Trivia: Actor Keenan Wynn was the son of legendary comedian Ed Wynn and actress Hilda Keenan, and grandson of stage luminary Frank Keenan. After attending St. John's Military Academy, Wynn obtained his few professional theatrical jobs with the Maine Stock Company. After overcoming the "Ed Wynn's Son" onus (his father arranged his first job, with the understanding that Keenan would be on his own after that), Wynn developed into a fine comic and dramatic actor on his own in several Broadway plays and on radio. He was signed to an MGM contract in 1942, scoring a personal and professional success as the sarcastic sergeant in 1944's See Here Private Hargrove (1944). Wynn's newfound popularity as a supporting actor aroused a bit of jealousy from his father, who underwent professional doldrums in the 1940s; father and son grew closer in the 1950s when Ed, launching a second career as a dramatic actor, often turned to his son for moral support and professional advice. Wynn's film career flourished into the 1960s and 1970s, during which time he frequently appeared in such Disney films as The Absent-Minded Professor (1960) and The Love Bug (1968) as apoplectic villain Alonso Hawk. Wynn also starred in such TV series as Troubleshooters and Dallas. Encroaching deafness and a drinking problem plagued Wynn in his final years, but he always delivered the goods onscreen. Wynn was the father of writer/director Tracy Keenan Wynn and writer/actor Edmund Keenan (Ned) Wynn.

Trivia: Born into a prosperous New York family, Jan Sterling was educated in private schools before heading to England, where she studied acting with Fay Compton. Billed as Jane Sterling, she made her first Broadway appearance at the age of fifteen; she went on to appear in such major stage offerings as Panama Hattie, Over 21 and Present Laughter. In 1947, she made her movie bow--billed as Jane Darian for the first and last time in her career--in RKO's Tycoon. Seldom cast in passive roles, Sterling was at her best in parts calling for hard-bitten, sometimes hard-boiled determination. In Billy Wilder's searing The Big Carnival (1951), she played Lorraine, the slatternly, opportunistic wife of cave-in victim Richard Benedict, summing up her philosophy of life with the classic line "I don't go to church. Kneeling bags my nylons." In 1954, Jan was nominated for an Academy Award for her portrayal of Sally McKee, a mail-order bride with a questionable past, in The High and the Mighty. In a prime example of giving one's all to one's art, Sterling submitted to having her eyebrows shaved off for a crucial scene; her brows never grew back, and she was required to pencil them in for the rest of her career. Also in 1954, Sterling travelled to England to play Julia in the first film version of George Orwell's 1984; though her character was a member of "The Anti-Sex League," Sterling was several months pregnant at the time. Having no qualms about shuttling between films and television, she showed up in nearly all the major live anthologies of the 1950s. She was also a panelist on such quiz programs as You're In the Picture (1961) and Made in America (1964). Married twice, Sterling's second husband was actor Paul Douglas. Jan Sterling retired from films in favor of the stage in 1969; she returned before the cameras in 1976 to portray Mrs. Herbert Hoover in the TV miniseries Backstairs at the White House.

Trivia: A successful supporting and occasional leading actor of stage, screen and television, John Craven starred as Bob MacDonald in the first live television series, The Egg and I (1951), a sitcom based on Betty MacDonald's humorous autobiography. Craven launched his career playing George in the 1938 Broadway version of Our Town with his father Frank Craven, a playwright who worked as an actor and a stage manager of the production. While serving in the military during WW II, Craven was appointed the USO's theater director and placed in charge of putting on productions for U.S. troops stationed in Italy. Craven made his feature-film debut in Over the Goal (1937). He did not appear in another until The Human Comedy (1943). His other film credits include Dr. Gillespie's Criminal Case (1943), Let's Make Love (1960) and Ocean's Eleven (1960). On television, Craven guest-starred on a variety of series ranging from Playhouse 90, to Wyatt Earp, to Big Valley. At the end of the 1960s, Craven moved to Spain where he continued to appear on stage. He also took up drama teaching and stage directing. He remained there through the mid '70s and then returned to the U.S.

Trivia: Best known for his roles on such television dramas as Dallas and the macabre Dark Shadows, actor Dennis Patrick also carried the distinction of being the small screen's first vampire. Born in Philadelphia, PA, in March 1918, Patrick began a prolific and enduring television career with roles in Star Tonight and Kraft Television Theater. Subsequently appearing in a handful of features and a slew of made-for-television movies, Patrick's roles in Dark Shadows and Dallas brought him the greatest success of his career. Married to actress Barbara Carson, Patrick was left a widower following his wife's death in 1990. On October 13, 2002, Dennis Patrick died in a home fire in the Hollywood Hills with his dog by his side. He was 84.

Trivia: American actor Claude Stroud played character roles in films of the '50s, '60s, and '70s. He started out in vaudeville, teamed with his twin brother, Clarence (they appeared as the Stroud Twins during the '30s). The twins also worked on the radio. Stroud later appeared on television before entering feature films.

Trivia: A handsome, dark-haired silent-screen leading man with a widow's peak, Charles Meredith appeared opposite some of the era's great leading ladies, including Marguerite Clark, Blanche Sweet, Mary Miles Minter, Katherine MacDonald, and Florence Vidor. Between 1924 and 1947, Meredith concentrated on the legitimate stage, then returned to film as a distinguished character actor, playing the judge in Joan Crawford's Daisy Kenyon (1947), the High Priest in DeMille's Samson and Delilah (1949), and an admiral in Submarine Command (1952). Continuing well into the television era, the veteran actor had continuing roles in two short-lived series: Rocky Jones, Space Ranger (1954) and Erle Stanley Garner's Court of Last Resort.

Trivia: Chances are when a doctor made a house call in a '40s movie, that doctor was portrayed by Sam Flint. Silver-haired, authoritative, and distinguished by an executive-style moustache, Flint entered films in the early '30s after a long stage career. Though his movie roles were usually confined to one or two scenes per picture, Flint was always instantly recognizable in his characterizations of businessmen, bankers, chairmen of the board, politicians, publishers, fathers of the bride--and, as mentioned before, doctors. In addition to his prolific feature-film work, Sam Flint was always welcome in short subjects, appearing in support of everyone from Our Gang to the Three Stooges.