Trivia: One of the finest American actors of his generation, George C. Scott was born in Virginia and raised in Detroit. After serving in the Marines from 1945 to 1949, Scott enrolled at the University of Missouri, determined to become an actor. Though his truculent demeanor and raspy voice would seem to typecast him in unpleasant roles, Scott exhibited an astonishing range of characterizations during his seven years in regional repertory theater. He also found time to teach a drama course at Stephens College. By the time Scott moved to New York in 1957, he was in full command of his craft; yet, because he was largely unknown outside of the repertory circuit, he considered himself a failure. While supporting himself as an IBM machine operator, Scott auditioned for producer Joseph Papp. Cast as the title character in Papp's production of Richard III, Scott finally achieved the stardom and critical adulation that had so long eluded him. Amidst dozens of choice television guest-starring performances, Scott made his movie debut in 1959's The Hanging Tree. That same year, he earned the first of four Oscar nominations for his incisive portrayal of big-city attorney Claude Dancer in Anatomy of a Murder. Over the next few years, Scott appeared in a dizzying variety of roles, ranging from Paul Newman's mercenary manager Bert Gordon in The Hustler (1961) to erudite British detective Anthony Gethryn in The List of Adrian Messenger (1962) to ape-like General "Buck" Turgidson in Dr. Strangelove (1963). After turning down several TV series offers, Scott accepted the role of social director Neil Brock on the David Susskind-produced "relevance" weekly East Side/West Side (1963-1964). He left the series in a huff in early 1964, citing the censorial idiocies of the program's network and sponsors; he also vowed to never again appear in a TV series -- at least until 1987, when the Fox network offered him 100,000 dollars per episode to star in the nonsensical sitcom Mr. President. In 1971, Scott made international headlines by refusing to accept his Best Actor Oscar for his performance in the title role of Patton, deriding the awards ceremony as a "meat parade." Two years later, he turned down an Emmy for his work in the TV adaptation of Arthur Miller's The Price. Curiously, he had no qualms about accepting such honors as the Golden Globe or Canada's Genie Award for the 1980 film The Changeling. Gravitating toward directing, Scott staged both the Broadway and TV productions of The Andersonville Trial, and he also directed two of his films: Rage (1973) and The Savage Is Loose (1974). In 1976, he added singing and dancing to his accomplishments when he starred on Broadway in Sly Fox, a musicalization of Ben Jonson's Volpone. In the '80s, Scott played Fagin in Oliver Twist (1982), Scrooge in A Christmas Carol (1984), and Dupin in The Murders in the Rue Morgue (1987); he also starred in a 1987 TV biopic of Mussolini, and enacted one of the most excruciatingly drawn-out death scenes in television history in The Last Days of Patton (1986). Making his cartoon voice-over debut in the anti-drug TV special Cartoon All-Stars to the Rescue (1988), Scott served up more vocal villainy in the Disney-animated feature The Rescuers Down Under (1990). Not until his later years did he show signs of slowing down; in 1996, while appearing as Henry Drummond in the National Actors Theater production of Inherit the Wind, he suddenly took ill in mid-performance, excused himself, and left the stage, obliging director Tony Randall to take over the part for the balance of the show. He made one of his final appearances in an Emmy-winning performance in the all-star TV remake of 12 Angry Men with Jack Lemmon. Scott was married five times; his third and fourth wife was the distinguished actress Colleen Dewhurst, while wife number five was another stage and film actress, Trish Van Devere. Two of his children, Devon and Campbell, have also pursued acting careers. Scott died on September 22, 1999.

Trivia: The son of Yugoslav immigrants, Karl Malden labored in the steel mills of Gary, Indiana before enrolling in Arkansas State Teachers College. While not a prime candidate for stardom with his oversized nose and bullhorn voice, Malden attended Chicago's Goodman Dramatic School, then moved to New York, where he made his Broadway bow in 1937. Three years later he made his film debut in a microscopic role in They Knew What They Wanted (1940), which also featured another star-to-be, Tom Ewell. While serving in the Army Air Force during World War II, Malden returned to films in the all-serviceman epic Winged Victory (1944), where he was billed as Corporal Karl Malden. This led to a brief contract with 20th Century-Fox -- but not to Hollywood, since Malden's subsequent film appearances were lensed on the east coast. In 1947, Malden created the role of Mitch, the erstwhile beau of Blanche Dubois, in Tennessee Williams' Broadway play A Streetcar Named Desire; he repeated the role in the 1951 film version, winning an Oscar in the process. For much of his film career, Malden has been assigned roles that called for excesses of ham; even his Oscar-nominated performance in On the Waterfront (1954) was decidedly "Armour Star" in concept and execution. In 1957, he directed the Korean War melodrama Time Limit, the only instance in which the forceful and opinionated Malden was officially credited as director. Malden was best known to TV fans of the 1970s as Lieutenant Mike Stone, the no-nonsense protagonist of the longrunning cop series The Streets of San Francisco. Still wearing his familiar Streets hat and overcoat, Malden supplemented his income with a series of ads for American Express. His commercial catchphrases "What will you do?" and "Don't leave home without it!" soon entered the lexicon of TV trivia -- and provided endless fodder for such comedians as Johnny Carson. From 1989-92, Malden served as president of the Academy of Motion Picture Arts and Sciences.

