Trivia: American comedian George Burns had a taste for show business from his youth on New York's Lower East Side, and by the time he was seven he and his buddies had formed a singing group called the Pee Wee Quartet. Amateur shows led to small-time vaudeville, where Burns faced rejection time and again, often gaining jobs from people who had fired him earlier through the simple expedient of constantly changing his professional name. Usually working as part of a song-and-snappy-patter team, he was in the process of breaking up with his latest partner Billy Lorraine in 1922 when he met a pretty young singer/dancer named Gracie Allen. The game plan for this new team was to have Gracie play the "straight man" and George the comic, but so ingenuous and lightheaded was Gracie's delivery that the audience laughed at her questions and not at George's answers. Burns realized he'd have to reverse the roles and become the straight man for the act to succeed, and within a few years Burns and Allen was one of the hottest acts in vaudeville, with George writing the material and Gracie garnering the laughs. George and Gracie married in 1926; thereafter the team worked on stage, in radio, in movies (first in a series of one-reel comedies, then making their feature debut in 1932's The Big Broadcast) and ultimately in television, seldom failing to bring down the house with their basic "dizzy lady, long-suffering man" routine. Though the public at large believed that Gracie had all the talent, show business insiders knew that the act would have been nothing without George's brilliant comic input; indeed, George was often referred to by his peers as "The Comedian's Comedian". Gracie decided to retire in 1958, after which George went out on his own in television and in nightclubs, to less than spectacular success. After Gracie's death in 1964, George concentrated on television production (he had vested interests in several series, among them Mr. Ed) and for a nervous few years tried using other comic actresses in the "Gracie" role for his club appearances. But it wasn't the same; George Burns would be first to admit there was only one Gracie Allen. Though he never retired, Burns was more or less out of the consciousness of moviegoers until he was hired at the last minute to replace his late friend Jack Benny in the film version of Neil Simon's The Sunshine Boys (1975). His performance as a cantankerous old vaudeville comic won him an Oscar, and launched a whole new career for the octogenarian entertainer as a solo movie star. Perhaps his most conspicuous achievement in the late 1970s was his portrayal of the Almighty Spirit - with distinct Palace Theatre undertones - in Oh, God! (1977). Even after reaching his centennial year, Burns remained as sharp-witted as ever. Less than three months after his 100th birthday Burns passed away. But fans can take comfort because Burns has gone beyond the realm of Show Business Legend; he is practically an immortal.

