Trivia: Icon of British cool in the 1960s, leading action star in the late '70s, and knighted into official respectability in 1993, Michael Caine has enjoyed a long, varied, and enviably prolific career. Although he played a part in some notable cinematic failures, particularly during the 1980s, Caine remains one of the most established performers in the business, serving as a role model for actors and filmmakers young and old. The son of a fish-porter father and a charwoman mother, Caine's beginnings were less than glamorous. Born Maurice Micklewhite in 1943, in the squalid South London neighborhood of Bermondsey, Caine got his first taste of the world beyond when he was evacuated to the countryside during World War II. A misfit in school, the military (he served during the Korean War), and the job pool, Caine found acceptance after answering a want ad for an assistant stage manager at the Horsham Repertory Company. Already star struck thanks to incessant filmgoing, Caine naturally took to acting, even though the life of a British regional actor was one step away from abject poverty. Changing his last name from Micklewhite to Caine in tribute to one of his favorite movies, The Caine Mutiny (1954), the actor toiled in obscurity in unbilled film bits and TV walk-ons from 1956 through 1962, occasionally obtaining leads on a TV series based on the Edgar Wallace mysteries. Caine's big break occurred in 1963, when he was cast in a leading role in the epic, star-studded historical adventure film Zulu. Suddenly finding himself bearing a modicum of importance in the British film industry, the actor next played Harry Palmer, the bespectacled, iconoclastic secret agent protagonist of The Ipcress File (1965); he would go on to reprise the role in two more films, Funeral in Berlin (1966) and The Billion Dollar Brain (1967). After 12 years of obscure and unappreciated work, Caine was glibly hailed as an "overnight star," and with the success of The Ipcress Files, advanced to a new role as a major industry player. He went on to gain international fame in his next film, Alfie (1966), in which he played the title character, a gleefully cheeky, womanizing cockney lad. For his portrayal of Alfie, Caine was rewarded with a Golden Globe award and an Oscar nomination. One of the most popular action stars of the late '60s and early '70s, Caine had leading roles in films such as the classic 1969 action comedy The Italian Job (considered by many to be the celluloid manifestation of all that was hip in Britain at the time); Joseph L. Manckiewic's Sleuth (1972), in which he starred opposite Laurence Olivier and won his second Oscar nomination; and The Man Who Would Be King (1976), which cast him alongside Sean Connery. During the 1980s, Caine gained additional acclaim with an Oscar nomination for Educating Rita (1983) and a 1986 Best Supporting Actor Oscar for Hannah and Her Sisters. He had a dastardly turn as an underworld kingpin in Neil Jordan's small but fervently praised Mona Lisa, and two years later once again proved his comic talents with the hit comedy Dirty Rotten Scoundrels, in which he and Steve Martin starred as scheming con artists. Although Caine was no less prolific during the 1990s, his career began to falter with a series of lackluster films. Among the disappointments were Steven Seagal's environmental action flick On Deadly Ground (1994) and Blood and Wine, a 1996 thriller in which he starred with Jack Nicholson and Judy Davis. In the late '90s, Caine began to rebound, appearing in the acclaimed independent film Little Voice (1998), for which he won a Golden Globe for his portrayal of a seedy talent agent. In addition, Caine -- or Sir Michael, as he was called after receiving his knighthood in 2000 -- got a new audience through his television work, starring in the 1997 miniseries Mandela and de Klerk. The actor, who was ranked 55 in Empire Magazine's 1997 Top 100 Actors of All Time list, also kept busy as the co-owner of a successful London restaurant, and enjoyed a new wave of appreciation from younger filmmakers who praised him as the film industry's enduring model of British cool. This appreciation was further evidenced in 2000, when Caine was honored with a Best Supporting Actor Academy Award for his portrayal of an abortionist in The Cider House Rules. After launching the new millennium with both a revitalized career momentum and newfound popularity among fans who were too young to appreciate his early efforts, Caine once again scored a hit with the art-house circuit as the torturous Dr Royer-Collard in director Phillip Kaufman's Quills. Later paid homage by Hollywood icon Sylvester Stallone when the muscle-bound actor stepped into Caine's well-worn shoes for a remake of Get Carter (in which Caine also appeared in a minor role) the actor would gain positive notice the following year for his turn as a friend attempting to keep a promise in Last Orders. As if the Get Carter remake wasn't enought to emphasize Caine's coolness to a new generation of moviegoers, his turn as bespectacled super-spy Austin Powers' father in Austin Powers in Goldfinger proved that even years beyond The Italian Job Caine was still at the top of his game. Moving seamlessly from kitsch to stirring drama, Caine's role in 2002's The Quiet American earned the actor not only some of the best reviews of his later career, but another Oscar nomination as well. Caine had long demonstrated an unusual versatility that made him a cult favorite with popular and arthouse audiences, but as the decade wore on, he demonstrated more box-office savvy by pursuing increasingly lucrative audience pleasers, almost exclusively for a period of time. The thesp first resusciated the triumph of his Muppet role with a brief return to family-friendly material in Disney's Secondhand Lions, alongside screen legend Robert Duvall (Tender Mercies, The Apostle). The two play quirky great-uncles to a maladjusted adolescent boy (Haley Joel Osment), who take the child for the summer as a guest on their Texas ranch. The film elicited mediocre reviews (Carrie Rickey termed it "edgeless as a marshmallow and twice as syrupy") but scored with ticket buyers during its initial fall 2003 run. Caine then co-starred with Christopher Walken and Josh Lucas in the family issues drama Around the Bend (2004). In 2005, perhaps cued by the bankability of Goldfinger and Lions, Caine landed a couple of additional turns in Hollywood A-listers. In that year's Nicole Kidman/Will Ferrell starrer Bewitched, he plays Nigel Bigelow, Kidman's ever philandering warlock father. Even as critics wrote the vehicle off as a turkey, audiences didn't listen, and it did outstanding business, doubtless helped by the weight of old pros Caine and Shirley Maclaine. That same year's franchise prequel Batman Begins not only grossed dollar one, but handed Caine some of his most favorable notices to date, as he inherited the role of Bruce Wayne's butler, a role he would return to in both of the film's sequels, The Dark Knight and The Dark Knight Rises. Caine contributed an elegiac portrayal to Gore Verbinski's quirky late 2005 character drama The Weatherman, as Robert Spritz, the novelist father of Nic Cage's David Spritz, who casts a giant shadow over the young man. In 2006, Caine joined the cast of the esteemed Alfonso Cuaron's dystopian sci-fi drama Children of Men, and lent a supporting role to Memento helmer Christopher Nolan's psychological thriller The Prestige. In 2009 Caine starred as the title character in Harry Brown, a thriller about a senior citizen vigilante, and the next year worked with Nolan yet again on the mind-bending Inception.

