Trivia: Lead actor, onscreen from the late '80s.

Trivia: Launching his career as a standup comic, American performer Richard Belzer entered the 1970s as a member of an odd New York-based comedy troupe called Channel One. Anticipating the home video explosion by over a decade, Channel One staged satirical, scatological routines lampooning the banalities of television -- and staged them in front of TV cameras, which transmitted the routines to little TV monitors, which in turn were watched by the live audience. Some of the best sketches were assembled into an X-rated comedy feature, The Groove Tube (1970), which featured Belzer, Ken Shapiro, and a brash newcomer named Chevy Chase. For the next decade, Belzer played the comedy-club circuit, popped up as a talkshow guest, and appeared in occasional films like Fame (1982). He joined still another comedy troupe in 1983, which appeared nightly on the syndicated interview program Thicke of the Night. The host was Allan Thicke, and Belzer's comic cohorts included such incipient stars as Charles Fleischer, Chloe Webb and Gilbert Gottfried. Thicke of the Night was one of the more notorious bombs of the 1983-84 season, but it enabled Belzer to secure better guest-star bookings, and ultimately a hosting job on his own program, debuting in 1986 over the Lifetime Cable Service. It was on this series that wrestler Hulk Hogan, demonstrating a stranglehold on Belzer caused the host to lose consciousness -- which prompted a highly publicized lawsuit instigated by Belzer against the Hulkster. In the early 1990s, Richard Belzer could be seen as a non-comic regular on the TV series Homicide. His Homicide character, John Munch, would become one of the longest-running fictional creations on TV appearing in more than a half-dozen other television shows, most notably Law & Order: Special Victims Unit.

Trivia: An actress whose capability to seamlessly alternate between roles that call for unchallenged authority figures and vulnerable, coyly girlish types, Callie Thorne is equally comfortable on small-screen crime and police dramas (Homicide: Life on the Street, Law & Order: Special Victims Unit, The Wire, and Prison Break) and big-screen comedies (Next Stop Wonderland, Wirey Spindell, and Strangers With Candy). It was her recurring role as Sheila Keefe on the hit FX series Rescue Me, however, that truly allowed Thorne to gain considerable notice as an actress. A graduate of Lincoln-Sudbury High School who went on to study at Wheaton College, Thorne credits much of her success to Wheaton theater director Pamela Bongas. While early roles in such features as Turbulence and Next Stop Wonderland served well to get the emerging actress comfortable in front of the camera, it was her performance as Detective Laura Ballard on Homicide: Life on the Street that truly propelled Thorne's career to the next level. After breaking the glass ceiling on the series by becoming the first female homicide detective to be paired with another female on a case, Thorne displayed her indie side with commendable roles in Ed Burns' Sidewalks of New York and Tim McCann's Revolution #9. But Thorne truly shined on the small screen, and despite the occasional appearance in such big-budget efforts as Analyze That, recurring roles on The Wire, ER, Prison Break, and, of course, Rescue Me made her a favorite of television viewers who liked their drama served with a side of grit.

Trivia: A burly, thickset, and occasionally scruffy character actor with a domineering and imposing presence, Peter Gerety often accepted roles as ordinary working-class stiffs, judges, or inner-city law officers. A performer with equal footing in film and on the stage, Gerety took his premier onscreen bow during the early '80s but first began drawing substantial attention over a decade later. Gerety remains best known for his multi-season portrayal (1996-1999) of Detective Stuart Gharty on the cop drama Homicide: Life on the Street. He also played the recurring role of Judge Daniel Phelan on another Baltimore-set crime series, The Wire (2002-2008). Big-screen projects include Sleepers (1996), K-PAX (2001), Syriana (2005), Charlie Wilson's War (2007), Leatherheads (2008), and Public Enemies (2009).

