Trivia: With a rangy handsomeness that makes him look as if he would be equally comfortable branding cattle, Matthew McConaughey found fame shortly after making his screen debut in Richard Linklater's 1993 Dazed and Confused. After being cast in two high-profile 1996 films, Lone Star and A Time to Kill, the actor was soon being hailed as one of the industry's hottest young leading men, inspiring comparisons to such charismatic purveyors of cinematic testosterone as Paul Newman and Tom Cruise.A product of Texas, McConaughey was born in Uvalde on November 4, 1969 and raised in Longview. The son of a substitute teacher and a former member of the Green Bay Packers, he excelled in sports as a high school student and was voted "Most Handsome" by his senior class. After graduating, McConaughey spent some time working in Australia and then returned to the States to attend the University of Texas at Austin. It was there that he met producer and casting director Don Phillips, who introduced him to director Linklater, and, after directing from UT in 1993 with a degree in film production, McConaughey was cast in Dazed and Confused. Although his role as Wooderson, a slacker old enough to know better, was relatively small, McConaughey succeeded in winning a degree of immortality with lines like, "That's what I like about high school girls: I keep getting older, they stay the same age." After Dazed, McConaughey took on a number of supporting roles in films of varying quality, appearing in everything from 1994's Return of the Texas Chainsaw Massacre to 1995's Boys on the Side, in which he was cast as Drew Barrymore's straight-arrow cop boyfriend. The latter film won him some notice, heightened a year later when he was cast in John Sayles' acclaimed Lone Star. McConaughey made a distinct impression in his small but pivotal role as the town's beloved late sheriff, Buddy Deeds, and was duly given his first leading role in Joel Schumacher's 1996 adaptation of John Grisham's A Time to Kill. Although the film met with lackluster reviews, McConaughey managed to attract favorable attention, holding his own against Samuel L. Jackson, Kevin Spacey, and Sandra Bullock.Finding himself elected to the throne of Hollywood Golden Boy, a status cemented by his appearance on the cover of the August 1996 Vanity Fair, McConaughey paradoxically followed his initial success with a string of small, largely unseen films before landing a starring role as a property lawyer in Amistad, Steven Spielberg's 1997 slave epic. The same year, he also starred in Contact, playing a New Age theologian in Robert Zemeckis' adaptation of Carl Sagan's best-selling novel. After again collaborating with Linklater in 1998 on The Newton Boys, in which he starred alongside Ethan Hawke, Skeet Ulrich, and Vincent D'Onofrio as the remarkably photogenic family of titular robbers, McConaughey banded together with off-screen pal Bullock on her directorial debut, the short Making Sandwiches, the same year. For all the hype surrounding the beginning of his career, by the time he was cast in the lead role of Ron Howard's EdTV, McConaughey had receded somewhat from the public eye, with many critics noting that despite his talent and physical attributes, the actor seemed to have trouble finding roles that would do him justice. But McConaughey's turn as the laid-back everyman who becomes an overnight celebrity when he allows his life to be broadcast on TV proved a relative success, with the actor winning praise for his endearingly dopey performance. The film itself garnered a number of positive reviews and gave a decent box office performance, and by the end of that year, McConaughey had his name attached to a number of projects, including those of his own production company, J.K. Livin'. In October 1999, McConaughey achieved notoriety of a different sort, when he was arrested for resisting transport after the Austin, Texas police responded to noise complaints about his late-night naked bongo-playing; drug charges against him were dropped for lack of a proper warrant.After submerging in a tense struggle to find a German Enigma machine in order to defeat the Nazis in the taut World War II thriller U-571 (2000), McConaughey sweetened things up a bit by co-starring alongside Jennifer Lopez in the romantic comedy The Wedding Planner (2002). A lightweight comedy that did little to further his appeal as an actor of dramatic or comic range, the film nevertheless kept McConaughey in the public eye and once again warmed him to a public unsure how to approach him after numerous rumors of bizarre behavior. McConaughey's performance as a cocky lawyer forced to re-evaluate his quest for happiness after a life-altering experience in 2001's 13 Conversations About One Thing forced critics and audiences to re-evaluate their approach to the eccentric actor, and he would next re-team with U-571 co-star Bill Paxton for the nail-biter sleeper Frailty (2001). In late 2001 and early 2002 the eccentric actor at last received favorable press after coming to the aid of both woman who fainted at the Toronto International Film Festival and a sound man who suffered a seizure during McConaughey's Access Hollywood interview for Reign of Fire (2002), and though the aforementioned film fared only moderately well at the box office, its kindly star seemed to be back in the public's