Trivia: One of the all-time great rock & rollers and an unprecedented, phenomenal show-business success, Elvis Presley also starred in 31 consecutive big-screen hits. He was among the Top Ten box-office attractions in 1957 and from 1961-1966. When he was 13, he moved to Memphis with his family, going on to work as an usher in a movie theater and a truck driver. Presley toured locally as a singer (billed as "The Hillbilly Cat") and recorded several singles for a local label; he was signed by RCA in 1955 and became an instant star, racking up one hit single after another. On-stage, he gyrated his midsection seductively, leading him to acquire the nickname "Elvis the Pelvis." His concert appearances inspired hysteria among his young female fans, and he was considered by many to be a negative moral influence. However, Presley maintained his clean-cut, "mama's boy" image and soon had fans from every generation. He began appearing in films in 1956, debuting in Love Me Tender. Never successful among critics, his films were designed around his casual, good-ol'-boy characters, successful flirtations with his pretty female co-stars, and numerous songs. And each film made money, altogether grossing more than 150 million dollars. After Presley served a tour in the army, his singing career declined in the early '60s, when the Beatles and other new groups dominated the airwaves; he continued making successful films until 1969 (his last was Change of Habit with Mary Tyler Moore, who played a nun). He also appeared in two concert documentaries, That's the Way It Is (1970) and Elvis on Tour (1972). In the early '70s, after a decade of few personal appearances, Presley began doing live entertainment again, and his drawing power was as strong as ever. However, he began neglecting his health and gained large amounts of weight. He died of a prescription-drug-induced heart attack in 1977, after which his cult of personality grew to enormous proportions. Presley is perhaps more popular in death than he was during his life.

Trivia: Trained at the Pasadena Playhouse, Texas-born Carolyn Jones supported herself as a radio disk jockey when acting jobs were scarce. She entered films as a bit player in 1952, attaining prominence for a role in which (for the most part) she neither moved nor spoke: the waxwork Joan of Arc -- actually one of mad sculptor Vincent Price's many murder victims -- in 1953's House of Wax. In 1957, Jones was Oscar-nominated for her five-minute role as a pathetic "good time girl" in The Bachelor Party; two years later, she stole the show in Frank Capra's A Hole in the Head as Frank Sinatra's bongo-playing girlfriend. During the early 1960s, Jones was married to producer Aaron Spelling, who frequently cast her on such TV series as The Dick Powell Show and Burke's Law. In 1964, Jones achieved TV sitcom immortality as the ghoulishly sexy Morticia Addams on the popular series The Addams Family. Though her TV and movie activities were curtailed by illness in her last decade (she died of cancer in 1983), Carolyn Jones continued making occasional appearances, notably a return engagement as Morticia in a 1978 Addams Family reunion special.

Trivia: Dolores Hart was raised by her grandparents in Chicago. Not yet out of her teens, Hart was discovered by producer Hal Wallis, who cast her as Elvis' new leading lady in both Loving You (1957) and King Creole (1959). She appeared on Broadway in 1959's The Pleasure of His Company, then returned to Hollywood for her best remembered film, Where the Boys Are (1960). Her pious, reverent comments to interviewers while filming 1961's Francis of Assisi may have seemed like so much hype to Tinseltown cynics; but as it turned out, Hart's religiosity was very real. In 1963, Dolores Hart gave up her $50,000-per-picture career to enter a Benedictine order of nuns in Connecticut; after several years' probation as sister Judith, she matriculated to "Mother Dolores," which she remains to this day.

Trivia: An Ohio farm boy, Dean Jagger dropped out of school several times before attending Wabash College. He was a schoolteacher for several years before opting to study acting at Chicago's Lyceum Art Conservatory. By the time he made his first film in 1929, Jagger had worked in stock, vaudeville and radio. At first, Hollywood attempted to turn Jagger into a standard leading man, fitting the prematurely balding actor with a lavish wig and changing his name to Jeffrey Dean. It wasn't long before the studios realized that Jagger's true calling was as a character actor. One of his few starring roles after 1940 was as the title character in Brigham Young, Frontiersman--though top billing went to Tyrone Power, cast as a fictional Mormon follower. Jagger won an Academy Award for his sensitive performance in Twelve O'Clock High (1949) as one of General Gregory Peck's officers (and the film's narrator). Physically and vocally, Jagger would have been ideal for the role of Dwight D. Eisenhower, but he spent his career studiously avoiding that assignment. Having commenced his professional life as a teacher, Dean Jagger came full circle in 1964 when cast as Principal Albert Vane on the TV series Mr. Novak.

