Trivia: Born on June 15, 1964, Courteney Cox grew up with three older siblings in Mountain Brook, an affluent Alabama town. Though Cox participated in multiple extracurricular activities during her high school years, she did not exercise her taste for acting until she dropped out of the architecture program at Mount Vernon College. Landing a contract with the prestigious Ford Modeling Agency led Cox to several commercial appearances. Her first official role arrived in 1984, when she was cast as a young debutante in one episode of the long-running soap opera As the World Turns.Her big break, however, was rooted in director Brian De Palma's decision to feature Cox as the girl pulled from the audience in Bruce Springsteen's "Dancing in the Dark" video. Years later, after the actress had gained a great deal more notoriety, this short music-video appearance became a key piece of celebrity trivia in a multitude of magazines and entertainment shows. In 1985, she starred alongside Dean Paul Martin in the forgettable series Misfits of Science. Cox reappeared on the television screen as Michael J. Fox's girlfriend, Psychology major Lauren Miller, in the '80s sitcom Family Ties. Though Cox landed bit parts in a handful of mediocre films (Mr. Destiny, The Opposite Sex and How to Live with Them) after Family Ties wrapped in 1989, her status as an actress officially gelled in 1994, when she co-starred with Jim Carrey in Ace Ventura: Pet Detective, and, most notably, won the role of Monica Geller on the hugely successful sitcom Friends. This role brought her a nomination for an American Comedy Award, as well as a prominent role in Wes Craven's Scream trilogy. Cox's role as the notoriously cutthroat reporter Gale Weathers was significant not only in terms of critical acclaim, but also because the set of Scream was where she met fellow actor David Arquette, whom she married in 1999.Although she certainly attempted to match the big screen-success of her fellow Friends castmates with such efforts as 3000 Miles to Graceland (2001), and The Longest Yard (2005), Cox-Arquette fought a tortuous uphill battle, and never managed to land a part that brought her nearly as much goodwill as the high-strung Monica. She voiced Daisy the Cow in Steve Oedekerk's 2006 animated feature Barnyard, alongside an all-star cast that includes Danny Glover, Kevin James, Wanda Sykes, Sam Elliott and Andie MacDowell. The endeavor became a double-edged sword; on one hand, most critics detested the $50 million picture; on the other, it worked wonders at the box office, as one of the top grossers of its season. Cox-Arquette's decision to join the cast of the family-friendly superhero story Zoom alongside Tim Allen and Chevy Chase didn't prove nearly as capricious. The picture suffered from relentless (though arguably justifiable) critical drubbings and performed abysmally on a commercial front, grossing just over $4 million in the week that followed its premiere - from an estimated $60 million budget. It also became the latest in Allen's long line of box office stinkers that included Christmas with the Kranks, Joe Somebody, and many others; The New York Times's Jeannette Catsoulis moaned that it "bleeds boredom from every frame," while Entertainment Weekly's Lisa Schwartzbaum observed, "this lifeless family comedy sucks the joy from every joke it touches."That same year, the trades indicated Cox's forthcoming producer credit in longtime husband David Arquette's 2007 directorial debut, the slasher picture The Tripper, with Balthazar Getty, Paul Reubens and Lukas Haas. The Hostel-like story involved a group of potheads who travel to a Woodstock-esque concert for indulgence in sensual (and visceral) pleasures, but find themselves stalked by a psychotic. Cox and Arquette each cameo in the film. 2007 also found Cox returning to TV, producing and starring in the dramatic thriller Dirt, about the seedy side of an already seedy industry - the tabloid press. The show only ran until 2008, but Cox was soon onto the next project, the sitcom Cougar Town, which she produced and starred in as well. By 2011, she was back in the movies, working on Scream 4 -- though during the production of the film, she and husband/co-star David Arquette announced they were separating; their divorce was finalized in 2013.