Trivia: Best remembered for his broad comical portrayals of British military officers and police inspectors, character actor Michael Bates worked on the stage, on television, and in feature films.

Trivia: Actor Edward Binns possessed two qualities that many of his contemporaries lacked: he was always reliable, and always believable. On Broadway, he was shown to good advantage in such hit productions as Command Decision, The Lark, A View From the Bridge, and Caligula. In films from 1951's Teresa, Binns' roles ranged from the vacillating Juror #6 in 12 Angry Men (1957) to the authoritative Major General Walter Bedell Smith in Patton (1970). On television, Binns played the title role in the 1959 cop drama Brenner, Dr. Anson Kiley in The Nurses (1962-1964), and secret-service contact man Wallie Powers in It Takes a Thief (1969-1970 season). Edward Binns died suddenly at the age of 74, while traveling from New York to his home in Connecticut.

Trivia: A New York-based stage and TV actor, Paul Stevens made few film appearances, but was still a familiar face thanks to his soap opera work in the '60s, '70s and '80s. Stevens played Brian Bancroft on NBC's Another World, then went on to other projects and was replaced by Luke Reilly. Over at CBS, Stevens showed up on The Young and the Restless. Replacing B-picture stalwart Robert Clarke, Paul Stevens played Dr. Bruce Henderson, one-time beau of Young and Restless perennial Jennifer Brooks (Dorothy Green).

Trivia: The son of a Toronto financier, 18-year-old Stephen Young was signed to a baseball contract with the Cleveland Indians, but his professional athletic career ended before it began when he injured his knee playing ice hockey. Young spent the next few years as a salesman for a variety of items, then took up radio and TV commercial production. While vacationing in Europe with a friend, he landed a bit part in the superproduction Cleopatra (1963), then went on to minor roles in such Spanish-filmed spectaculars as 55 Days at Peking and The Leopard. Upon returning to Toronto, Young decided to become a full-time actor. Billed under his given name of Stephen Levy, he appeared as Jack Williams on the Ontario-based daytime drama Moment of Truth (1965), and co-starred with Austin Fox on the prime time Canadian adventure series Seaway (1965-1966). He then headed to Hollywood, where he starred in a TV pilot called I Married a Bear; it didn't sell, but did lead to Young's two-season hitch as lawyer Ben Caldwell in the weekly Judd for the Defense (1967-1969). Stephen Young went on to character roles in such films as Patton (1970) and Soylent Green (1973), not to mention scores of made-for-TV movies.

Trivia: Lead and supporting actor, onscreen from the '70s.

Trivia: Broadway star, onscreen in character roles from Detective Story (1952).

Trivia: Along with such colleagues as William Conrad, John Dehner, Vic Perrin, Sam Edwards, Barney Phillips, and Virginia Gregg, bald-pated American character actor Lawrence Dobkin was one of the mainstays of network radio in the 1940s, 1950s, and 1960s. Dobkin began popping up in films in 1949, playing any number of doctors, lawyers, attachés, military officials, and desk sergeants. Most of his parts were fleeting, many were unbilled: he can be seen as a soft-spoken rabbi in Angels in the Outfield (1951), one of the three psychiatrists baffled by alien visitor Klaatu in The Day the Earth Stood Still (1951), an angered citizen of Rome in Julius Caesar (1953), and so on. Enjoying larger roles on TV, Dobkin was generally cast as a scheming villain (e.g., Dutch Schultz on The Untouchables). One of his showiest assignments was as the demented Gregory Praxas, horror film star turned mass murderer, in the 1972 pilot film for Streets of San Francisco. From the early '60s onward, Dobkin was busier as a writer and director than as an actor. He amassed a respectable list of TV directorial credits, as well as one theatrical feature, Sixteen (1972). Habitués of "speculation" docudramas of the 1970s and 1980s will recognize Lawrence Dobkin as the bearded, avuncular narrator of many of these efforts; he also appeared as Pontius Pilate in the speculative 1979 four-waller In Search of Historic Jesus.

