise-disappointing Gingerbread Man (1998). In addition, he starred in one of his father's films, the offbeat Hugo Pool (1997). In 1999, he had three films out in theaters: Friends and Lovers, Bowfinger, and In Dreams. He delivered a particularly chilling performance in the latter, as longhaired psychopathic child murderer Vivian Thompson, that arguably ranked with his finest work. But Downey's problems caught up with him again that same year, when he was re-arrested and sentenced to 12 months in a state penitentiary. These complications led to the actor's removal from the cast of the summer 2001 Julia Roberts/Billy Crystal comedy America's Sweethearts and his removal from a stage production of longtime friend Mel Gibson's Hamlet, although a memorably manic performance in Curtis Hanson's Wonder Boys made it to the screen in 2000. Downey's decision -- after release -- to pursue television work, with a recurring role on Ally McBeal, marked a brief comeback (he won a 2001 Best TV Series Supporting Actor Golden Globe for the performance). Nevertheless, series creator David E. Kelley and the show's other producers sacked Downey permanently when two additional arrests followed. During this period, Downey also allegedly dated series star Calista Flockhart.In 2002, a Riverside, CA, judge dismissed all counts against Downey. In time, the former addict counseled other celebrity addicts and became something of a spokesperson for rehabilitation. He starred as a hallucination-prone novelist in The Singing Detective in 2003, and while the film didn't achieve mainstream success, critics praised Downey for his interpretation of the role, alongside Oscar winners Adrien Brody and Mel Gibson. The same could be said for Gothika (2003), the psychological thriller that placed him opposite Hollywood heavyweight Halle Berry. In 2004, Downey appeared in Steven Soderbergh's portion of the film Eros.Downey achieved success throughout 2005 with appearances in George Clooney's critically lauded Good Night, and Good Luck -- as one of Ed Murrow's underlings -- and he paired up with Val Kilmer in Shane Black's directorial debut Kiss Kiss, Bang Bang. He continued balancing more mainstream fare, such as Disney's Shaggy Dog remake, with challenging films such as Richard Linklater's rotoscoped adaptation A Scanner Darkly. That same year, Downey wrapped production on Hanson's Lucky You, the story of a card shark (Eric Bana) who faces off against his father (Robert Duvall) at the legendary World Series of Poker, while simultaneously attempting to woo a beautiful singer (Drew Barrymore).Downey continued to show his versatility by joining the casts of Zodiac, David Fincher's highly-touted film about the Zodiac Killer, and the Diane Arbus biopic Fur, with Nicole Kidman. A supporting role in Jon Poll's 2007 directorial debut Charlie Bartlett followed. The biggest was yet to come, however, as 2007 found Downey taking on the roles that would make him an even bigger star than he'd been in his youth, as he took on the leading role of sarcastic billionaire and part-time super hero Tony Stark in the big screen adaptation of the comic book Iron Man, as well as self-important actor Kirk Lazarus in the comedy Tropic Thunder. Both films turned out to be not just blockbuster successes at the box office, but breakaway hits with critics as well, and in addition to major praise, the actor also walked away from 2008 with an Oscar nomination for his performance in Tropic Thunder.After Iron Man premiered, Marvel studios decided to move forward with a film empire, and Downey's Tony Stark became the anchor of the series, starring in his own Iron Man trilogy and appearing in many other films in the Marvel Cinematic Universe like the Avengers (2012) and its sequel Avengers: Age of Ultron (2014). Downey still found time to appear in side projects, like The Judge (2014), which he also produced.

Trivia: The ever-fascinating Nancy Travis excelled in edgy, neurotic characterizations during the 1990s; she sounds like a chain-smoker or Valium-popper even when not playing one. Graduating with a BA degree from New York University, Travis apprenticed at Circle in the Square, acted in the touring company of Neil Simon's Brighton Beach Memoirs, and starred on Broadway with Judd Hirsch in I'm Not Rappaport. As a means of continually recharging her creative batteries, she helped found the Naked Angels, an off-Broadway acting troupe. After laboring in virtual anonymity in such TV movies as Malice in Wonderland (1985), Travis was afforded top billing in the 1986 two-parter Harem, lending a little artistry and dignity to an otherwise trivial affair. Her movie breakthrough was in the role of the errant, unmarried British mother Sylvia in Three Men and a Baby (1987) and its 1990 sequel Three Men and a Little Lady. More complex roles came her way in Internal Affairs (1992), The Vanishing (1993) and Chaplin (1993); in the latter film, she appeared as the real-life Joan Barry, whose spiteful and unfounded paternity suit against Charlie Chaplin (Robert Downey Jr.) was the beginning of the end of The Little Tramp's Hollywood career. Even when playing comedy in So I Married an Axe Murderer (1993), Travis retained her ticking-bomb, "don't turn your back on me" aura. Nancy Travis' television credits of the 1990s include her gravelly voiceover work as Aunt Bernice on the animated weekly Duckman (1993- ) and her starring stint on the so-so 1995 sitcom Almost Perfect.