Trivia: Specializing in playing shambling, cantankerous cynics, Walter Matthau, with his jowly features, slightly stooped posture, and seedy, rumpled demeanor, looked as if he would be more at home as a laborer or small-time insurance salesman than as a popular movie star equally adept at drama and comedy. An actor who virtually put a trademark on cantankerous behavior, Matthau was a staple of the American cinema for almost four decades.The son of poor Jewish-Russian immigrants, Matthau was born on October 1, 1920, in New York City and raised in a cold-water flat on the Lower East Side. His introduction to acting came during his occasional employment at the Second Avenue Yiddish Theater, where he sold soda pops during intermission for 50 cents per show. Following WWII service as an Air Force radioman and gunner, Matthau studied acting at the New School for Social Research Dramatic Workshop. Experience with summer stock led to his first Broadway appearances in the 1940s, and at the age of 28 he got his first break serving as the understudy to Rex Harrison's character in the Broadway drama Anne of a Thousand Days. After having his first major Broadway success with A Shot in the Dark, Matthau began working on the screen, usually in small supporting roles that cast him as thugs, villains, and louts in such films as The Kentuckian (1955) and King Creole (1958). Only occasionally did he get to play more sympathetic roles in films such as Lonely Are the Brave (1962). In 1959, he tried his hand at directing with Gangster Story. In addition to his stage and feature-film work, Matthau appeared in a number of television shows. Just when it seemed that he was to be permanently relegated to playing supporting and dark character roles on stage and screen, Matthau won the part of irretrievably slavish sportswriter Oscar Madison in the first Broadway production of Neil Simon's The Odd Couple (1965). Simon wrote the role especially for Matthau, and the show made both the playwright and the actor major stars. In film, Matthau played his first comic role (for which he won a Best Supporting Actor Oscar) in Billy Wilder's The Fortune Cookie (1966). The film also marked the first of many times that Matthau would be paired with Jack Lemmon. The unmistakable chemistry at play between the well-mannered, erudite Lemmon and the sharp-tongued, earthy Matthau exploded when they were paired onscreen, and was on particularly brilliant display in the hit film version of The Odd Couple (1967). Good friends with Lemmon both onscreen and off, Matthau starred in his directorial debut, Kotch (1971), and starred alongside him in The Front Page (1974) and Buddy Buddy, both of which did little for Matthau and Lemmon's careers. As a duo, the two again found success when they played two coots who were too busy feuding to realize that they were best friends in Grumpy Old Men (1993). They reprised their roles in a 1995 sequel and also appeared together in The Grass Harp (1995), Out to Sea (1997), and 1998's The Odd Couple II. On his own, Matthau continued developing his comically cynical persona in such worthy ventures as Plaza Suite (1971), California Suite (1978), and especially The Sunshine Boys (1975), in which he was paired with George Burns. He proved ridiculously endearing as a grizzled, broken-down, beer-swilling little league coach with a marshmallow heart in The Bad News Bears (1976), and further expressed his comic persona in such comedies as 1993's Dennis the Menace, in which he played the cantankerous Mr. Wilson, and the romantic comedy I.Q. (1994), which cast him as Albert Einstein.Though many of his roles were of the comic variety, Matthau occasionally returned to his dramatic roots with ventures such as the crime thriller Charley Varrick (1973) and The Taking of Pelham 1, 2, 3 (1974). In addition to his work in feature films, Matthau also continued to make occasional appearances in made-for-television movies, one of which, Mrs. Lambert Remembers Love (1991), was directed by his son Charles Matthau. Matthau, who had been plagued with health problems throughout much of his adult life, died of a heart attack at the age of 79 on July 1, 2000. The last film of his long and prolific career was Diane Keaton's Hanging Up (2000), a family comedy-drama that cast the actor as the ailing father of three bickering daughters (Lisa Kudrow, Meg Ryan, and Keaton). Coincidentally, when Matthau was hospitalized for an undisclosed condition in April of the same year, he shared a hospital room with none other than longtime friend and director Billy Wilder.

Trivia: He debuted onscreen in The Blackbord Jungle (1955) as a sadistic high school student, and after several years he moved up to starring roles. He often played vicious bad guys. He starred in the '60s TV series Combat. In the mid '60s he directed several off-Broadway plays and a couple of short films, then directed, co-produced, and co-wrote the film Deathwatch (1966), adapted from a Jean Genet play; after directing another feature he returned to acting, having gone eight years between screen roles. In 1982 he was killed by the blades of a helicopter while filming an action sequence in the film Twilight Zone: The Movie. He was the father of actress Jennifer Jason Leigh.