Trivia: Jennifer Aniston makes a good case for proving that acting talent can be absorbed by osmosis. From her father John Aniston's stardom on Days of Our Lives to her godfather Telly Savalas, the actress was surrounded by plenty of inspiration from an early age. As Aniston attended the Rudolph Steiner School as a child, she was interested in many forms of art and proved to be a talented painter, eventually having one of her pieces displayed at the New York Metropolitan Museum of Art. Acting also appealed to her, and became her primary focus after graduating from New York's prestigious High School for the Performing Arts in 1987. She took roles in off-Broadway productions such as For Dear Life and Dancing on Checker's Grave before she began honing her skills in television acting with appearances on shows like Quantum Leap and Herman's Head. Before long, Aniston's film and television résumé had grown into a laundry list of one-time appearances, short-lived series, and B-level movies. By 1994, the handful of bit parts and failed shows on Aniston's résumé had established her as a working actress but created little foreshadowing about her future as a star. Her upcoming audition for the role of Monica Gellar in a pilot for a sitcom at that point titled "Friends Like These," however, would prove to be quite auspicious. The role in question would eventually be filled by Courteney Cox, as Aniston changed her mind and opted to try out for Rachel Green, a young suburbanite living on her own for the first time and working as a coffee-shop waitress in New York City. The rest, as they say, is history -- "Friends Like These" would become Friends, the hugest sitcom in years, quickly making Aniston America's sweetheart. Friends' obsessive following churned up a particular interest in Aniston's signature hairstyle. The shag cut known as "The Rachel" could be seen on heads all over the country. Even as the fad fell out of popularity in the salons, Aniston's star continued to rise. Still adored on one of the most popular television shows in history, she moved to the big screen in romantic comedies like She's the One (1996), Picture Perfect, 'Til There Was You (1997), and The Object of My Affection (1998). In the late '90s, she also began dating actor Brad Pitt. Talk of Pitt's recently ended engagement to actress Gwyneth Paltrow quickly dissipated as "Gwen and Brad" turned to "Jen and Brad." The two young stars became the ultimate Hollywood power couple and celebrated with a star-studded wedding in July of 2000. The new millennium found Aniston at the top of her game. Raking in a million dollars an episode for her role on the still popular Friends and married to one of the hottest men in Hollywood, she seemed to have it all. Secure in her A-List position, she took the opportunity to work on low-profile films and cult hits, such as 1999's Office Space, and 2000's Rock Star. Aniston's talent for dramatic roles was finally given a proper outlet when she played the lead in 2002's The Good Girl, which found critics surprised and impressed with her range. She made no attempt to shy away from comedy, however, starring alongside Jim Carrey in Bruce Almighty, and Ben Stiller in 2004's Along Came Polly. In 2004, as Friends began what would be its final season, Aniston's immediate future was filled with tremendous turmoil and change. Only a week into 2005, she and husband Brad Pitt legally separated, surrounded by rumors that Pitt had sparked a serious romantic connection with his Mr. and Mrs. Smith co-star Angelina Jolie. The media leapt onto the story, desperate to sate the public's curiosity about how such a seemingly perfect union could come to an end. Rumors swilled about the circumstances of their break-up, citing everything from disagreements over children to taste in interior decorating. Aniston's steady poise and willowy figure created a division in the public perception between herself and the more curvaceous and risqué Jolie.Media frenzy buzzed around the breakup long after she and Pitt officially filed for divorce in March. Vendors even started selling T-shirts reading "Team Aniston" and "Team Jolie," though most of the public seemed to side with the slighted Aniston. The actress plowed ahead, however, marking 2005 by starring with Clive Owen in the gritty thriller Derailed and with Shirley MacLaine and Kevin Costner in the comedy Rumor Has It.... 2006 brought the ensemble film Friends With Money, as well as another movie that would help put her divorce in the past...in more ways then one. While Pitt made headlines by becoming legal guardian of Jolie's adopted children and father to a baby Jolie gave birth to in Namibia, Aniston starred alongside comedy and character actor extraordinaire Vince Vaughn in The Break-Up. The comedy cast the two as an ex-couple going to war over which of them should keep their beloved condo, but the real life connection between the actors was quite the opposite. Though reluctant to speak about their relationship publicly, Aniston and Vaughn appeared quite clearly to have become a couple, bolstering the success of The Break-Up, and seeming to put Aniston's fans at ease regarding her personal life, even after she and Vaughan amicably split later that year. By 2007, Aniston's public image had left her divorce in the past, and was ready for new territory.Aniston found her next success in the 2008 tearjerking pet-comedy Marley & Me, opposite Owen Wilson. As the 2000's gave way to the 2010's, Aniston would all but completely cement her position as the number one actress in Hollywood when it comes to broadly appealing comedies, winning over audience after audience with He's Just Not That Into You, Love Happens, The Switch, Just Go With It, Horrible Bosses, and Wanderlust. She won rave reviews for her work in the film Cake in 2015, earning her a Golden Globe nomination.

Trivia: Lisa Kudrow first made her name playing Phoebe, the ditzy, New Age member of the titular close-knit pals on NBC's highly successful sitcom Friends. Since then, she has bridged the gap between television and film with undeniable success, winning particular acclaim for her role as an uptight school teacher in Don Roos' The Opposite of Sex (1998).Born in Encino, California on July 30, 1963, Kudrow earned a degree in biology from Vassar College before beginning her acting career. After college, she joined the Los Angeles improvisational group, The Groundlings, at the urging of family friend Jon Lovitz. Improv paved the way for more work, and Kudrow was soon appearing in bit roles in a number of films. Her first real break didn't come until 1993, when she began appearing on the TV sitcom Mad About You as Ursula, the waitress from hell. Real fame came in 1994, when the actress was cast as Phoebe on Friends; the enormous success of the show gave her both wide recognition and a steady day job. Kudrow's first leading role on the big screen was as one of the titular heroines (alongside Mira Sorvino) of the 1997 comedy Romy and Michele's High School Reunion; unfortunately, her character was little more than a film version of Phoebe. Fortunately, Kudrow got to widen her range a little further that same year with a starring role in the independent drama Clockwatchers, portraying a struggling actress alongside the likes of Toni Collette and Parker Posey. The following year, Kudrow won raves and critical respect for her turn in The Opposite of Sex, a scathing black comedy in which she gave a comic and poignant performance as an embittered woman coping with the death of her brother, the presence of her best friend's malicious little sister (Christina Ricci), and the romantic attentions of Lyle Lovett. The acclaim she received for her portrayal was complemented the same year with an Emmy Award for her work on Friends. In 1999, Kudrow shared the screen with Robert DeNiro in the comedy Analyze This, and later that year she starred with Diane Keaton and Meg Ryan as three sisters dealing with the imminent death of their irritating father (Walter Matthau) in the comedy Hanging Up, directed by Keaton and written by Nora Ephron and Delia Ephron.As the new millenium unfolded, Kudrow would prove to be a strong force on screen, appearing in a number of acclaimed films, like Wonderland, Happy Endings, The Other Woman, Easy A, and in the comedy series Web Therapy.

