Trivia: Before he became an actor, Charles Durning, the son of an Army man, continued in his father's footsteps with valor and distinction, earning a silver star and purple heart in World War II. Durning held down several "joe jobs" -- iron worker, elevator operator, cabbie, waiter, and dance instructor -- until turning to acting in the late 1950s. Fresh from the national tour of The Andersonville Trial, Durning began his long association with Joseph Papp in 1962, distinguishing himself in Shakespearean roles. He made his earliest film appearance in Ernest Pintoff's Harvey Middleman, Fireman (1965). Durning's film roles increased in size and importance after his interpretation of a crooked cop in the Oscar-winning The Sting (1973). He went on to appear in several Burt Reynolds films, most memorably as the singing governor in The Best Little Whorehouse in Texas (1982). That performance landed him an Oscar nomination, as did his spin on "Concentration Camp" Erhardt in the 1983 remake of To Be or Not to Be. In 1975, Durning was nominated for a Golden Globe Award for his portrayal of ulcerated police lieutenant Moretti in the theatrical feature Dog Day Afternoon (1975); he finally won that award 15 years later for his work as "Honey Fitz" Fitzgerald in the TV miniseries The Kennedys of Massachusetts. Other notable film roles to his credit include Peter Stockmann in the Steve McQueen-produced An Enemy of the People (1978), Dustin Hoffman's "suitor" in the cross-dressing classic Tootsie (1982) (he later co-starred with Hoffman in the 1984 stage revival of Death of a Salesman), and the foredoomed Waring Hudsucker in the Coen Brothers' Hudsucker Proxy (1994).On television, Durning played Lt. Gil McGowan on the daytime soap Another World, officer Frank Murphy in The Cop and the Kid (1975), Big Ed Healey in Captains and the Kings (1976), Studs' dad in Studs Lonigan (1979), private-eye Oscar Poole in Eye to Eye (1985), the title character in PBS' I Would Be Called John: Pope John XXIII (1987), crooked industrialist Dan Packard (the old Wallace Beery role) in Dinner at Eight (1989), and Dr. Harrlan Eldridge in the Burt Reynolds TV vehicle Evening Shade (1990-1994), an assignment which afforded the far-from-sylph-like Durning his first nude scene.While his television and film career have continued to be prolific, Durning has also continued to earn acclaim for his stage work. In 1990, he won a Tony Award for his performance as Big Daddy in the Broadway revival of Cat on a Hot Tin Roof.He continued to work steadily well into his seventies in a variety of projects including Jodie Foster's dysfunctional family comedy/drama Home for the Holidays, the absurd comedy Spy Hard, and Jerry and Tom. At the beginning of the 20th century he reteamed with the Coen Brothers for O Brother, Where Art Thou?, and was part of the impressive ensemble in David Mamet's State and Main. He was also part of the original cast of the firefighter drama series Rescue Me. Durning died at age 89 in late December 2012, two months before his 90th birthday.

Trivia: Ian Wolfe was determined to become an actor even as a youth in his hometown of Canton, IL. His Broadway debut was in the warhorse Lionel Barrymore vehicle The Claw. While acting with Katherine Cornell in The Barretts of Wimpole Street in 1934, Wolfe was spotted by MGM producer Irving Thalberg, who brought the actor to Hollywood to re-create his Barretts role. Though not yet 40, Wolfe had the receding hairline and lined features necessary for aged character roles. By his own count, Wolfe appeared in over 200 films, often uncredited assignments in the roles of judges, attorneys, butlers, and shopkeepers. Some of his best screen moments occurred in producer Val Lewton's Bedlam (1946), wherein Wolfe played an 18th century scientist confined to a mental asylum for proposing the invention of motion pictures. Because his actual age was difficult to pinpoint, Wolfe kept working into the 1990s (and his nineties); he was a particular favorite of TV's MTM productions, appearing on such sitcoms as The Mary Tyler Moore Show, The Bob Newhart Show, and Rhoda. Co-workers during this period noted affectionately that, despite his many years as a professional, Wolfe was always seized with "stage fright" just before walking on the set. Though often cast in timid roles, Ian Wolfe was quite outspoken and fiercely defensive of his craft; when asked what he thought of certain method actors who insist upon playing extensions of "themselves," Wolfe snapped that he became an actor to pretend to be other people.

