Trivia: Brooding and intense, Al Pacino has remained one of Hollywood's premier actors throughout his lengthy career, a popular and critical favorite whose list of credits includes many of the finest films of his era. Pacino was born April 25, 1940, in East Harlem, NY. Raised in the Bronx, he attended the legendary High School for Performing Arts, but dropped out at the age of 17. He spent the next several years drifting from job to job, continuing to study acting and occasionally appearing in off-off-Broadway productions. In 1966, Pacino was accepted to train at the Actors' Studio, and after working with James Earl Jones in The Peace Creeps, he starred as a brutal street youth in the off-Broadway social drama The Indian Wants the Bronx, earning an Obie Award as Best Actor for the 1967-1968 theatrical season. A year later, he made his Broadway debut in Does the Tiger Wear a Necktie? Although the play itself closed after less than 40 performances, Pacino was universally praised for his potent portrayal of a sociopathic drug addict, and he won a Tony Award for his performance. Pacino made his film debut in the 1969 flop Me, Natalie. After making his theatrical directorial debut with 1970's Rats, he returned to the screen a year later in Panic in Needle Park, again appearing as a junkie. (To prepare for the role, he and co-star Kitty Winn conducted extensive research in known drug-dealer haunts as well as methadone clinics.) While the picture was not a success, Pacino again earned critical raves. Next came Francis Ford Coppola's 1972 Mafia epic The Godfather. As Michael Corleone, the son of an infamous crime lord reluctantly thrust into the family business, Pacino shot to stardom, earning a Best Supporting Actor Oscar nomination for his soulful performance. While the follow-up, 1973's Scarecrow, was received far less warmly, the police drama Serpico was a smash, as was 1974's The Godfather Part II for which he earned his third Academy Award nomination. The 1975 fact-based Dog Day Afternoon, in which Pacino starred as a robber attempting to stick up a bank in order to finance his gay lover's sex-change operation, was yet another staggering success.The 1977 auto-racing drama Bobby Deerfield, on the other hand, was a disaster. Pacino then retreated to Broadway, winning a second Tony for his performance in the title role in The Basic Training of Pavlo Hummel. Upon returning to Hollywood, he starred in ...And Justice for All, which did not appease reviewers but restored him to moviegoers' good graces. Pacino next starred in William Friedkin's controversial Cruising, portraying a New York City cop on the trail of a serial killer targeting homosexuals; it was not a hit, nor was the 1982 comedy Author! Author! Brian DePalma's violent 1983 remake of Scarface followed; while moderately successful during its initial release, the movie later became a major cult favorite. Still, its lukewarm initial reception further tarnished Pacino's star. However, no one was fully prepared for the fate which befell 1985's historical epic Revolution; made for over $28 million, the film failed to gross even $1 million dollars at the box office. Pacino subsequently vanished from the public eye, directing his own film, The Local Stigmatic, which outside of a handful of 1990 showings at the Museum of Modern Art was never screened publicly. While his name was attached to a number of projects during this time period, none came to fruition, and he disappeared from cinema for over four years. Finally, in 1989, Pacino returned with the stylish thriller Sea of Love; the picture was a hit, and suddenly he was a star all over again. A virtually unrecognizable turn as a garish gangster in 1990's Dick Tracy earned him a sixth Oscar nomination, but The Godfather Part III was not the financial blockbuster many anticipated it to be. The 1991 romantic comedy Frankie and Johnny was a success, however, and a year later Pacino starred in the highly regarded Glengarry Glen Ross as well as Scent of a Woman, at last earning an Oscar for his performance in the latter film. He reunited with DePalma for 1993's stylish crime drama Carlito's Way, to which he'd first been slated to star in several years prior. Remaining in the underworld, he starred as a cop opposite master thief Robert De Niro in 1995's superb Heat, written and directed by Michael Mann. Pacino next starred in the 1996 political drama City Hall, but earned more notice that year for writing, directing, producing, and starring in Looking for Richard, a documentary exploration of Shakespeare's Richard III shot with an all-star cast. In 1997, he appeared with two of Hollywood's most notable young stars, first shooting Donnie Brasco opposite Johnny Depp, and then acting alongside Keanu Reeves in The Devil's Advocate. Following roles in The Insider and Any Given Sunday two-years later, Pacino would appear in the film version of the stage play Chinese Coffee (2000) before a two-year periods in which the actor was curiously absent from the screen. Any speculation on the workhorse actor's slowing down ended when in 2002 Pacino returned with the quadruple-threat of Insomnia, Simone, People I Know and The Recruit. With roles ranging from that of a troubled detective investigating a murder in the land of the midnight sun, to a film producer who builds the worlds first virtual actress, Pacino reenforced his image as a versatile, energetic and adventurous an actor. The films struck uneven chords, however; Insomnia hit a zenith, critically and commercially, while Pacino scraped bottom with Simone. Pacino fared better at the box and in the press with Michael Radford's December 2004 Merchant of Venice but dodged critical bullets with the D.J. Caruso-helmed 2005 gambling drama Two for the Money. Circa 2006, Pacino starred as Jack Gramm in 88 Minutes, the gripping tale of a college prof who moonlights as a forensics expert for the feds. He also announced plans, that year, to join the cast of Steven Soderbergh's Ocean's Thirteen and a remake of Jules Dassin's seminal Rififi, to reunite him with City Hall helmer Harold Becker.