Trivia: Propelled to stardom in 1994 as a result of his role on the long-running, hit television series Friends, handsome Matt LeBlanc has been singled out for his finely tuned deadpan skills on the popular television mainstay, and it may come as no surprise that the actor who was voted one of the 50 most beautiful people alive by People magazine broke into show business as a model.Born July 25, 1967, in Newton, MA, LeBlanc dreamed of a career as a professional racer after receiving a motorbike at the age of eight. His mother's vocal objections voiced concern over the youngster's safety on the track, and the aspiring king-of-the-course and momma's boy soon began training to become a professional carpenter. Later graduating from high school and finding money in short supply, LeBlanc took his friends' suggestion of becoming a model to heart and, after selling his truck to pay the way, he headed for New York and began appearing in print and later, commercials. A role in a Heinz ketchup commercial which won the prestigious Gold Lion Award at the 1987 Cannes Film Festival brought the aspiring star more recognition, and it wasn't long before he began proper thespian training. Scoring a role on the television series TV 101 found the fresh-faced actor relocating to sunny Los Angeles, and although the show was quickly canceled, LeBlanc continued with appearances in television's Married With Children and in such short-lived series as Top of the Heap and Vinny and Bobby in the early '90s. Following his breakthrough in Friends in 1994, Leblanc gained a reputation as somewhat of a party guy with a penchant for womanizing, though he would later deflect the image as he settled down in his marriage to Meliss McKnight. LeBlanc attempted to solidify a cinematic career with roles in such features as Ed (1996), Lost in Space (1998), and Charlie's Angels (2000), but his greater success would remain on the small screen. After Friends wrapped in 2004, Leblanc appeared on a spin-off called Joey for two seasons, and later joined the cast of the comedy series Episodes.

Trivia: If one were to base one's judgment of David Schwimmer's talent on his low-key performance as the anxious, awkward but lovable paleontologist Ross on NBC's smash hit comedy Friends, one might never suspect that beneath the affable exterior lies a versatile, multi-talented actor and filmmaker. Tall, dark-haired, and lanky, Schwimmer was born in Queens, but later raised in Southern California, where he attended the famed Beverly Hills High School. He then enrolled in Chicago's Northwestern University, where he briefly considered pursuing his family's traditional profession and becoming a lawyer, but by that time, the acting bug had bitten him deeply and he was committed to it. Following graduation from Northwestern, Schwimmer gained enough stage experience in Chicago theater to co-found the Lookingglass Theatre Company with fellow actors. Schwimmer remains passionate about his involvement with the troupe and has starred in or directed many of their productions. In 1989, he made the first of several attempts to break into Hollywood, when he was cast as a killer in the made-for-TV thriller A Deadly Silence. It was apparently an unpleasant experience and the young actor hastened back to the familiarity of Lookingglass. Still, the lure of Hollywood was great and Schwimmer returned to guest star and play recurring roles on several television series. One of his best-known early TV roles was that of Olivia D'Abo's hippie fiancé on The Wonder Years. On the gritty crime drama NYPD Blue, he garnered critical acclaim for his portrayal of a lawyer who goes over the edge and becomes a vigilante. He had another bad television experience when he was cast opposite Henry Winkler in Fox's sitcom Monty. The series crashed before it got off the ground and Schwimmer swore he'd never do another comedy show. Up until 1994, he continued to play a wide variety of roles and to divide his time between stage and television.Despite his earlier vow, Schwimmer reluctantly accepted the role of Ross in Friends, a role that the show's creators wrote especially for him. The series, about a group of good-looking, but rather aimless buddies in their twenties, was an immediate hit and Schwimmer's lovable nerd character made him a star and got him an Emmy nomination for Best Supporting Actor in a Comedy Series With his newfound stardom came offers for feature film roles. Though he had actually begun appearing in films in 1990, he had, thus far, played only small roles. He made his debut as a star playing a virtual clone of Ross in the Pallbearer (1996). He played a dramatic role as one of the inventors of silicon breast implants in the made-for-television docudrama Breast Men (1997). Schwimmer signed a lucrative contract with Miramax that will not only star him in several pictures, but also allow him to direct. But while nearly a decade of experience directing television prepared Schwimmer well for his feature directorial debut, the 2007 comedy Run, Fatboy, Run, not even the presence of rising comedy star Simon Pegg (Shaun of the Dead) could save the film from the bargain bins. Fortunately for Schwimmer, the animated comedy Madagascar proved enough of a hit to warrant at least two sequels, giving the able voice actor plenty of time to plan his sophomore feature, 2010's cautionary internet predator thriller Trust.