Trivia: One of Hollywood's most distinguished, popular, and versatile actors, Robert Duvall possesses a rare gift for totally immersing himself in his roles. Born January 5, 1931 and raised by an admiral, Duvall fought in Korea for two years after graduating from Principia College. Upon his Army discharge, he moved to New York to study acting at the Neighborhood Playhouse, where he won much acclaim for his portrayal of a longshoreman in A View From the Bridge. He later acted in stock and off-Broadway, and had his onscreen debut as Gregory Peck's simple-minded neighbor Boo Radley in To Kill a Mockingbird (1962).With his intense expressions and chiseled features, Duvall frequently played troubled, lonely characters in such films as The Chase (1966) during his early film career. Whatever the role, however, he brought to it an almost tangible intensity tempered by an ability to make his characters real (in contrast to some contemporaries who never let viewers forget that they were watching a star playing a role). Though well-respected and popular, Duvall largely eschewed the traditionally glitzy life of a Hollywood star; at the same time, he worked with some of the greatest directors over the years. This included a long association with Francis Ford Coppola, for whom he worked in two Godfather movies (in 1972 and 1974) and Apocalypse Now (1979). The actor's several Oscar nominations included one for his performance as a dyed-in-the-wool military father who victimizes his family with his disciplinarian tirades in The Great Santini (1980). For his portrayal of a has-been country singer in Tender Mercies -- a role for which he composed and performed his own songs -- Duvall earned his first Academy Award for Best Actor. He also directed and co-produced 1983's Angelo My Love and earned praise for his memorable appearance in Rambling Rose in 1991. One of Duvall's greatest personal triumphs was the production of 1997's The Apostle, the powerful tale of a fallen Southern preacher who finds redemption. He had written the script 15 years earlier, but was unable to find a backer, so, in the mid-'90s, he financed the film himself. Directing and starring in the piece, Duvall earned considerable acclaim, including another Best Actor Oscar nomination.The 1990s were a good decade for Duvall. Though not always successful, his films brought him steady work and great variety. Not many other actors could boast of playing such a diversity of characters: from a retired Cuban barber in 1993's Wrestling Ernest Hemingway to an ailing editor in The Paper (1994) to the abusive father of a mentally impaired murderer in the harrowing Sling Blade (1996) to James Earl Jones's brother in the same year's A Family Thing (which he also produced). Duvall took on two very different father roles in 1998, first in the asteroid extravaganza Deep Impact and then in Robert Altman's The Gingerbread Man. Throughout his career, Duvall has also continued to work on the stage. In addition, he occasionally appeared in such TV miniseries as Lonesome Dove (1989) and Stalin (1992), and has even done voice-over work for Lexus commercials. In the early 2000s, he continued his balance between supporting roles in big-budget films and meatier parts in smaller efforts. He supported Nicolas Cage in Gone in 60 Seconds and Denzel Washington in John Q., but he also put out his second directorial effort, Assassination Tango (under the aegis of old friend Coppola, which allowed him to film one of his life's great passions -- the tango. In 2003, Kevin Costner gave Duvall an outstanding role in his old-fashioned Western Open Range, and Duvall responded with one of his most enjoyable performances.Duvall subsequently worked in a number of additional films, including playing opposite Will Ferrell in the soccer comedy Kicking & Screaming, as well as adding a hilarious cameo as a tobacco king in the first-rate satire Thank You For Smoking. In 2006 he scored a hit in another western. The made for television Broken Trail, co-starring Thomas Haden Church, garnered strong ratings when it debuted on the American Movie Classics channel. That same year he appeared opposite Drew Barrymore and Eric Bana in Curtis Hanson's Lucky You.In 2010, Duvall took on the role of recluse Felix "Bush" Breazeale for filmmaker Aaron Schneider's Get Low. The film, based on the true story of a hermit who famously planned his own funeral, would earn Duvall a nomination for Best Actor at the SAG Awards, and win Best First Feature for Schneider at the Independent Spirit awards. He picked up a Best Supporting Actor nod from the Academy for his work in 2014's The Judge, playing a beloved judge on trial for murder.

