Trivia: A true-to-life case of childhood dreams coming true, one gets the impression that the success of humble comedian turned actor Ray Romano is more of a surprise to him than it is to those who supported him in his years as a struggling futon deliveryman moonlighting in standup. Born in Queens, NY, in 1957 and raised in nearby Forest Hills, Queens, Romano found happiness early in life by tickling the funny bones of family, friends, and of course, girls. The middle child of three sons, the aspiring funnyman refined his comic talents when he formed the bravely titled "No Talent" comedy troupe at age 16 to the delight of the congregation they regularly performed for. Romano later put his spotlight aspirations on hold when he enrolled in Queens College as an accountants major after graduating high school in 1975. Dabbling in odd jobs as he developed his stage skills on the late-night comedy circuit, Romano began an exhausting decade-long struggle to succeed as a standup while holding a more reliable day job. Married to wife Anna in the mid-'80s, Romano decided to pursue comedy full-time in 1987. It was shortly after winning a N.Y.C. radio station-sponsored comedy contest two years later that Romano acquired a manager and his dreams began to become a reality. One of those dreams, to perform in front of legendary late-night television host Johnny Carson, came true in 1991. Finally gaining national exposure and seemingly on the fast track to stardom, more television appearances soon followed, with a 1995 appearance on Late Night With David Letterman prompting Letterman to begin talks with Romano about the idea of developing a sitcom. Premiering in September 13, 1996, Everyboy Loves Raymond found the now-popular comic's offbeat domestic observations striking a chord with both audiences and critics alike. Nominated multiple times for numerous awards (including three Emmy and two Golden Globes), ELR carried on well into the new millennium, which saw the now-established comic branching out into other arenas as well. A June 1999 recording of a Carnegie Hall performance was nominated for a Grammy, and his novel Everything and a Kite turned up on the New York Times bestseller list. Television appearances on Hollywood Squares, Who Wants to be a Millionaire, and a somber turn in America: A Tribute to Heroes found American households increasingly willing to welcome the good-humored everyman into their homes. It was only a matter of time before Romano tackled feature films, and with his vocal role in 2002's Ice Age, the likable comic did just that. A lighthearted animated romp which followed the adventures of a group of animals weathering the new frozen landscape in order to return a human child to its father, Ice Age gave Disney a run for their money and further proved that popular computer-animated family fare was no longer exclusive to the Mouse House. Romano lent his voice to the Ice Age franchise again in 2006 for Ice Age: The Meltdown, as well as Ice Age: Dawn of the Dinosaurs in 2009. The actor delivered a solid performance in a supporting role for 2007's The Grand, a mockumentary following a television star trying to win a high-stakes poker tournament, and was praised for his lead performance in TNT's comedy-drama Men of a Certain Age.

Trivia: Born and raised in Ohio, actress Patricia Heaton got her start on the stage, performing with the off-Broadway company Stage Three. In 1989, she got her screen-acting big break when she was cast in a recurring role on ABC's thirtysomething. Over the next several years, she could be seen in a number of failed sitcoms, small TV guest roles, and bit film parts. But in 1996, Heaton landed the role that would make her career, that of long-suffering matriarch Debra Barone on the hit CBS sitcom Everybody Loves Raymond. Heaton starred on the show through its nine-year run, receiving seven consecutive Emmy nominations and two wins. Following the conclusion of Everybody Loves Raymond in 2005, Heaton appeared in a pair of made-for-TV movies (The Engagement Ring and The Path to 9/11) before making her way back to sitcom territory in 2007, when she began starring as a TV news anchor opposite Kelsey Grammer on Fox's Back to You, and again 2009 for The Middle, in which she plays the lead role of Frankie Heck, a working-class mother devoted to her family despite her struggles at work and as caretaker for her ailing mother.

