Trivia: Sherman Hemsley is best remembered for playing George Jefferson, the lovably pompous, diminutive loud-mouth who made a fortune from his dry cleaning business and moved from Queens to a posh Manhattan high rise in The Jeffersons, a popular sitcom that ran for ten years on the CBS network. Before becoming an actor in the late '60s, Hemsley worked for the U.S. Post Office. He started out on the New York stage where his first break came from playing Gitlow in the Broadway musical Purlie (1970). Television producer Norman Lear was impressed by Hemsley's performance and so created George Jefferson for him. Originally designed as an African-American alter ego/foil to his blustery, bigoted Archie Bunker character on the smash hit All in the Family, Hemsley's George became so popular that he and his family were given their own series in 1975. Following the series' demise, Hemsley played an egotistical, loud-mouthed deacon/lawyer at the First Community Church of Philadelphia who tried to keep the new minister, Reverend Gregory, from taking over what he viewed as his personal domain, on Amen. The series broke ground by being the first hit sitcom centered on religion and ran from 1986 to 1991. In between his series work, Hemsley occasionally played supporting roles in feature films after making his debut playing Rev. Mike in the comedy Love at First Bite (1979). Most of his subsequent films were low-budget affairs such as Stewardess School and Club Fed; he also continued to appear frequently on television as a guest star and starred in such failed series as Townsend Television (1993) and Goode Behavior (1996-1997), but never quite recaptured the success he had during the '70s and '80s. His final small-screen appearance came in 2006 when he was a cast member on the sixth season of the reality TV show The Surreal Life. Hemsley died at age 74 in late July, 2012.

Trivia: Defying her mother's wishes, African-American actress Isabel Sanford secretly worked as a nightclub performer in her teens. Upon winning 3rd prize in an Apollo Theatre amateur contest, Sanford could keep her new career a secret no longer. Married to a house painter who worked only on a seasonal basis, she held down a full-time job as a keypunch operator at the New York City department of Welfare, spending her evenings acting with such groups as Harlem Y and the American Negro Theatre. Seeking out better opportunities, Sanford packed her family into a bus and headed to Hollywood in the early 1960s. Her breakthrough film role was in Stanley Kramer's Guess Who's Coming to Dinner; she played Tillie the cook, who heartily disapproved of the upcoming interracial marriage between Katharine Houghton and Sidney Poitier (the hardest part of this assignment was not mouthing the "controversial" dialogue but preparing dinner in a key scene; Sanford had never learned to cook!) On the strength of this film, Isabel Sanford was hired for several guest spots on The Carol Burnett Show, which led to her most famous characterization: Louise Jefferson, the acerbic but loving wife of "movin' on up" Sherman Hemsley, on the immensely popular sitcom The Jeffersons (1975-82).

Trivia: Won a scholarship to attend Interlochen Arts Academy High School in Michigan. Featured in the 1971 Broadway production of The Me Nobody Knows. Auditioned for role of James 'J.J.' Evans Jr. in the CBS series Good Times; lost out to Jimmie Walker. In 1975, replaced Michael Evans as Lionel Jefferson in the CBS comedy series The Jeffersons. Nominated for a Best Actor Olivier Award in 1992 for portrayal of Joe in the London stage production of Carmen Jones. Has sung with the London Symphony Orchestra.

