Trivia: Gloriously flamboyant American entertainer Bette Midler was born in Honolulu, HI, to the only Jewish family in the neighborhood. After dropping out of a drama class at the University of Hawaii, she took a tiny role in the 1966 film Hawaii, playing a seasick boat passenger (though it's hard to see her when viewing the film). Training for a dancing career in New York, Midler made the casting rounds for several months before finally winning a chorus role, and then the featured part of Tzeitel, in the long-running Broadway musical Fiddler on the Roof.It helps to do something well that no one else does, and Midler found her forte by singing at the Continental Baths, a gay hangout in New York. Most bath house performers were painfully bad, but Midler established herself by combining genuine talent with the tackiness expected of her. As the "Divine Miss M," Midler did an act consisting of campy (and dirty) specialty numbers; dead-on imitations of such earlier performers as the Andrews Sisters and Libby Holman; and the most outrageously revealing costumes this side of Bob Mackie. Soon she outgrew the bath houses and went on to nightclub and recording-artist fame, earning a Grammy Award in 1973. After several years of sell-out tours, Midler re-entered films as the star of The Rose, a 1979 film à clef loosely based upon the life and times of Janis Joplin. The film was a success, but it failed to establish Midler as a dramatic actress; audiences, particularly gay fans, still preferred the Divine Miss M. Jinxed (1982), Midler's next film, lived up to its name with well-publicized production squabbles between Midler, the director, producers, and a few of her co-stars. Following the film's failure, Midler wasn't seen onscreen until she signed a contract with Disney in 1986. Establishing a new film identity as a character comedienne, Midler sparkled in Down and Out in Beverly Hills (1986), and was even better as a loudmouthed kidnap victim in Ruthless People (1987). Using her restored film stature, Midler set up her own production company and produced Beaches (1988), a pals-through-the-years saga that proved to be a four-hankie audience favorite. Once again attempting to establish herself as a tragedian, Midler starred in Stella (1989), a poorly-received remake of 1937's Stella Dallas. For the Boys (1992), offered Midler in tons of old-age makeup as a Martha Raye-style USO star (Raye responded to this "tribute" by suing the studio). The subsequent Scenes From a Mall (1991), which paired Midler with Woody Allen, and witchcraft fantasy Hocus Pocus (1993) also failed to truly showcase her talents. She rebounded somewhat in 1995 with a role in the wildly acclaimed Get Shorty, and had even greater success the following year co-starring with Diane Keaton and Goldie Hawn in The First Wives Club. In 1999, Midler played herself in two films: the TV mockumentary Jackie's Back and Get Bruce!, a big-screen documentary about legendary comic writer Bruce Vilanch. In addition to her film work, Midler still performs live concerts to sold-out crowds and continues to release albums, including Bathouse Bette, a tribute to her early singing days. In 1993, she scored an enormous success in a superb TV adaptation of the Broadway musical Gypsy. And, in 2000, Midler extended her talents to television, starring as herself in the aptly-named sitcom Bette. Though she would only appear in a handful of films over the next decade, Midler remained quite active on stage and television, even earning an Emmy nomination for Bette Midler: The Showgirl Must Go On in 2011.