Trivia: Handsome leading man Matthew Perry has managed to translate the fame and popularity he garnered from playing Chandler Bing on the hit NBC sitcom Friends into an increasingly successful film career as a romantic comedy lead. Born in Massachusetts, the son of actor John Bennett Perry, his parents divorced when he was still a baby. His mother got full custody and moved Perry to Ottawa, Canada, where she worked as a political assistant (years later, Perry's mother would work as a press secretary for prime minister Pierre Trudeau). As a youth, Perry was an extremely talented tennis player and was once ranked third in Canada's doubles competition. At the same time, the teenaged Perry was interested in acting and had been appearing in school productions since he was 13. At age 15, he relocated to L.A. to join his father, in hopes of becoming both a tennis pro and a working actor. However, in 1984, Perry suffered a devastating loss during a major tennis event and decided that he would have more success as an actor. Shortly after the fateful sporting match, he debuted on an episode of the sitcom Charles in Charge. Though Perry was still in high school, it rapidly became apparent that his education would take a backseat to acting. While in a restaurant, he was spotted by director William Richert, who offered the 16-year-old a small role opposite River Phoenix in A Night in the Life of Jimmy Reardon (1988). Though Perry wanted to become a successful professional actor, his father was pressuring him to attend U.C.L.A. As a compromise, Perry agreed that if he could not find an acting job in the first year after high school graduation, he would attend college. Not long after that, he was hired by Fox television to star in the series Boys Will Be Boys. The series bombed, but Perry was then starred opposite Valerie Bertinelli in a new series, Sydney. While this show too was short-lived, it started Perry on a professional guest-star career that would land him roles on such series as Beverly Hills 90210, Growing Pains, and his father's show 240 Roberts. He made his sophomore film appearance in She's Out of Control (1989) opposite Ami Dolenz and Tony Danza. In the early '90s, Perry and his colleague, Andrew Hill, penned the pilot to a situation comedy about a bunch of friends in their twenties who like hanging out. They called their show Maxwell House and sold it to Universal. They pitched the idea to NBC, but the network had a similar vehicle in the works. Instead of taking Perry and Hill's show, they offered to co-star Perry in their program, Friends. The first episode aired in 1994 and became a Top Ten hit. In features, Perry had his first success with the romantic comedy Fools Rush In (1997), though it was The Whole Nine Yards -- released the same year that Friends went off the air -- that really got moviegoers laughing. A return to television in Studio 60 on the Sunset Strip was shortlived after being eclipsed by the similar-themed 30 Rock, and in 2007 Perry erceived an Emmy nomination for his turn as a devoted high school teacher working with inner-city teens in The Ron Clark Story. In 2011 Perry could be seen as a sports arena manager experiencing a mid-life crisis in the ABC series Mr. Sunshine, though it was promptly cancelled by the network after failing to perform. Nevertheless, subsequent small screen roles in Go On and The Good Wife showed an actor determined to persevere at all costs.

Trivia: Leading man and sex symbol, Selleck has a gentle, humorous manner. He attended college on an athletic scholarship, majoring in business. A drama coach suggested he become an actor; soon he began making the rounds of auditions. He won a part in the disastrous film Myra Breckinridge (1970), his screen debut, then appeared in small roles in a handful of films during the '70s. Meanwhile, Selleck was signed to a seven-year contract with Fox, leading to a great many TV roles, including appearances as a recurring character on the TV series "The Rockford Files." Eventually he was chosen as the lead for the TV series "Magnum P.I.;" the show became a hit, staying on the air from 1980-88, and he became a star and sex symbol, winning an Emmy, a Golden Globe award, and a star on Hollywood Boulevard. He suffered a serious career setback in 1981, when he was chosen to star in the Lucas-Spielberg blockbuster Raiders of the Lost Ark, but couldn't get released from his TV responsibilities. Beginning in 1983 he tried to break back into films, finally landing a major hit in a co-starring role in Three Men and a Baby (1987); although he appeared in a dozen films after 1983 he never firmly established himself as a screen star. He has also been active as a TV producer. He is married to English dancer Jillie Mack.