Trivia: On television, supporting actress Roxie Roker may best be remembered for playing outspoken Helen Willis for ten years on the popular television sitcom The Jeffersons. She and TV husband Franklin Cover comprised the first interracial married couple on network television. But in addition to television, Roker had also found success on stage and in the occasional feature film. Miami-born and Brooklyn-raised, Roker graduated from Howard University with a drama degree and then flew to England to study at the Shakespeare Institute in Stratford-on-Avon. During the 1960s, Roker supported herself with a secretarial job at NBC's New York office while trying to find acting jobs. Roker launched her drama career off-Broadway in productions such as Jean Genet's The Blacks. Between 1967 and '68, Roker hosted a local community television show, but that wasn't close enough to acting, so she quit to practice her craft full time. With the Negro Ensemble Company she appeared in Ododo and Rosalie Pritchet. In 1974, she earned an Obie and a Tony nomination for The River Niger. In 1975, shortly after moving to Los Angeles, Norman Lear cast Roker in The Jeffersons. In addition to this role, Roker occasionally guest-starred on other series and appeared in television movies. Her feature-film appearances were rare. Roker made her debut in Claudine (1974). In the '90s, Roker resumed her stage career, appearing in a theatrical version of The Jeffersons and then touring opposite Mary Martin and Carol Channing in Legends. Roker's son, Lenny Kravitz is a noted rock musician and record producer.

Trivia: Made TV debut in 1974 on the ABC crime-drama The Streets of San Francisco. Landed first regular TV series role in 1975 on the CBS comedy The Jeffersons, playing Jenny Willis Jefferson. Starred in Maya Angelou's play On A Southern Journey in 1983.

Trivia: Taught acting classes for more than a decade on her own and at Edward Waters College in Jacksonville, FL. Appeared on the CBS drama Playhouse 90. Movie debut was in the 1969 drama The Learning Tree. First regular TV series role was as Mother Jefferson on the CBS comedy show The Jeffersons; made first appearance in 1975. Used to take public transportation to auditions because she never learned how to drive.

Trivia: Was employed by a major airline when she was cast on The Jeffersons; continued working for the airline during her first few seasons on the show. Is also a singer; released an album, It's Never Too Late, in 2006. Reunited with actress Regina King, who played her daughter on the 1980s sitcom 227, in a 2012 episode of Southland.

Trivia: At the risk of incurring groans for a clumsy pun, we must note that African-American actress Maidie Norman has been consigned to numerous "maid-y" parts in her long screen career. Most of Maidie's film assignments have been as domestics of some sort or other, which was unfortunately to be expected in the white-bread '50s; a handful of the actress' role were, however, wholly worthy of her talents. Her first film was The Burning Cross (1948), a sincere if low-budget attack on the KKK in which she played the wife of that ubiquitous black character actor Joel Fluellen. Maidie followed this with The Well (1951), another of a brief cycle of '50s films to explore black-white relationships. But once such films were labelled as "leftist" by the Communist hunters of the era, Maidie found herself accepting more and more roles where she played subserviently to white stars. Busy in both films and TV into the '70s, Maidie surprisingly continued to play maids even as Hollywood became more sensitive towards stereotyping; as Olivia De Havilland's faithful servant in Airport '77, she endured a Hattie McDaniel-like scene in which she died in her employer's arms. Maidie's best screen appearance, Whatever Happened to Baby Jane (1962), was as yet another domestic. Playing the no-nonsense housekeeper of Bette Davis and Joan Crawford, Maidie discovers Davis' potentially homicidal intentions for Joan, whereupon she defiantly announces her plans to go to the police. Since this happens at the film's halfway point, just guess how the homicidal Davis "serves notice" to the hapless Maidie Norman.

Trivia: Before becoming an actress, Estelle Evans, the sister of distinguished African American actress Esther Rolle, taught in New York City schools for 14 years. While studying acting, the Hunter College graduate, shared courses with such distinguished actors as Sidney Poitier and Harry Belafonte. Evans played supporting roles in films such as The Quiet One and To Kill a Mockingbird (1962). In 1969 Evans had a lead role in Learning Tree.

Trivia: In films from 1932, American actress Ruth Lee was an expert at portraying middle-America matriarchs. One of Lee's largest roles was as the "June Cleaver" mother in the classic 1939 promotional feature The Middleton Family at the World's Fair. From 1939 to 1943, Lee was a regular in the Robert Benchley one-reelers at both MGM and Paramount, superbly cast as the gently bellicose Mrs. Benchley. Ruth Lee remained active until 1962, when she essayed a minor role in Sergeants Three.