Trivia: Tall, deep-voiced American actress Beatrice Arthur, born Beatrice Frankel, was best known for her television work on the long-running series Maude and The Golden Girls, but she also occasionally appeared in films. Her most famous film is 1973's Mame in which she played Vera Charles, the role she originated on Broadway.

Trivia: During his first few decades as an actor, Bill Macy took whatever was readily available: poetry-reading jobs, movie bits, comedy-record gigs (he's the operatic cabdriver in the classical music lampoon The Wurst of PDQ Bach) and off-Broadway stage assignments. While appearing in the 1969 "nudie" musical Oh! Calcutta, the 45-year-old Macy gained attention, critical and otherwise, for appearing au naturel in one of the comedy sketches. Evidently he enjoyed the sensation; even in his days of TV prominence, Macy was known to disrobe at parties and public functions whenever he'd been too generous in his participation at the bar. In the early 1970s, Macy was cast in several small roles in the TV properties of producer Norman Lear; this led to a lengthy (72-78) engagement as Walter Findlay, husband of fiery feminist Maude Findlay (Bea Arthur) on the popular sitcom Maude. Since that time, Bill Macy has thrived in film and stage character parts, and has co-starred in two TV weeklies, Hanging In (79) and Nothing in Common (87).

Trivia: American actress Adrienne Barbeau was encouraged by her mother to take dancing and singing lessons. Adrienne was active in theatre both in high school and at Foothills Junior College; by age 19 she was touring Pacific military bases as a member of the San Jose Light Opera. After an unprepossessing job with a termite-control company, Adrienne set out for New York, paying the bills with a variety of jobs including go-go dancing in New Jersey nightclubs. In 1968 she was cast as Hodel in the long-running Broadway production Fiddler on the Roof, and three years later was featured in Grease, winning a Tony nomination through her rendition of "Look at Me, I'm Sandra Dee." From here, Adrienne was hired by Norman Lear to replace first-choice actress Marcia Rodd in the role of the divorced daughter on the controversial TV sitcom Maude. She played the role from 1972 through the series' cancellation in 1978, after which she began a whole new career as a successful horror-film star and sexy pin-up model. Adrienne married film director John Carpenter in 1979; most of her subsequent screen appearances were in such Carpenter-directed terrors as The Fog (1980), Escape from New York (1981) and Creepshow (1982). Perhaps Adrienne Barbeau's most enjoyable performance was as the Marlon Brando counterpart (!) in an uproarious distaff parody of Apocalypse Now, sublimely titled Cannibal Women in the Avocado Jungle of Death (1989). Barbeau would continue to act over the coming decades, appearing on TV shows like The Drew Carey Show, Carnivale, and the soap General Hospital.

Trivia: Wryly humorous Canadian character actor Conrad Bain was all wrapped up in such athletic pursuits as hockey and speed skating when, in his junior year of high school, he suddenly became fascinated with acting. He studied at Alberta's Banff School of Fine Arts, served in the Canadian army during World War II, then resumed his training at New York's American Academy of Dramatic Arts. He worked at the Stratford (Ontario) Shakespeare Festival and in live television before scoring his first real success in the 1956 Broadway revival of Eugene O'Neill's The Iceman Cometh. In the early 1970s, Bain began popping up in such New York-based films as Lovers and Other Strangers (1970) and Woody Allen's Bananas (1973). He gained national fame in the TV role of stuffy next-door neighbor Dr. Arthur Harmon on the Norman Lear sitcom Maude (1974-78). Bain was later awarded top billing as wealthy Phillip Drummond, foster father to Gary Coleman and Todd Bridges, on Diff'rent Strokes. His most recent regular-series assignment was as presidential aide Charley Ross on the George C. Scott TV vehicle Mr. President (1987). Conrad Bain's identical twin brother Bonar Bain occasionally guested on Conrad's various TV series. Conrad died at 89 in early 2013.

Trivia: The son of a Manhattan orchestra conductor and a former Ziegfeld Follies girl, little Billy Redfield made his Broadway bow at age 9 in Swing Your Lady. Billy launched his radio career around the same time, and made his earliest movie appearance in 1939. As adult actor William Redfield, he was one of the original founders of the influential Actors Studio. While his film assignments of the 1950s and 1960s were unremarkable (as Captain Owens in 1966's Fantastic Voyage, for example, he played third fiddle to the special effects and Raquel Welch's diving suit), he remained a much-in-demand stage performer, and also proved a delightful raconteur on such TV chatfests as The Tonight Show. His reminiscences of the ups and downs of the acting profession were candid and perceptive without ever descending into maliciousness; many of his best anecdotes were self-deprecatory, notably his oft-repeated tale about being saddled in the 1956 film The Proud and the Profane with some of the worst movie dialogue ever written. An ever-busy TV performer, Redfield played the title role in the 1953 DuMont Network series Jimmy Hughes, Rookie Cop, and the following year was seen as Bobby Logan in The Marriage, the first live network series to be regularly broadcast in color. A talented writer, Redfield co-created the popular Wally Cox TV sitcom Mister Peepers, penned the stage play A View with Alarm, and published the 1965 volume Letters From an Actor, a candid memoir of his experiences while playing Guildenstern in the John Gielgud-directed 1964 staging of Hamlet, which starred Richard Burton. Not long after making his final film appearance as pensive mental patient Harding in the Oscar-winning One Flew Over the Cuckoo's Nest, 49-year-old William Redfield died of leukemia.