Trivia: In 1999, Doris Roberts achieved "overnight" stardom in the role of Marie Barone in the series Everybody Loves Raymond, going from working actress -- which she'd been for more than 40 years -- to being an instantly recognized performer. It was an improbable climb to the top rank of popular culture stardom. Roberts was born in St. Louis, MO, in 1925, to a family that was soon shattered when the father abandoned them. She had a difficult but loving childhood as her mother sought to provide for both of them by herself, and eventually Roberts gravitated toward the idea of an acting career. To do this, she had to work at any jobs that she could find, including clerk typist, to afford the lessons that she needed from teachers that included Lee Strasberg and Sanford Meisner. She made her first television appearance in the early '50s, in a Studio One production of Jane Eyre, and made the usual rounds between theater and television. Her theatrical debut came on the a stage at New York's City Center in 1955, and she was Shirley Booth's understudy in the theatrical version of the comedy Desk Set. She distinguished herself in the role of Mommy in the original production of Edward Albee's The American Dream, and since the early '60s, had carved a niche for herself in maternal and neighborly roles, on both stage and screen. Following her screen debut in Jack Garfein's New York-filmed drama Something Wild (1961), she tended more toward comedy (albeit often black comedy), with performances in Jack Smight's No Way to Treat a Lady, where she played the skeptical onlooker whose questions and low-key intervention save the life of a would-be victim; Leonard Kastle's The Honeymoon Killers (1970), in which she played the roommate of the nurse-turned-murderer played by Shirley Stoler; and Alan Arkin's Little Murders (1971), where she played Elliott Gould's mother. Female comics seemed to perceive Roberts' gifts as an actress especially well, as she got two of her better roles, in A New Leaf (1971) and Rabbit Test (1978), from Elaine May and Joan Rivers, respectively. Although she began appearing in television in the 1950s, with appearances on Ben Casey, The Mary Tyler Moore Show, Baretta, All in the Family, The Streets of San Francisco, Rhoda, Soap, and Barney Miller, Roberts didn't start to make a lasting impression in the medium -- which would become her vehicle for stardom -- until the 1970s. She was supposed to have a role in a proposed new series starring Mary Tyler Moore, but when that series failed to sell, she was cast in the role of Donna Pescow's mother in the series Angie (1979), which got Roberts her first real notice by the public or the press. After that, the television appearances grew more frequent, and finally in 1983, she joined the cast of Remington Steele midway through the series' run, as Mildred Krebs, an IRS investigator-turned-secretary-turned-detective, working alongside Pierce Brosnan and Stephanie Zimbalist, and often stealing the show with her low-key comedic work. Roberts' first marriage ended in divorce, and her second, to novelist William Goyen, ended when he died in 1983 -- her son from her first marriage, Michael Cannata, has been her manager since the 1970s. It was a dozen years after Remington Steele, and some notable guest star appearances on shows like St. Elsewhere, that she landed the role of Marie on Everybody Loves Raymond. Since then, she has been a guest on talk shows and an acting celebrity, with a brace of Emmy nominations to her credit.In 2003 Roberts published the book Are You Hungry, Dear?: Life, Laughs and Lasagna, and the following year she was appointed a cultural ambassador by the U.S. Department of State. But back on the small screen Roberts was more recognizable than ever before, with appearances in Grey's Anatomy, Hot in Cleveland, and Desperate Housewives keeping her as active as ever. Roberts continued to work steadily until her death in 2016, at age 90.

Trivia: Well-reputed for his "extreme" cinematic personifications in multiple genres, the American character player Peter Boyle doubtless made his onscreen personas doubly intense by pulling directly from his own personal journey to the top -- a wild, unlikely, and occasionally tortuous trek that found Boyle aggressively defining and redefining himself, and struggling constantly with a number of inner demons. Born October 18, 1935, in the hamlet of Northtown, PA, Boyle graduated from La Salle College and joined the Christian Brothers monastic order, under the name "Brother Francis." He prayed endlessly and earnestly until he developed callouses on his knees, but could never quite adjust to the monastic life, which he later declared "unnatural," with its impositions of fasting and celibacy. Dissatisfied, Boyle dropped out and headed for the Navy, but his brief enlistment ended in a nervous breakdown. With no other options in sight that piqued his interest, Boyle opted to pack his bags and head for New York City, where he worked toward making it as an actor. It made perfect sense that Boyle -- with his distinctively stocky frame, bald pate, oversized ears, and bulbous nose -- would fit the bill as a character actor -- more ideally, in fact, than any of his contemporaries on the American screen. He trained under the best of the best -- the legendary dramatic coach Uta Hagen -- while working at any and every odd job he could find. Boyle soon joined a touring production of Neil Simon's Odd Couple (as Oscar Madison) and moved to Chicago, where he signed on with the sketch comedy troupe The Second City -- then in its infancy. Around 1968, Haskell Wexler -- one of the