Trivia: The son of Broadway actress Mary Martin, Larry Hagman was born September 21st, 1931 in Fort Worth, Texas. After his parents divorced, he lived with his grandmother in California until the time of her death. Hagman, 12 years old at the time, then returned to his mother who was working on the Broadway stage. After attending Bard College in Anandale-on-the-Hudson for one year, his own early efforts at breaking into showbiz began at the Margo Jones Theatre-in-the-Round in Dallas, and soon after in The Taming of the Shrew at the New York City Center. While working as a cast member on his mother's hit show South Pacific, Hagman took up residence in England and ended up staying there for five years. During that time he joined the U.S. Air Force where he found time to produce and direct several theater productions. It was also during that time that he met and fell in love with Maj Axelsson, a young Swedish designer. They were married in December of 1954. Back in the U.S., Hagman began to make progress in his career, tallying up several TV guest-star appearances (including, presciently, a smiling villain on an episode of Sea Hunt), a regular role as lawyer Ed Gibson on the daytime soap opera The Edge of Night, and a beautifully played supporting role as a Russian/ English interpreter in the nuclear nailbiter Fail Safe. In 1965, Hagman received his most prominent acting assignment to date as eternally flustered astronaut Tony Nelson on the TV sitcom I Dream of Jeannie. After five years of Jeannie, Hagman took a few film and TV-movie parts, co-starred with Donna Mills on the 1971 sitcom The Good Life, co-starred with Lauren Bacall in the TV rendition of the Broadway musical Applesauce, acted and directed in the low-grade horror spoof Beware! The Blob. Hagman's best-ever TV stint was as the charming but conniving J. R. Ewing on the nighttime TV serial Dallas, a role he played from 1978 through 1990. At first reluctant to accept the role, Hagman acknowledges that it was his wife Maj's encouragement that convinced him to do the series. Proof of Hagman's drawing power as J.R. came when, at the end of the 1979-80 season, the character was shot down by a mysterious assailant--setting the stage for the "Who Shot J.R.?" episode, one of the highest-rated telecasts of all time. After the cancellation of Dallas in 1991, Hagman was forced to slow down his busy schedule due to an ongoing battle with liver cancer, and in August of 1995 he was the recipient of a liver transplant, a procedure that saved his life. Hagman's public life has always included a variety of civic and philanthropic undertakings. A staunch non-smoker, Hagman acted as the chairperson of the American Cancer Society's Great American Smokeout for nine years, and following his 1995 surgery, he became the National Spokesperson for the 1996 U.S. Transplant Games sponsored by the National Kidney Foundation and was recognized by the foundation for his role in increasing public awareness in regards to organ donation. In 1997, Hagman made a television comeback as the Honorable Judge Luther Charbonnet in the critically acclaimed CBS series Orleans, and in 1998 he appeared in the popular political satire Primary Colors. Hagman resumed his portrayal of J.R. Ewing opposite Patrick Duffy and Linda Gray for the well-received TNT revival of Dallas that began in the summer of 2012, but that turn was short lived; in November of that year, the actor succumbed to complications from cancer. He was 81.

Trivia: Born in Arizona on August 23, 1934, actress Barbara Eden was three years old when her family moved to San Francisco, where as a teenager she plunged into acting and singing classes at San Francisco State College's Conservatory of Music. After briefly working as a band singer, Eden took up residence at Hollywood's Studio Club, an inexpensive rooming house for aspiring actresses. Other Studio Club residents would note in later years that Eden would look at the club's bulletin board and apply for every show business job available, even those that she was advised would "ruin" her career. Persistence paid off, and in 1956 Eden made her film debut in Back from Eternity. She worked steadily in television, finally attaining leading-lady status on the 1958 sitcom How to Marry a Millionaire, in which she played a myopic "Marilyn Monroe"-type golddigger. Good film and TV roles followed for the lovely blonde actress, and full stardom arrived with the NBC comedy series I Dream of Jeannie. Eden played the curvaceous bottle imp from 1965-70, reviving the character in a brace of TV movies, the last one produced in 1991. Eden's post-Jeannie career has included several films, TV guest star appearances, theatrical and nightclub engagements, and still another sitcom, 1981's Harper Valley P.T.A.In 1983, Eden joined the cast of Jaws 3, and played a role in Chattanooga Choo Choo (1984) before participating in The Fantasy Film Worlds of George Pal in 1985. The actress would return to her Genie roots throughout her later career, including in the 1985 comedy I Dream of Jeannie: 15 Years Later, and I Still Dream of Jeannie (1991). Eden also made her mark in other sitcom-based films, most notably A Very Brady Sequel (1996). After starring alongside Hal Linden for the play Love Letters and taking a guest-starring role on Army Wives, a drama from Lifetime, Eden joined the cast of Always and Forever, a made-for-television movie for The Hallmark Channel (2009). In 2011, Eden published a memoir titled Jeannie Out of the Bottle that spoke candidly of her personal life, including detailed accounts of her failed marriages and the tragic death of her son.