Trivia: From lamebrained teenage time traveler to metaphysical sci-fi Superman, Keanu Reeves has portrayed just about every character type imaginable in his sometimes wildly fluctuating career. Frequently lambasted by critics and often polarizing audiences suspicious of his talent's true extent, Reeves has nevertheless managed to maintain his lucrative career by balancing his lesser efforts with intermittent direct hits at the box office.Born Keanu Charles Reeves in Beirut, Lebanon, on September 2, 1964, and named for the Hawaiian word that means "cool breeze over the mountains," the future actor was a world traveler by the age of two, thanks to his father's career as a geologist. His mother, Patricia Taylor, worked as a showgirl and later a costume designer of film and stage, and after his parents divorced, Reeves followed his mother and sister to live in New York; the trio would later relocate to Toronto -- where Reeves' interest in ice hockey and acting took a substantial precedence over academics. His formidable presence in front of the goal eventually earned Reeves the nickname "The Wall," and it wasn't long before all interest in school waned and the talented goalie decided to pursue acting.Later working as a manager in a Toronto pasta shop, Reeves soon began turning up in small roles on various Canadian television programs, making his feature debut in the 1985 Canadian film One Step Away before American audiences got their first good look at him in the 1986 Rob Lowe drama Youngblood. Subsequently going back to television and garnering favorable notice for his role in 1986's Young Again, it was the release of Tim Hunter's The River's Edge later that year that would provide Reeves with his breakthrough role. A harrowing tale of teen apathy in small town America, The River's Edge provided Reeves with a perfect opportunity to display his dramatic range, and the film would eventually become a minor classic in teen angst cinema.Appearing in a series of sometimes quirky but ultimately forgettable efforts in the following few years, 1988 found Reeves drawing favorable nods for his role in director Stephen Frears' Dangerous Liaisons. It was the following year's Bill & Ted's Excellent Adventure, however, that would transform the actor into something of an '80s icon. Reeves' performance of a moronic, air guitar wielding wannabe rocker traveling through time in order to complete his history report and graduate from high school proved so endearingly silly that it spawned both a sequel (1991's Bill & Ted's Bogus Journey) and a Saturday morning cartoon. In an odd twist of fate, Reeves and co-star Alex Winter had initially auditioned for the opposite roles from those in which they were ultimately cast. Though he would later offer variations of the character type in such efforts as Parenthood (1989) and I Love You to Death (1990), it wasn't long before Reeves was looking to break away from the trend and take his career to the next level.After drawing favorable reviews for his turn as a rich kid turned street hustler opposite River Phoenix in Gus Van Sant's 1991 drama My Own Private Idaho, Reeves battled the undead in Francis Ford Coppola's lavish production of Dracula (1992). Showing his loyalty toward fellow Bill and Ted cohort Winter with a hilarious extended cameo in Freaked the following year, Reeves once again teamed with Van Sant for the critically eviscerated Even Cowgirls Get the Blues before surprising audiences with an unexpectedly complex performance as Siddhartha in Bernardo Bertolucci's Little Buddha (1993).Just as audiences were beginning to ask themselves if they may have underestimated Reeves talent as an actor, the mid-'90s found his career taking an unexpected turn toward action films with the release of Jan de Bont's 1994 mega-hit Speed (Reeves would ultimately decline to appear in the film's disastrous sequel). Balancing out such big-budgeted adrenaline rushes as Johnny Mnemonic (1995) and Chain Reaction (1996) with romantic efforts as A Walk in the Clouds (1995) and Feeling Minnesota (1996), Reeves spooked audiences as a moral attorney suffering from a major case of soul corrosion in the 1997 horror thriller The Devil's Advocate. The late '90s also found Reeves suffering a devastating personal loss when his expected baby girl with longtime girlfriend Jennifer Syme was stillborn, marking the beginning of the end for the couple's relationship. Tragedy stacked upon tragedy when Syme died two short years later in a tragic freeway accident. His career in fluctuation due to the lukewarm response to the majority of his mid-'90s efforts, it was the following year that would find Reeves entering into one of the most successful stages of his career thus far.As Neo, the computer hacker who discovers that he may be humankind's last hope in the forthcoming war against an oppressive mainframe of computers, Reeves' popularity once again reached feverish heights thanks to The Wachowski Brothers' wildly imaginative and strikingly visual sci-fi breakthrough, The Matrix. Followed by such moderately successful films as The Replacements (for which he deferred his salary so that Gene Hackman could also appear) and The Watcher (both 2000), Reeves took an unexpectedly convincing turn as an abusive husband in Sam Raimi's The Gift before returning to familiar territory with Sweet November and Hardball (both 2001). With the cultural phenomenon of The Matrix only growing as a comprehensive DVD release offered obsessive fans a closer look into the mythology of the film, it wasn't long before The Wachowski Brothers announced that the film had originally been conceived as the beginning of a trilogy and that two sequels were in the works. Filmed back to back, and with both scheduled to hit screens in 2003, excitement over The Matrix Reloaded and The Matrix Revolutions began to reach feverish heights in the months before release, virtually ensuring that the films would become two of the year's biggest box-office draws; they delivered on this promise despite mixed critical receptions.Reeves ensured his liberation from typecasting with a drastic turn away from The Matrix as the curtain fell on 2003, by appearing as heartthrob Dr. Julian Mercer in Nancy Meyers' romantic comedy Something's Gotta Give. Although he played second fiddle to vets Jack Nicholson and Diane Keaton, Reeves scored a bullseye, especially with female viewers. In 2005, he joined the cast of the collegiate arthouse hit Thumbsucker as Perry Lyman and fought the denizens of hell in the occultic thriller Constantine. Reeves's 2006 roles included the animated Robert Arctor in Richard Linklater's A Scanner Darkly and Alex Burnham in Alejandro Aresti's romantic fantasy The Lake House (co-starring Sandra Bullock). In 2009, the actor was praised for his role as a bitter divorcee in the critically acclaimed comedy drama The Private Lives of Pippa Lee.Reeves soon pulled back from acting to focus more on behind-the-camera work, as a producer and director. He produced and starred in the limited release Henry's Crime (2010) and released his directorial debut, Man of Tai Chi, in 2013 (he also starred in the film). In 2014, Reeves executive produced and starred in John Wick, playing a retired hitman. He also produced a series of documentaries, Side by Side, about filmmaking in the digital and film world.Famously playing bass for the band Dogstar in his cinematic down time, Reeves' other personal interests include motorcycles, horseback riding, and surfing. When he's not filming, Reeves maintains an everpresent residence in Toronto, Ontario, Canada.