Trivia: Elliot Gould was one of Hollywood's hottest actors of the early '70s and though he reached the peak of his popularity years ago, he remains a steadily employed supporting and character actor. Gould's lifelong involvement in show business is partially the result of his mother. In classical stage mother fashion, she made an eight-year-old Gould take numerous classes in performing, singing, and dance, including ballet. She enrolled him in Manhattan's Professional Children's School and then had him perform in hospitals, temples, and sometimes on television. Gould was also a child model. During summers, Gould performed at Catskill mountain resorts. When he was 18, he made it into a Broadway chorus line. Working odd jobs in between minor stage gigs, Gould did not get his big break until he joined the chorus line of the musical Irma La Douce. From there he won the leading role opposite Barbra Streisand in I Can Get It for You Wholesale. Though the two leads got good reviews, the show did not and rapidly closed. During its short run, Gould and Streisand fell in love, and in 1963, married. The following year, Gould made an inauspicious feature-film debut playing a deaf-mute in The Confession (1964). He did much better in his second film, The Night They Raided Minsky's (1968). While Gould's career seemed jammed in neutral, his wife's popularity hit the stratosphere, and for a time, he helped arrange her television appearances. By 1967, after years of being called Mr. Streisand and undergoing analysis, Gould untied the knot with Streisand. Gould became a star in 1969 when his co-starring role in the sex comedy Bob and Carol and Ted and Alice earned him a Best Supporting Actor nomination. After playing Trapper John in Robert Altman's counterculture classic M*A*S*H, Gould at last made it to the big league. Tall, curly-haired, more homely than handsome, laid-back, unconventional, sensitive, and unabashedly Jewish, Gould was tremendously popular with young adults who strongly identified with the often confused and neurotic characters he played. Gould's subsequent few films, notably Getting Straight (1970) and Little Murders, reinforced his counterculture image. For a while, he seemed to be everywhere, but by 1973, his career had already begun tapering off. A powerfully subtle performance as Philip Marlow in Altman's Long Goodbye (1973) proved that Gould had talent to spare, but over the next few years, he chose several independent, under the radar films, like California Split and Capricorn One. Over the coming decades, Gould would eventually find an ideal level of fame and activity, appearing in a massive number of films, like Dangerous Love, Bugsy, Ocean's Eleven (and its sequels), and Contagion. Gould would also enjoy a beloved recurring role on the massively successful sitom Friends as the father of Ross and Monica Geller.

Trivia: Displaying the type of understated, dark-eyed good looks that make him a natural candidate for an art house pinup, Paul Rudd impressed filmgoers throughout the latter half of the 1990s with his talent for turning in performances marked by thoughtful insight and an unassuming charisma. Since his turn as Alicia Silverstone's endearingly self-righteous stepbrother in the 1995 film Clueless, Rudd has enjoyed a sort of low-key fame that has allowed him to branch out both in film and on the stage.The son of British-born parents, Rudd came into the world via Passaic, NJ, on April 6, 1969. Because of his father's job in the airline industry, Rudd and his family traveled a great deal, eventually settling in Kansas City, KS. After graduating from high school, Rudd attended the University of Kansas, where he majored in theater. Following his graduation, he was accepted as a student at the American Academy of Dramatic Arts/West in Los Angeles. His studies there led to a three-month theater workshop at Oxford University's British Drama Academy, where he was tutored by the producer and editor Michael Kahn. During his time in England, Rudd also co-produced the Globe Theatre's Bloody Poetry, in which he starred as the poet Percy Shelley, and then performed the title role of Hamlet, in a production directed by Ben Kingsley. Back in the States, Rudd made his television debut in 1992, in the series Sisters. As Ashley Judd's boyfriend Kirbie Philby, Rudd stayed with the show until 1995. During this time, he also appeared in other television productions, including the short-lived series Wild Oats (1994). In 1995, he made his big-screen debut in Amy Heckerling's Clueless, a film that met with a lavish dose of unanticipated success. Although much of the limelight was reserved for the film's star Alicia Silverstone, Rudd also received a fair amount of press, as well as the adulation of a new generation of fans who warmed to the actor's unconventional appeal. The same year, he played the lead in the sixth Halloween installment, Halloween: The Curse of Michael Myers. The year 1996 proved to be one of hits and misses, as it included his leading part in the straight-to-video Overnight Delivery, co-starring Reese Witherspoon, and the highly successful William Shakespeare's Romeo + Juliet, in which he played against type as the arrogant Dave Paris. The same year, Rudd starred in the obscure but critically praised Canadian independent The Size of Watermelons, before going on to make the equally obscure, critically trashed The Locusts (1997). Theatrically, however, 1997 provided positive experience in the form of a Broadway production of Alfred Uhry's The Last Night of Ballyhoo, in which Rudd had a lead role. There were further positive experiences for Rudd in 1998, as in addition to his principal role in the well-received The Object of My Affection, he starred in the high-profile Lincoln Center production of Twelfth Night, which co-starred Helen Hunt and was directed by Nicholas Hytner, his Object director. Rudd continued his theater work the following year, with Neil LaBute's Bash, an off-Broadway show that also featured Calista Flockhart and Ron Eldard. In addition, he had a starring role in 200 Cigarettes, a film remarkable for both its enviable ensemble cast (including Christina Ricci, Ben Affleck, and Martha Plimpton) and the overwhelmingly desultory reviews it received. However, even the most savage of critics were able to single out Rudd for praise, further reflecting the actor's ability to make a favorable impression in even the most unfavorable of films.After a turn as Nick Caraway in a made-for-television adaptation of F. Scott Fitzgerald's The Great Gatsby, Rudd showed off his ability pull off broad-comedy in the largely improvised 2001 parody film Wet Hot American Summer. He changed gears considerably for his next project, The Shape of Things which saw him reteam with director LaBute.In 2004, Rudd again flexed his skills as a comedic scene-stealer with a supporting role in the 70s-era Will Ferrell vehicle Anchorman: The Legend of Ron Burgundy. Keenly aware that he was very much on to a good thing, Rudd kept the laughs coming in Tennis, Anyone...? and The Baxter before hitting yet another comedy homerun in the 2005 Steve Carrell comedy The 40 Year Old Virgin. The movie moved Rudd several notches up on the radar of comedy fans, and he followed it up with memorable turns in many more laugh-fests over the coming years, including Knocked Up in 2007, Forgetting Sarah Marshall in 2008, Role Models in 2009, and I Love You, Man in 2009. Having made himself a favorite comic actor in the industry, Rudd was soon able to pick and choose increasingly perfect roles for his style, starring in 2010's Dinner for Schmucks with Steve Carrell in 2010, and Our Idiot Brother with Zooey Deschanel in 2011. The following year, on the heels of the big screen comedy Wanderlust and a recurring role on television's Parks and Recreation, Rudd reprised his role from Knocked Up in writer/director Judd Apatow's semi-sequel This is 40.