Trivia: For audiences around the world whose ears ring with the haunting and fateful revelation of a child tortured by terrifying visions of the afterlife, Haley Joel Osment may forever be linked to his role in what would rank among the most popular supernatural thrillers ever made, The Sixth Sense (1999). An Oscar nominee at the age of 11, Osment quickly became one of the most recognized and versatile young actors working in film, proving to audiences that his talents exceeded typecasting by constantly tackling new and challenging roles and characterizations.Born in Los Angeles, CA, on April 10, 1988, Osment set his acting career into motion, as many actors do, by appearing in commercials and taking small roles on television. Accompanied by his father to an audition for a Pizza Hut commercial and initially discouraged by the overwhelming amount of children vying for the role, Osment eventually stuck out the wait at his father's request and landed the role that would launch his career. Soon making his feature debut as the son of the titular shrimp slinger in the phenomenally successful Forrest Gump in 1994, Osment alternated between television (Murphy Brown and The Jeff Foxworthy Show) and film (Mixed Nuts and Bogus) while frequently appearing in such made-for-TV movies as The Ransom of Red Chief before making his breakthrough in director M. Night Shayamalan's The Sixth Sense.Following the success of The Sixth Sense with the well-intended but fatally flawed feel-good failure Pay It Forward, Osment escaped relatively unscathed as critics recognized the young actor's exceptional performance in what was otherwise a flop with critics and audiences alike. Imagination was the key to Osment's next project: director Steven Spielberg's long-anticipated, much-hyped A.I. An elaborately futuristic tale of an android that aspires to experience human emotion, A.I. was the first and only collaboration of two of the most influential filmmakers of the 20th century, the late Stanley Kubrick (who conceived the story based on Brian Aldiss' short story Supertoys Last All Summer Long) and Spielberg. In addition to appearing onscreen, Osment lent his voice to a number of animated films in 2000 and 2001, including the Disney sequels The Hunchback of Notre Dame II and The Jungle Book II. After once again providing voice work for the comedy musical The Country Bears, Osment returned to the screen body intact with Secondhand Lions in 2003. Cast as an intorverted youngster whose irresponsible mother sends him off to spend his summer with his eccentric uncles in Texas, Osment's onscreen abilities were key in making his character's transformation from withdrawn child to responsible young man believable.