Trivia: The daughter of a musical comedy performer, San Francisco-born comedienne Gracie Allen joined her sisters on the vaudeville stage at the age of 3 1/2. After convent school, Allen returned to the family act, then at age 18 joined the Larry Reilly Stock Company. Quitting the Reilly troupe over a dispute about billing, Allen left show business to become a secretary. In 1922, she was introduced by her showbiz friends to struggling vaudevillian George Burns. After striking out professionally with several male partners, Burns was anxious to launch a boy-girl act. He and Allen toured small-time vaudeville with a routine largely borrowed from other performers. At the time, it was customary in boy-girl routines for the girl to play "straight" while the boy told the jokes, but as Burns would later claim, "They laughed at all of her questions but none of my answers." Burns wisely switched roles, allowing Allen to be the "funny one." Allen's stage character would ever after be the dumb-dora chatterbox who confounded Burns with her convoluted logic. Burns would react in exasperation to double the laugh, but learned early on that he couldn't indulge in any slapstick with Allen; the audience was firmly on her side, and wouldn't stand for any rough stuff. After three years of courtship, Burns finally convinced Allen to marry him in 1926 (it was her first marriage, his second). That same year the team graduated to the prestigious Palace Theatre with an act called "Dizzy"; later on they would score a bigger success with the Al Boasberg-written routine Lambchops. While touring the British Isles in 1929, Burns and Allen made their radio debut with a 26-week BBC series. Back in New York, they began appearing in one-reel movie comedy shorts, first for Vitaphone, then Paramount. Rudy Vallee "discovered" the team for American radio in 1931; the next year, they costarred with Guy Lombardo on a weekly CBS program, quickly entering the realm of folklore with an extended running gag about Allen's "missing brother." With The Big Broadcast (1932), Burns and Allen inaugurated their feature-film career, first as guest stars and supporting players, and finally as leads in such programmers as Many Happy Returns (1934), Love in Bloom (1935) and Here Comes Cookie (1936). Though their film career had begun to peter out by the late 1930s, Burns and Allen were selected to costar with Fred Astaire in his first film without Ginger Rogers, A Damsel in Distress (1937). Here for the first time, the moviegoing public was treated to the terpsichorean skill of Burns and Allen, who not only kept up with Astaire, but at times matched him step for step. In 1939, mystery writer S. S. Van Dyne came up with a "Philo Vance" story idea titled The Gracie Allen Murder Case. While both Burns and Allen "appear" in the published version of the story, Allen alone starred in the 1939 film version, driving erudite detective Vance (Warren William) to distraction by referring to him as Fido Vance. Allen could get a bit trying without Burns around to rein in her insanity, but audiences were pleased with The Gracie Allen Murder Case, prompting MGM to concoct another Gracie Allen solo vehicle, Mr. and Mrs. North (1941). With the exception of a guest appearance in Two Girls and a Sailor (1944), the North film closed out Allen's movie career. She stayed busy in radio, and made headlines in 1940 when Burns concocted a nonsensical presidential campaign for Allen on the Surprise Party ticket. When their radio ratings began dropping in the 1940s, Burns changed their radio characterizations from young sweethearts to middle-aged parents (the couple had adopted two children in the 1930s); this transition was successful, and was carried over into the popular Burns and Allen TV series, which ran from 1950 through 1958. Plagued by illness and increasing stage fright, Allen decided to retire in 1958, a move that warranted a cover story in Life magazine. Burns continued performing without her, working with several partners (including Carol Channing) until he felt secure enough to go it alone. Comfortably retired for many years, Gracie Allen died in her sleep of a heart attack in August of 1964.

Trivia: American actor Fred Clark embarked upon his lifelong career immediately upon graduation from Stanford University. With his lantern jaw, bald pate and ulcerated disposition, Clark knew he'd never be a leading man and wisely opted for character work. After several years on stage, during which time he was briefly married to musical comedy actress Benay Venuta, Clark made his movie debut in Ride the Pink Horse (1947), playing one of his few out-and-out villains. The actor's knowing portrayal of a callous movie producer in Sunset Boulevard (1949) led to his being typecast as blunt, sometimes shady executives. Clark's widest public recognition occurred in 1951 when he was cast as next-door neighbor Harry Morton on TV's Burns and Allen Show; when Clark insisted upon a larger salary, producer-star George Burns literally replaced him on the air with actor Larry Keating. Dividing his time between films and television for the rest of his career, Clark earned latter-day fame in the 1960s as star of a series of regionally distributed potato chip commercials. Though most of his fans prefer to remember the disappointing Otto Preminger farce Skiddoo (1968) as Fred Clark's screen farewell, the truth is that Clark's last performance was in I Sailed to Tahiti with an All-Girl Crew (1969).

Trivia: A master purveyor of smug, condescending character roles, Minnesota-born Larry Keating was the nephew of heavyweight boxing champ Tommy Burns. Keating built his acting reputation in radio, as master of ceremonies for such variety series as The Fitch Bandwagon and as narrator of the long-running This is Your FBI. He began his film career in 1949, generally playing curt doctors or no-nonsense business executives; one of his more warmhearted characterizations was as a blind attorney in 1951's Bright Victory. In 1953, Keating replaced Fred Clark as acerbic next door neighbor Harry Morton on the popular TV sitcom The George Burns and Gracie Allen Show. He continued in this vein in 1961 as Wilbur Post's pompous neighbor Roger Addison in the George Burns-produced Mister Ed. Larry Keating remained with this last-named series until his death from leukemia at the age of 64.