Trivia: A lovely and gifted actress, Michael Michele has won acclaim for her portrayals of strong and capable women on television as well as in feature films. Born in Evansville, IN, on August 30, 1966, she, like practically everyone in the Hoosier State, grew up a big basketball fan. Michele played roundball in high school (with her team making the state championships) and participated in volleyball and track. In time, she developed a passion for acting which overwhelmed her enthusiasm for sports (although she remained a committed runner and was known to shoot baskets for relaxation between takes shooting films or television shows), and she moved to the East Coast to concentrate on her career in the late '80s. In 1989, after a few minor TV roles and parts in commercials, Michele's big break appeared to have arrived in the form of a showy supporting role in Eddie Murphy's film Harlem Nights; the actress was fired during the shooting, however, and she later filed a sexual harassment suit against Murphy, which was settled out of court. Michele rebounding in 1991 when she was cast in Mario Van Peebles's gritty urban drama New Jack City; a year later, she was a regular on the short-lived TV series Dangerous Curves. Her performance in the mini-series Trade Winds proved more memorable, and led to recurring roles on New York Undercover and Central Park West. After appearances in a handful of feature films, Michele scored another major TV role in the series Homicide: Life on the Street in 1998. She turned in her badge a year later to step up to the top-rated medical drama ER, where, between 1999 and 2001, she appeared as Dr. Cleo Finch. Michele's well-regarded work on that series boosted her stock in the film industry, and, in 2003, she appeared in two major motion pictures: How to Lose a Guy in Ten Days and Dark Blue. An avid jazz fan, Michele became active in mentoring underprivileged children when not busy with her work.

Trivia: Black supporting actor, onscreen from the '80s.

Trivia: Versatile American actor Giancarlo Esposito was born in Copenhagen, Denmark, but grew up in Manhattan from the age of six. His mother was an African-American nightclub singer (who once shared a bill with Josephine Baker) and his father was an Italian stagehand. In show business most of his life, Esposito made his Broadway debut in a 1966 production of Maggie Flynn. His other stage credits include Sacrilege, Miss Moffatt, and Balm in Gilead. He won a 1981 Theatre World Award for his performance in Zooman and the Sign.On the big screen, Esposito started appearing in Spike Lee films during the late '80s in a wide range of roles with great character names. He was the frat leader Julian "Big Brother Almighty" in School Daze, the outspoken reactionary Buggin' Out in Do the Right Thing, the dandy pianist Left Hand Lacey in Mo' Better Blues, and the criminal Thomas Hayer in Malcolm X. Esposito's other film roles include an investigative journalist in Bob Roberts, an activist in Amos & Andrew, and a game show host in Reckless. In 1995, he earned an Independent Spirit award nomination for his supporting role of doting drug dealer Esteban in Boaz Yakin's debut drama Fresh. Esposito also appeared in Wayne Wang and Paul Auster's Smoke, along with the sequel Blue in the Face. The next year, he turned briefly to producing with the independent prison film The Keeper, which premiered at the Sundance Film Festival.On television, Esposito appeared on NYPD Blue, Law & Order, and the short-lived Fox comedy Bakersfield, P.D. In 1999, he earned an Image award nomination for his role as FBI Agent Michael Giardello on Homicide: Life on the Street. He also has contributed to the Fox television dramas The $treet and girls club. While teaching at the Atlantic Theatre Company, Esposito found time to portray real-life figures in the biopics Ali (as Cassius Clay Sr.) and Piñero (as Miguel Algarin). Projects for 2004 included James Hunter's feature Back in the Day and the television movie NYPD 2069. He played a detective in the thriller Derailed, and appeared in the indie drama SherryBaby. In 2008 he directed, starred in, and helped write the drama Gospel Hill. In 2010 he joined the cast of the highly-respected AMC drama series Breaking Bad, and appeared in the 2012 big-screen thriller Alex Cross.

Trivia: African American actor Yaphet Kotto was one of the most prominent beneficiaries of the upsurge in black-oriented theatrical pieces of the late 1950s; he appeared in many prestigious Broadway and off-Broadway productions, taking regional theatre work rather than accept stereotypical "mainstream" roles in movies and TV. Kotto's first film was Nothing But a Man (1964), an independently produced study of black pride in the face of white indifference. Though he vehemently steered clear of most of the '70s blaxploitation fare, in 1972, Kotto produced, directed and wrote the feature film Speed Limit 65 (aka The Limit and Time Limit), a one-of-a-kind "black biker" film. The biggest production with which Kotto was associated in the early 1970s was the James Bond film Live and Let Die, in which, as the villainous Mr. Big, he was blown up in the final scene (a similarly grisly fate awaited Kotto in 1979's Alien). On television, Yaphet Kotto was a regular on the TV series For Love and Honor (1983) and Homicide: Life on the Streets (1992), and was seen as Ugandan president Idi Amin in the 1977 TV movie Raid on Entebbe.

