Trivia: One of the all-time great rock & rollers and an unprecedented, phenomenal show-business success, Elvis Presley also starred in 31 consecutive big-screen hits. He was among the Top Ten box-office attractions in 1957 and from 1961-1966. When he was 13, he moved to Memphis with his family, going on to work as an usher in a movie theater and a truck driver. Presley toured locally as a singer (billed as "The Hillbilly Cat") and recorded several singles for a local label; he was signed by RCA in 1955 and became an instant star, racking up one hit single after another. On-stage, he gyrated his midsection seductively, leading him to acquire the nickname "Elvis the Pelvis." His concert appearances inspired hysteria among his young female fans, and he was considered by many to be a negative moral influence. However, Presley maintained his clean-cut, "mama's boy" image and soon had fans from every generation. He began appearing in films in 1956, debuting in Love Me Tender. Never successful among critics, his films were designed around his casual, good-ol'-boy characters, successful flirtations with his pretty female co-stars, and numerous songs. And each film made money, altogether grossing more than 150 million dollars. After Presley served a tour in the army, his singing career declined in the early '60s, when the Beatles and other new groups dominated the airwaves; he continued making successful films until 1969 (his last was Change of Habit with Mary Tyler Moore, who played a nun). He also appeared in two concert documentaries, That's the Way It Is (1970) and Elvis on Tour (1972). In the early '70s, after a decade of few personal appearances, Presley began doing live entertainment again, and his drawing power was as strong as ever. However, he began neglecting his health and gained large amounts of weight. He died of a prescription-drug-induced heart attack in 1977, after which his cult of personality grew to enormous proportions. Presley is perhaps more popular in death than he was during his life.

Trivia: Mississippi-born Stella Stevens was a wife, mother, and divorcée before she was 17. While studying medicine at Memphis State College, Stevens became interested in acting and modeling. The notoriety of her nude spread in Playboy magazine was quickly offset by the public's realization that she had genuine talent, particularly in the comedy field. Stevens' many delightful comic characterizations include Apassionata von Climax in the movie version of Li'l Abner (1959), Glenn Ford's drum-playing girlfriend in Courtship of Eddie's Father (1963), and the klutzy heroine in the Matt Helm opus The Silencers (1966). She also showed up in a brace of 1960s cult favorites: Elvis Presley's Girls! Girls! Girls! (1962) and Jerry Lewis' Nutty Professor (1963), her presence in the latter film was celebrated by Lewis' utilization of the Victor Young musical piece "Stella by Starlight." Despite consistently good work, Stevens never achieved the full stardom that she deserved: When she posed again for Playboy in 1968, she admitted that it was purely to get people to attend her films. Stevens worked steadily on television since the late '50s, appearing regularly on the Flamingo Road series from 1981 to 1982. She switched to the other side of cameras in the 1980s, producing the documentary The American Heroine and directing the inexpensive Canadian feature The Ranch (1989). Stella Stevens is the mother of actor Andrew Stevens, and was very briefly the mother-in-law of actress Kate Jackson.