Trivia: Born August 19th, 1965, actress Kyra Sedgwick was seemingly born into fame, as a cousin of '60s mod icon and muse of Andy Warhol Edie Sedgwick. While only 16 when she made her professional acting debut on the TV soap Another World in 1982, Kyra proved much more stable than her ill-fated predecessor, graduating from USC and going on to cultivate a successful acting career on the stage, screen, and television. With high cheekbones, piercing eyes, full lips, and a mane of striking blonde curls, the young actress had no problem landing the film and TV roles to sustain her life as a working actress, but her solid, pensive presence onscreen proved to be an even more useful asset than her looks. Landing at least two substantial parts a year, she built up a resumé over the next decade that included the title role in 1985's Cindy Eller: A Modern Fairy Tale and a part in the acclaimed 1987 TV movie Lemon Sky, where she met co-star and future husband Kevin Bacon. The two were married the following year and would have two children.As the '90s approached, Sedgwick gained big-screen attention with a supporting role in Oliver Stone's Born on the Fourth of July (1989). In 1992, she notably had the chance to embrace her Jewish side -- as a person who'd openly spoken about her mixed ethnic identity -- with a role in Miss Rose White, starring as a Polish-born woman sent to New York as a child to escape the Holocaust, but who is forced to confront the Jewish heritage she's since denied when she finds that the sister she was separated from is still alive.That same year, Sedgwick scored the "big break" part that she would long be remembered for when Cameron Crowe cast her as the female lead in his film Singles. A sweet and funny generational opus about life and love after college, the dramedy was filmed on location in Seattle in 1991, just as the grunge music movement was beginning to take off. In addition to supporting cast members like Matt Dillon and Bridget Fonda, the film featured artists like Eddie Vedder and Chris Cornell in minor roles as musicians. Sedgwick's placement in a movie that would prove to be so iconic for its time and place endeared her greatly to Gen-Xers, though she would lie low throughout the '90s and 2000s, frequently choosing smaller, independent projects.In 2004, Sedgwick and husband Kevin Bacon undertook a joint project, The Woodsman, which Bacon also produced. Still more daunting for the spouses than the notoriously stressful task of working together, the film cast Bacon as a paroled pedophile, examining the character's recovery and the tentative relationship that he forms with a somewhat emotionally hardened fellow lumberyard worker, played by Sedgwick. While hardly blockbuster subject matter, the project was praised by critics, as was Sedgwick's intimate, minimalist performance.It seemed clear that Sedgwick's interests as an actor lay outside the harshest glare of the Hollywood limelight, but in 2006 she managed to stumble into its illumination anyway, starring in the TNT drama The Closer. Playing a Southern-born police detective with an uncanny skill for extracting confessions, Sedgwick brought a multi-dimensional quality to the character of Brenda Johnson that made the series considerably more well-rounded than the other procedural crime shows that flooded prime time. The complex nature of the role earned her immense praise, as in a singe episode, Brenda could share the screen with her arrogant co-workers, her flirtatious beau, her beloved but nagging mother, and several criminal suspects that she might persuade to confess through any number of personal approaches. Audiences were awed at the genuineness with which Sedgwick was able to portray a character who is so frequently choosing her words and actions with careful precision, and the series was picked up for a second season in 2007. That same year, Sedgwick took home a Golden Globe for Best Actress in a Television Drama.When The Closer ended in 2012, Sedgwick returned to movies, including a small role in Man on a Ledge (2012), the lead in the horror film The Possession (2012) and an uncredited cameo in 2013's Kill Your Darlings.