Trivia: He began acting in plays in his early teens, and was already a veteran by the time he joined Orson Welles's Mercury Theater in 1938; among his Mercury credits was a role in the infamous War of the Worlds radio broadcast. Like many Mercury performers, he followed Welles to Hollywood and debuted onscreen in Citizen Kane (1941). In a sporadically busy film career, he went on to play many character roles over the next four decades; he was often cast as insensitive, no-nonsense types, and sometimes played gangsters. He began a second career in the mid '50s as a TV director.

Trivia: A Hollywood child actor from 1927, Dick Winslow showed up in dozen of early talkies as page boys, messenger boys, and office boys. One of Winslow's few "named" roles was Joe Harper in the 1930 version of Tom Sawyer. Adept at several musical instruments, Winslow graced many a film of the 1940s and 1950s, playing everything from picnic accordion players to cocktail pianists. The apotheosis of this stage of Winslow's career was his one-man band in 1965's Do Not Disturb. A veteran of 60 years in the business, Dick Winslow made his last screen appearance as "the Old Man" in 1988's Fatal Judgment.

Trivia: Born into a poor San Francisco family, Raymond Bailey dropped out of school in the 10th grade to help make ends meet. He took on a variety of short-term jobs before escaping his lot by hopping a freight to New York. He tried in vain to find work as an actor, eventually signing on as a mess boy on a freighter. While docked in Honolulu, Bailey once more gave acting a try, and also sang on a local radio station. In Hollywood from 1932 on, Bailey took any nickel-and-dime job that was remotely connected to show business, but when World War II began, he once more headed out to sea, this time with the Merchant Marine. Only after the war was Bailey able to make a living as a character actor on stage and in TV and films. In 1962, he was cast as covetous bank president Milburn Drysdale on The Beverly Hillbillies, a role that made him a household name and one which he played for nine seasons (ironically, he'd once briefly worked in a bank during his teen years). After the show was cancelled in 1971, Bailey dropped out of sight and became somewhat of a recluse.

Trivia: Born and trained in New York City, Brian G. Hutton spent several frustrating years as a movie and TV bit player and as a stand-in for more famous screen personalities. With the help of an industry friend, writer/director Douglas M. Heyes, Hutton began securing TV-series directing assignments in the early 1960s. His first theatrical feature as a director was Wild Seed (1965), an outgrowth of Universal's "young talent" department. Hutton directed the outsized action films Where Eagles Dare (1969) and Kelly's Heroes (1970), and two Elizabeth Taylor vehicles, X, Y and Zee (1971) and Night Watch (1975). His last directing effort was High Road to China in 1983; Hutton died in 2014.

Trivia: Tall, hawk-nosed leading man Gavin Gordon was one of many stage actors drafted for the movies in the first years of sound. Stardom seemed within his grasp when he was cast opposite Greta Garbo in her second talkie, Romance (1930). Unfortunately, though his voice was clear and resonant, Gordon came off as stiff and soulless as a romantic lead. He would fare better in such secondary parts as the sanctimonious missionary fiancé of Barbara Stanwyck in The Bitter Tea of General Yen (1933), and the imperious Lord Byron in Bride of Frankenstein (1935). During the 1950s, Gavin Gordon was most active at Paramount Pictures, playing small character roles in such films as White Christmas (1954), Knock on Wood (1954) and The Ten Commandments (1955).

Trivia: Avery was a versatile American character actor onscreen from 1956, beginning with The Harder They Fall.

Trivia: As a producer, Charles Evans never scaled the heights of his more famous brother, Robert (onetime Paramount prexy and the force behind The Godfather and Chinatown), but he did demonstrate a razor-sharp business instinct that enabled him to co-found the Evan-Picone apparel company with a tailor, Joseph Picone, in 1949. After seemingly unlimited success in that arena -- and his foundation of the Evans Partnership Real Estate Company -- Evans moved into film production during the '80s and '90s, and produced Tootsie (1982), Monkey Shines (1988), and the infamous Showgirls (1995). He died in Manhattan at age 81, from complications of pneumonia.

Trivia: Sardonic, short-statured actor Ned Glass was born in Poland and spent his adolescence in New York. He came from vaudeville and Broadway to films in 1938, playing bits and minor roles in features and short subjects until he was barred from working in the early 1950s, yet another victim of the insidious Hollywood blacklist. Glass was able to pay the bills thanks to the support of several powerful friends. Producer John Houseman cast Glass in uncredited but prominent roles in the MGM "A" pictures Julius Caesar (1953) and The Bad and the Beautiful (1954); Glass' next-door neighbor, Moe Howard of the Three Stooges, arranged for Glass to play small parts in such Stooge comedies as Hokus Pokus (1949) and Three Hams on Rye (1954); and TV superstar Jackie Gleason frequently employed Glass for his "Honeymooners" sketches. His reputation restored by the early 1960s, Glass appeared as Doc in West Side Story (1961) and as one of the main villains in Charade (1963), among many other screen assignments; he also worked regularly on episodic TV. In 1972, Ned Glass was nominated for an Emmy award for his portrayal of Uncle Moe on the popular sitcom Bridget Loves Bernie.