Trivia: A child performer who went on to become an adult actor in one of the more radical transformations in the history of the American entertainment industry, Sarah Jessica Parker has captained both a career and a public image that could be accurately classified under the heading Revenge of the Nerd. As a pubescent actor most famous for her roles in the acclaimed high school-set TV series Square Pegs and in the big screen's Footloose and Girls Just Want to Have Fun, Parker played the skinny girl with frizzy hair who was either the sidekick or underdog; when she wasn't cleaning up after Lori Singer in Footloose, she was battling snotty rich girls for the right to dance on local television in Girls Just Want to Have Fun. However, thanks to perseverance, talent, a fabulous stylist, and an HBO series called Sex and the City, Parker had emerged, by the end of the 1990s, as one of the most glamorous and employable actors around, known as much for the designer frocks she wore to awards ceremonies as for her work on the screen.Born in Nelsonville, OH, on March 25, 1965, as the fourth of eight siblings, Parker grew up in relative poverty following the divorce of her mother, an elementary school teacher, and her father, an aspiring writer. Raised by her mother and often out-of-work stepfather, she trained as a dancer and singer, bringing home paychecks from a young age. As a fledgling actor, Parker landed her first TV show at the age of eight; in 1976, after winning her first Broadway role in The Innocents, her family moved to New Jersey to encourage her career. Parker worked on the stage for the next few years, touring -- with four of her siblings -- in the national company of The Sound of Music and getting her first major break when she was chosen to take over the title role of Annie on Broadway, from 1979 to 1980.Continuing her training at the American Ballet Theater and the New York Professional Children's School, Parker made her film debut in the 1979 Rich Kids, which co-starred John Lithgow, Trini Alvarado, and Olympia Dukakis. In 1982, she won her first starring role in the aforementioned Square Pegs, and then received additional attention thanks to her role as Lori Singer's best friend and Chris Penn's girlfriend in the 1984 hit Footloose. The following year, Parker kept on dancing -- this time alongside a very young Helen Hunt -- in the similarly winning Girls Just Want to Have Fun. The actor's success in both films paved the way for steady work through the rest of the decade; in addition to her work on the big screen, Parker also starred in a number of TV shows, including the 1986 miniseries A Year in the Life and the drama series Equal Justice.The early '90s saw Parker segue into more adult roles, playing the Southern Californian creation SanDeE* alongside Steve Martin in L.A. Story (1991), then earning both critical and cult credibility as Nicholas Cage's fiancée in Honeymoon in Vegas (1992) and as the wife of consummate schlockmeister Ed Wood in Tim Burton's celebrated 1994 film about Wood's life and times. Offscreen, as well, she was garnering notice for her attachment to actor Matthew Broderick; Parker -- who had been in high-profile relationships with Robert Downey Jr. and John F. Kennedy Jr. -- married Broderick in 1997.Following a turn as Mia Farrow's daughter in the widely panned Miami Rhapsody (1995), supporting work in The First Wives Club and Burton's Mars Attacks! (both 1996), and a number of New York productions (including Sylvia, for which she earned a Drama Desk Award nomination), Parker landed the starring role of New York sex columnist Carrie Bradshaw on the new HBO series Sex and the City. Touted by some observers as the luckiest break in the actor's career to date, the show, which focused on the sex lives of four close friends (played by Parker, Kim Cattrall, Cynthia Nixon, and Kristin Davis) became a huge hit among both critics and viewers, ensuring Parker -- who won the Golden Globe for her work in 2000, 2001and 2002 -- both steady employment and an unimpeachably chic image that was eons removed from the bony elbows and frizzy bangs of her days as a square peg.Parker continued to appear in film roles during and after the Carrie Bradshaw years; among them include a starring role in The Family Stone (2005), and a supporting role in the 2008 comedy drama Smart People. In 2010 she starred in Sex and the City 2, and played a devoted mother attempting to balance her family with her career in 2011's comedy drama I Don't Know How She Does It.

Trivia: American character actress Kathy Najimy specializes in offbeat, theatrical characters. A substantial and energetic woman with distinctive curly hair and exotic features, Najimy has appeared on-stage, in feature films, and on television. She has also voiced cartoons. Film credits include The Fisher King, Soapdish (both 1991), Sister Act (1992), and Jeffrey (1996). In 1996, she appeared -- over 100 pounds thinner -- for a brief but memorable recurring role as a manic-depressive psychiatrist on the CBS TV series Chicago Hope. In 1997, she became a regular on the Kirstie Alley sitcom Veronica's Closet. Beginning in 1997 she spent thirteen seasons voicing Peggy Hill, the wife to tried and true Texan Hank Hill on the animated series King of the Hill. During the run of the show she appeared in a variety of big-screen projects including Bride of Chucky, Rat Race, Scream Team, and Say Uncle. She landed a recurring role on the TV series Numb3rs, and joined the Pixar family when she lent her vocal talents to WALL-E in 2008.

Trivia: By the time six-year-old Thora Birch made her feature film debut with a small role in Purple People Eater (1988), she was already a veteran television actress with two years' worth of commercial and series work under her diminutive belt. Probably best known up to that point for her work opposite über-grandad Wilford Brimley in a Quaker Oats commercial, Birch went on to grow up in front of the camera, evolving from Monkey Trouble's moppet with a primate to a bras and boys-obsessed teeny bopper in Now and Then to Kevin Spacey's rebellious daughter in American Beauty. Birch, who was born in Los Angeles on March 11, 1982, first attracted sizable notice for her role as Elijah Wood's tomboy friend in Paradise, a 1991 family drama that also starred Melanie Griffith and Don Johnson. Afterwards, her visibility began to increase, first with a supporting role as Harrison Ford's daughter in Patriot Games (1992) (which she reprised in 1994's Clear and Present Danger), and then as one of the three kids who inadvertently bring three witches back to life in Hocus Pocus (1993).The actress got her first chance to play a teenaged role in the aforementioned Now and Then (1995), a coming-of-age drama that cast her as the younger version of Paradise co-star Melanie Griffith. Neither that film, nor Birch's subsequent project, Alaska (1996), made a great impact among critics or audiences, and it was not until the actress was cast in American Beauty (1999) that her career really began to accelerate. Birch, who dyed her hair Goth black and adopted a resolute sullenness for her role as the rebellious Jane Burnham, earned wide praise and a Screen Actors Guild award, and a host of international awards nominations, for her work in the acclaimed film. After the success of American Beauty, Birch -- who also had an uncredited role in that same year's Anywhere but Here -- was suddenly busy with a number of projects. Included among them were Ghost World, Terry Zwigoff's screen adaptation of Daniel Clowes' celebrated comic about two teenage girls trying to deal with life after high school; The Smokers, a teen drama that cast Birch as a drug-addled schoolgirl; and Dungeons and Dragons, in which she played an empress whose mystical kingdom is threatened by an evil wizard (Jeremy Irons).

