Trivia: The politically incorrect term for the sort of roles played by actress Nancy Kulp is "spinsterish." The daughter of a stockbroker, Kulp served as a WAVE lieutenant during World War II, specializing in electronics. A graduate of Florida State and the University of Miami, she worked as a newspaper and radio reporter before entering television as a continuity editor and news director at Miami's first TV station. Through the auspices of her then-husband, a New York television producer, Kulp began picking up small film and TV acting assignments, usually playing frontierswomen, stern maiden aunts or lovelorn professional girls. Impressed by her gift for comedy, producer Paul Henning cast Kulp in the 1950s TV sitcom Love That Bob as birdwatcher Pamela Livingston. This in turn led to a longer (1962-71) stint on the Henning-produced Beverly Hillbillies, in which Kulp played ultraefficient bank secretary Jane Hathaway. After the cancellation of Hillbillies, Nancy Kulp did a great deal of summer stock and dinner theater, returning to television to re-create "Miss Jane" for a 1981 Beverly Hillbillies reunion special.

Trivia: Character actor Howard McNear made a name for himself on network radio in a vast array of characterizations, from snivelling murderers to dapper French detectives. McNear's best-known radio role was as Doc on Gunsmoke, which ran from 1955 to 1962; his spin on the character was slightly more ghoulish than the interpretation offered by Milburn Stone on television. In films from 1954, the bespectacled, mustachioed McNear was usually cast as a querulous fussbudget. He was spotlighted as Dr. Dompierre in Otto Preminger's Anatomy of a Murder (1959), and was prominently featured in three Billy Wilder comedies, Irma La Douce (1963), Kiss Me Stupid (1964) and The Fortune Cookie (1966). He appeared with frequency on TV in the 1950s and 1960s, often as a foil to such comedians as Jack Benny and Burns and Allen. Howard McNear's most beloved TV characterization was as Mayberry barber Floyd Lawson on The Andy Griffith Show; when McNear suffered a debilitating stroke in 1967, Griffith kept him on the payroll, re-writing the scripts to allow "Floyd" to be seated and non-ambulatory without drawing undue attention to McNear's affliction.

Trivia: Forced to flee his native St. Petersburg after the Bolshevik revolution, Russian-born actor Leonid Kinskey arrived in New York in 1921. At that time, he was a member of the Firebird Players, a South American troupe whose act consisted of dance-interpreting famous paintings; since there was little call for this on Broadway, Kinskey was soon pounding the pavements. The only English words he knew were such translation-book phrases as "My good kind sir," but Kinskey was able to improve his vocabulary by working as a waiter in a restaurant. Heading west for performing opportunities following the 1929 Wall Street Crash, Kinskey joined the road tour of the Al Jolson musical Wonder Bar, which led to a role in his first film Trouble in Paradise (1932). His Slavic dialect and lean-and-hungry look making him ideal for anarchist, artist, poet and impresario roles, Kinskey made memorable appearances in such films as Duck Soup (1933), Nothing Sacred (1937) and On Your Toes (1939). His best known appearance was as Sacha, the excitable bartender at Rick's Cafe Americain in Casablanca (1942). The film's star, Humphrey Bogart, was a drinking buddy of Kinskey's, and when the first actor cast as the barkeep proved inadequate, Bogart arranged for Kinskey to be cast in the role. During the Red Scare of the '50s, Kinskey was frequently cast as a Communist spy, either comic or villainous. In 1956 he had a recurring role as a starving artist named Pierre on the Jackie Cooper sitcom The People's Choice. Kinskey cut down on acting in the '60s and '70s, preferring to write and produce, and help Hollywood distribution companies determine which Russian films were worth importing. But whenever a television script (such as the 1965 "tribute" to Stan Laurel) called for a "crazy Russian", Leonid Kinsky was usually filled the bill.

Trivia: Not to be confused with Billy Baldwin of the Baldwin brothers' fame, Bill Baldwin is much more recognizable to the ear than he is to the eye. Despite landing a slew of small supporting roles between the early '50s and the year of his death, 1982, Baldwin's career revolved around his strong, carrying voice. In 1956, Baldwin played a fight announcer in The Leather Saint, an unremarkable prizefighting drama that nonetheless foreshadowed his most famous vocal role: that of the ringside announcer in Rocky (1976), nearly 20 years later. Baldwin's voice could also be heard in Rocky II and III, as it could in fellow boxing films The Champ (1979) and Goldie and the Boxer Go to Hollywood (1981). When he wasn't offering play-by-plays, Baldwin was likely immersed in the role of radio announcer for a variety of showbiz dramas and television programs, among them With a Song in My Heart (1952), The One and Only (1978), and a long stint on The Beverly Hillbillies. Interestingly enough, one of his non-voice-related performances was a bit part in a film as acclaimed as Rocky: Baldwin appeared briefly as a salesman in Oscar-winning director Roman Polanski's Rosemary's Baby (1968).