Trivia: Lead actress, onscreen from 1989.

Trivia: In another era, Chris Isaak's steely good looks and affable, unaffected screen presence would have made him an overnight leading man. Whether by choice or fate, however, Isaak seems to be content with his status as a part-time character actor and full-time rockabilly-influenced crooner. Born in Stockton, CA, in 1956, Isaak dabbled in surfing and competitive boxing as a teenager -- leaving him with his trademark bent nose -- before enrolling in an exchange student program in Japan. Upon his return to the U.S., Isaak completed college and endured a series of odd jobs as he led the life of the Northern California beach bum.In the mid-'80s, Isaak and his friends secured a record deal and began recording their unique brand of Southwestern retro-pop under the moniker Silvertone. It was director Jonathan Demme -- already a fan of Isaak's music -- who gave him bit parts in 1988's Married to the Mob and Demme's 1991 breakthrough, The Silence of the Lambs. Though Isaak's acting career was slowly gaining momentum, his Roy Orbison-influenced ballads still weren't catching on with the general public. When David Lynch featured the jilted-lover anthem "Wicked Game" in his road movie Wild at Heart, however, radio requests for the song quickly grew, and Isaak found himself with a Top Ten hit by the end of 1990 -- well over a year since the track was originally released. Thanks to Herb Ritts' sultry video for the song, Isaak had become a reluctant sex symbol as well. Lynch would be the first to capitalize on Isaak's heightened public profile, casting him as Special Agent Chester Desmond in 1992's baffling, elliptical Twin Peaks: Fire Walk With Me.Despite the film's lackluster box-office performance, director Bernardo Bertolucci took notice and gave Isaak a lead role in his fantasy-biopic Little Buddha. Though convincing as the stoic family man whose son is mysteriously believed to be the latest reincarnation of Buddha, the neophyte actor couldn't withstand the wellspring of negative critical response to the film, causing some wags to slight his work in it. Perhaps as a response, Isaak has usually maintained a low profile in features since Buddha, choosing instead to take distinctive supporting roles in period films such as That Thing You Do! and Grace of My Heart, both in 1996.Though his feature-film aspirations hadn't panned out, Isaak did find some success acting on the small-screen in 2001, when he was given his own television show on Showtime. The Chris Isaak Show attracted a cult following with its witty semi-fictional portrayal of musician Chris Isaak. In 2004, Isaak took to the big-screen again, starring in the NC-17-rated John Waters sex comedy A Dirty Shame amidst an eclectic cast that included British comedian Tracey Ullman, Jackass co-creator Johnny Knoxville, indie-film actress Selma Blair, and such Waters regulars as Patricia Hearst and Mink Stole.