good graces. McConaughey next opted to lighten things up a bit by co-starring alongside Kate Hudson in the romantic comedy How to Lose a Guy in 10 Days. In 2005, McConaughey and Al Pacino co-headlined D.J. Caruso's gritty gambling thriller Two for the Money. McConaughey stars as Brandon Lang, a onetime collegiate football hero with a knack for picking winners, who unofficially signs on as the protege - and later the nemesis - of Pacino's seedy high-roller. The film brought in only moderate returns and received mixed reviews from the press, but McConaughey fared substantially better with 2006's romantic comedy Failure to Launch. In the latter, he stars alongside Sex and the City star Sarah Jessica Parker as Tripp, a thirtysomething mama's boy whose parents coax him out of the house by setting him up with dreamgirl Paula (Parker). The film shot up to become the primo box office draw on its opening weekend and did incredible business thereafter. McConaughey would spend the 2000's enjoying leading man status, with memorable roels in We Are Marshall, Fool's Gold, Tropic Thunder, and Magic Mike.

Trivia: Possessing a special talent for totally immersing himself in his roles, Bill Paxton did not always get the recognition he deserves. Tall, rangy, and boyishly good looking, Paxton's career was a curiosity that found the character actor-turned-filmmaker succeeding in intermittently pulling the rug from under filmgoers' feet with a constantly expanding sense of maturity and range.Paxton's interest in films emerged during his teens when he began making his own movies with a Super-8 camera. He formally entered the entertainment industry in 1974 as a set dresser for Roger Corman's New World Pictures. Paxton made his acting debut as a bit player in Crazy Mama (1975), and afterward, the young thespian moved to New York to hone his skills. Following performances in a couple of horror quickies, Paxton formally launched his Hollywood career with a tiny part in Ivan Reitman's Stripes (1981) and this led to a steady if not unremarkable career in film and television during the '80s. In addition to acting, Paxton made short independent films such as Fish Heads, (1982) which became a favorite on NBC's Saturday Night Live. Paxton's acting career got a much-needed boost in 1985 when he was cast as Ilan Mitchell-Smith's obnoxious big brother Chet Donolley in John Hughes' Weird Science. Some of Paxton's more memorable subsequent roles include that of a cocky intergalactic soldier in James Cameron's Aliens (1986), a crazed vampire in Kathryn Bigelow's Near Dark, and sickly astronaut Freddie Hayes in Ron Howard's Apollo 13. In 1996, Paxton landed a starring role, opposite Helen Hunt, in the special-effects blockbuster Twister; his career took an upward turn and Paxton got more leads than ever. Though few audiences saw it in its limited release, critics were quick to praise Paxton's turn as con-artist Traveler in the 1997 movie of the same name. Following a doomed voyage on the Titanic the same year, the workhorse actor once again intrigued filmgoers as a small-town dweller struggling with his conscience after stumbling into over a million dollars in usually flamboyant director Sam Raimi's strikingly subdued A Simple Plan. A quiet and intense performance enhanced by a talented cast including Billy Bob Thornton and Bridget Fonda, the psychological crime drama once again provided further proof that Paxton's impressive range of emotion stretched beyond what many filmgoers may have previously suspected. Though subsequent performances in Mighty Joe Young (1998) and U-571 (2000) did little to backup the promise shown in A Simple Plan, Paxton still had a few tricks up his sleeve, as evidenced by his directorial debut Frailty (2002), a surprisingly competent and genuinely frightening tale of religious fervor and questionable sanity. Though cynical filmgoers may have initially viewed the trailer-touting praises of former collaborators Raimi and James Cameron as favors from old friends, the taut tale of a father who claims that God has provided him with a list of "demons" that he and his sons must cast from the earth blind-sided critics and filmgoers with its disturbingly minimalistic yet complex psychological thriller that recalled the thematic elements of previous efforts as Michael Tolkin's The Rapture (1991). His performance as a loving father who reluctantly embarks on God's mission was a vital component of the films emotional impact, and was once again proof that this former supporting player still had a few tricks up his sleeve.Though he hadn't paid much attention to television since his early career, in 2006, Paxton took on the lead role in HBO's Big Love, playing a polygamous husband with three wives. The show was a hit and garnered critical acclaim, including three Golden Globe nominations for Paxton. When the show wrapped up after five seasons, Paxton joined the miniseries Hatfields & McCoys, earning his only Emmy nomination of his career for the role. In 2014, Paxton took on a recurring role in Marvel's Agents of S.H.I.E.L.D., playing the villainous John Garrett. He also played Sam Houston in 2015 miniseries Texas Rising. In 2017, his new network show Training Day (a small-screen version of the film) aired only three episodes before Paxton suddenly died of complications from surgery at age 61.

