Trivia: In the first ten years of his life, Raymond Burr moved from town to town with his mother, a single parent who supported her little family by playing the organ in movie houses and churches. An unusually large child, he was able to land odd jobs that would normally go to adults. He worked as a ranch hand, a traveling tinted-photograph salesman, a Forest service fire guard, and a property agent in China, where his mother had briefly resettled. At 19, he made the acquaintance of film director Anatole Litvak, who arranged for Burr to get a job at a Toronto summer-stock theater. This led to a stint with a touring English rep company; one of his co-workers, Annette Sutherland, became his first wife. After a brief stint as a nightclub singer in Paris, Burr studied at the Pasadena Playhouse and took adult education courses at Stanford, Columbia, and the University of Chunking. His first New York theatrical break was in the 1943 play Duke in Darkness. That same year, his wife Sutherland was killed in the same plane crash that took the life of actor Leslie Howard. Distraught after the death of his wife, Burr joined the Navy, served two years, then returned to America in the company of his four-year-old son, Michael Evan Burr (Michael would die of leukemia in 1953). Told by Hollywood agents that he was overweight for movies, the 340-pound Burr spent a torturous six months living on 750 calories per day. Emerging at a trim 210 pounds, he landed his first film role, an unbilled bit as Claudette Colbert's dancing partner in Without Reservations (1946). It was in San Quentin (1946), his next film, that Burr found his true metier, as a brooding villain. He spent the next ten years specializing in heavies, menacing everyone from the Marx Brothers (1949's Love Happy) to Clark Gable (1950's Key to the City) to Montgomery Clift (1951's A Place in the Sun) to Natalie Wood (1954's A Cry in the Night). His most celebrated assignments during this period included the role of melancholy wife murderer Lars Thorwald in Hitchcock's Rear Window (1954) and reporter Steve Martin in the English-language scenes of the Japanese monster rally Godzilla (1956), a characterization he'd repeat three decades later in Godzilla 1985. While he worked steadily on radio and television, Burr seemed a poor prospect for series stardom, especially after being rejected for the role of Matt Dillon on Gunsmoke on the grounds that his voice was too big. In 1957, he was tested for the role of district attorney Hamilton Burger in the upcoming TV series Perry Mason. Tired of playing unpleasant secondary roles, Burr agreed to read for Burger only if he was also given a shot at the leading character. Producer Gail Patrick Jackson, who'd been courting such big names as William Holden, Fred MacMurray, and Efrem Zimbalist Jr., agreed to humor Burr by permitting him to test for both Burger and Perry Mason. Upon viewing Burr's test for the latter role, Perry Mason creator Erle Stanley Gardner jumped up, pointed at the screen, and cried "That's him!" Burr was cast as Mason on the spot, remaining with the role until the series' cancellation in 1966 and winning three Emmies along the way. Though famous for his intense powers of concentration during working hours -- he didn't simply play Perry Mason, he immersed himself in the role -- Burr nonetheless found time to indulge in endless on-set practical jokes, many of these directed at his co-star and beloved friend, actress Barbara Hale. Less than a year after Mason's demise, Burr was back at work as the wheelchair-bound protagonist of the weekly detective series Ironside, which ran from 1967 to 1975. His later projects included the short-lived TVer Kingston Confidential (1976), a sparkling cameo in Airplane 2: The Sequel (1982), and 26 two-hour Perry Mason specials, lensed between 1986 and 1993. Burr was one of the most liked and highly respected men in Hollywood. Fiercely devoted to his friends and co-workers, Burr would threaten to walk off the set whenever one of his associates was treated in a less than chivalrous manner by the producers or the network. Burr also devoted innumerable hours to charitable and humanitarian works, including his personally financed one-man tours of Korean and Vietnamese army bases, his support of two dozen foster children, and his generous financial contributions to the population of the 4,000-acre Fiji island of Naitauba, which he partly owned. Despite his unbounded generosity and genuine love of people, Burr was an intensely private person. After his divorce from his second wife and the death from cancer of his third, Burr remained a bachelor from 1955 until his death. Stricken by kidney cancer late in 1992, he insisted upon maintaining his usual hectic pace, filming one last Mason TV movie and taking an extended trip to Europe. In his last weeks, Burr refused to see anyone but his closest friends, throwing "farewell" parties to keep their spirits up. Forty-eight hours after telling his longtime friend and business partner Robert Benevides, "If I lie down, I'll die," 76-year-old Raymond Burr did just that -- dying as he'd lived, on his own terms.