Trivia: Fair-haired teen model cum versatile actress Vinessa Shaw has made her mark playing everything from sexy siren to innocent angel, though her breakthrough role came as a mixture of both with her turn as a sympathetic prostitute in director Stanley Kubrick's final film, Eyes Wide Shut (1999).Born in California in July of 1976, Shaw began her career in show business early in childhood, though her big break came with her casting in the 1992 Rodney Dangerfield comedy Ladybugs. Soon appearing in such efforts as Hocus Pocus the following year and in the television series Fallen Angels and McKenna shortly after, Shaw made a memorable appearance in the girl-tames-wild horse-coming-of-age story Coyote Summer before her affable prostitute loaned Tom Cruise's character a little understanding in Eyes Wide Shut. Shaw took on a large role in the made-for-television miniseries The '70s in 2000 and made an appearance in Saturday Night Live alumni Chris Kattan's comedy Corky Romano in 2001.

Trivia: Lead actress Stephanie Faracy first appeared onscreen in the late '70s.

Trivia: You may not recognize his face on first (or even second) glance, but chances are if you're a fan of film and television you're already more familiar with Doug Jones than you realize. A master of disguise who could be equated to a modern-day Boris Karloff, Jones can frequently be spotted under some of the most elaborate special-effects makeup ever to appear on camera and has an uncanny ability to instill his characters with a soulful sense of personality that simply isn't achievable through computer-generated animation. Jones was born in Indianapolis, IN, the youngest of four brothers and raised on the city's northeast side. Upon graduating from Bishop Chatard High School, Jones enrolled in Ball State University to study telecommunications and theater. It was there that Jones first took to miming, and his skill as a contortionist soon lead to frequent commercial work (one of his earliest successes was being cast as the popular "Mac Tonight" character in a prominent, mid-'80s McDonald's advertising campaign). While a stint in the Indiana theater circuit helped Jones to get comfortable performing in front of an audience, it wasn't until moving to Los Angeles in 1985 that he would become a regular fixture in the worlds of film and television. Early film roles for Jones included bit parts in Batman Returns, Hocus Pocus, and Tank Girl, with a small role in emerging Mexican director Guillermo del Toro's sophomore effort, Mimic (1997), serving to launch an enduring and fruitful partnership. An appearance by Jones as one of the terrifying "Gentlemen" in an Emmy-nominated Buffy the Vampire Slayer episode entitled "Hush" proved a highlight of the entire series. In the following year, Jones would appear in such prolific box-office blockbusters as Men in Black II and The Time Machine -- his visage frequently hidden under copious amounts of prosthetic special-effects makeup. While it was Jones' remarkable ability to project emotion through layer upon layer of monster makeup that enabled him to create unusual characters whom the audience could connect with, his talents as a contortionist also allowed him to instill those characters with a strangely fluid sense of movement that made them entirely believable. While Jones' collaboration with del Toro momentarily lapsed with such efforts as The Devil's Backbone and Blade II, the release of Hellboy in 2004 found the partnership between the pair growing stronger than ever. Cast in the part of aquatic fish-man Abe Sapien, Jones proved so effective that actor David Hyde Pierce refused to take credit for voicing the role. Two short years later, Jones essayed the roles of both the titular character and the horrifying Pale Man in Del Toro's Oscar-winning fantasy film Pan's Labyrinth. Additional roles for Jones have included various imps in the movie Doom and Cesare in the 2005 "remake" The Cabinet of Dr. Caligari. In 2006 and 2007, the increasingly prolific actor reprised his role as Abe Sapien in a pair of animated Hellboy tales before portraying the titular otherworldly visitor in Fantastic Four: Rise of the Silver Surfer and preparing to bring Sapien back to the big screen in Hellboy 2: The Golden Army.

