Trivia: The son of a Wall Street broker, towering (6'5") actor Fred Gwynne was born sucking on the proverbial silver spoon. Gwynne attended the prestigious Groton prep school, where he made his acting bow in a student production of Henry V. He then attended Harvard, where he studying drawing with artist R.S. Merryman and was active in dramatics and as a staffer of the Harvard Crimson. Upon graduation, Gwynne played Shakespeare with the Cambridge repertory before heading to New York City. He appeared in such Broadway plays as Mrs. McThing and was cast in a bit role in the Oscar-winning film On the Waterfront, but for many years his principal source of income was as a book illustrator and commercial artist (his first published work was titled The Best in Show). In 1961, Gwynne was co-starring in the Broadway musical Irma La Douce when TV producer/writer Nat Hiken, who'd cast Gwynne in a handful of guest roles on the 1950s sitcom Sgt. Bilko, hired the actor to play NYPD officer Francis Muldoon on the weekly comedy Car 54, Where are You? A year after the series' cancellation, Gwynne was starred in his most famous TV role: bolt-necked, soft-hearted Herman Munster in The Munsters (1964-66). Afterwards, Gwynne distanced himself from television for the most part. In the 1970s and 1980s, he distinguished himself on Broadway in powerful dramatic roles, often playing autocratic Southerners (e.g. Big Daddy in Cat on a Hot Tin Roof and an elderly Klansman in Texas Trilogy). Fred Gwynne also returned to films during this period, playing key roles in such major productions as The Cotton Club (1984) and Shadows and Fog (1992); he died of pancreatic cancer shortly after completing his critically acclaimed role of the judge in My Cousin Vinny (1993).

Trivia: Born Peggy Yvonne Middleton, Yvonne De Carlo began studying dance in childhood, and in her teens appeared in nightclubs and on-stage. She debuted onscreen in 1942, going on to a number of secondary roles. Finally she was cast in the title role of Salome -- Where She Danced (1945) and played leads in The Song of Scheherazade and Slave Girl (both 1947), after which she was typecast as an Arabian Nights-type temptress in harem attire; she also appeared frequently in Westerns, and occasionally showed talent in comedies. De Carlo was a co-star of the '60s TV sitcom The Munsters. In 1971 she appeared on Broadway in the musical Follies. She married and divorced stuntman and actor Robert Morgan. She continued appearing in occasional films through the '90s and authored Yvonne: An Autobiography (1987). De Carlo died of unspecified causes at age 84 on January 8, 2007.

Trivia: There is more to character actor Al Lewis than meets the eye. Best known to baby boomers for playing the roles of Officer Schnauzer in Car 54 Where Are You? and Grandpa in The Munsters, he holds a doctorate in child psychology from Columbia University, has penned two children's books, produced a kid-oriented home video, and once hosted a series of Saturday morning television shows on WTBS. He has also been a circus performer, a school teacher, and a vaudevillian. Lewis became an actor after earning his degree, teaching, and writing his books. He studied with the Paul Mann Actor's Workshop in New York. On television, he first appeared in "Trouble-In-Law" on The U.S. Steel Hour (1959). The following year, Lewis appeared in the feature film Naked City and then was cast opposite Fred Gwynne in Car 54, Where Are You? The show ran until 1963 and within a year, he was playing the vampiric Grandpa against Gwynne's Frankenstein, Herman Munster. Though The Munsters lasted two years, it has developed a cult following and has re-aired endlessly in syndication and spawned a feature-length sequel, Munster Go Home (1964), and a made-for-TV reunion movie, Munster's Revenge (1981). In 1994, he reprised his role as Schnauzer for the TV-movie version of Car 54 Where Are You? Lewis has gone on to continue making occasional guest appearances on television and a sporadic movie career. In addition to his other endeavors, Lewis has been a high school basketball scout and the owner of a restaurant in New York.

Trivia: Trained as a dancer by Marge Champion's father Ernest Belcher, Iris Adrian began her performing career at age 13 by winning a "beautiful back" contest. Working as a New York chorus girl (she briefly billed herself as "Jimmie Joy"), Iris's big break came with the 1931 edition of The Ziegfeld Follies, which led to featured nightclub and comedy revue work in the U.S. and Europe. In the Kaufman/Hart Broadway play The Fabulous Invalid, Adrian raised the temperatures of the tired businessmen in the audiences by performing a strip-tease--this at a time (the late 1930s) when the standard burlesque houses had been banned from New York by Mayor LaGuardia. Brought to films by George Raft, Adrian made her first screen appearance in Raft's 1934 vehicle Rhumba. This led to dozens of supporting roles in subsequent feature films; Iris' standard characterization at this time was the brassy, gold-digging dame who never spoke below a shout. Often appearing in one-scene bits, Adrian received more sizeable roles in Laurel and Hardy's Our Relations (1936), Bob Hope's The Paleface (1948), Milton Berle's Always Leave Them Laughing (1949) and Jerry Lewis' The Errand Boy (1961). Through the auspices of director William Wellman, who had a fondness for elevating character actors to larger roles, Adrian gave a rollicking performance as Bonnie Parker wannabe Two Gun Gertie in 1942's Roxie Hart. She launched her TV career in 1949 on Buster Keaton's LA-based weekly comedy series. Some of her most memorable work for the small screen was on the various TV programs of Jack Benny, Adrian's favorite comedian and co-worker. Throughout the 1960s and 1970s, Iris Adrian kept very active in the comedy films of the Walt Disney studio, including That Darn Cat (1965) and The Love Bug (1968); and in 1978, she was superbly cast in the regular role of the sarcastic secretary for a New York escort service on The Ted Knight Show.