Trivia: A boyishly handsome boxer-turned-actor who turned in his gloves for real after making his screen debut as a pugilist in the 1992 drama Gladiator, New York-born film and television star Jon Seda rose through the ranks in the '90s to make a name for himself as a bit player in such high-profile films as Carlito's Way and Twelve Monkeys -- though it wasn't until his 1997 debut on television's Homicide: Life on the Streets that audiences truly sat up and took notice. Those who had been following Seda's career since his early days had little doubt that the rising young star had what it took to make it as an actor, and following an Independent Spirit Award-winning role as a flawed but well-meaning husband and father in the 1994 drama I Like It Like That, major offers quickly began pouring in. An impressive run in the mid-'90s found Seda turning up in everything from such high-profile Hollywood fare as Primal Fear to such little-seen efforts as New York Cop and Michael Cimino's The Sunchaser -- the latter of which offered Seda in a particularly memorable role as a terminally-ill juvenile delinquent who kidnaps his doctor in hopes of finding a mythical healing lake. Following an impressive turn in the hit HBO prison series Oz, Seda hit his stride on the small screen with a turn as Detective Paul Falsone on Homicide: Life on the Street. By this time Seda was becoming a familiar face to audiences, and in 2000, he once again laced up his boxing gloves for a role opposite Jimmy Smits in the well-received feature Price of Glory. Despite his prominence and success in film and television, it still seemed as if Seda was awaiting the breakout role that would truly make him a household name. In 2002 he proved that he could carry a film when he took the lead in the street-gang drama King Rikki, with a role on the 2004 UPN series Kevin Hill, marking what fans hoped would be a successful return to the small screen.

Trivia: Most fans got their first taste of Dan Futterman when he played the son of Robin Williams in 1996's The Birdcage. Futterman actually began his professional acting career in 1991, however, when he was cast in the stage production of Club Soda just two years after he graduated from Columbia University. He continued with other successful stage roles, like Louis Ironson in the Broadway production of Angels in America in 1993.It was around this same time that Futterman began his on-screen career, appearing in the TV movie Daughters of Privilege, and in his first feature-film role with the critically acclaimed The Fisher King in 1991. Steady work continued to come until the 32-year-old actor was cast in a recurring role in the series Judging Amy in 1999. He stayed with the show until its run ended in 2005. It was around this time that another of Futterman's projects got off the ground as well; he'd been working on a screen adaptation of Gerald Clarke's book Capote, and it was in 2005 that the script's final product was released in theaters to a flood of success and praise. The film was nominated for five Oscars, and star Philip Seymour Hoffman took one home for Best Actor. Futterman would go on to write the successful HBO series In Treatment, as well as the film Foxcatcher.Futterman would also continue to appear in front of the camera, appearing in films like A Mighty Heart and Hello, I Must Be Going.

Trivia: After her debut film Mississippi Masala (1992) became an art house hit, Sarita Choudhury was determined not to "go Hollywood," focusing her acting energies on independent film instead. Raised in Jamaica, Mexico, and Italy, the half-Indian, half-English Choudhury studied economics at Queens University in Ontario before switching to acting. She casually auditioned for Mississippi Masala and wound up cast as the lead opposite Denzel Washington in the singular interracial romance between a Southern African American man and a transplanted Indian woman. Despite the film's surprise success, Choudhury stuck to her non-Hollywood roots, putting her exotic looks and talent to versatile use as a Pakistani country-western singer in Wild West (1992), a Chilean maid in Bille August's adaptation of The House of the Spirits (1993), and a lesbian mother in Fresh Kill (1994). Choudhury worked with Mississippi Masala director Mira Nair again in The Perez Family (1995) and played the cuckolded queen Tara in Nair's frankly-sensual feminist parable Kama Sutra: A Tale of Love (1996). By the late 1990s, Choudhury added a touch of Hollywood to her repertoire with supporting roles in the glossy Alfred Hitchcock remake A Perfect Murder (1998) and the John Cassavetes retread Gloria (1999).Back in more original territory, Choudhury regained her footing somewhat with a series of television roles on such small-screen dramas as Homicide: Life on the Streets, Deadline, 100 Centre Street, and Law and Order. A series of key roles in such little-seen independents as Rhythm of the Saints, Marmalade, and Indocumentados was offset by lesser roles in wuch wide-release efforts as It Runs in the Family, She Hate Me, and M. Night Shyamalan's Lady in the Water, proving that even if she didn't headline every movie she appeared in, Choudhury was still a worthy supporting player who was always worth watching.