Trivia: After building a career as a character actor playing dozens of military men and cops, Ken Jenkins founds steady work and notoriety in 2001 when he was cast as Chief of Medicine Dr. Bob Kelso on NBC's Scrubs. Born in New Boston, OH, Jenkins began acting on the stage in the 1960s and continued to be a presence in the theater world throughout the '70s and into the '80s before transitioning to a screen career. His film roles included such varying and prominent features as Matewan and The Abyss, and his TV work included work on everything from Newhart to Star Trek: The Next Generation. In 1991, Jenkins got his first taste of regular series work when he was cast on the acclaimed family drama Homefront, which lasted two seasons. More supporting work followed before the creators of Scrubs came knocking and offered the role for which he would come to be best known. He would appear on the show until 2010, after which he took on a recurring role on the series Cougar Town.

Trivia: David Marshall Grant is the youngest of three children (the older two, a brother and a sister, became psychiatrists). He received his acting training from the Yale School of Drama, the Julliard School of Drama, and the Weber Douglas Academy of Dramatic Arts. He was nominated for a Tony award for his performance in the Tony Kushner play Angels in America. In the late '90s, Grant added a new credit, playwright. His play, entitled Snakebit, received a 1999 Drama Desk and Critics Circle nomination for best play.

Trivia: Lane Smith attended the Actors Studio during its halcyon days of the late 1950s-early 1960s. Though he didn't go on to stardom like such Studio grads as Dustin Hoffman and Al Pacino, Smith found steady work on the New York stage. In over 100 films and television projects from 1974's Man on a String, Smith has regularly invested three-dimensionality into such cardboard characters as prosecutor Jim Trotter III in My Cousin Vinny (1992) and Coach Reilly in The Mighty Ducks (1993). His latter-day stage work has included a healthy run in the original production of David Mamet's Glengarry Glen Ross. Smith's TV roles included smiler-with-a-knife space alien Nathan Bates in V (1984) and Dr. Robert Moffitt in Kay O'Brien (1986). In 1989, Lane received a Golden Globe nomination for his portrayal of Richard M. Nixon in the ABC miniseries The Final Days. Fans of ABC's Lois & Clark: The New Adventures of Superman will recognize Smith for playing the gruff Daily Planet editor Perry White. Lane Smith was married to writer Sydne MacCall.

Trivia: Bell is a supporting actor, onscreen from the '80s.

Trivia: Born in England and raised in Shanghai, actor Burt Kwouk can best be described as a funnier variation of Bruce Lee. To be sure, many of his acting assignments have called for straight interpretations, notably his roles in such films Satan Never Sleeps (1961) and The Brides of Fu Manchu (1965). But Kwouk is best known for his role as karate champ Cato Fong, right-hand man of the hapless Inspector Clouseau (Peter Sellers). Trained by his boss to attack without warning (the better to keep Clouseau on guard and in shape), Cato has invariably done his job too well, kicking and chopping at the Inspector at the most inopportune times -- when Clouseau is making love, for example. As Cato, Bert Kwouk has appeared in the Blake Edwards-directed Clouseau films A Shot in the Dark (1964), Return of the Pink Panther (1975), The Pink Panther Strikes Again (1978) and Revenge of the Pink Panther (1979), and has guest-starred in two pastiche films made after Peter Sellers' death, Curse of the Pink Panther (1981) and Trail of the Pink Panther (1982). Outside the aegis of Blake Edwards, Kwouk has taken action-oriented parts in films like Rollerball (1980) and Air America (1990). For several years in the '80s, Kwouk played a Japanese commandant on the British TV series Tenko. Kwouk continued to work steadily through the 2010s, including a recurring role on Last of the Summer Wine. He died in 2016, at age 85.