most politically radical mainstream filmmakers in all of Los Angeles (a bona fide revolutionary) -- decided to shoot his groundbreaking epic Medium Cool in the Windy City, and for a pivotal and notorious sequence, mixed documentary and fictional elements by sending the members of his cast (Verna Bloom and others) "right into the fray" of the 1968 Democratic National Convention riots. Boyle happened to still be living in Chicago at the time of the tumult, which dovetailed rather neatly with Wexler's production and brought Boyle one of his first credited Hollywood roles -- that of the Gun Clinic Manager in the film. Unfortunately (and typically), Paramount cowed when faced with the final cut of the film -- terrified that it could incite riots among its youthful audience -- and withheld its distribution for a year. In the interim, Boyle landed the role that would help him "break through" to the American public -- the lead in neophyte writer-director John G. Avildsen's harrowing vigilante drama Joe (1970). The film casts Boyle as a skin-crawling redneck and bigot who wheedles an Arrow-collared businessman (Dennis Patrick) into helping him undertake an onslaught of death against the American counterculture. This sleeper hit received only fair reviews from critics (and has dated terribly), and Boyle reputedly was paid only 3,000 dollars for his contribution. But even those who detested the film lavished praise onto the actor's work -- in 1970, Variety called the picture "flawed" but described Boyle as "stunningly effective." Film historians continue to exalt the performance to this day. Innumerable roles followed for Boyle throughout the '70s, many in a similar vein -- from that of Dillon, the slimy underworld "friend" who betrays career criminal Robert Mitchum by handing him over to death's jaws in Peter Yates' finely-wrought gangster drama The Friends of Eddie Coyle, to that of Wizard, a veteran cabbie with a terrifying degree of "seen it all, done it all" jadedness, in Martin Scorsese's masterful neo-noir meditation on urban psychosis, Taxi Driver (1976), to Andy Mast, a sleazy private dick, in Paul Schrader's Hardcore (1979). In 1974, however, Boyle broke free from his pattern of creepy typecasting and temporarily turned a new leaf. He unveiled a deft comic flair by playing the lead in Young Frankenstein, Mel Brooks' daffy spoof of old Universal horror pictures. The film's two comic highlights have Boyle and Gene Wilder (as the grandson of Dr. Victor Frankenstein) soft-shoeing to "Puttin' on the Ritz," and Boyle and Gene Hackman (as a hapless, bearded blind man) farcically sending up the gothic cabin scene from Mary Shelley's novel in a riotous pas de deux. Boyle's subsequent forays into big-screen comedy proved decidedly less successful on all fronts, however. He played Carl Lazlo, Esquire, the solicitor of Bill Murray's Hunter S. Thompson, in producer/director Art Linson's Where the Buffalo Roam, the pirate Moon in Mel Damski's dreadful swashbuckling spoof Yellowbeard (1983), and Jack McDermott, a Jesus-obsessed escaped mental patient with delusions of healing, in Howard Zieff's The Dream Team (1989) -- all of which received lukewarm critical reactions and flopped with ticket-buyers. (Though it went undocumented as such, the Zieff role appeared to pull heavy influence from Boyle's monastic experience). A more finely tuned and impressive comic role arrived in 1992, when Boyle teamed with Andrew Bergman for an outrageous bit part in Bergman's madcap farce Honeymoon in Vegas. As Chief Orman, a moronic Hawaiian Indian who bears more than a passing resemblance to Marlon Brando, Boyle delighted viewers, and caught the attention of critics. Many read the role as less of an homage than a dig at Brando, who had viciously insulted one of Bergman's movies in the press. For many viewers, this ingenious sequence made the entire film worthwhile. On the whole, the actor continued to fare best with big-screen dramatic roles throughout the '80s and '90s. Highlights include his role as Detective Jimmy Ryan in Wim Wenders' film noir Hammett (1982); Commander Cornelius Vanderbilt, the assistant of South-American explorer William Walker, in Alex Cox's 1987 biopic Walker; and Captain Green in Spike Lee's Malcolm X (1992). In 1996, Boyle transitioned to the small screen for a permanent role as Frank Barone, the father of comedian Ray Romano's Ray Barone, on the hit CBS sitcom Everybody Loves Raymond. The series brought the actor his broadest popularity and exposure, especially among younger viewers -- a popularity not only attested to by the program's seemingly endless syndicated appearance on local stations and cable affiliates such as TBS, but by its initial series run -- it lasted nine seasons. Tragically, Peter Boyle died of multiple myeloma and heart disease almost exactly one year after Raymond took its final network bow, and shortly after his appearance in the holiday film The Santa Clause 3: The Escape Clause. He passed away in New York's Presbyterian Hospital, on December 12, 2006, only two months after his seventy-first birthday. Alongside his film and television work, Boyle occasionally acted on Broadway, off-Broadway, and repertory stages, in such productions as Carl Reiner's The Roast (1980), Sam Shepard's True West (1982), and Joe Pintauro's Snow Orchid (1982). Boyle met journalist Laraine Alderman in the early '70s, while she was interviewing Mel Brooks for Rolling Stone. They wed in 1977, with former Beatle John Lennon as Boyle's best man; the marriage lasted until Peter's death. The Boyles had two daughters, Lucy and Amy, both of whom outlived their father.