Trivia: A kohl-eyed actor who has oozed a steady stream of low-key testosterone through a series of films that include Dazed and Confused (1993), A Time to Kill (1996), and The Limey (1999), Nicky Katt has brought life to a stable of idiosyncratic, often dysfunctional characters that have established him as one of the more adventurous young performers in Hollywood. A former child actor who first worked on shows ranging from V to Father Murphy, Katt got his adult breakthrough in Richard Linklater's Dazed and Confused, a film that also helped to launch the careers of such castmates as Parker Posey, Matthew McConaughey, and Joey Lauren Adams. He went on to do prolific supporting work, showing up to particularly memorable effect as a one-armed convenience store clerk in Gregg Araki's The Doom Generation (1995), as a belligerent redneck in Joel Schumacher's A Time to Kill (1996), and as Renee Zellweger's ambitious attorney boyfriend in One True Thing (1998). One of his most memorable roles came courtesy of Steven Soderbergh's The Limey, which featured Katt as a dreadlocked, sociopathic hitman whose running (and largely improvised) commentaries on various passersby provided some of the film's most unnerving comic moments. Although he has been seen mainly in a supporting capacity, Katt has also done notable lead work, particularly in Linklater's SubUrbia (1997), in which he managed to stand out from a talented ensemble cast with his portrayal of an alcoholic and xenophobic ex-Air Force recruit. The actor also starred in and executive produced Adam Goldberg's Scotch and Milk (1998), an acclaimed post-noir drama that featured him as one of a group of aimless friends skulking and posing their way around Los Angeles. With a growing list of credits and further roles in such well-received films as Boiler Room (2000), which cast him as a money-grubbing broker, Katt began the 21st century on a very promising note. With roles in such high-profile releases as Insomnia and director Steven Soderbergh's Full Frontal (both 2002), Katt continued to hold that note, all the while maintaining a growing fan base with his role as geology teacher Harry Senate on the popular evening drama Boston Public.He continued to work steadily in a variety of projects including the indie I Love Your Work, doing a cameo for Richard Linklater in School of Rock, Planet Terror, and appearing opposite Jodie Foster in the vigilante drama The Brave One.

Trivia: Thespian Michael O'Neill grew up in Montgomery, AL, and attended nearby Auburn University as an economics major, then took his first steps toward professional acting work with a move to New York and on-stage roles at Playwrights Horizons. During the '80s, '90s, and 2000s, O'Neill divided his time, more or less equally, between stage, screen, and television; in all of these venues, the actor specialized in portrayals of gently authoritative yet warm and genial everyman types, such as kind fathers, school psychologists, and small-town physicians. Features in which O'Neill appeared included Ghost Story (1981), The Sunchaser (1996), Traffic (2000), and Transformers (2007); memorable television roles include contributions to The West Wing (as the head of presidential detail), 24, and Boston Public.