Trivia: As legend has it, Charlize Theron was discovered by an agent while fighting with a bank manager on Hollywood Boulevard. Eighteen and starving, Theron purportedly got into the argument after the manager refused to cash her check. The outburst caught the agent's attention, and eight months later Theron got her first acting job. She subsequently went on to become one of the hottest young actors in Hollywood, thanks to a fortuitous combination of talent and the blonde, statuesque good looks so fervently adored by the camera. Born August 7, 1975, Theron was raised on a farm in Benoni, South Africa. Trained as a ballet dancer, she was sent to Milan at 16 to become a model following the death of her father (which, it was later revealed, occurred after he was shot by Theron's mother, who was defending herself from his drunken abuse). After tiring of modeling, Theron returned to her first love, dancing, which resulted in a move to New York to dance with the Joffrey Ballet. Unfortunately, her career was halted by a knee injury, which led Theron -- at her mother's behest -- to travel to Los Angeles to try her luck with acting. After a long, unprofitable struggle, fate smiled upon Theron in the form of the aforementioned bank encounter. Following an inauspicious bit part in 1994's Children of the Corn III, Theron won her first dose of recognition with 2 Days in the Valley (1996). The film wasn't particularly successful, but it did give her both much-needed exposure and critical praise. The film also served as the stepping stone to her first leading role, that of Keanu Reeves' embattled wife in The Devil's Advocate (1997). The film drew poor reviews, but Theron managed to win widespread praise for her performance. Her next project, Trial and Error (1997), surfaced briefly before disappearing with nary a trace, but the subsequent Mighty Joe Young (1998) netted Theron more positive notices. Her ascent was confirmed with her casting in Celebrity, Woody Allen's 1998 cameo-fest that also featured turns from everyone from Kenneth Branagh to Winona Ryder to Leonardo DiCaprio to Isaac Mizrahi. In her portrayal of a perpetually aroused supermodel, Theron shone in a role seemingly designed to allow her to flaunt her natural attributes and little else. She was rewarded with more substantial -- not to mention multilayered -- work in The Cider House Rules (1999), Lasse Hallström's Oscar-winning adaptation of John Irving's novel. As a troubled young woman with secrets to hide, Theron received star billing alongside Michael Caine and Tobey Maguire.In the wake of The Cider House Rules came a few highly publicized but ultimately disappointing projects, including John Frankenheimer's Reindeer Games (2000), Robert Redford's The Legend of Bagger Vance (2000), and Sweet November (2001), the last of which reunited her with erstwhile co-star Keanu Reeves. Theron was also reunited with Woody Allen in his The Curse of the Jade Scorpion (2001), another widely anticipated film that, despite a high-profile cast and stylish period design, was both a critical and commercial underachiever.None of this, however, nudged Theron from her A-list status, something that was confirmed by her casting in the flashy, star-studded 2003 remake of The Italian Job, a much-beloved 1969 comedy caper starring Michael Caine. The 2003 version featured Mark Wahlberg in the starring role, with Theron, Edward Norton, Seth Green, and Mos Def, among others, backing him up. That same year, Theron switched gears and dove headfirst into the "serious actress" category with her starring role in Monster, the crime drama based upon the real-life story of serial killer Aileen Wuornos, a prostitute who, in the late '80s, murdered seven men in Florida. Co-starring Christina Ricci as Wuornos' lover, the film promised to show audiences a side of Theron that certainly hadn't been hinted at in her previous portrayals of models, girlfriends, and Southern debutantes. It was evidently successful as Theron was showered with more than a dozen awards including an Oscar following her first-ever Academy Award nomination.2005 would be a decidedly mixed year for Theron. She first appeared in the live-action adaptation of the cult animated series Aeon Flux, a film that was nearly unanimously maligned by critics and largely avoided by audiences. Luckily, she also starred in the well-received docudrama North Country. Playing a woman who successfully battled sexual harassment, Theron was honored with her second Oscar nomination for the performance.In 2007 Theron earned critical praise for her supporting role as a detective in In the Valley of Elah, and joined the star-studded cast of The Road in 2008. Theron took a lead role the following year in Young Adult (penned by Juno collaborators Diablo Cody and Jason Reitman) as a recently divorced author who returns to her hometown with her sights set on winning back her high school sweet heart. Young Adult was received well by both box office and critical standards. 2012's Snow White and the Huntsman featured Theron as the diabolical queen, while Prometheus (2012) found the actress playing the cold but complex character of corporate representative Meredith Vickers. In 2014, she took on a out-of-character comic role, playing the romantic lead in Seth Macfarlane's A Million Ways to Die in the West, before returning to top form in Mad Max: Fury Road the following year.