Trivia: Sporting a Brooklyn accent and bulldog features, Harvey Keitel first gained recognition with a series of gritty roles in the early films of Martin Scorsese, and he was for a long time cast as one lowlife thug after another. His career experienced a renaissance in the 1990s, when roles in such films as Thelma & Louise, Bad Lieutenant, and The Piano demonstrated his versatility and his willingness to let it all hang out (literally) in the service of an authentic characterization.A product of Brooklyn, where he was born on May 13, 1939, Keitel grew up as something of a delinquent. At the age of 16, his truancy was put to an end when he was sent to Lebanon with the Marine Corps. Upon his return, he sold shoes and nurtured an interest in acting. He studied the craft with Lee Strasberg and Stella Adler and began appearing in off-off-Broadway productions. When he was 26, fate struck in the form of a casting ad placed by Scorsese, at that time a fledgling student director at New York University; Keitel's response to the ad began a collaboration that would last for years and produce some of the more memorable moments in film history. Keitel and Scorsese made their onscreen feature debuts with Who's That Knocking at My Door? (1968), in which the former played the latter's alter ego. Five years later, they collaborated on Mean Streets; that and their subsequent collaborations of the '70s, Alice Doesn't Live Here Anymore (1974) and Taxi Driver (1976), were some of the decade's most memorable films. Unfortunately, despite these achievements, Keitel's career suffered a great blow when he lost the lead in Francis Ford Coppola's Apocalypse Now to Martin Sheen. He spent much of the '80s appearing in obscure and/or forgettable films, save for Scorsese's controversial The Last Temptation of Christ (1988), and by the time he was cast in Thelma & Louise in 1991, he was in a career slump. 1991 and 1992 marked a turning point in Keitel's career: his role in Thelma and Louise as a sympathetic detective -- much like his role in that same year's Mortal Thoughts -- helped him break through the stereotypes surrounding him, and his Oscar nomination for his portrayal of gangster Mickey Cohen in Bugsy (1991) put him back in the forefront. Keitel's work in 1992's Bad Lieutenant, Reservoir Dogs, and Sister Act further established him as an actor of previously unappreciated versatility, and in 1993 he proved this versatility when he starred in Jane Campion's exotic art drama The Piano, in which he famously appeared in the nude as Holly Hunter's lover.Keitel continued to demonstrate his ability to play both hard-boiled gangsters and rough-edged nice guys throughout the rest of the decade, turning in one solid performance after another in such films as Pulp Fiction (1994), Clockers (1995), and Copland (1997). One of his most memorable characterizations, cigar shop owner Auggie Wren, came from his collaboration with Paul Auster on Smoke and Blue in the Face (both 1995); he also worked with Auster on his 1998 romantic drama Lulu on the Bridge. In 1999, Keitel could be seen in variety of films, notably Tony Bui's Three Seasons, in which he played an American soldier searching for his lost daughter in Vietnam, and Jane Campion's Holy Smoke, in which he played a man sent to deprogram Kate Winslet of the teachings she received while part of a religious cult.In 2001, Keitel's performance as the contemptuous Major Steve Arnold in Taking Sides was met with rave reviews; the same year, Keitel played a Holocaust victim in The Grey Zone. Keitel worked on and off throughout the 2000s, and landed a regular role in ABC's short-lived series Life on Mars in 2008.