Trivia: From the late '60s through the mid-'70s, first on I Dream of Jeannie and later on The Bob Newhart Show, Bill Daily was one of the most visible comic acting talents in television, despite the fact that he'd always intended on a career in music. Born in Des Moines, IA, in 1928, he was raised by his mother with help from several aunts and uncles after the death of his father and he gravitated toward music as a teenager. Following a stint in the army in the late '40s, Daily became a professional musician, playing upright bass with different groups in the Midwest, and he eventually added little bits of stand-up comedy to his repertory in the course of performing. He hooked up with an NBC station in Chicago, first working behind the camera as a writer and musician and then doing comedy on the air. Eventually, he became a regular guest as a comedian on The Mike Douglas Show, which originated from Chicago. From there, he was discovered by Steve Allen who brought him onto his show as a comedian and sidekick. Daily subsequently credited his musical side with providing him with the sense of timing to become a successful comedian. During the early and mid-'60s, Daily moved into acting roles on programs like Bewitched -- on which he debuted in a straight dramatic role, in a Christmas episode in which he was highly effective -- and was given a small role in the pilot of I Dream of Jeannie. That part, of Major Roger Healy, turned into the co-starring role after the program's first season. Following five successful seasons on that program, he moved to The Bob Newhart Show as Howard Borden, providing comedic support similar to the part he'd played on I Dream Of Jeannie, as Newhart's befuddled, constantly jet-lagged next door neighbor. Daily has only ever appeared in two feature films, both of them comedies -- the made-for-television In Name Only in 1969, as a carefree bachelor (clearly modeled after one aspect of his character on I Dream of Jeannie) and in Disney's release of The Barefoot Executive in 1971. Since the first Bob Newhart series left the air, his television appearances have been infrequent and always in supporting, guest starring roles, although he did appear on Nick-at-Nite helping to promote The Bob Newhart Show when it aired on the channel. He has since reportedly become a theatrical actor and director in the Albuquerque, NM, area.

Trivia: An alumnus of the American Academy of Dramatic Arts, Brooklyn-born Hayden Rorke became a member of the original Walter Hampden theatrical company in the early '30s (he ended up the last surviving member of that hardy troupe). While serving in WWII, Rorke appeared in both the road company and film versions of the all-serviceman musical This Is the Army. He would make 70 Broadway appearances in his career, in additional to some 50 films and nearly 400 TV shows. Though usually unbilled, Rorke was instantly recognizable in roles calling for erudition and urbanity, notably in such films as An American in Paris (1951) and The Robe (1953). Among his many TV assignments was the role of CBS radio announcer John Daly (though his character was not identified by name) in the Pearl Harbor episode of the CBS historical series You Are There; he also co-starred in the two-part pilot for an intriguing 1951 science fiction series Project Moonbase, which didn't make it as a series but was released as a theatrical feature. Still essaying small movie roles into the 1960s, Hayden Rorke finally achieved a fame (and generous screen time) in the continuing role of flustered air force psychiatrist Dr. Bellows on the fanciful TV sitcom I Dream of Jeannie (1965-1970).