Trivia: Texas native Judith Ivey studied acting at Illinois State University, and began her acting career in the same state shortly afterward; by 1974, Ivey had debuted in a Chicago production of The Sea, and would continue to build her resumé until her move to New York City in the late '70s. A series of on- and off-Broadway performances met her there, as did two Tony awards (the first for her largely nude performance in Steaming [1983], and the second for her role as an abused go-go dancer in Hurlyburly [1985]). Known for her Southern charm and distinctive, rather nasal, voice, Ivey could be seen in film roles throughout the 1980s, appearing alongside Steve Martin in The Lonely Guy, Paul Newman in the family drama Harry and Son, Gene Wilder in The Woman in Red, and in the role of the outspoken best friend of Susan Sarandon in Compromising Positions (1985). The actress also found a great deal of success on the small screen -- Ivey starred in television productions of The Long, Hot Summer (1985), Dixie: Changing Habits (1985), We Are the Children (1987), and Decoration Day (1990) before landing several prominent sitcom roles. In 1991, Ivey returned to her Texas roots for NBC's Down Home, though she found more success playing wealthy widow B.J. Poteet on the final season of the long-running sitcom Designing Women (also NBC). Though Ivey continued to make regular appearances on television (including a performance on the Emmy-winning series Frasier), she found moderate success in several films. In 1997, Ivey played the well-to-do mother of Celine (Cameron Diaz) in Danny Boyle's A Life Less Ordinary; the same year, she would play supporting roles in Washington Square and The Devil's Advocate with Al Pacino. After appearing in several inconsequential films throughout the late '90s, Ivey was featured in Rose Red, Stephen King's popular television miniseries. In 2003, she had a prominent role in the independant film What Alice Found, which won a Special Jury Prize at the Sundance Film Festival. She could next be seen alongside Maggie Gyllenhaal, Elizabeth McGovern, and Peter Sarsgaard in 2004's In God's Hands.