Trivia: Tall, deceptively distinguished-looking Tim Thomerson first gained attention as a comedian, and it was in this capacity that he was hired as an ensemble player for the 1976 Bill Cosby TV variety series Cos. That same year, Thomerson made his first film appearance as Ken in Car Wash (1976). He made several additional movies under the watchful eye of producer/director Robert Altman. Latter-day filmgoers will recognize Thomerson as the Bogartlike adventurer Jack Deth in the three Trancers movies, and also as Brick Bardo in the brief Doll Man cinema series. In the final analysis, Thomerson is probably best known for his prolific TV-series work. He played lascivious hairstylist Gianni in Angie (1979), horny mailboy Johnny Danko in The Associates (1979), egotistical Regis Philbin takeoff Reggie Cavanaugh in The Two of Us (1981), bumbling bandit Theodore Ogilvie in Gun Shy (1983), philosophical derelict Jerry in Down and Out in Beverly Hills (1987), and Sgt. James "Buddy" Zunder, confined to a desk job because of his irregular heartbeat, in the first two seasons of Sirens (1993-96). Video cultists are fondest of Tim Thomerson's fascinatingly funny portrayal of transmuted male-female Gene/Jean on the brief sci-fi spoof Quark (1978).

Trivia: British character actor, onscreen from the late '60s.

Trivia: Though few familiar with buff skull cracker Michael Dudikoff would be shocked to hear that the handsome action star got his start in modeling, the fact that he previously studied child psychology might come as a surprise to those who think brawn overpowers brain. The Redondo Beach, CA, native was born to a Russian father in early October of 1954, and although Dudikoff isn't fluent in his native tongue, his father did teach him to speak a little Russian. Studies in child psychology preceded work as a model for the handsome young hopeful, and in 1978, he got his big break when cast in a supporting role on the wildly popular television drama Dallas. In the years that followed, Dudikoff appeared in both Happy Days and Gimme a Break!, and in 1980 the young rising star made his feature debut in The Black Marble. Small roles in Tron (1982) and Uncommon Valor (1983) found his action chops developing nicely, and after having a wild time in Bachelor Party (1984), Dudikoff had his breakthrough role in the 1985 martial arts action film American Ninja. Though the part was originally intended for film star Chuck Norris, Dudikoff made the role his own, to the delight of action fans worldwide. Though the requisite sequels came fast and furious, it was roles in such small-scale actioners as Platoon Leader (1988, directed by Chuck Norris' brother Aaron) and Midnight Ride (1990) that kept his name alive in the lucrative low-budget action market. Though Dudikoff's 1993 series Cobra would only hold out for one season, his average of two films per year would find him doling out the punches well into the new millennium. The late '90s found Dudikoff teaming with B-movie maestro Fred Olen Ray for a series of small-scale punishers, and in 2002, Dudikoff appeared opposite Treat Williams in Jim Wynorski's Gale Force.

Trivia: The son of a railroad man, American actor Charles Ray settled with his family in Los Angeles in the early 1900s. While attending Los Angeles Business College, Ray became stagestruck, and began appearing in local productions for an average of $1 per performance. He went on to stock productions, where he first discovered how much he enjoyed the star spotlight. At the age of 20, Ray walked into the Santa Monica film studios of Thomas Ince, offering his services in any capacity; he worked as assistant director, technician, and extra before given his chance to play the juvenile lead in The Favorite Son (1913). Ray's big break came as the teenaged hero of The Coward (1915), a Civil War drama; he remained one of Ince's major players until he struck out on his own in 1919. Specializing in bucolic country-boy roles, Ray made up to nine features per year, earning $35,000 per picture. Ray's popularity was greatest in rural areas, where fans demanded to see their favorite in virtually the same role from one picture to the next. Usually, Ray played the naive hick who is taken advantage of by city slickers, and who pines for the leading lady but dares not speak up for her. He varied this characterization in such films as The Busher (1917), wherein he'd play a small-time hero whose outsized ego would alienate all those around him. The latter characterization was closer to the real Charles Ray, who was known to be quite arrogant and demanding on the set. He became his own producer in 1920, setting up a small studio which would later be the headquarters of Monogram Pictures -- and still later, served as the site of Los Angeles' public TV station. Anxious to break loose from his confining screen image, Ray poured all his resources into a costume epic, The Courtship of Miles Standish (1923). The film was a disaster, bankrupting Ray and destroying him as an independent producer. He continued starring in films for various studios, vainly hoping to recapture his public; in 1928 he attempted a complete character switch as the ultra-sophisticated "roue" hero of The Garden of Eden. But Ray's time had passed, and he'd made too many enemies in Hollywood to be given a break when talkies came in. He appeared briefly in vaudeville, then returned to movies as an extra and bit player. Occasionally he'd have the lead in a poverty-row production like Just My Luck (1936), but otherwise Charles Ray was forgotten. Reports differ as to how he reacted to this reversal of fortune: certain contemporaries insist that he hounded casting offices for character parts (he did manage a good role in A Yank in the RAF [1942]), while writer/director Garson Kanin claims that Ray told him he was content to be an extra and wouldn't take a comeback role if it was offered him. In 1942, Charles Ray died of a tooth infection at the age of 52.