Trivia: Actor Sean Murray began filling up his resumé when he was just a young teenager, making small appearances in movies like Hocus Pocus and This Boy's Life. He continued to steadily wrack up small and midsized roles in films and on television until 2004, when he joined the cast of the series NCIS playing Timothy McGee. His stepsister, Troian Bellisario, has appeared in NCIS as Murray's character's sister.

Trivia: The inimitable American actress Kathleen Freeman has been convulsing film audiences with portrayals of dowdy, sharp-tongued matrons since she was in her 20s. After stage work, Freeman began taking bit roles in major-studio features in 1948, seldom getting screen credit but always making a positive impression. The best of her earliest roles was in Singin' in the Rain (1952); Freeman played long-suffering vocal coach Phoebe Dinsmore, whose Herculean efforts to get dumb movie star Jean Hagen to grasp the proper enunciation of the phrase "I can't staaaand him" proved uproariously futile. Often cast as domestics, Freeman had a year's run in 1953 as the "spooked" maid on the ghostly TV sitcom Topper. Freeman was a particular favorite of comedian Jerry Lewis, who cast the actress in showy (and billed!) roles in such farces as The Errand Boy (1961), The Nutty Professor (1963) and Who's Got the Action?. As Nurse Higgins in Lewis' Disorderly Orderly (1964), Freeman weeps quietly as Jerry meekly scrapes oatmeal off her face and babbles "Oh, Nurse Higgins...you're all full of...stuff." Lewis so trusted Freeman's acting instincts that he sent her to the set of director William Wyler's The Collector (1965) in order to help build up the confidence of Wyler's nervous young leading lady Samantha Eggar. Throughout the '70s and '80s, Freeman took occasional "sabbaticals" from her movie and TV assignments to do stage work, enjoying a lengthy run in a Chicago production of Ira Levin's Deathtrap. Like many character actors of the '50s, Kathleen Freeman is frequently called upon to buoy the projects of baby-boomer directors: she was recently seen as an hysterical Julia Child clone in Joe Dante's Gremlins 2: The New Batch (1990).

Trivia: Instantly recognizable for her cute overbite, raucous voice, and broad Bronx accent, Penny Marshall successfully made the transition from popular comic actress to a respected director and producer of popular mainstream feature films. A New York native (born Carole Penny Marsciarelli), Marshall is the daughter of an industrial filmmaker and a dance instructor. She started dancing herself as a toddler and as a teen competed on The Ted Mack Amateur Hour with a dance troupe comprised of several friends. The group also appeared on The Jackie Gleason Show. By the time she was a young adult and had graduated with degrees in math and psychology from the University of New Mexico, her older brother, Garry Marshall, had established himself as a successful television writer. It was Garry who provided Marshall with her first film role in his feature film debut effort as a screenwriter and producer in How Sweet It Is (1968).When her brother began creating and producing situation comedies, he made sure Marshall had parts in his shows, the first of which was My Friend Tony and the second was The Odd Couple, where she had a recurring role. Marshall also guest starred on other comedies, including The Mary Tyler Moore Show, but her big break didn't come until her brother cast her and her friend Cindy Williams as Laverne and Shirley in an episode of his popular series Happy Days. Her portrayal of a wiseacre working-class broad and Williams' take on the more innocent Shirley gained an instant fan base and so Garry Marshall was inspired to build a sitcom around the characters. Laverne and Shirley debuted in 1978 and ran through 1983. During this period, Marshall was married to actor-turned-director Rob Reiner. She divorced him in the early '80s. At that time, it was apparent that her acting career was on a dead-end street and Marshall decided to try out directing. Beginning with television movies and series such as The Tracey Ullman Show, Marshall learned to direct. She made her feature film directorial debut with the Whoopi Goldberg vehicle Jumpin' Jack Flash (1986) which had originally been slated for director Howard Zieff. Returning her brother's favors, she gave him a part in the film and also created a part for her daughter, Tracy Reiner (the offspring from Marshall's first marriage to Michael Henry). The film was a critical and box-office dud, but this did not deter Marshall from trying again. Her second attempt at directing, Big (1988), the story of a boy whose wish is granted and so finds himself stranded in a man's body, made actor Tom Hanks a movie star and established Marshall as a respectable big-league filmmaker. Still, she took two years to finish her next film, Awakenings (1990). This was due in part to 20th Century Fox's reluctance to have the story filmed until Marshall had engaged her friends Robin Williams, in a rare subdued dramatic role, and Robert De Niro. A well-made and poignant drama, Awakenings received three Academy Award nominations, including one for Best Picture. For her next film, Marshall offered up a sentimental, funny, and ebullient look at the women who kept professional baseball alive when all the young men were off fighting during WWII in A League of Their Own (1992). It was a well-crafted effort that has grown in popularity on video and netted star Geena Davis a Golden Globe nomination. Since then, Marshall's directorial output yielded uneven results and her films, while still loaded with mainstream appeal, had yet to reach the degree of popularity of her earlier work. In the late '90s, she and her much-younger pal, comedian Rosie O'Donnell, became popular for a series of television commercials for K-Mart. In addition to directing and producing, Marshall occasionally continued to work as an actress on television and in films, and earned a star on the Hollywood Walk of Fame (alongside her Laverne and Shirley co-star Cindy Williams) in 2004. Though at the time it appeared that Marshall had taken a hiatus from the director's chair, she would later resurface to direct episiodes of According to Jim and United States of Tara before lending her voice to the animated comedy series The Life and Times of Jim, and making an appearance in Fred Armisen and Carrie Brownstein's hipster-skewing sketch series Portlandia.

