Trivia: One of the most prominent female hip-hoppers of the 1990s thanks to her soulful and uplifting rhymes, Queen Latifah has also crafted an increasingly successful screen presence.Born Dana Owens in Newark, NJ, on March 18, 1970, this police officer's daughter worked at Burger King before joining the group Ladies Fresh as a human beatbox. Disgusted at the misogynistic, male-dominated rap scene, Owens adapted the moniker of Queen Latifah (meaning delicate and sensitive in Arabic) and was soon on her way to changing the way many people looked at hip hop. Soon gaining a loyal following due to her unique perspective and role model-inspiring attitude, Latifah recorded the single "Wrath of My Madness" in 1988 and the following year she released her debut album, All Hail the Queen. Making her feature debut three short years later in Spike Lee's Jungle Fever, Latifah began refining a screen persona that would be equally adept in both drama and comedy. After starring as magazine editor Khadijah James on the FOX sitcom Living Single (1993-1998) and landing increasingly prominent film roles in Set It Off (1996), Living Out Loud (1998), and The Bone Collector (1999), she was given her own personal televised outlet in the form of The Queen Latifah Show in 1999. Losing her brother in a motorcycle accident in 1995 (she still wears the motorbike's key around her neck) in addition to grieving a friend who was shot when the two were carjacked the same year, Latifah has persisted in overcoming tragedy to remain positive and creative. The talented songstress has also appeared as both the Wicked Witch of the West (1998's The Wizard of Oz) and Glenda the Good (The O.Z. in 2002), in addition to remaining an innovative and inspiring recording artist. In 2003, Latifah hit a watershed moment in her career and in the public perception of her image: she signed to portray Matron Mama Morton in Rob Marshall's bold cinematization of the Bob Fosse musical Chicago. For Latifah, the turn embodied a breakthrough to end all breakthroughs - it dramatically reshaped the artist's image from that of a hip-hop singer turned actress to that of a multitalented, one-woman powerhouse with astonishing gifts in every arena of performance - voice, drama and dance. Latifah deservedly netted an Oscar nomination for this role, but lost to Catherine Zeta-Jones, who played Velma Kelly in the same film.Later that same year, the multifaceted singer/actress took a dramatic step down in ambition and sophistication, joining Steve Martin for the odd couple comedy Bringing Down the House. That farce tells the occasionally rollicking story of a hyper-anal white lawyer (Martin) who attempts to "hook up" with a barrister he meets online, but discovers that she is (surprise!) actually a slang-tossing black prison escapee with a mad taste for hip hop dancing (Latifah). Ironically - given the seemingly foolproof and ingenious premise - the film collapsed, thanks in no small part to an awkward and craven screenplay that fails to see the logic of its situations through to fruition, and wraps with a ludicrous denouement. The film did score with viewers, despite devastating reviews from critics across the country. (If nothing else, the picture offers the uproarious sight of Martin in hip-hop attire, and does celebrate Latifah's everpresent message of much-deserved respect for black women). Latifah's onscreen activity skyrocketed over the following half-decade, with an average of around 5-7 roles per year. One of her most popular efforts, Barbershop 2: Back in Business (2004), constitutes a sequel to the urban comedy-drama Barbershop (2002). The original picture (without Latifah in the cast) concerned the proprietors and patrons of a (mostly) all-black barbershop on the south side of Chicago, with seriocomic lead characters portrayed by Ice-T, Cedric the Entertainer and others. In the second Barbershop go-round, Latifah plays Gina, the owner of an inner-city beauty parlor who operates her business next door. Those films reached a combined total of around $143 million