Trivia: Despite her efforts to be taken seriously as an actress, Brooke Shields has been unable to escape her youth, during which time she found herself in the precarious position of simultaneously being idolized as a late-'70s icon of adolescent wholesome virginal innocence and being constantly photographed in manners verging on the mildly pornographic. Shields' early career was managed and pushed by her mother, Teri Shields, a small-time actress who placed her daughter in front of the camera before she was even one. As the Ivory Snow baby, Shields was once hailed as the "most beautiful baby in America." After spending many years hawking products, she was in such demand that her mother started marketing her under the logo "Brooke Shields & Co." Shields made her feature film debut in Alice Sweet Alice (1976), but did not become a bona fide star until French director Louis Malle cast her as a 12-year-old New Orleans prostitute who becomes the romantic obsession of a much older painter in Pretty Baby (1978). The film was released amidst great controversy because of the scenes in which Shields (or a body double representing her) appeared nude. But while she did participate in some adult scenes, those moments were handled with taste and discretion by Malle and his cinematographer, Sven Nyquist, and the general consensus was that Shields was not exploited in the film. Thus far, her acting in Pretty Baby remains Shields' best. Through her teens, Shields was among the world's top fashion models and her countenance was everywhere. Controversy again stirred when she did some provocative ads for Calvin Kline in which she was seen wearing a too tight pair of jeans and cooed, "Nothing comes between me and my Calvins." This was in contrast to her other ads in which she advised young girls to abstain from sex and a different campaign against smoking. At the peak of her fame, Shields appeared three times on the cover of Life magazine and once on the cover of Time. Her film career picked up around this time with appearances in such venues as King of the Gypsies (1978) and Wanda Nevada (1979), but her best-known film is the so-bad-it's-good The Blue Lagoon (1980) in which she and teenage hunk Christopher Atkins find themselves shipwrecked for years on a desert island. Ostensibly, the film is a tender tale about innocence and true love, but it's primarily a titillating romp filled with plenty of flesh shots of Shields and Atkins' taut, tanned, and partially clad bodies. In 1981, Shields tried her hand with a more serious role in Franco Zeffirelli's tepid teen romance Endless Love, but did not succeed. Shields decided it was time for college and so enrolled in Princeton, where but for the occasional appearance on a Bob Hope television special, made-for-TV movie, or other special event, she immersed herself in college life. While there, she majored in French Literature and also became interested in the theater, gaining experience in two regional productions of Love Letters. Shields graduated from Princeton with honors. Upon her graduation, Shields returned to acting full time and appeared in films that can most kindly be described as mediocre. In 1996, Shields was given her own situation comedy on NBC network's Suddenly Susan, where she played a single career girl struggling to reassemble her life following her breakup with her wealthy fiancé. Though never among the most natural and relaxed of actresses, Shields gradually grew into her role and proved to be a competent, charismatic comedy actress, turning in guest appearances on popular television shows such as That 70s Show, Nip/Tuck, Two and a Half Men, and Hannah Montana after Suddenly Susan went off the air in 2000. Meanwhile, on Broadway, Shields could bee seen in revivals of Grease, Cabaret, and Chicago before taking over the role of Morticia Addams in the Broadway musical version of The Addams Family. In 1997 Shields married tennis great Andre Agassi, but the union only lasted two years and in 2001 she was wed to television producer Chris Henchy.

Trivia: Forever associated with his ongoing voice work as Homer J. Simpson on Matt Groening and James L. Brooks' long, long-running Fox animated sitcom The Simpsons, Dan Castellaneta is well-reputed for his modest, unassuming presence in real life and his paradoxical ability to spin characters -- seemingly from out of nowhere -- that instantly take on lives of their own. Groening once famously remarked that "Dan can do everything, and he practically does....You might never notice him, but then he opens his mouth and he completely creates one character after another.'' Born in 1957, Castellaneta grew up in the small town of Oak Grove, IL, in the northwestern corner of the state, near the Iowa border. As a self-described introvert who developed and honed a facility for slipping into the guise of characters to entertain and make social situations easier (read: class clown), Castellaneta nevertheless diverged from this path in college and worked toward a career as a high-school art teacher via his studies at Northern Illinois University. Then, one of Castellaneta's professors (perhaps sensing some dissatisfaction) wisely admonished him to only work at a field, and in a job, that he loved. Castellaneta reasoned that acting fit the bill, and auditioned for the infamous sketch comedy troupe Second City shortly after graduation. The troupe hired him, and in time, the skills that the actor projected led to his involvement on the then-fledgling Fox network's sketch comedy series The Tracey Ullman Show, which premiered on Sunday, April 5, 1987. Castellaneta joined Ullman, Julie Kavner, Joe Malone, Sam McMurray, and for a time Anna Levine in live-action skits that parodied all aspects of Western culture.As a most unusual aspect of her program, Ullman opted to feature crudely animated, offbeat segments as Monty Python-style transitions between the individual sketches. The episodes in question were drawn by Gabor Csupo and Groening (at that time, comic-strip artist of growing infamy known for his Life Is Hell series starring a buck-toothed, bug-eyed rabbit named Bucky). Although the subjects of the shorts initially varied, within a few months they began to focus exclusively on a hyper-dysfunctional blue-collar family called the Simpsons; Kavner and Castellaneta voiced parents Homer and Marge Simpson, respectively. Those segments gained such massive popularity that