Trivia: After spending most of the '80s as a hard rock god, Jon Bon Jovi decided to put his proven charisma and movie-star looks to work in front of the Hollywood cameras. Making his major screen debut as an amiable house painter in Moonlight and Valentino (1995), Bon Jovi earned surprisingly good notices for his performance, winning both grudging respect from film critics and further offers from casting agents. Born John Francis Bongiovi in working-class Perth Amboy, NJ, on March 2, 1962, Bon Jovi spent much of his adolescence skipping school to play in a series of local rock bands. After one of his first demos, "Runaway," became a hit on the Jersey airwaves, the young musician formed Bon Jovi in 1983. The group went on to become one of the most successful hard rock bands of the decade, earning a huge number of fans and numerous industry honors. In 1990, during the band's 18-month hiatus, Bon Jovi wrote the soundtrack for the blockbuster Young Guns, and also had a very small role in the film. His soundtrack produced two hit singles and won Grammy and Oscar nominations, and Bon Jovi re-formed his band shortly thereafter. Following his first major foray into acting in 1995, the musician won his first starring role in John Duigan's The Leading Man (1996). The film, which cast Bon Jovi as its title character -- a seductive and conniving actor -- earned lukewarm reviews and did negligible business at the box office. The aspiring actor was soon back in front of the camera, however, appearing in a string of films that included the submarine thriller U-571 (2000), in which he shared the screen with Matthew McConaughey, Harvey Keitel, and Bill Paxton, as well as Pay It Forward (2000), which cast him as Helen Hunt's loutish, absentee husband. Bon Jovi also continued his work as a musician, releasing a solo album in 1997 and then regrouping with his band members in 2000. He earned decent reviews for his work as a possible love interest for Ally McBeal, and parlayed that into roles in the films Cry Wolf and National Lampoon's Pucked. In 2011 he was one of the many members of the ensemble in Garry Marshall's romantic comedy New Year's Eve.

Trivia: One of Hollywood's standbys for playing genial everymen during the 1980s, 1990s, and 2000s, Jake Weber was born in Britain on March 19th, 1964.. His roles typically constituted bit parts in A-list Hollywood features, beginning with that of Kyra Sedgwick's (unnamed) boyfriend in the Oliver Stone-directed period saga Born on the Fourth of July (1989) and continuing with work for directors including Sidney Lumet (A Stranger Among Us, 1992), the late Alan J. Pakula (The Pelican Brief, 1993) and Martin Brest (Meet Joe Black, 1998). Weber fortified his nice-guy image -- and scored one of his premier leads -- as Dr. Matt Crower, a kindly physician who takes charge of a young boy and protects him from a possessed sheriff -- in actor-turned-producer Shaun Cassidy's short-lived supernatural drama series American Gothic (1995) on CBS. Unfortunately, that program soon folded after it first bowed, as did the Mike Binder sitcom The Mind of the Married Man (2001), in which Weber signed on as one of the leads, Chicago newspaper employee Jake Berman. After a substantial role in the gory horror remake Dawn of the Dead (2004), Weber played one of the leads in the popular CBS series Medium -- as Joe Dubois, the husband of a woman (Patricia Arquette) plagued by psychic visions, who uses her ability to help solve crimes.

Trivia: A graduate of the University of Tennessee, David Keith made his first significant theatrical appearance in Chicago. Keith was to star in the 1979 sitcom Co-Ed Fever, but it was pulled from the CBS lineup after one episode. Luckily, his more enduring movie career also began in 1979 with a small role in The Rose. Keith quickly became a specialist in portraying all-American boy roles who were cursed with a fatal character flaw or two, as witnessed in An Officer and a Gentleman (1982). Keith's performance as a suicidal officer-in-training earned him two Golden Globe nominations. Retaining his military buzz-cut from Officer, Keith had his first above-the-title starring role in 1983's The Lords of Discipline. And with an uncharacteristic full head of hair, Keith played Elvis in the 1990 fantasy Heartbreak Hotel, performing the King's songs himself. An able director, Keith has thus far helmed two films: The Curse (1985) and Further Adventures of Tennessee Buck (1987). One of Keith's more unorthodox recent screen appearances was as a foot-tall toy figure who comes to life in 1995's The Indian in the Cupboard. Keith occasionally appears in made-for-television movies such as Guts & Glory: The Oliver Story in which he played the title role, and in miniseries like James Michener's Texas. Over the next several years, Keith would remain a consistent force on screen, most notably appearing in movies like Daredevil, Raise Your Voice, and Come Away Home. He would also memorably star on TV series like The Class.