Trivia: While his standout performance as Gabe, the troubled boyfriend of Claire Fisher (Lauren Ambrose), on the acclaimed HBO series Six Feet Under may have made a striking first impression on many viewers, the truth is that Eric Balfour had been acting in television for nearly a decade following his small-screen debut as a member of Kids Incorporated in 1991. A Los Angeles native whose spiritual family used to hold Lakota Indian sweat lodges in their backyard, Balfour is also a talented musician who once took to the stage with fellow actor Brittany Murphy as members of the band Blessed With Soul. Rising through the television ranks after his debut on Kids Incorporated, Balfour made his feature debut in the 1996 film Shattered Image. A high-profile role in the pilot epsiode of Buffy the Vampire Slayer, plus supporting roles in such teen-oriented films as Trojan War (1997) and Can't Hardly Wait (1998) were quick to follow, and a key performance in the 1999 family drama Scrapbook gave audiences their first true look at his dramatic abilities. Though subsequent supporting roles in What Women Want (2000) and America's Sweethearts (2001) didn't find Balfour climbing the credits as much as he may have deserved, his breakthrough role in Six Feet Under gave his feature career a notable shot in the arm. After appearing in the short-lived television series Veritas: The Quest and the feature Secondhand Lions, Balfour could be seen running scared in the Hollywood horror remake The Texas Chainsaw Massacre (2003). He continued to make supporting appearance in films, but really focused more on television; Balfour had a recurring guest spot on The O.C. and a major arc on 24, plus appearances on shows like Life on Mars and Law & Order: Criminal Intent. In 2010, he joined the cast of the SyFy supernatural series Haven.

Trivia: Versatile performer Christian Kane posed a dual threat in Hollywood, juggling multiple careers as an actor and vocalist/guitarist. Born to a prosperous oil-industry family in Dallas, TX, Kane relocated frequently with his family as a youngster, but ultimately settled in Norman, OK. From early boyhood, he nurtured dreams of Hollywood stardom -- dreams that eventually prompted him to leave college and head to the lights of Los Angeles; he also possessed an ingenuity that helped him find an "in" to the seemingly impenetrable entertainment industry, by approaching a prestigious Hollywood production company and offering to deliver scripts in exchange for talent consideration. It marked a bold but innovative move; significantly, the bid worked and Kane got his foot in the proverbial door. He soon landed his premier on-camera role, as one of the leads in the late '90s television series Fame L.A. Meanwhile, he jump-started a career as a musician on the side, by meeting the man who quickly became his songwriting partner, Steve Carlson. The two formed a band, christened KANE and started turning heads via Christian's unique country & western-infused vocals; with that outfit they headlines numerous Southern California hotspots including The Mint and The Viper Room.Unfortunately, Fame L.A. only lasted a short time, but Kane connected with much greater success via a recurring run on the vampire-themed fantasy series Angel, as attorney Lindsey McDonald. He then moved into feature roles and racked up a series of supporting turns in A-listers including the gentle Disney drama Secondhand Lions (2003), the dismal Ashton Kutcher sex farce Just Married (2003), and the critically acclaimed Billy Bob Thornton sports drama Friday Night Lights (2004). In the years that followed, Kane returned to television on two high-profile series: he played prosecutor's husband Jack Chase on the acclaimed Jerry Bruckheimer procedural drama Close to Home (2005-2006), then signed to star opposite Timothy Hutton and Beth Riesgraf in Leverage (2008), a TNT original series about an insurance investigator-turned-high-tech outlaw. While continuing to work on that successful program, he appeared in The Donner Party and Universal Squadrons.

Trivia: Began acting in grade school, after she was cast as an understudy in a play and had to fill in when the lead actor became ill. Modeled in Japan for three years. Made her acting debut in the 1995 made-for-TV movie drama A Family Divided. Took up horseback riding in 2010; entered a Burbank, CA, horse show where she placed third in the competition. Involved with animal protection organizations including JIMI'S ANGELS and Best Friends Animal Society; created Fluffball, an animal fundraiser event, to provide monetary support for the groups.

Trivia: Began acting at the age of 6, inspired by observing her older brother act in theater productions. Got her big break when she was cast in the 2003 film Secondhand Lions. Was 9 when she starred with Michael Caine in Secondhand Lions, and, having only seen him in Miss Congeniality, said she thought it was cool to work with a guy who had worked with Sandra Bullock.