worldwide, thanks in no small part to a pitch-perfect demographic that flocked to both efforts without abandon. The pictures also generated a Latifah-dominated sequel, Beauty Shop (2005), devoted to the exploits of Gina, her customers, and her employees, particularly the flamboyantly gay stylist Jorge Christoph (Kevin Bacon). The movie expanded the target audience of its predecessors and upped the ante by working in WASPy female characters played by A-listers Andie MacDowell and Mena Suvari and having Gina move her shop to the more audience-friendly Atlanta. Though the picture failed to match the grosses of its predecessors, it did reel in just under $38 million worldwide. Each of the installments generated mixed reviews from critics, Concurrent with Beauty Shop's release, Latifah signed on to collaborate with director Mark Forster and stars Will Ferrell and Emma Thompson in the comedy-fantasy Stranger than Fiction (2006). In that picture - about a man (Ferrell) who discovers he is the character in a book by a washed-up author (Thompson), and due to be killed shortly, Latifah plays Penny Escher, the "assistant" hired to end Thompson's creative block and put her back on track. Though Latifah's constituted a minor role (and, arguably, a throwaway at that), the film itself scored on all fronts, including craftsmanship, audience reactions, box office and critical response. After voicing Ellie in the CG-animated feature Ice Age: The Meltdown (2006), Latifah revisited cinematic song-and-dance (and reteamed with House director Adam Shankman) for the hotly-anticipated musical comedy Hairspray, based on the hit Broadway production (which was, in turn, based on the 1988 John Waters film). Latifah plays Motormouth Maybelle, in a cast that also includes Christopher Walken, Michelle Pfeiffer and an in-drag John Travolta, reprising the role originated by Divine. Latifah signed to star alongside Diane Keaton and Katie Holmes in the crime comedy Mad Money -- a remake of the British farce Hot Money (with echoes of 1976's How to Beat the High Cost of Living) about a trio of female janitors in the Federal Reserve bank who team up to rob the place blind. In addition to music, movies, and television, Latifah also found time to author a book on self-esteem entitled Ladies First: Revelations of a Strong Woman, and to serve as co-chairman of the Owens Scholarship Foundation, Inc., which provides assistance to academically gifted but financially underpriveleged students.

Trivia: An actress best known as Dorothy "Tootie" Ramsey, the lone African American student and consummate gossip at the exclusive Eastland Preparatory School for Women on NBC's sitcom The Facts of Life (1979-1988), Kim Fields actually appeared on several popular series in the 1970s-2000s. The Big Apple native grew up in a single-parent household and began acting in commercials well before she reached her teens, making her most widely seen appearance on an advertisement for Mrs. Butterworth's syrup. She made her foray into acting with scattered guest appearances on Good Times in 1978 and signed for the Facts of Life role one year later, at the age of 10, when Norman Lear (the producer of both Times and Facts) tapped her for that part. Fields remained with the program for its entire nine-year run, a run that witnessed numerous changes in the show's lineup and format, including the replacement of star Charlotte Rae with Cloris Leachman, and a change of venue in 1985. About five years after Facts folded in 1988, Fields scored her second major coup with a much different multiseason role as Regine Hunter, a loose, money-hungry employee of a clothing boutique on the urban-oriented Queen Latifah sitcom Living Single (1993-1998). Fields spent the following years appearing in scattered features, such as the 2000 telemovie Hidden Blessings and the 2001 telemovie Facts of Life Reunion (which reunited her with several of her ex-costars), and making guest appearances on programs including The Drew Carey Show and The Division; she also took time out to start a family.

