Trivia: Actress Jeanne Cooper entered films in 1953. Though she worked often, Cooper appeared in only a handful of memorable movies, including the rare Roger Corman social-protest film The Intruder (1961) and The Boston Strangler (1968). She was seen to better advantage on television, guesting in a wide range of roles on such series as The Twilight Zone and The Man From U.N.C.L.E. From 1969 to 1970, she was seen as Grace Douglas on the prime-time "inside Hollywood" series Bracken's World. She is best known for her ongoing characterization of Kay Chancellor on the CBS soap opera The Young and the Restless. Unlike many other daytime-drama actresses, who prefer to keep their onscreen characters and actual personalities separate, Cooper has invested many of her own life experiences in the role of Kay Chancellor. She harked back on her own bout with alcoholism to realistically portray Kay's recovery from a chronic drinking problem; and, when Jeanne underwent a facelift, so did Kay -- complete with in-progress shots of the actual operation. Jeanne Cooper is the mother of actor Corbin Bernsen. She passed away at age 84 in 2013.

Trivia: In the first ten years of his life, Raymond Burr moved from town to town with his mother, a single parent who supported her little family by playing the organ in movie houses and churches. An unusually large child, he was able to land odd jobs that would normally go to adults. He worked as a ranch hand, a traveling tinted-photograph salesman, a Forest service fire guard, and a property agent in China, where his mother had briefly resettled. At 19, he made the acquaintance of film director Anatole Litvak, who arranged for Burr to get a job at a Toronto summer-stock theater. This led to a stint with a touring English rep company; one of his co-workers, Annette Sutherland, became his first wife. After a brief stint as a nightclub singer in Paris, Burr studied at the Pasadena Playhouse and took adult education courses at Stanford, Columbia, and the University of Chunking. His first New York theatrical break was in the 1943 play Duke in Darkness. That same year, his wife Sutherland was killed in the same plane crash that took the life of actor Leslie Howard. Distraught after the death of his wife, Burr joined the Navy, served two years, then returned to America in the company of his four-year-old son, Michael Evan Burr (Michael would die of leukemia in 1953). Told by Hollywood agents that he was overweight for movies, the 340-pound Burr spent a torturous six months living on 750 calories per day. Emerging at a trim 210 pounds, he landed his first film role, an unbilled bit as Claudette Colbert's dancing partner in Without Reservations (1946). It was in San Quentin (1946), his next film, that Burr found his true metier, as a brooding villain. He spent the next ten years specializing in heavies, menacing everyone from the Marx Brothers (1949's Love Happy) to Clark Gable (1950's Key to the City) to Montgomery Clift (1951's A Place in the Sun) to Natalie Wood (1954's A Cry in the Night). His most celebrated assignments during this period included the role of melancholy wife murderer Lars Thorwald in Hitchcock's Rear Window (1954) and reporter Steve Martin in the English-language scenes of the Japanese monster rally Godzilla (1956), a characterization he'd repeat three decades later in Godzilla 1985. While he worked steadily on radio and television, Burr seemed a poor prospect for series stardom, especially after being rejected for the role of Matt Dillon on Gunsmoke on the grounds that his voice was too big. In 1957, he was tested for the role of district attorney Hamilton Burger in the upcoming TV series Perry Mason. Tired of playing unpleasant secondary roles, Burr agreed to read for Burger only if he was also given a shot at the leading character. Producer Gail Patrick Jackson, who'd been courting such big names as William Holden, Fred MacMurray, and Efrem Zimbalist Jr., agreed to humor Burr by permitting him to test for both Burger and Perry Mason. Upon viewing Burr's test for the latter role, Perry Mason creator Erle Stanley Gardner jumped up, pointed at the screen, and cried "That's him!" Burr was cast as Mason on the spot, remaining with the role until the series' cancellation in 1966 and winning three Emmies along the way. Though famous for his intense powers of concentration during working hours -- he didn't simply play Perry Mason, he immersed himself in the role -- Burr nonetheless found time to indulge in endless on-set practical jokes, many of these directed at his co-star and beloved friend, actress Barbara Hale. Less than a year after Mason's demise, Burr was back at work as the wheelchair-bound protagonist of the weekly detective series Ironside, which ran from 1967 to 1975. His later projects included the short-lived TVer Kingston Confidential (1976), a sparkling cameo in Airplane 2: The Sequel (1982), and 26 two-hour Perry Mason specials, lensed between 1986 and 1993. Burr was one of the most liked and highly respected men in Hollywood. Fiercely devoted to his friends and co-workers, Burr would threaten to walk off the set whenever one of his associates was treated in a less than chivalrous manner by the producers or the network. Burr also devoted innumerable hours to charitable and humanitarian works, including his personally financed one-man tours of Korean and Vietnamese army bases, his support of two dozen foster children, and his generous financial contributions to the population of the 4,000-acre Fiji island of Naitauba, which he partly owned. Despite his unbounded generosity and genuine love of people, Burr was an intensely private person. After his divorce from his second wife and the death from cancer of his third, Burr remained a bachelor from 1955 until his death. Stricken by kidney cancer late in 1992, he insisted upon maintaining his usual hectic pace, filming one last Mason TV movie and taking an extended trip to Europe. In his last weeks, Burr refused to see anyone but his closest friends, throwing "farewell" parties to keep their spirits up. Forty-eight hours after telling his longtime friend and business partner Robert Benevides, "If I lie down, I'll die," 76-year-old Raymond Burr did just that -- dying as he'd lived, on his own terms.