Trivia: Whenever actor Ed Platt blew one of his lines in his role of "The Chief" in the TV comedy series Get Smart, star Don Adams would cry out "Is John Doucette available?" Adams was kidding, of course, but he was not alone in his high regard for the skill and versatility of the deep-voiced, granite-featured Doucette. In films on a regular basis since 1947 (he'd made his official movie debut in 1943's Two Tickets to London), Doucette was usually cast in roles calling for bad-tempered menace, but was also adept at dispensing dignity and authority. He was equally at home with the archaic dialogue of Julius Caesar (1953) and Cleopatra (1963) as he was with the 20th-century military patois of 1970's Patton, in which he played General Truscott. John Doucette's many TV credits include a season on the syndicated MacDonald Carey vehicle Lock-Up (1959), and the role of Captain Andrews on The Partners (1971), starring Doucette's old friend and admirer Don Adams.

Trivia: African American leading man James Edwards came to acting by way of a near-tragedy. Seriously injured in an accident while serving in World War II, Edwards went through a painful convalescence as surgeons completely restructured his face. His vocal chords were also severely damaged, and it was suggested by his doctors that Edwards take elocution lessons to restore his voice. Upon recovering, Edwards decided to celebrate his "rebirth" by becoming an actor. After touring in the stage production Deep are the Roots, Edwards made his film debut as a boxer in RKO's The Set-Up (1949). He was starred in his next film, Home of the Brave (1949), appropriately cast as a wounded soldier. James Edwards' last film was the 1970 Best Picture winner Patton, starring George C. Scott; he died on January 4, 1970.

Trivia: Along with such interchangeable actors as Bob Bailey and William Eythe, Frank Latimore was one of the 1940s stable of light leading men at 20th Century-Fox. Signed to a Fox contract while still in his teens, Latimore could be seen in such major releases as In the Meantime Darling (1944) The Dolly Sisters (1946) and Razor's Edge (1946). He played what amounted to a starring role in the 1945 thriller 13 Rue Madeline--until he was casually killed off by villain Richard Conte halfway into the picture. Latimore relocated to Rome in 1949, where he starred in actioners and swashbucklers; one of the last of these was 1962's Vengeance of Zorro. Frank Latimore returned to American films in the 1970s, playing such character parts as Lt. Colonel Henry Davenport in Patton (1970) and the Watergate-burglary judge in All the President's Men (1976).

Trivia: Actor Tim Considine is the son of British-born film producer John W. Considine and theater-chain heiress Carmen Pantages. Tim's brother John was likewise an actor, and his uncle was newspaper columnist Bob Considine. He launched his film career at age 12, playing Red Skelton's son in The Clown (1953). Briefly signed with Disney in the mid-'50s, he co-starred in the "Spin and Marty" and "Hardy Boys" components of The Mickey Mouse Club. The young actor had a particularly good year in 1960, playing James Roosevelt in Sunrise at Campobello and launching a five-year run as Mike Douglas on the TV sitcom My Three Sons, co-starring fellow Disney alumni Fred MacMurray (with whom Tim had appeared in 1959's The Shaggy Dog) and Don Grady. Five years after leaving My Three Sons, Tim played his most famous -- and briefest -- screen role: the bedridden soldier slapped by George C. Scott in Patton (1970). At last report, Tim Considine was a high-priced Beverly Hills photographer.

Trivia: British character actor Jack Gwillim first appeared onscreen in the '50s.

Trivia: Though American born and raised, character actor David Healy spent most of his career in England performing on stage, screen and television. In the latter part of his theatrical career, Healy specialized in musical comedies. The portly performer once said that he preferred Great Britain to America because in the former he was "a big fish in a little pond. In the States, there are 20 guys who look exactly like you and are probably much more talented." Prior to making his professional debut as an Air Force entertainer stationed in England during WW II, Healy was a drama major at Southern Methodist University. Following the war, Healy remained in London, building a respectable theatrical career. In 1967, he made his debut performance with the Royal Shakespeare Company in Jules Feiffer's Little Murders. He continued on to perform in several more RSC productions. When not with them, Healy sometimes performed in a few London "fringe" productions. Healy began his film career in the 1965 British musical Be My Guest and went on to appear in a wide variety of roles in films ranging from the drama Isadora (1968), to romantic comedy A Touch of Class (1973), to horror Lust for a Vampire (1971), to fantasy Labyrinth (1986).

Trivia: Bill Hickman is best known for his stunt work and expert driving in films of the '60s and '70s. Hickman specialized in chase scenes and prime examples of his work can be seen in such films as Bullitt, The Love Bug, The French Connection and What's up, Doc? He started out as a child appearing in the "Our Gang" series. Later in his career he also did some directing.

Trivia: Carey Loftin was the finest stunt driver in Hollywood for many years. He also occasionally appeared as an actor.