Trivia: Hailed in Entertainment Weekly's 2000 Hot Issue as a mature female sex symbol, transplanted Dane Connie Nielsen also revealed that she could act in the Best Picture-winning blockbuster Gladiator (2000).Raised in Copenhagen, Nielsen trained to be a singer and dancer, as well as an actress. She began performing at age 15, with her mother, in local shows and headed to Paris when she was 18, to pursue her career in earnest. After stints in Italy and South Africa, the multi-lingual Nielsen finally landed in New York; she made her English language film debut as a terrorized passenger in the made-for-TV thriller Voyage (1993).Nielsen really began to attract Hollywood's attention, however, with her performance as the sizzlingly seductive, redheaded daughter of Satan (Al Pacino) in the supernatural potboiler The Devil's Advocate (1997). Along with smaller roles in the drug addiction drama Permanent Midnight (1998) and Wes Anderson's Rushmore (1998) (as the gorgeous mother of Max's friend Dirk), Nielsen landed her first starring role in 1998, as a planet pioneer who nurses Kurt Russell back to health in the science fiction actioner Soldier. Following roles in the low profile thriller Dark Summer (1999) and the higher profile Brian De Palma sci-fi saga Mission to Mars (2000), Nielsen notched a critically acclaimed hit with Ridley Scott's sword and sandal epic Gladiator. As the emperor's sister Lucilla, Nielsen got to hold her own against Joaquin Phoenix's scenery-chewing Commodus while falling in love with and quietly championing Russell Crowe's steely Maximus, proving that she could do more than just look good in Gladiator's Roman chic. Moving ever-closer to widespread recognition, Nielsen played a member of a family who attracts a menacing photo clerk (a dark turn by funnyman Robin Williams) in the taut thriller One Hour Photo. Alternating between smaller independent films and big-budget Hollywood extravaganzas, Nielsen turned up in Demonlover before turning back to the bright lights of Tinseltown with Basic and The Hunted (both 2003). Nielsen has one son.

Trivia: Solidly built American actor Craig T. Nelson started out as a comedy writer and performer, doing radio and nightspot gigs in the Los Angeles area. Success was not immediately forthcoming, and Nelson took a four-year sabbatical from show business, moving with his family to a remote cabin in Northern California. In 1979, he made his first film, ...And Justice For All, written by his onetime partner Barry Levinson. While subsequent roles in Poltergeist and Silkwood followed, Nelson would find true stardom on television. For eight seasons beginning in 1989, he starred as college athletics instuctor Hayden Fox on the top-ranked ABC sitcom Coach. Appearing alongside supporting players Jerry Van Dyke and Shelly Fabares, Nelson received an Emmy for his work on the show in 1992.After Coach, Nelson showed up in a few small roles in feature films and television mini-series before returning to series work in 2000, leading the cast of CBS's D.C.-based cop-drama The District. While enjoying the success of that show, Nelson found time for his first high-profile feature film role in over a decade, providing the voice of the head of a family of superheroes in the 2004 Disney/Pixar animated film The Incredibles. In 2005 he played the patriarch of the dysfunctional clan in The Family Stone, and followed that up two years later as skating coach in the comedy Blades of Glory. He was Ryan Reynolds disapproving dad in the hit comedy The Proposal in 2009. He was cast as the head of the Braverman clan in NBC's relaunch of Parenthood in 2010, and appeared in the inspirational Soul Surfer in 2011.