Trivia: Burly character actor Peter Whitney was under contract to Warner Bros. from 1941 to 1945. Whitney spent much of that time on loan-out, playing a variety of moronic thugs and henchmen. His best-ever screen role (or roles) was as identical twin hillbilly murderers Mert and Bert Fleagle in the 1944 screwball classic Murder He Says. He enjoyed a rare romantic lead in the 1946 horror film The Brute Man (the title character was played by Rondo Hatton). Throughout the 1950s and 1960s, Whitney supported himself by portraying some of TV's most scurrilous and homicidal backwoods villains. Peter Whitney essayed a more comical characterization as rustic free-loader Lafe Crick in several first-season episodes of The Beverly Hillbillies.

Trivia: Birmingham-born R.G. Armstrong attended the University of North Carolina-Chapel Hill, where he was active with the Carolina Playmakers. On the New York stage since the 1940s, Armstrong is best remembered for creating the role of Big Daddy in the original 1955 Broadway production of Cat on a Hot Tin Roof. In film since 1957, Armstrong appeared in more than his share of westerns, usually as an able-bodied sheriff or thick-necked land baron. A frequent visitor to television, R. G. Armstrong was a regular on the 1967 adventure series T.H.E. Cat.

Trivia: American actor Peter Mamakos began his stage career in 1939 and his film and TV work in the early 1950s. Mamakos' bushy mustache made him instantly recognizable. Generally cast in ethnic roles, Mamakos has been seen as many a Greek, Italian and Arab. Peter Mamakos' last appearance was in the 1990 Jackie Collins-inspired TV miniseries Lucky Chances.

Trivia: According to her Rockford, Illinois, high-school yearbook, Barbara Hale hoped to make a career for herself as a commercial artist. Instead, she found herself posing for artists as a professional model. This led to a movie contract at RKO Radio, where she worked her way up from "B"s like The Falcon in Hollywood (1945) to such top-of-the-bill attractions as A Likely Story (1947) and The Boy With Green Hair (1949). She continued to enjoy star billing at Columbia, where among other films she essayed the title role in Lorna Doone (1952). Her popularity dipped a bit in the mid-1950s, but she regained her following in the Emmy-winning role of super-efficient legal secretary Della Street on the Perry Mason TV series. She played Della on a weekly basis from 1957 through 1966, and later appeared in the irregularly scheduled Perry Mason two-hour TV movies of the 1980s and 1990s. The widow of movie leading man Bill Williams, Barbara Hale was the mother of actor/director William Katt. Hale died in 2017, at age 94.

Trivia: The son of legendary Broadway actor DeWolfe Hopper and movie actress Hedda Hopper, William Hopper made his film debut as an infant in one of his father's films. The popular consensus is that the younger Hopper was given his first talking-picture break because of his mother's reputation as the most feared of the Hollywood gossips. Not so: Hopper was signed to his first Warner Bros. contract in 1937, a year or so before Hedda had established herself as the queen of the dirt-dishers. At first billing himself as DeWolfe Hopper Jr., Hopper languished in bit parts and walk-ons for several years. He wasn't able to graduate to better roles until the 1950s, by which time he was calling himself William Hopper. After a largely undistinguished film career (notable exceptions to his usual humdrum assignments were his roles in 20 Million Miles to Earth [1957] and The Bad Seed [1956]) Hopper finally gained fame -- and on his own merits -- as private detective Paul Drake on the enormously popular Perry Mason television series, which began its eight-season run in 1957. In a bizarre coincidence, Perry Mason left the air in 1966, the same year that William Hopper's mother Hedda passed away.