Trivia: One of the more talented "barrel-chested surfer boys" of the early '60s to follow in the wake of Tab Hunter and Troy Donahue, Jeremy Slate gained instant notoriety as a playboy hunk who set many a female heart aflutter. Born February 17, 1926, in Atlantic City, NJ, Slate first fell into the public spotlight at age 34, when cast as second-string fiddle to Keith Larsen in the CBS prime-time series The Aquanauts. Larsen and Slate played Drake Andrews and Larry Lahr, professional deep-sea divers who spent their days salvaging for treasure off the Southern California coast. The adventure drama debuted on CBS Wednesday evening, September 14, 1960. Unfortunately, The Aquanauts (unlike its syndicated competitor, Sea Hunt) ran headfirst into awful ratings. After several attempts by the network to save it from oblivion (including a new lead actor replacing Larsen, a new location in Malibu Beach, and a new title, Malibu Run) it quickly plummeted out of sight before wrapping in September 1961. Slate's early film roles were almost all of the vacuous-hunk variety, and thus mirrored his Aquanauts turn. He appeared in a brace of Elvis flicks, G.I. Blues (1960) and Girls! Girls! Girls! (1962), and as Scandinavian beefcake Eric Carlson in Bob Hope's musical comedy farce I'll Take Sweden (1965). The Henry Hathaway-directed Westerns The Sons of Katie Elder (1965) and True Grit (1969) provided the actor with slightly more substantial roles. Meanwhile, Slate guest starred on an estimated 100 television programs, from Bewitched to Gunsmoke to Police Story to Mission: Impossible.Slate maintained a higher profile as a writer and star of the motorcycle cult film Hell's Angels '69 (1969), directed by Lee Madden. This fell in the middle of a spate of grade-Z motorcycle flicks with Slate in the cast, from 1968's The Mini-Skirt Mob to 1967's Born Losers (the first of the Billy Jack cycle) to 1969's Hell's Belles. The "tough guy" role in these films was not anomalous for Slate, for as the '60s rolled on (and the actor entered his forties), his onscreen type shifted from that of a lusty Southern Californian sex symbol to a wizened street tough. The films in which he sustained this image varied somewhat in quality, but Slate scraped bottom (and then some) in William Grefe's nasty exploitationer The Hooked Generation (1969) as the head of a gang of drug pushers.In 1979, Slate hit a second wind of his career as Chuck Wilson on the ABC daytime soap One Life to Live. The role lasted eight years. During the '80s and '90s, he also appeared as a character actor in such low-profile cinematic features as Deadlock (1988), Maddalena Z (1989), and The Lawnmower Man (1992, playing Father McKeen).Jeremy Slate died at age 80, of complications following surgery for esophageal cancer, on November 19, 2006. His last film, Terry Leonard's Buttermilk Sky (2007), was released posthumously.

Trivia: Laurel Goodwin started working as a child model at the age of seven and decided in her teens to move into acting as a profession. She was born in Wichita, KS, but moved to San Francisco, CA, where she attended Lowell High School and San Francisco State University as a drama major. In the summer of her freshman year, her teacher advised her to do summer stock work in Shasta, CA, and in her spare time she ended up baby-sitting for the children of cinematographer Kurt Gunther; in return, he took some stills of her and passed them to the publicity department at Paramount, where he was working. She was invited to audition and became a contract player in 1962. Goodwin was noticed by producer Hal Wallis and cast in the Elvis Presley vehicle Girls! Girls! Girls! as the "nice girl" vying for the rock 'n' roll king's heart, in competition with female lead Stella Stevens. Goodwin received good notices for her debut and other film roles followed; in Papa's Delicate Condition she was Jackie Gleason's older daughter and in the A.C. Lyles-produced Stage To Thunder Rock she played alongside such veteran actors as Barry Sullivan, John Agar, and Lon Chaney Jr. Goodwin's third and last feature film was the Sam Peckinpah-authored, Arnold Laven-directed Western The Glory Guys, where she had the chance to make the acqaintance of a promising young actor in the cast named James Caan. By this time in the mid-'60s, however, film production was slowing to a relative trickle and there wasn't too much demand for actresses of Goodwin's type. Her subsequent career was confined to television, where she played a multitude of roles, ranging from ingenue parts to voluptuous hippie-chicks, in episodes of The Virginian, Mannix, Get Smart, and The Beverly Hillbillies, through the end of the 1960s. If she has any screen immortality beyond the Elvis Presley movie, however, it is from her work in "The Cage", the original pilot episode for Star Trek, starring Jeffrey Hunter and Susan Oliver, in which Goodwin played Yeoman Colt. Later recut into the two-part episode "The Menagerie" and then restored to circulation intact, "The Cage ended up one of the most renowned touchstones of 1960s science fiction. After losing the lead in Gidget because she was too tall, Goodwin gradually eased out of performing, apart from commercials. Since the 1970s, she has been married to film executive William Wood, and together the two have been involved in the making of several feature films, including Stroker Ace.

Trivia: The story goes that Benson Fong was a California grocer when, in 1943, he was asked by a talent scout if he'd like to be in a movie (Asian types were, of course, highly sought after during the War years). Actually, Fong had been accepting occasional movie bit parts as early as 1937. After his requisite wartime appearances as hateful Japanese soldiers and courageous Chinese freedom fighters, Fong showed up as Charlie Chan's "number three son" Tommy in four Monogram-produced "Chan" programmers. On the advice of his friend Gregory Peck, Fong added to his acting income by becoming a successful restaurateur, with several top eateries in the southern California region to his name. Active in films into the 1980s, Benson Fong also showed up from time to time on TV, notably as "The Old One" on Kung Fu.