Trivia: She might not be a household name, but the statuesque character actress Tamara Tunie sports a resumé as distinctive as she is innately glamorous. Tunie landed her first major role as litigator Jessica Griffin McKechnie Harris on the soap opera As the World Turns in 1986 -- a part she played for 11 years. In the mean time, Tunie signed for a small role in the endearing yet sadly overlooked coming-of-age dramedy Sweet Lorraine (1987), an unsung predecessor to the box-office blockbuster Dirty Dancing, starring Maureen Stapleton and Trini Alvarado. Tunie signed for a bit part in the 1989 period murder mystery Bloodhounds of Broadway, but despite the fact that it claimed a pedigree as impressive as Lorraine (with Matt Dillon, Madonna, Jennifer Grey, and others), the movie unfortunately failed to deliver on its noble intentions. Over the course of the next several years, Tunie turned up several times on Steven Bochco's NYPD Blue, and landed the bit part of Leslie Christos in the Al Pacino big-city crime drama City Hall (1996), directed by Harold Becker (Taps). She re-teamed with Pacino for the darkly comic supernatural horror film The Devil's Advocate (1997), then worked with Brian De Palma and Nicolas Cage on the 1998 thriller Snake Eyes. Tunie's most high-profile work, however, was yet to come. In 2002, she delivered a compelling performance as Alberta Green in the first season of the series thriller 24. In 1999, the actress resumed her portrayal of Jessica Harris on As the World Turns and continued to sporatically return to the role through the 2000s. Beginning in 2000, Tunie also portrayed Melinda Warner on the popular series Law & Order: Special Victims Unit.

Trivia: A theater star from a diverse background, Ruben Santiago-Hudson was born in Lackawanna, NY, in 1956. Growing up with a combination of Puerto Rican and African American descent yielded many life-shaping experiences for Santiago-Hudson, and after studying at Binghamton University, he went on to write, direct, and star in the acclaimed play Lackawanna Blues, in which he portrayed over 20 characters from his past. The thespian would continue to work on-stage, appearing in plays like Jelly's Last Jam and Seven Guitars -- for which he won a Tony -- and additionally transitioned to the screen, appearing in a large number of films like The Devil's Advocate and Honeydripper. In 2005, Santiago-Hudson adapted Lackawanna Blues into a miniseries produced by HBO, which met with critical acclaim and garnered several major awards for star S. Epatha Merkerson. In the following years, Santiago-Hudson would find success on the popular series Castle.

Trivia: A classically trained actress with her roots in the theater, buxom performer Debra Monk spent years specializing in portrayals of matronly types, including aunts, mothers, and policewomen, on-stage and onscreen. Monk made one of her first film appearances as Aunt Dorothy in Norman Rene's fantasy comedy Prelude to a Kiss (1993) opposite Alec Baldwin and Meg Ryan, then moved into a lengthy series of additional A-list Hollywood projects, including Fearless (1993), For Love or Money (1993), Quiz Show (1994), and Extreme Measures (1996). In the meantime, Monk also continued her stage work in such Manhattan-area productions as Death Defying Acts (1995) and Redwood Curtain (1997), for which she netted a substantial degree of acclaim. Monk found even greater success on the small screen, however, with two ongoing roles on popular series: that of Katie Sipowicz on Steven Bochco's NYPD Blue and that of Louise O'Malley on Grey's Anatomy. In 2008, Monk landed a supporting role opposite John Malkovich and Colin Hanks in the bittersweet show business drama The Great Buck Howard (2008). She was away from screens for four years after that, but returned in the 2012 Katherine Heigl vehicle One for the Money.