Trivia: The scion of a wealthy Detroit family, William Talman would later claim that he learned to "champion the underdog" while a member of his Episcopal church boxing team. In his 20s, Talman became an evangelist for the Moral Re-Armament Movement, and later made at stab at studying law. He drifted to New York, where, through the intervention of an actor friend of his father, he began picking up small stage roles. After extensive experience in New York and in the touring company of Of Mice and Men, Talman moved to Hollywood, where in 1949 he played his first important screen role as a gangster in Red, Hot and Blue (1949). At his best when his characters were at their worst, Talman developed into one of Tinseltown's most fearsome screen villains, never more so than when he played a psycho killer who slept with one eye open in the noir classic The Hitchhiker (1955). In 1957, Talman was cast as Hamilton Burger, the perennially losing District Attorney on the popular TV weekly Perry Mason. He remained with the series until March of 1960, when he was arrested for throwing a wild party where vast quantities of illegal substances were consumed. The Perry Mason producers had every intention of firing Talman from the series, but he was reinstated thanks to the loyal intervention of his co-stars -- particularly Raymond Burr, who threatened to quit the show if Talman wasn't given a second chance. William Talman was last seen on TV in a series of anti-smoking public service announcements; these spots were run posthumously, at Talman's request, following his death from lung cancer at the age of 53.

Trivia: A leading light of network radio in the 1940s and 1950s, actor Parley Baer appeared on virtually every major program emanating from Los Angeles. Baer is most closely associated with the radio version of Gunsmoke, in which, from 1955 to 1961, he played Dodge City deputy Chester Proudfoot. Those who worked on Gunsmoke have had nothing but the kindest words for Baer, who endeared himself to his colleagues via his dedication, professionalism, and weekly purchase of donuts for the rehearsal sessions. The jowly, prematurely balding Baer began free-lancing in films around 1949. He played a number of small parts at 20th Century-Fox (his largest, and least typical, was the Nazi sergeant in 1957's The Young Lions), and later showed up in such films as Warner Bros.' Gypsy (1963) and Universal's Counterpoint (1993). On television, Baer portrayed Darby on The Adventures of Ozzie and Harriet, Mayor Stoner on The Andy Griffith Show (1962-63 season) and Mr. Hamble on the 1966 Red Buttons sitcom The Double Life of Henry Phyfe. Active into the 1990s--he was seen as the Senate Majority Leader in 1993's Dave--Parley Baer is most familiar to the public as the voice of commercialdom's Keebler Elf.

Trivia: Michael Fox played character parts--usually villains--in scores of television shows and in more than 100 films, mostly during the '50s and '60s. Fans of the CBS daily serial The Bold and the Beautiful will remember him for having played Saul Feinberg from 1987-1986. Born and raised in Yonkers, New York and first made his name on Broadway starring opposite Lillian Gish in The Story of Mary Stuart. Fox made his film debut in films such as Voodoo Tiger and Backhawks (both 1952). Later in his career, Fox founded the Theater East actors organization. Fox passed away at the Motion Picture Home, Woodland Hills, California. The 75-year-old was suffering from pneumonia at the time.

Trivia: Czech character actor Steven Geray was for many years a member in good standing of the Hungarian National Theater. He launched his English-speaking film career in Britain in 1935, then moved to the U.S. in 1941. His roles ranged from sinister to sympathetic, from "A" productions like Gilda (1946) to potboilers like El Paso (1949). He flourished during the war years, enjoying top billing in the moody little romantic melodrama So Dark the Night (1946), and also attracting critical praise for his portrayal of Dirk Stroeve in The Moon and Sixpence (1942). Many of Geray's film appearances in the 1950s were unbilled; when he was given screen credit, it was usually as "Steve Geray." Geray's busy career in film and television continued into the 1960s. Steven Geray worked until he had obviously depleted his physical strength; it was somewhat sad to watch the ailing Geray struggle through the western horror pic Jesse James Meets Frankenstein's Daughter (1965).

Trivia: Douglas Evans was a versatile American supporting actor who during his 30-year career appeared in close to 100 films. He also worked on stage and in radio.

Trivia: Former president and long-time board member of the Screen Extras Guild (1963-1967), Tony Regan began his lengthy film career in 1926 working in Paramount Pictures' mailroom. He eventually rose to become the head of outer casting. In 1958, Regan left Paramount to become an extra in such films as Follow Me, Boys! (1966).