Trivia: Raised in Woodland Hills, CA, and the son of a hearing aid specialist who worked in geriatrics and a full-time housewife, Garrett began performing stand-up at various Los Angeles Comedy Clubs upon graduation from high school. Spending six weeks at UCLA before his fateful appearance on the Tonight Show, the young comedian later felt the wrath of that show's grudge after telling a joke that the talent booker had warned him against. Garrett has since never been invited back. Nevertheless he continued on strongly, opening for Frank Sinatra and soon finding roles in such popular television shows as Roseanne, The Fresh Prince of Bel-Air, Seinfeld, and perhaps most famously, Everybody Loves Raymond. Offering his voice to numerous animated features since his breakout in the early '80s, Garrett voice acted in family films like Casper (1995), A Bug's Life (1998), Ratatouille, Tarzan II, Garfield, Tangled, and Finding Nemo. Garrett has also appeared in several movies, like Music and Lyrics, The Pacifier, and Night at the Museum.

Trivia: Forever associated with his ongoing voice work as Homer J. Simpson on Matt Groening and James L. Brooks' long, long-running Fox animated sitcom The Simpsons, Dan Castellaneta is well-reputed for his modest, unassuming presence in real life and his paradoxical ability to spin characters -- seemingly from out of nowhere -- that instantly take on lives of their own. Groening once famously remarked that "Dan can do everything, and he practically does....You might never notice him, but then he opens his mouth and he completely creates one character after another.'' Born in 1957, Castellaneta grew up in the small town of Oak Grove, IL, in the northwestern corner of the state, near the Iowa border. As a self-described introvert who developed and honed a facility for slipping into the guise of characters to entertain and make social situations easier (read: class clown), Castellaneta nevertheless diverged from this path in college and worked toward a career as a high-school art teacher via his studies at Northern Illinois University. Then, one of Castellaneta's professors (perhaps sensing some dissatisfaction) wisely admonished him to only work at a field, and in a job, that he loved. Castellaneta reasoned that acting fit the bill, and auditioned for the infamous sketch comedy troupe Second City shortly after graduation. The troupe hired him, and in time, the skills that the actor projected led to his involvement on the then-fledgling Fox network's sketch comedy series The Tracey Ullman Show, which premiered on Sunday, April 5, 1987. Castellaneta joined Ullman, Julie Kavner, Joe Malone, Sam McMurray, and for a time Anna Levine in live-action skits that parodied all aspects of Western culture.As a most unusual aspect of her program, Ullman opted to feature crudely animated, offbeat segments as Monty Python-style transitions between the individual sketches. The episodes in question were drawn by Gabor Csupo and Groening (at that time, comic-strip artist of growing infamy known for his Life Is Hell series starring a buck-toothed, bug-eyed rabbit named Bucky). Although the subjects of the shorts initially varied, within a few months they began to focus exclusively on a hyper-dysfunctional blue-collar family called the Simpsons; Kavner and Castellaneta voiced parents Homer and Marge Simpson, respectively. Those segments gained such massive popularity that they eventually outshone that of the Ullman show itself (which wrapped in September 1990), and executive producer James L. Brooks, following this cue, decided to spin off the Simpsons into their own weekly animated series. Kavner and Castellaneta, of course, followed Brooks to the new program, joined in time by longtime Brooks acquaintance Harry Shearer, as well as Nancy Cartwright, Yeardley Smith, Hank Azaria, and numerous others.The Simpsons premiered on Fox on December 17, 1989, and became not simply a hit but a phenomenon. It shot up to instantly become one of the highest-rated series on television, and attained iconic status. The program scored as a cause célèbre not simply with children (as expected) but with adult viewers as well, who appreciated the show's ability