Trivia: Beefy, bulldog-visaged actor Robert Strauss was the son of a theatrical costume designer. Strauss tried his hand at a number of odd jobs before he, too, answered the call of the theater. His best-known Broadway role was the dimwitted, Betty Grable-loving Animal in Stalag 17, a role that he recreated for the 1953 film version, and was Oscar nominated for his efforts. Though he'd been seen onscreen as early as 1942, Strauss' film career didn't really take off until he garnered positive notices for Animal. He spent most of the 1950s at Paramount, working with everyone from William Holden to Jerry Lewis. In 1971, after several distinguished years in the business, Robert Strauss found himself the object of showbiz-column scrutiny when he agreed to co-star in the Danish "soft core" sex farce Dagmar's Hot Pants.

Trivia: Sicilian actor Frank Puglia started his career with a travelling operetta company at age 13. He and his family moved to the US in 1907, where he worked in a laundry until he hooked up with an Italian-language theatrical troupe based in New York. In 1921, Puglia was appearing as Pierre Frochard in a revival of the old theatrical warhorse The Two Orphans when he was spotted by film director D.W. Griffith. Puglia was hired to repeat his role for Griffith's film version of the play, retitled Orphans of the Storm; while Pierre Frochard was slated to die at the end of the film, preview-audience reaction to the death was so negative that Griffith called Puglia back to reshoot his final scenes, allowing him to survive for the fade-out. For the rest of his long film career, Puglia essayed a wide variety of ethnic supporting parts, portraying priests, musicians, diplomats and street peddlers. In 1942's Casablanca, Puglia has a memorable bit as a Morroccan rug merchant who automatically marks down his prices to any friends of Rick Blaine (Humphrey Bogart). Frank Puglia played a larger and less likable role as a treacherous minion to sultan Kurt Katch in Ali Baba and the Forty Thieves (1944); when the film was remade as Sword of Ali Baba in 1965, so much stock footage from the 1944 film was utilized that Puglia was hired to replay his original part.

Trivia: Versatile actress Lili Valenty appeared in a wide variety of films. A native of Poland, she got her start on the German stage where she was a major star. In the early '30s, she emigrated to New York and launched a successful career on radio and the Broadway stage. She later made guest appearances on numerous television shows.

Trivia: Beulah Quo is the founder of one of America's first Asian-American repertory groups, the East West Players. The Emmy-nominated actress embarked on a lucrative film and television career following her film debut in 1955's Love Is a Many Splendored Thing. Born Beulah Kwoh in Stockton, CA, the future dialog coach-cum-actress earned a bachelor's degree in social welfare at the University of California, later obtaining a master's in sociology from the University of Chicago. Subsequently, Quo and her family relocated to China so she could find work as a teacher, but she and her family fled the country on a U.S. destroyer, just as the Communists took over shortly after World War II. It was while working as a sociology teacher at a small community college that Quo received news that director Henry King was searching for an Asian dialect coach for his film Love Is a Many Splendored Thing, and after meeting with the director, King cast Quo in a small role in the film. Her career took off shortly thereafter. Quo appeared in such films as Girls! Girls! Girls! (1962) and Chinatown (1974) before receiving an Emmy nomination for her role as a dowager empress in 1978's Meeting of Minds. Joining the cast of television's General Hospital in 1985, Quo would remain on the soap opera for six years. She also appeared in such films as Bad Girls (1994) and Brokedown Palace (1999). In her later years, Quo's final feature role was in the 2001 film Forbidden City. In late October of 2002, Beulah Quo died of heart failure in La Mesa, CA. She was 79.