Trivia: After studying at RADA, London-born Douglas Wilmer made his 1945 stage debut in repertory at Rugby. One year later, Wilmer made his first London theatrical appearance. Though most closely associated with classical roles, he scored one of his biggest stage successes in a contemporary work, One Way Pendulum (1959). Wilmer's film work includes the role of Nayland Smith in two of Christopher Lee's Fu Manchu films. He also repeated his British-TV characterization of Sherlock Holmes in Gene Wilder's The Adventure of Sherlock Holmes' Smarter Brother (1977). In addition, Douglas Wilmer was seen in the Ray Harryhausen epics Jason and the Argonauts (1963, as Pelius) and Golden Voyage of Sinbad (1979, as the Vizier); his last film to date was the 1983 Bond flick Octopussy.

Trivia: Actor Clint Ritchie became a familiar face to daytime audiences when he joined the cast of the long-running soap opera One Life to Live in 1979, playing Clinton Buchanan. In one memorable storyline, Ritchie's character traveled back in time to the Old West, where he visited his cowboy ancestors. This was familiar territory for Ritchie, who began his career with appearances on TV westerns like Wild, Wild West. It was the role of Clint Buchanan that would earn him a rabid fan base, however, and the actor became so heavily associated with the role that even when he was critically hurt in a tractor accident in 1993, he still returned to the series following his recovery, making intermittent appearances until 2004. Ritchie passed away in 2009, at the age of 71.

Trivia: One of the most prolific actors in television history -- with starring roles in 11 different television series under his belt -- Harry Morgan is most closely identified with his portrayal of Colonel Sherman Potter on M*A*S*H (1975-83). But his credits go back to the 1930s, embracing theater and film as well as the small screen. Born Harry Bratsberg in Detroit, Michigan, in 1915, he made his Broadway debut with the Group Theatre in 1937 as Pepper White in the original production of Golden Boy, alongside Luther Adler, Phoebe Brand, Howard Da Silva, Lee J. Cobb, Morris Carnovsky, Frances Farmer, Elia Kazan, John Garfield, Martin Ritt, and Roman Bohnen. His subsequence stage appearances between 1939 and 1941 comprised a string of failures -- most notably Clifford Odets' Night Music, directed by Harold Clurman; and Robert Ardrey's Thunder Rock, directed by Elia Kazan -- before he turned to film work. Changing his name to Henry Morgan, he appeared in small roles in The Shores of Tripoli, The Loves of Edgar Allen Poe, and Orchestra Wives, all from 1942. Over the next two years, he essayed supporting roles in everything from war movies to Westerns, where he showed an ability to dominate the screen with his voice and his eyes. Speaking softly, Morgan could quietly command a scene, even working alongside Henry Fonda in the most important of those early pictures, The Ox-Bow Incident (1943). Over the years following World War II, Morgan played ever-larger roles marked by their deceptive intensity. And even when he couldn't use his voice in a role, such as that of the mute and sinister Bill Womack in The Big Clock (1948), he was still able to make his presence felt in every one of his scenes with his eyes and his body movements. He was in a lot of important pictures during this period, including major studio productions such as All My Sons (1948), Down to the Sea in Ships (1949), and Madame Bovary (1949). He also appeared in independent films, most notably The Well (1951) and High Noon (1952). One of the more important of those roles was his portrayal of a professional killer in Appointment With Danger (1951), in which he worked alongside fellow actor Jack Webb for the first time. Morgan also passed through the stock company of director Anthony Mann, working in a brace of notable outdoor pictures across the 1950s. It was during the mid-1950s, as he began making regular appearances on television, that he was obliged to change his professional name to Harry Morgan (and, sometimes, Henry "Harry" Morgan), owing to confusion with another performer named Henry Morgan, who had already established himself on the small screen and done some movie acting as well. And it was at this time that Morgan, now billed as Harry Morgan, got his first successful television series, December Bride, which ran for five seasons and yielded a spin-off, Pete and Gladys. Morgan continued to appear in movies, increasingly in wry, comedic roles, most notably Support Your Local Sheriff (1969), but it was the small screen where his activity was concentrated throughout the 1960s.In 1966, Jack Webb, who had become an actor, director, and producer over the previous 15 years, decided to revive the series Dragnet and brought Morgan aboard to play the partner of Webb's Sgt. Joe Friday. As Officer Bill Gannon, Morgan provided a wonderful foil for the deadpan, no-nonsense Friday, emphasizing the natural flair for comic eccentricity that Morgan had shown across the previous 25 years. The series ran for four seasons, and Morgan reprised the role in the 1987 Dragnet feature film. He remained a busy actor going into the 1970s, when true stardom beckoned unexpectedly. In 1974, word got out that McLean Stevenson was planning on leaving the successful series M*A*S*H, and the producers were in the market for a replacement in the role of the military hospital's commanding officer. Morgan did a one-shot appearance as a comically deranged commanding general and earned the spot as Stevenson's replacement. Morgan worked periodically in the two decades following the series' cancellation in 1983, before retiring after 1999. He died in 2011 at age 96.