Trivia: A lifelong actor who was just 7 years old when he portrayed a diminutive Chewbacca in a children's remake of Star Wars, Rockwall, TX, native Mitchel Musso appeared in print campaigns for McDonalds and Rand McNally before turning up in television commercials for Sony {!PlayStation and Hubba Bubba Bubble Gum. Of course, the ambitious youngster had more in mind than simply being a pitchman for a product, and in 2003 Musso would make his big-screen debut opposite both younger brother Marc and child superstar Haley Joel Osment in the coming-of-age comedy Secondhand Lions. Television roles in Oliver Beene and Stacked were quick to follow, though it was the 2006 hit Disney Channel series Hannah Montana that truly found the talented youngster's career blasting into overdrive on the small screen. Cast opposite Miley Cyrus, Jason Earles, and Emily Osment, Musso played the best friend of a talented young singer who leads a secret double life as a teen-pop superstar. Back on the big screen, Musso provided the voice of a suburban adolescent who suspects that his neighbor's house may hold a dark secret in the computer-animated hit Monster House. More vocal work was quick to follow when Musso stepped behind the microphone to provide the voice for pilot Aang in the animated Nickelodeon series Avatar: The Last Airbender, and Jeremy in Phineas and Ferb.

Trivia: Charles Saunders (often misspelled Sanders) was active in the British film industry from at least 1930. Saunders started out as an art director, then served as editor for films as diverse as the chop-licking meller Murder in the Red Barn (1935) and the patriotic We Dive at Dawn (1943). His first directorial credit was the 1944 comedy Tawny Pipit. Active until 1962, Charles Saunders spent the 1950s specializing in unsubtle melodramas, notably Kill Her Gently (1957) and Womaneater (1959).

Trivia: It was a pair of misfortunes that led darkly handsome Adrian Pasdar to become an actor. While studying literature at the University of Florida, he showed promise as a football player and might have made it a career had not an auto accident at the end of his freshman year taken him permanently off the field and sent him to his native Philadelphia. The son of a heart surgeon, Pasdar passed his recuperation time apprenticing as a set builder for the People's Light and Theatre Company until he seriously injured his thumb and again had to rethink his options. Injured enough to receive disability payments, Pasdar decided to become an actor and so enrolled at the Lee Strasberg Theater Institute in New York. Upon graduation, Pasdar successfully auditioned for a part in Top Gun (1986). In fact, director Tony Scott was impressed enough by Pasdar to write a small part, that of Chippie, just for him. Top Gun's success led Pasdar to a larger role in the youthful sci-fi/adventure Solarbabies (1986). The following year, Pasdar played a hapless Oklahoma cowboy who is seduced by a vampire and forced to join her roving band of bloodsuckers in Kathryn Bigelow's cult favorite Near Dark; Pasdar garnered acclaim for his role. He has subsequently specialized in independent films while only making the occasional major feature. In addition to his feature-film efforts, Pasdar continues working on-stage and appearing on television. He is particularly drawn to avant-garde and offbeat television pieces such as Big Time (1989). In 1996 Pasdar played a psychotic, ambitious corporate executive in the short-lived Fox Network series Profit. Since then, Pasdan finds himself in increasing demand as a supporting actor in films such as Ties to Rachel and A Brother's Kiss (both 1997).

Trivia: Parents were peace/anti-nuclear activists who moved frequently while he was young. As a result, he lived in 30 different places before he turned 13. His family did not have a TV until 1984, when they purchased one to watch the Olympics. Realized he wanted to become an actor in 1987 when he was mesmerized by Michael Douglas's Oscar-winning portrayal of Gordon Gekko in Wall Street. Made film debut in 1993's Alive. As an up-and-coming actor, he appeared in a number of off-Broadway shows in New York, including Terrence McNally's controversial drama Corpus Christi in 1998. Made his Broadway debut in 2005 in a revival of Tennessee Williams' The Glass Menagerie. Put on 43lbs. for the part of Texas Western coach Don Haskins in Glory Road (2006). In 2008, he appeared in an off-Broadway production of Fault Lines, a play directed by David Schwimmer. Portrayed a crime boss opposite James Franco in the drama William Vincent, an independent feature that premiered at the Tribeca Film Festival in 2010.