Trivia: At age 19, Matthew Settle moved to New York City and joined a rock band. When his lack of musical talent eventually forced him to rethink his career, he chose to become an actor. Numerous drama classes, failed pilots, and television films later, this Johnny-come-lately to the movie business landed his first high-profile role as the oldest principal cast member in the teen scream flick I Still Know What You Did Last Summer (1998). He was almost 29 years old.Born on September 17, 1969, in Hickory, NC, Settle is the youngest of two girls and four boys. In 1983, his father, a Baptist preacher, and his mother, a church organist, relocated the family to Sevierville, TN. Settle sold records at Dolly Parton's nearby theme park, Dollywood, before deciding to become a musician himself. After getting kicked out of his New York-based rock group, he hawked meat and seafood off a truck on Long Island before Jay Julian, Robert De Niro's lawyer, got him into acting school. Settle borrowed money from friends to afford the classes, and then moved out to Los Angeles to begin his career.Settle made his small-screen debut opposite Sarah Paulson as an Irish-American settler in the 1996 CBS pilot Shaughnesy. He went on to portray a frat boy in the movie of the week What Happened to Bobby Earl? (1997) with Kate Jackson and Kristian Alfonso, land a small role in the television film Murder in Mind (1997) with Ellen Burstyn and Kristin Davis, and play Green Lantern in the pilot for Justice League of America (1997) with David Ogden Stiers and Miguel Ferrer. In 1998, Settle graduated to feature films when he starred as Jennifer Love Hewitt's deceptively perfect college boyfriend in the thriller I Still Know What You Did Last Summer, the much-hyped sequel to I Know What You Did Last Summer (1997). After a brief return to television to play a young Bugsy Siegel in the Emmy-nominated HBO biopic Lansky (1998) and real-life teenage rapist Alex Kelly in the CBS television film Crime in Connecticut: The Story of Alex Kelly (1999), Settle joined Bill Paxton, Matthew McConaughey, and Harvey Keitel in the cast of the World War II submarine film U-571 (2000).Settle's next two films, The In Crowd (2000) and Attraction (2000), were psychosexual thrillers that failed both critically and commercially. In fact, after a disappointing premiere at the 2000 Toronto Film Festival, Attraction went straight to video. Yet, Settle's work in U-571 helped him join David Schwimmer, Ron Livingston, and Donnie Wahlberg as the officers of Easy Company in HBO's unforgettable World War II miniseries Band of Brothers. Executive-produced by Steven Spielberg and Tom Hanks, the series earned unprecedented acclaim and garnered numerous awards, including the Golden Globe for Best Miniseries.After returning home from Band of Brothers' European shoot, Settle began taking fencing instruction, sailing classes, and tap-dancing lessons in an effort to widen his skills as actor. He landed a guest-starring role on five episodes of NBC's ER as Brian Westlake, the abusive young husband of Maura Tierney's next-door neighbor. Shortly after his ER stint ended, Settle appeared as Ashley Judd's love interest in Callie Khouri's Divine Secrets of the Ya-Ya Sisterhood (2002), which also featured Sandra Bullock, Ellen Burstyn, James Garner, and Maggie Smith. He went on to play Warren Beatty in The Mystery of Natalie Wood and had a major part in The Celestine Prophecy. In 2007 he was cast in the hit teen soap opera Gossip Girl as Rufus Humphrey.No stranger to the theater, Settle has also performed on-stage in productions of Neil Simon's Barefoot in the Park, Eugene O'Neill's Beyond the Horizon, William Shakespeare's Romeo and Juliet, and Anton Chekov's The Seagull.