Trivia: Helen Hayes, the First Lady of the American Theater, made most of her infrequent film appearances after an allergy to theater dust forced her to retire from the stage. Her stage career began when she was five; at age nine, she made her first Broadway appearance. By 1918, she was a star. When she married playwright Charles MacArthur in 1928, the couple came to Hollywood briefly, where she won her first Oscar for The Sin of Madelon Claudet (1931). Other memorable roles during that time included her role as a nurse in A Farewell to Arms (1932) with a very young Gary Cooper, and What Every Woman Knows (1934). Unhappy in Hollywood, she returned to the stage, where she reigned as one of the outstanding American stage actresses. One of her most famous roles was Queen Victoria in Victoria Regina. She won a Tony Award the first year they were presented, in 1947, for Happy Birthday, and another in 1958 for Time Remembered. Throughout the '40s, '50s, '60s and into the '70s, Hayes made numerous television appearances, winning an Emmy as Best Actress in 1952 and starring in the short-lived comic mystery series The Snoop Sisters with Mildred Natwick in 1971. She returned to films in the 1950s, making an impressive showing as the Dowager Empress in Anastasia (1956) and winning another Oscar for her role in Airport (1970). In her later years, she often played kind but mischievous old ladies. Her son is actor James MacArthur. Hayes wrote several memoirs, prompted to write originally by the death of her daughter.

Trivia: Brooklyn-born actor John Joseph Patrick Ryan borrowed his stage name "Jack Lord" from a distant relative. Spending his immediate post-college years as a seafaring man, Lord worked as an engineer in Persia before returning to American shores to manage a Greenwich Village art school and paint original work; he flourished within that sphere (often signing his paintings "John J. Ryan,") and in fact exhibited the tableaux at an array of prestigious institutions including the Metropolitan Museum of Art and the Modern Museum of Art. Lord switched to acting in the late 1940s, studying under Sanford Meisner at New York's Neighborhood Playhouse. In films and television from 1949, Lord (a performer with stark features including deep-set eyes and high cheekbones) played his share of brutish villains and working stiffs before gaining TV fame as star of the critically acclaimed but low-rated rodeo series Stoney Burke (1962). At around the same time, Lord played CIA agent Felix Leiter in the first James Bond film, Dr. No. From 1968 through 1980, Lord starred on the weekly cop drama Hawaii Five-O; producers cast him as Steve McGarrett, a troubleshooter with the Hawaii State Police who spent his days cruising around the islands, cracking open individual cases, and taking on the movers and shakers in Hawaiian organized crime, particularly gangster Wo Fat (Khigh Dhiegh), who eluded capture until the program's final month on the air. Lord also wrote and directed several episodes. After Hawaii 5-0 folded, Jack Lord attempted another Hawaii-based TV series, but M Station: Hawaii (1980) never got any farther than a pilot film. Lord died of congestive heart failure in his Honolulu beachfront home at the age of 77, in January 1998. He was married to Marie Denarde for 50 years.

Trivia: American actor James MacArthur was the adopted son of stage legend Helen Hayes and playwright Charles MacArthur. Despite his mother's insistence that James have a normal childhood, it was difficult not to be intoxicated by the theatre when growing up around the greatest acting and literary talent in the '40s. At age 8, young MacArthur appeared in a stock-company production of The Corn is Green. Fresh out of Harvard, MacArthur became a movie juvenile, specializing in tortured-teen roles in such films as The Young Stranger (1957) and Disney's Light in the Forest (1958). Outgrowing his somewhat charming awkwardness, MacArthur was less satisfying as a standard leading man, and by 1967 he was wasting away in pictures like The Love Ins. That same year, the pilot film for a new Jack Lord cop series, Hawaii Five-O, was screened for a test audience. The group liked the film but not the young man (Tim O'Kelly) who played Lord's assistant, deeming him too young for the part. Hawaii producer Leonard Freeman then called upon 30-year-old MacArthur, with whom Freeman had worked on the Clint Eastwood vehicle Hang 'Em High. From 1968 through 1979, MacArthur played Hawaii Five-0's detective Danny Williams, always handy whenever Jack Lord felt the need to snap "Book 'em, Danno." Though the series enriched MacArthur and made him a vital member of the Honolulu society and business world, the actor finally packed it in after 11 seasons, when it seemed as though he'd be Danno forever (the show continued for one more season). Too wealthy to care about a career at this point, James MacArthur still took an occasional role into the '80s; his most prominent post-Hawaii assignment was the 1980 TV movie Alcatraz: The Whole Shocking Story, in which he played a rare non-sympathetic character. MacArthur died in October 2010 of natural causes at age 72.