Trivia: A stage actor since the 1920s, Kenneth MacDonald found the going rough in Hollywood until he published and distributed a pamphlet titled "The Case of Kenneth MacDonald." This little self-promotional book brought him to the attention of studio executives, and throughout the 1930s MacDonald could be seen as a mustachioed, mellifluous-voiced villain in scores of westerns and melodramas. His work in the Charles Starrett westerns at Columbia led to a lengthy association with that studio. From 1940 through 1954, MacDonald played featured roles in such Columbia productions as Island of Doomed Men (1940), Power of the Whistler (1945) and The Caine Mutiny (1954); he was also prominently cast in the studio's short subjects, especially in the comedies of the Three Stooges and Hugh Herbert, his most familiar role being that of a society criminal or shyster lawyer. During the 1960s, Kenneth MacDonald was a semi-regular on the Perry Mason TV series, playing a solemn judge.

Trivia: American actress Merry Anders was a professional model when she signed her first studio contract in 1951. After two years of uncredited bits in such 20th Century-Fox features as Belles on Their Toes (1952) and Titanic (1953), Merry found more rewarding work on TV. From 1953 through 1955, she appeared in The Stu Erwin Show, replacing Ann Todd in the role of Joyce, Erwin's oldest daughter. While most of her film assignments were along the bargain-basement lines of The Dalton Girls (1957) and The Hypnotic Eye (1960), Merry built up a reputation as "queen" of the TV pilot films. If she appeared as guest star in the pilot episode of a potential series, that series would most likely be sold. Merry would be the last person to insist that she was a great actress; her "versatility" in her many TV roles consisted of changing her hair color as often as possible. It was as a redhead that Merry was cast in the lead of the syndicated sitcom How to Marry a Millionaire, which ran from 1958 through 1960. After this assignment, Merry continued to show up as a blonde, brunette and redhead in such deathless movie offerings as Women of the Prehistoric Planet (1966) and Legacy of Blood (1973). In the late 1960s, she had a semi-recurring role on Dragnet as a super-efficient policewoman; the character was meant to develop into a love interest for Joe Friday (Jack Webb), but the series never went in that direction. It can be argued that Merry Anders' most memorable performance (and the one most often seen these days) was as a woman who is drowned in a phone booth (!) on a 1966 episode of Get Smart.

Trivia: Described by one film historian as a "hand-wringing 'Oh-Jed-don't-go'" type actress, Coleen Gray did, in all fairness, have a few roles requiring more than sidelines suffering. After graduating with honors from the drama department of Hamline University, Gray was signed by 20th Century-Fox in 1945. There she enjoyed some of her best roles, including the female lead in Kiss and Death (1947) and the dumb-but-honest girlfriend of smart-but-shifty Tyrone Power in Nightmare Alley (1947). Free-lancing in the 1950s, Gray appeared in several westerns, getting the opportunity to play an adventuress of sorts in Tennessee's Partner (1955). Always willing to give her all for her art, Gray even managed to bring some artistry to such Grade-Z efforts as The Leech Woman (1960). In 1961, Coleen Gray played Miss Wycliffe on the short-lived Robert Young TV "dramedy" Window on Main Street.

Trivia: Probably no one came by the label "Runyon-esque" more honestly than Polish-born actor George E. Stone; a close friend of writer Damon Runyon, Stone was seemingly put on this earth to play characters named Society Max and Toothpick Charlie, and to mouth such colloquialisms as "It is known far and wide" and "More than somewhat." Starting his career as a Broadway "hoofer," the diminutive Stone made his film bow as "the Sewer Rat" in the 1927 silent Seventh Heaven. His most prolific film years were 1929 to 1936, during which period he showed up in dozens of Warner Bros. "urban" films and backstage musicals, and also appeared as the doomed Earle Williams in the 1931 version of The Front Page. He was so closely associated with gangster parts by 1936 that Warners felt obligated to commission a magazine article showing Stone being transformed, via makeup, into an un-gangsterish Spaniard for Anthony Adverse (1936). For producer Hal Roach, Stone played three of his oddest film roles: a self-pitying serial killer in The Housekeeper's Daughter (1938), an amorous Indian brave in Road Show (1940), and Japanese envoy Suki Yaki in The Devil With Hitler (1942). Stone's most popular role of the 1940s was as "the Runt" in Columbia's Boston Blackie series. In the late '40s, Stone was forced to severely curtail his acting assignments due to failing eyesight. Though he was totally blind by the mid-'50s, Stone's show business friends, aware of the actor's precarious financial state, saw to it that he got TV and film work, even if it meant that his co-stars had to literally lead him by the hand around the set. No one was kinder to George E. Stone than the cast and crew of the Perry Mason TV series, in which Stone was given prominent billing as the Court Clerk, a part that required nothing more of him than sitting silently at a desk and occasionally holding a Bible before a witness.

Trivia: Actor Jon Lormer appeared in several films from the late '50s through the mid-'80s. He was also a teacher and director at the American Theater Wing in New York. Lormer guest starred in many television series and made-for-TV movies.

Trivia: Actress Mary Murphy's film career always seemed to be starting but never really progressing. In Hollywood from 1949, Murphy first gained critical attention for her performance opposite Marlon Brando in The Wild One (1954), but before the year was out she was going through the motions of a traditional ingénue in the Vincent Price shocker The Mad Magician (1954). The following year she was again showered with praise for her portrayal of Fredric March's daughter in The Desperate Hours (1955); once more, however, this personal triumph was followed by forgettable roles in the likes of The Maverick Queen (1956) and Live Fast Die Young (1958). At one point, she absented herself from the screen for seven years, returning only when a good part finally surfaced in Junior Bonner (1972). In 1961, Mary Murphy was a regular on the brief TV series The Investigators.