Trivia: Erik Palladino was supposed to join the family's heat contracting business. Raised in Yonkers by his schoolteacher mother and contractor father, the 12-year-old Palladino caught the acting bug from Robert De Niro's famed performance as Jake La Motta in Raging Bull. He quickly joined a local children's repertory company and soon began hosting a heavy metal television show in New York. But like many actors, the adult Palladino took the long road to success. He built an arrest record, struggled through New York's Marymount Manhattan College, sang in a mediocre indie rock band, and survived several canceled television shows. By the late '90s, Palladino had a familiar face -- as a regular on Comedy Central, a voluble MTV video jockey, an indolent stepson on Murphy Brown, and Jennifer Love Hewitt's unctuous cousin in Can't Hardly Wait (1998) -- but not a well-known name. However, perseverance and ubiquity will lead to stardom and, in 1999, Palladino scored two plum roles: the part of an American sailor opposite Matthew McConaughey in U-571 and a coveted slot as Dr. Dave Malucci on NBC's top-rated ER. Both characters are Italian-American; both characters pigeonhole Palladino as the insolent, self-important bastard. Yet, his performances project the strength of an actor who has been around the bend and can create brazen men that are not simply ogres, but refreshingly forthright, occasionally tender, and always heroic. Despite a public outcry and an Internet petition to keep him on the show, Palladino left ER in 2001. He then added to his movie credits -- which already included This Space Between Us (2000) with fellow ER star Alex Kingston and Finder's Fee (2000) with James Earl Jones -- by starring in the "Disco Inferno" segment of the VH1' Strange Frequency (2001). He also began racing cars in the Toyota Pro/Celebrity Race of the Toyota Grand Prix of Long Beach. Though his career forced him to relocate to California, Palladino remains a die-hard New Yorker and a loyal Yankees fan.

Trivia: Originally trained as an Olympic swimmer, German actor Thomas Kretschmann began his career in the theater as part of the Schiller Ensemble in Berlin. In 1989, he started working steadily in German-language theater productions, television, and film. He moved to Vienna, Austria, in 1991 and won the Max Ophül prize for Best Young Actor. He broke into international feature films with the German war drama Stalingrad and the Italian thriller The Stendhal Syndrome. At this point, he was developing a knack for playing authority figures and other tough guys in action-packed situations. In addition to his numerous other appearances in European films, he gained pivotal roles in Coppia Omicida, Tease, and the American film Total Reality. In 2000, Hollywood was introduced to Kretschmann with the submarine adventure U-571 and the action thriller Blade II. Though he relocated to Hollywood, he continued working in international features for the historical epic I cavalieri che fecero l'impresa as well as Roman Polanski's The Pianist. Other projects for 2004 included a starring role in the romance Head in the Clouds and a return to submarine action for In Enemy Hands.

Trivia: A talented supporting player whose numerous film roles may have captured the very essence of infrequently showered gen-X angst, actor Jack Noseworthy may be best known for his frequent portrayal of dingy rockers with a bad attitude and an axe to grind. Still, with roles in such thrillers as the Jonathan Mostow thrillers U-571 and Breakdown, Noseworthy has proven he could transfer his grungy persona to compelling roles as a questionably slow-witted grease-monkey or a member of a distressed WWII submarine crew with equal measures of zeal and conviction. Born and raised in Massachusetts, Noseworthy gained early experience when, in his late teens, he joined a national touring production of Cats. Soon picking up numerous other roles after relocating to New York City, the struggling young actor would next receive his B.F.A. from the Boston Conservatory. After becoming the last actor ever to be hired to join the cast of A Chorus Line, Noseworthy would get an early break in front of the camera with a role in the Bon Jovi music video "Always." A natural in front of the camera, roles in films such as Encino Man (1992) and Alive (1993) were soon to follow, paving the way to a comfortable mid- to late-'90s career with roles in such popular films as S.F.W. (1994), The Brady Bunch Movie (1995), and Breakdown. Roles in Clean and Narrow and U-571 found Noseworthy expanding his dramatic range, and the actor proved that he indeed had a sense of humor with roles in such later films as John Waters' Cecil B. Demented and the blaxploitation parody Undercover Brother (2002).

Trivia: Won the role of Will McCullough on The New Lassie over 700 other actors in 1989. Credits his love for dogs with helping him win the Lassie role and is involved in various animal charities. Was featured in Jon Bon Jovi's music video "It's My Life" after costarring with the singer in the World War II film U-571. Won Celebrity Jeopardy! in 2003. Is a vegetarian. Is a motorcycle enthusiast.