Trivia: Born in 1982 and raised on the East Coast, child actress Heather Matarazzo took the role of Helen Keller in a local production of The Miracle Worker, and began taking roles in television with appearances in Nickelodeon's The Adventures of Pete and Pete, before her breakthrough role in the 1995 indie hit Welcome to the Dollhouse. Appearing in numerous critically praised independent films, and often displaying an impressive range of abilities and characterizations, Matarazzo seems at her best while taking on roles of bravely defiant but awkward characters who often find themselves in adverse situations.Though Matarazzo stuck to the small screen for the sci-fi series Now and Again (1999), her film roles began to become more regular and substantial over the years, taking roles in mainstream films and playing the keeper of a key piece of evidence in the final episode of the Scream trilogy. Having cemented herself in the movie scene, Matarazzo would appear in everything from broad comedies like The Princess Diaries and Sorority Boys to acclaimed favorites like Saved! and Magnus!. Matarazzo would also appear on shows like The L Word and Exes & Ohs.

Trivia: Whether on stage or the big screen, Delroy Lindo projects a powerful presence that is virtually impossible to ignore. Though it was not his first film role, his portrayal of manic depressive numbers boss West Indian Archie in Spike Lee's Malcolm X (1992) is what first attracted attention to Lindo's considerable talents. Since then, his star has slowly been on the rise and the actor has had steady opportunity to display his talent in a number of diverse films.The son of Jamaican parents, Lindo was born in London, England, on November 18, 1952. He was raised in Lewisham, England, until his teens, when he and his mother moved across the Atlantic to Toronto. Following a move to the U.S. a short time later, he became involved in acting, eventually graduating from San Francisco's renowned American Conservatory Theater. After graduation, he landed his first film role, that of an Army sergeant in More American Graffiti (1979). He would not appear in another film for a decade, spending the intervening years on the stage. In 1982, Lindo debuted on Broadway in Master Harold and the Boys, directed by the play's author, Athol Fugard. Six years later, he earned a Tony nomination for his portrayal of Harold Loomis in Joe Turner's Come and Gone.Although possessing obvious talent and the potential for a distinguished career, Lindo found himself in something of a rut during the late '80s. Wanting someone more aggressive and appreciative of his talents, he changed agents (he'd had the same one through most of his early career). It was a smart move, but it was director Spike Lee who provided the boost that the actor's career needed. The director was impressed enough with Lindo to first cast him in Malcolm X and then as patriarch Woody Carmichael in his semi-autobiographical comedy Crooklyn (1994), a role for which Lindo earned some long overdue praise. 1995 proved to be another big year for the actor, as he landed substantial supporting roles in two major films, playing a mercurial drug dealer in Barry Sonnenfeld's Get Shorty and another drug dealer in Lee's Clockers. The following year, he could be seen in yet another villainous role in Feeling Minnesota. However, he also proved that he could portray the other side of the law, in the Mel Gibson thriller Ransom, in which he played an FBI agent, and John Woo's Broken Arrow, which cast him as a colonel. He made good as baseball player Satchel Paige in the upbeat Baseball in Black and White that same year, winning himself an NAACP Image nomination in the process.Following a turn as a jaded angel opposite Holly Hunter in Danny Boyle's A Life Less Ordinary (1997), Lindo returned to a more earthly realm, further proving his talent for playing shadesters in The Cider House Rules (1999), in which he portrayed a cider house foreman who impregnates his daughter, and Romeo Must Die (2000), a loose adaptation of Romeo and Juliet that cast him as a vengeful mob boss. Following roles in Gone in Sixty Seconds (2000), Heist (2001), and The Last Castle (also 2001), Lindo re-teamed with Romeo star Jet Li for another high-kicking action opus, The One, in late 2001. Supporting roles in such high profile Hollywood films as The Core, Sahara, and Domino kept Lindo in the public eye over the course of the following decade, and in 2009 the actor lent his voice to the character of Beta in the runaway Pixar hit Up.