Trivia: It is misleading to label film-actor Bill Goodwin as a "former radio announcer," since he never truly left announcing. Signed on the basis of his radio credentials to a Paramount movie contract in 1942, Goodwin seldom rose above "hero's best friend" roles, though he was allowed to play the nominal hero in the Universal scarefest House of Horrors (1946). The biggest movie success with which Goodwin was associated was The Jolson Story (1946), in which he played Al Jolson's (fictional) agent Tom Baron; he repeated the characterization in the 1949 sequel, Jolson Sings Again. Even while pursuing his film career, Goodwin remained a familiar radio presence. For many years, he was the announcer on The Burns and Allen Show, his fictional persona being that of a skirt-chasing bachelor. He remained with Burns and Allen during their first season on television, leaving the series in 1951 to host his own local New York TV program. Later, Goodwin emceed the 1955 summer-replacement quiz show Penny to a Million, and in 1956 he was the announcer for the first prime-time network cartoon series, Gerald McBoing Boing. Bill Goodwin died of a heart attack in 1958 at the age of 47.

Trivia: Dapper character actor Rolfe Sedan was nine times out of ten cast as a foreigner, usually a French maître d' or Italian tradesman. In truth, Sedan was born in New York City. He'd planned to study scientific agriculture, but was sidetracked by film and stage work in New York; he then embarked on a vaudeville career as a dialect comic. Sedan began appearing in Hollywood films in the late '20s, frequently cast in support of such major comedy attractions as Laurel and Hardy, Charlie Chase, the Marx Brothers, and Harold Lloyd. He was proudest of his work in a handful of films directed by Ernst Lubitsch, notably Bluebeard's Eighth Wife (1938). Though distressed that he never made it to the top ranks, Sedan remained very much in demand for comedy cameos into the 1980s. Rolfe Sedan's television work included the recurring role of Mr. Beasley the postman on The Burns and Allen Show, and the part of Chef Boy-Ar-Dee in several TV commercials of the mid-'70s.

Trivia: Judi Meredith was not much more than a tabloid celebrity in the late '50s and early '60s; her onscreen career was improbable enough to almost qualify as a minor miracle. Born Judith Clare Boutin in Portland, OR, she was an athletic child and became a figure skater. She turned professional and became a star performer with the Ice Follies in her teens. Her career was cut short, though, by an accident in which her back was broken. Her doctors told her that she would never skate again, but she resumed her career after a period of recovery until she broke her kneecap, which finally did end her professional skating. She turned to acting in her late teens and was performing in stock when she was spotted by George Burns, who liked her outgoing personality and healthy, athletic look. He cast her in a recurring role late in the run of The George Burns and Gracie Allen Show, playing Bonnie Sue McAfee in 1957. From there it was on to Studio One in "The Left-Handed Welcome" and a boisterous guest performance in the John Payne Western series The Restless Gun; she also played herself in the short-lived series The George Burns Show (1958). Meredith began appearing in movies that year, in pictures such as the Western drama Wild Heritage and teen romance Summer Love. She quickly began moving into actor and celebrity circles, and at one time was linked romantically to Bobby Darin and Frank Sinatra. Meredith's biggest theatrical film role was as Princess Elaine in the fantasy-adventure film Jack the Giant Killer (1962). Her career arc was confined largely to television; however, Meredith's work included a string of appearances on the show Ben Casey, and she delivered a truly poignant performance in "Errant Knight," an episode of Bonanza featuring Dan Blocker and John Doucette. She was in her element as the whip-wielding Calamity Jane, working opposite Wild Bill Hickock (Robert Culp) in the made-for-TV film The Raiders (1963). She also had a role in William Castle's The Night Walker (1964), but two years later, she closed out the major part of her career in Curtis Harrington's Planet of Blood, made at American International Pictures. She was largely absent from the screen until 1971's Western comedy Something Big, and was last seen on television in an episode of Emergency two years later.