Trivia: A former boxer, John Indrisano entered films via the sponsorship of several Hollywood sports fans, notably Mae West, who cast Indrisano in a small role in Every Day's a Holiday (1937). Sometimes typecast as a pugilist, Indrisano was more often seen as a trainer or referee. Non-boxing fans can spot him in such "civilian" roles as the chauffeur in Murder My Sweet (1944), one of his many film noir appearances. He also served as a technical advisor for the prizefight scenes in such films as The Kid From Brooklyn (1946) The Set Up (1949) and Carmen Jones (1954). John Indrisano was 62 years old when he hung himself in his San Fernando Valley home.

Trivia: Rising to fame as Pineapple in Hal Roach's Our Gang shorts in the mid-1920s, comic child actor Eugene Jackson performed in vaudeville in addition to his film work, and later continued to work alongside such comic icons as Redd Foxx. Born in Buffalo, NY, in 1916, Jackson got his break in show business while performing the shimmy for a bag of groceries at Central Avenue's Rosebud Theater in 1923. Winning the competition for three weeks in a row, his mother recognized the youngster's talents and soon took him to Hollywood to attempt a career in the entertainment industry. Soon signed to a two-year contract by Roach (who dubbed the child Pineapple due to his afro-frizz), Jackson made his Our Gang debut in The Mysterious Mystery! Later working for Mack Sennett and alongside Mary Pickford, Jackson made a successful transition into talkies with his role in the 1928 musical Hearts in Dixie, and toured in vaudeville when adolescence took hold. Later turning up on television in both Julia and Sanford and Son, the former child-star published a biography titled Eugene Pineapple Jackson: His Own Story in 1998. Jackson also established studios in both Compton and Pasadena, where he taught dance. Eugene Jackson died of a heart attack in Compton, CA, on October 26, 2001. He was 84.

Trivia: Kooky, chipper comic actress Jackie Joseph was a chorus dancer when she gained prominence in The Billy Barnes Revue, in which she appeared with her future husband Ken Berry. Not long afterward, Joseph was hired as Los Angeles' first TV weather girl. In films at least since 1955's Ma and Pa Kettle at Waikiki, Joseph's most fondly remembered screen role was pea-brained Audrey Fulquard in the original Little Shop of Horrors (1960). A prolific TV actress, Joseph was a comedy-ensemble player on the first Bob Newhart Show (1961-62) and played dizzy secretary Jackie Parker during the final 1972-73 season of The Doris Day Show. She briefly put her acting career on the back burner in the 1970s to become an LA TV host and tireless animal activist. After her costly, traumatic divorce from Ken Berry, Joseph organized L.A.D.I.E.S., a support group for ex-wives of celebrities. Jackie Joseph resumed her film activities in the 1980s; she was reunited with her Little Shop of Horrors co-star Dick Miller as the ill-fated Futtermans in Gremlins (1984) and Gremlins 2: The New Batch (1989).

Trivia: A rugged and trustworthy Western hero from Boston, silent screen cowboy Franklyn Farnum's appeal was closer to William S. Hart than Tom Mix. Farnum's road to screen stardom began in vaudeville and musical comedy. While he was not related to stage and screen stars William Farnum and Dustin Farnum, two legendary brothers who also hailed from Boston, he never really dissuaded the name association, and while he never achieved the same success as the other Farnums, it was not for lack of trying. Onscreen from around 1914, Franklyn Farnum was usually found in inexpensive Westerns and reached a plateau as the star of the 1920 serial The Vanishing Trails and a series of oaters produced independently by "Colonel" William N. Selig, formerly of the company that bore his name. In 1918, Farnum received quite a bit of press for marrying screen star Alma Rubens, but the union proved extremely short-lived. As busy in the 1920s as in the previous decade, Farnum made the changeover to sound smoothly enough, but he was growing older and leading roles were no longer an option. He maintained his usual hectic schedule throughout the following three decades, more often than not playing villains and doing bit parts, working well into the television Western era. For many years, Farnum was the president of the Screen Extras Guild. In 1961, Franklyn Farnum died of cancer at the Motion Picture Country Hospital in Woodland Hills, CA.