to skewer all aspects of society and culture. (It generated a billion-dollar marketing boom as well -- an onslaught of Bart Simpson-themed T-shirts, watches, dolls, beach towels, and everything else under the sun.) The program also drew an onslaught of celebrity guests -- everyone from Larry King to Tony Bennett to Beverly D'Angelo and Linda Ronstadt. Castellaneta himself will forever be tied to Homer Simpson -- the lunkheaded, potbellied, beer-swilling, donut-loving nuclear-plant worker with not a whole lot upstairs, and a thoroughly crass lifestyle, but also a big, soft heart (a quality which Castellaneta's co-workers insist that he alone brought to the character). But hardcore Simpsons cultists and even its less attentive devotees will realize that Castellaneta voices not only Homer (as mentioned), but also the gravelly voiced, booze-swilling, womanizing clown Krusty; local drunk Barney Gumble; Scottish elementary-school groundskeeper Willie; the octogenarian family patriarch Grampa Simpson; and innumerable others. Certainly, it would be difficult to imagine a program that took fuller advantage of Castellaneta's versatility with characterizations.Alongside The Simpsons, Castellaneta has also pursued a career as a live-action film and television performer, and spent most of the late '80s, '90s, and 2000s vacillating between the two mediums. His career on the big screen began at least a year prior to his involvement with Ullman and co., when he debuted with a bit part as Brian in the now-forgotten Garry Marshall dramedy Nothing in Common (1986), starring Jackie Gleason, Tom Hanks, Eva Marie Saint, and Sela Ward. In 1989, Castellaneta landed bit parts in two wildly different films: one as a maître d' in the Jim Belushi cop comedy K-9, and another (as one of Danny DeVito's clients) in the James L. Brooks-produced jet-black marital farce The War of the Roses. Castellaneta temporarily withdrew from live-action cinematic work in the early '90s, before returning to audiences as the narrator in Super Mario Bros. (1993) and Phil in Warren Beatty's Love Affair (1994). As the Castellaneta's career continued, he then segued into cinematic animated voice-over work (doubtless encouraged by the ongoing success of The Simpsons), doing voices in such features as 2000's Rugrats in Paris (under the aegis of old colleague Gabor Csupo) and Hey Arnold! The Movie (2002). In 2007, Castellaneta extended his Homer characterization to the big screen with his work on The Simpsons Movie -- the first cinematic appearance of Groening's famous animated family.As for television, Castellaneta appeared as a supporting actor in numerous sitcoms during the 1990s. These included ALF (as Steve Michaels in the 1990 episode "Stayin' Alive"), Married...with Children (as Pete in the 1990 episode "The Dance Show"), Wings (as George Wexler in the 1994 episode "Moonlighting"), and Murphy Brown (as Tony Lucchesi in the 1995 episode "Specific Overtures.") He also voiced Genie (inheriting the role from Robin Williams) on the animated Aladdin TV series. Of the Simpsons cast, Castellaneta is one of the only actors to regularly do on-stage comedic improvisation alongside his series work. He is married to Simpsons writer Deb Lacusta, whom he wed in 1987.He continued to work steadily in animated films such as Rugrats in Paris: The Movie and Hey Arnold! The Movie, and landed traditional acting parts every once in a while in movies as diverse as the indie comedy I Want Someone to Eat Cheese With and the Will Smith drama The Pursuit of Happyness. In 2007 he voiced nearly 20 different parts in The Simpsons Movie. He also landed a part in JJ Abrams 2011 Spielberg-influenced family sci-fi film Super 8.

Trivia: Moved with his family to Riverside, California when he was 6 months old and was cast in Everybody Loves Raymond less than one year later.Perhaps best known for his role Geoffrey Barone on the sitcom Everybody Loves Raymond.Starred, as on-screen siblings, with his sister Madilyn and identical twin brother Sullivan on Everybody Loves Raymond.Made his feature film debut playing Young Frank in the 2002 comedy Frank McKlusky, C.I.Name "Sawyer" originates from Middle English and means "sawer of wood."