Trivia: A popular Broadway actor who was blacklisted following his refusal to answer questions at the HUAC hearings, actor and World War II veteran Alan Manson rebuilt his career following the McCarthy witch hunts, though he is best remembered for his stage roles in such Broadway hits as Funny Girl and Neil Simon's Broadway Bound. A Brooklyn, NY, native, Manson made his stage debut at 16 before hitting the bright lights of Broadway with his performance in Journey to Jerusalem at 21. Joining a touring wartime acting troupe during World War II, Manson and company attempted to keep morale high in such productions as Three Men and a Horse and Brother Rat. After being noticed by famed composer Irving Berlin, Manson made his film debut in the 1943 feature This Is the Army. Returning to the United States shortly following the end of the war, the now-established actor returned to the Broadway stage with roles in Call Me Mister and Rodgers & Hammerstein's Allegro. Summoned before the HUAC shortly before he was to take the lead in 1955's Blithe Spirit, the actor paid for his silence when he was blacklisted from television until the early '60s. Returning to the stage and screen in the early '70s following a few turbulent years, Manson would continue to make a name for himself with roles in made-for-television movies (Switch [1975] and Charles and Diana: Unhappily Ever After [1992]), theatrical feature films (Bang the Drum Slowly [1973], The Doors [1991]), and such notable television series as Three's Company, The Rockford Files, and Kojak. In March of 2002, Alan Manson died of natural causes in New York. He was 83.

Trivia: Was discovered at the Northgate Mall in her native Seattle.Is a former model.Played the matriarch of the Owens clan, Maria Owens, in Practical Magic (1998).Played the Angel of Light Guardian on the television series Charmed.Appeared on commercials, television shows and movies.

Trivia: Something of an old standby -- a stalwart -- whenever Hollywood needed to call on an Asian-American character actor during the '70s, '80s, '90s, and 2000s, James Saito made countless guest appearances on such blockbuster programs as M*A*S*H, The Fall Guy, and The A-Team, often without even so much as a character name. (The M*A*S*H appearances list him only as "South Korean" or "Korean Soldier.") From the early '80s onward, Saito's resumé started to incorporate a number of feature films; per the experiences of most character players, these pictures varied substantially in quality -- from the depths of Hot Dog... The Movie! (1983) to the heights of Buckaroo Banzai (1984) and Die Hard: With a Vengeance (1995). In 2007, Saito landed one of his first regular series roles, as Dr. Chen on the spiritual drama Eli Stone.

Trivia: Following her 1994 debut role as figure skater Oksana Baiul in the telemovie A Promise Kept: The Oksana Baiul Story, actress Monica Keena began to specialize in onscreen portrayals of wayward, vixenish young women. Parts that fell into this category included a lead turn in helmer Mo Ogrodnik's cloying, overbaked take of burgeoning female sexuality, Ripe (1996), and a recurring role on season two of Dawson's Creek (1998-1999) as teenage seductress Abby Morgan. As time rolled on, however, Keena broadened her focus and her emphasis into a diverse array of characterizations. Uniquely, in addition to appearing in low-medium budgeted indie films, she maintained a steady diet of roles in A-list Hollywood productions, including While You Were Sleeping (1995), The Devil's Advocate (1997), Orange County (2002), and Freddy vs. Jason (2003). She also played Kristen on the HBO seriocomedy Entourage and made repeat appearances as Bonnie on Grey's Anatomy. In 2007, Keena landed supporting roles in two promising direct-to-video features: the crime saga Loaded and the workplace comedy Corporate Affairs.

Trivia: From the time of his screen debut in the late '80s, the slightly stocky character actor William Hill specialized in everyman portrayals, often with a professional edge, such as psychiatrists, guards, and police detectives. He struck a fairly equal balance between television (with a series of appearances as different characters on Law & Order over the years) and features that fell into a wide variety of genres. These included Striptease (1996), Anything Else (2003), and Gran Torino (2006).

Trivia: Names Marlon Brando and Peter Sellers as two of his biggest acting influences. Has been a member of the Steppenwolf Theatre Company in Chicago and David Mamet's Atlantic Theater Company in New York. First big-screen appearance was in the 1997 romantic comedy Fools Rush In. Made his Broadway debut in 2005, playing Mitch in A Streetcar Named Desire. Auditioned for the role of detective Jimmy McNulty on HBO's The Wire, but was later cast as longshoreman Frank Sobotka. Has been a regular on several other TV series, including Third Watch, Tilt, Smith and True Blood.

Trivia: Lead actress, onscreen from 1981.