Trivia: The career of producer/director Garry Marshall was marked by many peaks, including such classic television sitcoms as The Odd Couple (1970-1975), Happy Days (1974-1984), and Mork and Mindy (1978-1982), and the phenomenally popular feature film Pretty Woman (1990). A Brooklyn native, Marshall (born Gary Marsciarelli) was the son of an industrial filmmaker and a dance instructor. His sister, Penny Marshall, is a comic actress and noted film director. Marshall majored in journalism at Northwestern University and subsequently served a stint in the army before becoming a reporter for the New York Daily News. He was also a jazz drummer in a band before becoming a television comedy scriptwriter for such artists as Joey Bishop and Phil Foster and the writer for Jack Parr on The Tonight Show.Marshall moved to Los Angeles in 1961, but he didn't make it big until he teamed up with writer Jerry Belson. Together, they penned numerous episodes for several sitcoms, notably The Dick Van Dyke Show and The Lucy Show. In 1970, Marshall produced The Odd Couple, which starred Jack Klugman and Tony Randall and was based on a popular Neil Simon play and movie. He reached his apex as a television producer during the '70s, with such hits as Laverne and Shirley (1976-1983), (a Happy Days spin-off starring sister Penny), and Mork and Mindy. In addition to his producing and television directorial efforts, Marshall occasionally appeared as a supporting actor. In features, Marshall co-produced and co-wrote (with Belson) his first film, How Sweet It Is!, in 1968. A year later, the two produced and penned The Grasshopper. Marshall made his directorial feature film debut in 1982 with Young Doctors in Love, a comic look at daytime serials. As a film director, Marshall's output received uneven critical reviews. Films such as the Goldie Hawn/Kurt Russell vehicle Overboard and the Bette Midler/Barbara Hershey melodrama Beaches (1988) had good box-office business, but were considered of average quality. 1990's Pretty Woman was Marshall's first big movie hit. Following its tremendous success, he tried his hand at a serious drama with Frankie and Johnny (1991) starring Al Pacino and Michelle Pfeiffer. Later, Marshall's films tended more toward sentimental and straight dramas such as The Twilight of the Golds (1997) and The Other Sister (1999). Marshall returned to comedy -- and to his teaming of Julia Roberts and Richard Gere -- in 1999 with Runaway Bride. Remaining an active director well into his 70s, Marshall helped to launch Anne Hathaway's career by taking the helm for both 2001's The Princess Diaries and its 2004 sequel, though his subsequent, holiday-themed ensemble comedies Valentine's Day (2010), New Year's Eve (2011) and his final film Mother's Day (2016) largely flatlined with critics and moviegoers - with New Year's Eve earning him his first-ever Razzie Award. In addition to his work behind the camera, Marshall occasionally appeared as an actor in films and television shows alike. During the mid-'90s, many TV audiences came to recognize him for playing Candice Bergen's ratings-crazy boss, Stan Lansing, on Murphy Brown. Marshall died July 18, 2016, of complications of pneumonia.

Trivia: At 19, he was diagnosed with malignant melanoma (skin cancer), the same disease that had claimed his father a year earlier. Moved to Los Angeles to pursue acting when he was 23. Met his wife while filming a movie in Berlin, Germany. With his wife, founded an organization called Balanced Life, geared at helping people improve their lives. Is a self-taught artist who was inspired to get back into painting after a visit to the Sistine Chapel. Owns several galleries across the country where he shows his art. Is a black belt in two different forms of karate.