Trivia: First acting gig was a Kellogg's commercial in 1960. Formed a band called Eddie and the Monsters, who released a single in 1983, recalling his role as Eddie (who looked like a wolf boy) on the 1964-66 sitcom, The Munsters. "Whatever Happened to Eddie?" was followed, in 2007, by another song, "It's Only Halloween." Took part in a motorcycling event in Carthage, NY, in 2010 to benefit the blind. Has frequently appeared at Halloween events in his Eddie Munster costume.

Trivia: Beefy, bulldog-visaged actor Robert Strauss was the son of a theatrical costume designer. Strauss tried his hand at a number of odd jobs before he, too, answered the call of the theater. His best-known Broadway role was the dimwitted, Betty Grable-loving Animal in Stalag 17, a role that he recreated for the 1953 film version, and was Oscar nominated for his efforts. Though he'd been seen onscreen as early as 1942, Strauss' film career didn't really take off until he garnered positive notices for Animal. He spent most of the 1950s at Paramount, working with everyone from William Holden to Jerry Lewis. In 1971, after several distinguished years in the business, Robert Strauss found himself the object of showbiz-column scrutiny when he agreed to co-star in the Danish "soft core" sex farce Dagmar's Hot Pants.

Trivia: Her mother worked as treasurer of the U.S. from 1953 to '61. While living in Washington, D.C., she was chosen by a national magazine as one of the capital's "10 most beautiful women." Appeared in commercials for Nestle ice tea and Purina dog food, among others. Made her film debut playing a student in the James Dean classic East of Eden (1955). Left show business in 1985 after moving to Idaho with her husband. She opened her own antique shop there. Once owned Elvis Presley's 1967 El Dorado convertible. Was diagnosed with non-Hodgkin's lymphoma in 2001; has been in remission since 2002.

Trivia: American entertainer Mel Blanc, who would make his name and fortune by way of his muscular vocal chords, started out in the comparatively non-verbal world of band music. He entered radio in 1927, and within six years was costarring with his wife on a largely adlibbed weekly program emanating from Portland, Oregon, titled Cobwebs and Nuts. Denied a huge budget, Blanc was compelled to provide most of the character voices himself, and in so doing cultivated the skills that would bring him fame. He made the Los Angeles radio rounds in the mid-1930s, then was hired to provide the voice for a drunken bull in the 1937 Warner Bros. "Looney Tune" Picador Porky. Taking over the voice of Porky ("Th-th-th-that's all, Folks") Pig from a genuine stammerer who knew nothing about comic timing, Blanc became a valuable member of the "Termite Terrace" cartoon staff. Before long, he created the voice of Daffy Duck, whose lisping cadence was inspired by Warner Bros. cartoon boss Leon Schlesinger. In 1940, Blanc introduced his most enduring Warners voice -- the insouciant, carrot-chopping Bugs Bunny (ironically, Blanc was allergic to carrots). He freelanced with the MGM and Walter Lantz animation firms (creating the laugh for Woody Woodpecker at the latter studio) before signing exclusively with Warners in the early 1940s. Reasoning that his limitless character repetoire -- including Sylvester, Foghorn Leghorn, Speedy Gonzales, Tweety Pie, Pepe Le Pew, Yosemite Sam and so many others -- had made him a valuable commodity to the studio, Blanc asked for a raise. Denied this, he demanded and got screen credit -- a rarity for a cartoon voice artist of the 1940s. Though his salary at Warners never went above $20,000 per year, Blanc was very well compensated for his prolific work on radio. He was a regular on such series as The Abbott and Costello Show and The Burns and Allen Show, and in 1946 headlined his own weekly radio sitcom. For nearly three decades, Blanc was closely associated with the radio and TV output of comedian Jack Benny, essaying such roles as the "Si-Sy-Si" Mexican, harried violin teacher Professor LeBlanc, Polly the parrot, and the sputtering Maxwell automobile. While his voice was heard in dozens of live-action films, Blanc appeared on screen in only two pictures: Neptune's Daughter (1949) and Kiss Me Stupid (1964). Extremely busy in the world of made-for-TV cartoons during the 1950s and 1960s, Blanc added such new characterizations to his resume as Barney Rubble on The Flintstones (1960-66) and Cosmo Spacely on The Jetsons (1962). In early 1961, Blanc was seriously injured in an auto accident. For weeks, the doctor was unable to communicate with the comatose Blanc until, in desperation, he addressed the actor with "How are you today, Bugs Bunny?" "Eh...just fine, Doc," Blanc replied weakly in his Bugs voice. At that miraculous moment, Blanc made the first step towards his eventual full recovery (this story sounds apocryphical, and even Blanc himself can't confirm that it took place, but those who witnessed the event swear that it really happened). In the 1970s, Blanc and his actor/producer son Noel -- whom Mel was grooming to take over the roles of Bugs, Daffy and the rest -- ran their own school for voice actors. Mel Blanc continued performing right up to his death in July of 1989; earlier that same year, he published his autobiography, That's Not All, Folks.