they eventually outshone that of the Ullman show itself (which wrapped in September 1990), and executive producer James L. Brooks, following this cue, decided to spin off the Simpsons into their own weekly animated series. Kavner and Castellaneta, of course, followed Brooks to the new program, joined in time by longtime Brooks acquaintance Harry Shearer, as well as Nancy Cartwright, Yeardley Smith, Hank Azaria, and numerous others.The Simpsons premiered on Fox on December 17, 1989, and became not simply a hit but a phenomenon. It shot up to instantly become one of the highest-rated series on television, and attained iconic status. The program scored as a cause célèbre not simply with children (as expected) but with adult viewers as well, who appreciated the show's ability to skewer all aspects of society and culture. (It generated a billion-dollar marketing boom as well -- an onslaught of Bart Simpson-themed T-shirts, watches, dolls, beach towels, and everything else under the sun.) The program also drew an onslaught of celebrity guests -- everyone from Larry King to Tony Bennett to Beverly D'Angelo and Linda Ronstadt. Castellaneta himself will forever be tied to Homer Simpson -- the lunkheaded, potbellied, beer-swilling, donut-loving nuclear-plant worker with not a whole lot upstairs, and a thoroughly crass lifestyle, but also a big, soft heart (a quality which Castellaneta's co-workers insist that he alone brought to the character). But hardcore Simpsons cultists and even its less attentive devotees will realize that Castellaneta voices not only Homer (as mentioned), but also the gravelly voiced, booze-swilling, womanizing clown Krusty; local drunk Barney Gumble; Scottish elementary-school groundskeeper Willie; the octogenarian family patriarch Grampa Simpson; and innumerable others. Certainly, it would be difficult to imagine a program that took fuller advantage of Castellaneta's versatility with characterizations.Alongside The Simpsons, Castellaneta has also pursued a career as a live-action film and television performer, and spent most of the late '80s, '90s, and 2000s vacillating between the two mediums. His career on the big screen began at least a year prior to his involvement with Ullman and co., when he debuted with a bit part as Brian in the now-forgotten Garry Marshall dramedy Nothing in Common (1986), starring Jackie Gleason, Tom Hanks, Eva Marie Saint, and Sela Ward. In 1989, Castellaneta landed bit parts in two wildly different films: one as a maître d' in the Jim Belushi cop comedy K-9, and another (as one of Danny DeVito's clients) in the James L. Brooks-produced jet-black marital farce The War of the Roses. Castellaneta temporarily withdrew from live-action cinematic work in the early '90s, before returning to audiences as the narrator in Super Mario Bros. (1993) and Phil in Warren Beatty's Love Affair (1994). As the Castellaneta's career continued, he then segued into cinematic animated voice-over work (doubtless encouraged by the ongoing success of The Simpsons), doing voices in such features as 2000's Rugrats in Paris (under the aegis of old colleague Gabor Csupo) and Hey Arnold! The Movie (2002). In 2007, Castellaneta extended his Homer characterization to the big screen with his work on The Simpsons Movie -- the first cinematic appearance of Groening's famous animated family.As for television, Castellaneta appeared as a supporting actor in numerous sitcoms during the 1990s. These included ALF (as Steve Michaels in the 1990 episode "Stayin' Alive"), Married...with Children (as Pete in the 1990 episode "The Dance Show"), Wings (as George Wexler in the 1994 episode "Moonlighting"), and Murphy Brown (as Tony Lucchesi in the 1995 episode "Specific Overtures.") He also voiced Genie (inheriting the role from Robin Williams) on the animated Aladdin TV series. Of the Simpsons cast, Castellaneta is one of the only actors to regularly do on-stage comedic improvisation alongside his series work. He is married to Simpsons writer Deb Lacusta, whom he wed in 1987.He continued to work steadily in animated films such as Rugrats in Paris: The Movie and Hey Arnold! The Movie, and landed traditional acting parts every once in a while in movies as diverse as the indie comedy I Want Someone to Eat Cheese With and the Will Smith drama The Pursuit of Happyness. In 2007 he voiced nearly 20 different parts in The Simpsons Movie. He also landed a part in JJ Abrams 2011 Spielberg-influenced family sci-fi film Super 8.

Trivia: Launching his career as a stand-up comedian in 1967, Frank Welker opened for such acts as the Righteous Brothers, Sergio Mendez and Brazil 66, The Fifth Dimension and Glen Campbell. Welker's TV credits include comedy-ensemble stints on The Don Knotts Show (1971) and the syndicated Laugh Trax (1982). Despite his occasional on-camera appearances, Welker is best known as one of the most versatile voiceover specialists in show business. His specialty is a dead-on impression of the Three Stooges' Curly Howard, which he utilized to peak effect in the Hanna-Barbera TV cartoon weekly Jabberjaw (1976). To list all of his credits would take a couple of weeks at best: in Hal Erickson's encyclopedic 1995 volume Television Cartoon Shows, Welker is mentioned no fewer than 110 times! Some of his more memorable TV cartoon credits include Itsy Bitsy Spider (title character), Duck Tales, Captain Planet, Garfield and Friends, The Jetsons, Tiny Toon Adventures, Real Adventures of Jonny Quest and Batman: The Animated Series. In theatrical features, Welker is most often heard as nonverbal "funny animals" (1993's Aladdin) and "enchanted" inanimate objects (in 1994's The Shadow, he "played" a magic dagger).

Trivia: Began working in entertainment when he was 4 years old. At age 5, landed a recurring role on Full House, portraying Michelle Tanner's pal Teddy. Portrayed Shaquille O'Neal's grandson in a commercial for the sports drink All Sport. Appeared in music videos for Prince, Mariah Carey and Michael Jackson. Earned a NAACP Image Award nomination for Outstanding Youth Actor/Actress in 2000 for his role as whiz kid T.J. Henderson on Smart Guy. Costarred with his sisters, twins Tia and Tamera Mowry, in the TV-movie Seventeen Again (2000). Played varsity football in high school and went on to play football in college at Savannah State University and the University of Wyoming. Is a supporter of the Elizabeth Glaser Pediatric AIDS Foundation.