Trivia: No one could have predicted that brash, acerbic, and earthy standup comedienne Rosie O'Donnell would become the American sweetheart (dubbed the Queen of Nice) of daytime talk shows. She is also a veteran character actress of feature films and television. Born and raised on Long Island, NY, the third of five children in an Irish family, O'Donnell's father was the primary caretaker after her mother passed away from cancer when the comedienne was just ten. An avowed television freak, her favorite shows were Merv Griffin and The Mike Douglas Show, both of which would inspire her own talk show decades later. Inspired by Bette Midler and Barbra Streisand, O'Donnell dreamed of becoming a performer, performing on stage for the first time at age 16. Despite the trauma of losing her mother, O'Donnell grew to become a vivacious and popular teen; in her high school year book (class of 1980) she was named Homecoming Queen, Class Clown, and Personality Plus, and she was also elected Senior Class President and was a member of the student council. She participated in every class sport and was a drummer in a garage band. Following high school, she briefly attended Dickinson College in Pennsylvania and Boston University, but dropped out to establish herself on the live comedy circuit. After appearing in nearly every state, she successfully auditioned for Ed McMahon's television talent show Star Search and went on to become a five-time winner. In 1986, she won a recurring role as Nell Carter's neighbor on the final season of the sitcom Gimme a Break (1986). From there, O'Donnell hosted and produced a comedy showcase, Stand Up Spotlight, for VH-1. She next appeared on the Fox short-lived comedy Stand By Your Man (1992). Having established herself as a formidable funny lady, O'Donnell landed the role of tough-talking but goodhearted baseball player Doris Murphy in Penny Marshall's A League of Their Own (1992) and found herself a national star. She continued her film career with a small role as Meg Ryan's confidante in Sleepless in Seattle (1993), followed by a co-starring part opposite Richard Dreyfuss and Emilio Estevez in Another Stakeout (1993). As the bubbly Betty Rubble, she stole the show from John Goodman and Rick Moranis in The Flintstones (1994) and she had her first flop, playing a cop who masquerades as a leather-clad dominatrix opposite Dan Aykroyd in Exit to Eden (1994). She added Broadway to her list of successes when she breathed new life into the feisty Rizzo in the revival of Grease. In 1996, she played an understanding nanny in Harriet the Spy. Though she could have continued to have steady work as an actress and live performer, O'Donnell steered her career in a different direction; capitalizing on her phenomenal popularity as a talk show guest by becoming the host of her own gab fest, The Rosie O'Donnell Show, in 1996. Not wanting her program to be yet another of the exploitational, issues-oriented freak shows that characterized the 1990s, she chose to pattern hers after the afternoon talk/variety shows of old, focusing on celebrity interviews, entertaining acts, helpful household hints, and current events. Daytime audiences were hungry for what she offered and, in no time, her show became the most popular of its kind, topping even the venerable Oprah Winfrey Show. During its first three years, O'Donnell and her series garnered numerous Emmys and Emmy nominations.In 2002, after 6 years on television, The Rosie O'Donnell Show bowed, but not before its host ended long speculation by coming out as a lesbian. After leaving the show, O'Donnell transformed her persona to a passionate champion of GLBT-related causes. The adopted mother of four, she particularly focused her attention on lobbying against legal hurdles for gays and lesbians wishing to adopt.In 2005, O'Donnell appeared in her first feature role in several years, playing a mentally-disabled woman in the made-for-TV melodrama Riding the Bus with My Sister. The following year, it was announced that O'Donnell would step in for the departing Meredith Viera on ABC's long-running daytime panel show The View. Her presence on the show regularly sparked controversy, with a public feud between O'Donnell and mogul Donald Trump gaining particular attention.In 2007, after a year on the show, O'Donnell announced that a deal could not be reached with ABC, and she would be leaving the program. But anyone who knew O'Donnell knew that she wouldn't stay out of the spotlight for long, and with recurring roles on Drop Dead Diva, Curb Your Enthusiasm, and Lisa Kudrow's Web Therapy she managed to keep her fans laughing. In 2009 she took on a double role as producer and star of the made-for-television movie America -- which told the tale of a youth center psychologist (O'Donnell) treating a bi-racial teen with a turbulent past -- and two years later she joined the Oprah Winfrey Network as host of the nightly talk show The Rosie Show, which featured celebrity guests discussing their careers, as well as current issues. In early 2012, however, the troubled network announced the cancellation of the show, with Winfrey calling O'Donnell personally to break the news. In 2014, she briefly returned to The View, before announcing she was leaving the show after five months due to personal and health issues.