Trivia: Often introduced as "one of America's most familiar faces," it's likely that you've caught a glimpse of Ron Masak either in one of his over 300 appearances in various television shows, on that commercial that lingers in the back of your memory somewhere (he was once blessed with the moniker "king of commercials" and was the voice of the Vlassic Pickle Stork for 15 years), or maybe in one of his 15 feature film appearances. Whatever you might recognize him from, if you don't remember his name, he's the guy that you know you've seen somewhere before, but just might not be able to place where. A native of Chicago, IL (he was once offered a contract with the Chicago White Sox by Hall-of-Famer Rogers Hornsby), Masak was classically trained as an actor at the Windy City's own CCC. A tireless performer, Masak found an initial platform for his talents in the Army, where he toured the world entertaining in an all-Army show in which he served as writer, performer, and director. Masak became well-known not only for his acting abilities, but for the fact that he was a dedicated performer who never missed a show. Proving himself adept at roles ranging from Shakespeare to his almost decade-long stint as the sheriff on Murder She Wrote, Masak thrived in theater and in commercial work around Chicago in the late '50s and early '60s.After a few minor roles in such television series as Bewitched, I Dream of Jeannie, The Monkees, and The Flying Nun (not to mention what many consider to be one of the earliest Elvis impersonations on the Spade Cooley Show in 1958), Masak was spotted by producer Harry Ackerman early in his career and went to California to audition for a lead in a pilot. Though that particular prospect fell through, Masak was introduced to John Sturges, a meeting which resulted in his feature debut in the cold-war thriller Ice Station Zebra (1968). Masak's work as an emcee is another testament to his universal appeal and versatile likeability; he has served as host for some of the biggest names in show business, including such talents as Kenny Rogers and Billy Crystal. Masak also starred in four of the most successful sales motivational videos of all time, including Second Effort with Vince Lombardi and Ya Gotta Believe with Tommy Lasorda (which Masak also wrote and directed). The first recipient of MDA's Humanitarian of the Year Award, Masak's work as field announcer for the Special Olympics and his eight-year stint as host of The Jerry Lewis Telethon represents only a fraction of his remarkable work as a compassionate philanthropist, and though Masak's film work may not be as prolific or as frequent as his extensive television work, his roles in such films as Tora! Tora! Tora! (1970) are always memorable and constantly ring true with an appeal that often leaves a lasting impression, even though his screen time may be brief and his characters secondary.

Trivia: Benny Rubin inaugurated his career as a 14-year-old tap dancer in his hometown of Boston. He worked in stock and on showboats during the WWI years, breaking into burlesque as a dialect comedian in 1918. A vaudeville headliner throughout the 1920s, Rubin seemed a sure bet for movie stardom when he was signed by MGM in 1927. According to one source, however, the powers-that-be decided that Rubin looked "too Jewish" for movies. Nonetheless, he entered films during the talking era, starring in a brace of Tiffany Studios musicals -- Sunny Skies and Hot Curves, both filmed in 1930 -- before freelancing as a character actor. Though he was top-billed in a handful of two-reelers and was given prominent screen credit as one the scenarists for the Wheeler and Woolsey films Off Again -- On Again (1937) and High Flyers (1937), Rubin had to settle for bits and minor roles as a feature-film actor. He would later claim that his fall from grace was due to his bad temper and his chronic gambling. Far more successful on radio, Rubin became one of the most prominent members of Jack Benny's "stock company," usually playing an obnoxious information desk attendant ("I dunno! I dunno! I dunno!). During the 1950s and 1960s, Rubin worked steadily in TV programs, feature films, and two-reel comedies; he also worked in animated cartoons and TV commercials as a voice-over artist, truthfully proclaiming that he could convincingly convey any foreign accent -- "except Arabian." In 1973, Rubin produced a self-published, self-serving autobiography, Come Backstage With Me, in which he made innumerable specious claims about his show biz accomplishments; for example, he stated that it was he who advised fledging film director Orson Welles to hire cameraman Gregg Toland for the 1941 classic Citizen Kane (in truth, Rubin's contribution to the film was confined to a one-scene bit as a typesetter, which was cut from the final release print). Benny Rubin's final appearance was in the TV miniseries Glitter.

Trivia: From his first film appearance in 1946 until his retirement sometime in the late 1960s, the wizened, rusty-voiced actor William Fawcett specialized in cantankerous farmers, grizzled old prospectors and Scroogelike millionaires. He worked frequently at Columbia, appearing in that studio's quota of "B" westerns and Arabian Nights quickies, as well as such serials as The Adventures of Sir Galahad (1949), in which he played the juicy bad-guy role of Merlin the Magician. Though occasionally seen in sizeable parts in "A" pictures--he played Andy Griffith's septuagenarian father in No Time For Sergeants (1957)--Fawcett's appearances in big-budgeters frequently went unbilled, as witness The Music Man (1962) and What a Way to Go (1964). Baby boomers will fondly recall William Fawcett as ranch-hand Pete ("who cut his teeth on a brandin' iron") in the Saturday-morning TV series Fury (1956-60).