Trivia: The capable and effective actress Amy Ryan proved herself adept at a myriad of portrayals in many genres. Ryan was often, though not always, cast as a solid and dependable housewife, mother, or girlfriend, per her contributions to the 2004 Keane (as the impoverished single mother of a young girl, who unwittingly entrusts her daughter to a schizophrenic), the 2006 Looking for Comedy in the Muslim World (as Albert Brooks' wife and straight man), and the 2005 Capote (as the wife of Chris Cooper's no-nonsense sheriff). On television, Ryan gained notice as Officer Beatrice "Beadie" Russell on the critically acclaimed HBO drama series The Wire. In 2007, Ryan ascended several notches in terms of feature billing with her portrayal of Carolyn Cassady, the wife of 1950s icon Neal Cassady, in director Noah Buschel's eponymous biopic of the legendary beatnik. Ryan also tackled a small supporting role in the Steve Carell comedy Dan in Real Life. That same year, her work in two crime films catapulted her even further into the limelight. As the mother of the missing girl in Gone Baby Gone, Ryan earned rave reviews and dominated the year-end critics awards for Best Supporting Actress, garnering Screen Actors Guild, Golden Globe, and Oscar nominations in the process. Her work as Ethan Hawke's dissatisfied ex-wife in Before the Devil Knows You're Dead helped cement her new status as a rising star.She appeared in Clint Eastwood's period drama Changeling, and had a major part in the action thriller Green Zone in 2010. She joined the cast of In Treatment for that program's thirds and final season on HBO. Philip Seymour Hoffman cast her as his leading lady for his directorial debut Jack Goes Boating, and she was Paul Giamatti's loving wife in Win Win.

Trivia: The son of an editor for the New Yorker, the diminutive comedic actor Wallace Shawn achieved immortality for his portrayal of the Sicilian Vizzini in the 1987 classic The Princess Bride. A graduate of both Harvard and Oxford University, he has taught several courses in English and struggled as a playwright in the early '70s; in 1977 he translated Machiavelli's The Mandrake. Shawn broke into films soon after, building a successful career as a supporting actor to help fund his playwriting. He debuted in two of the best films of 1979: Woody Allen's Manhattan and Bob Fosse's All That Jazz.In 1981, he co-wrote the semi-autobiographical My Dinner With André, a talky comedy starring himself and theater director André Gregory in a dinner conversation, directed by Louis Malle. The movie was acclaimed by critics and a cult favorite. After this personal project, Shawn would build a career out of playing brief but surprisingly memorable roles in a long list of movies. His performance as the leader of the misfit criminal gang in The Princess Bride proved a pivotal moment, and that same year, he supplied the heroic voice for the Masked Avenger in Woody Allen's Radio Days. Shawn would also go on to do voice acting in projects like The Goofy Movie, All Dogs Go to Heaven, and the Toy Story series. He would also continue to work with Woody Allen throughout the next decade, and picked up a new generation of fans playing debate teacher Mr. Hall in the 1995 high school classic Clueless. Shawn would also take his quirky persona to the small screen with appearances on TV shows likeMurphy Brown, The Cosby Show, Star Trek: Deep Space Nine, Sex and the City, as well as the ABC sitcom version of Clueless. Throughout his acting career, Shawn has managed to continue writing successful plays, and eventually adapted one of them, The Designated Mourner, for a feature film in 1997. In 2002, he played the publishing boss Mr. Gelb for the "Greta" story in Rebecca Miller's Personal Velocity: Three Portraits. Shawn would continue to appear regularly on screen in the years to come, playing recurring roles on The L Word, Gossip Girl, and Eureka,