Trivia: Nestor Paiva had the indeterminate ethnic features and gift for dialects that enabled him to play virtually every nationality. Though frequently pegged as a Spaniard, a Greek, a Portuguese, an Italian, an Arab, an even (on radio, at least) an African-American, Paiva was actually born in Fresno, California. A holder of an A.B. degree from the University of California at Berkeley, Paiva developed an interest in acting while performing in college theatricals. Proficient in several languages, Paiva made his stage bow at Berkeley's Greek Theatre in a production of Antigone. His subsequent professional stage career was confined to California; he caught the eye of the studios by appearing in a long-running Los Angeles production of The Drunkard, which costarred another future film player of note, Henry Brandon. He remained with The Drunkard from 1934 to 1945, finally dropping out when his workload in films became too heavy. Paiva appeared in roles both large and small in so many films that it's hard to find a representative appearance. Fans of Bob Hope and Bing Crosby can take in a good cross-section of Paiva's work via his appearances in Road to Morocco (1942), Road to Utopia (1945) and Road to Rio (1947); he has a bit as a street peddler in Morocco, is desperado McGurk in Utopia, and plays the Brazilian theatre manager who isn't fooled by the Wiere Brothers' attempt to pass themselves off as Americans ("You're een the groove, Jackson") in Rio. During his busiest period, 1945 through 1948, Paiva appeared in no fewer than 117 films. The familiar canteloupe-shaped mug and hyperactive eyebrows of Nestor Paiva graced many a film and TV program until his death in 1966; his final film, the William Castle comedy The Spirit is Willing (1967), was released posthumously.

Trivia: American actor Ken Becker played supporting roles in a number of Hal Wallis-Elvis Presley features. He then went on to work as a technician on network television.

Trivia: Australian actress Marjorie Bennett made her first film appearances in the pre-World War I years at the suggestion of her sister, silent film star Enid Bennett. Marjorie wasn't yet under the spell of the acting bug, so she abandoned performing for several years, re-emerging as a stage rather than screen actress. She returned to films in the late 1940s as a character player, notably in Charles Chaplin's Monsieur Verdoux (1947) and Limelight (1952). A prolific film and TV performer of the 1950s and 1960s, Marjorie Bennett was usually cast as huffy society matrons and haughty domestics; her massive bulk and easily outraged demeanor made her a perfect straight woman for such iconoclastic comedians as Red Skelton and the Three Stooges.

Trivia: Actor Richard Collier was more a fixture in the realm of television, having made well over 1000 appearances on the small screen, but was nonetheless employed frequently for films. A native of Boston, Collier started acting as most people do, on stage in the theater circuit throughout Massachusetts. When World War II broke out, his acting career was put on hold as he served in the U.S. Army. Only after the war did Collier begin making appearances in film and the new medium of television. Some of the many television shows the actor appeared on include The Beverly Hillbillies, The Andy Griffith Show, and Batman. Collier died, at the age of 80, in early 2000.

Trivia: Tall, hawk-nosed leading man Gavin Gordon was one of many stage actors drafted for the movies in the first years of sound. Stardom seemed within his grasp when he was cast opposite Greta Garbo in her second talkie, Romance (1930). Unfortunately, though his voice was clear and resonant, Gordon came off as stiff and soulless as a romantic lead. He would fare better in such secondary parts as the sanctimonious missionary fiancé of Barbara Stanwyck in The Bitter Tea of General Yen (1933), and the imperious Lord Byron in Bride of Frankenstein (1935). During the 1950s, Gavin Gordon was most active at Paramount Pictures, playing small character roles in such films as White Christmas (1954), Knock on Wood (1954) and The Ten Commandments (1955).

Trivia: French-Cajun actor Lance LeGault broke into films as a stand-in for several male stars, foremost among them Elvis Presley. LeGault also worked as a stunt double, occasionally playing speaking roles in films like 1968's The Young Runaway. He has also been steadily employed as a nightclub and lounge singer. In the 1980s, he was busy on television in a variety of rough-hewn characterizations. Lance LeGault's regular TV-series roles include antagonistic Col. Roderick Decker in The A-Team (1983-86) and gonzo bounty hunter Alamo Joe in Werewolf (1987-88).

Trivia: Jack Nitzsche penned and arranged many classic songs for record producer Phil Spector during the '60s. In the '70s, he began composing soundtracks for such major features as One Flew Over the Cuckoo's Nest (1975) and Stand by Me (1986).

Trivia: Trained as a dancer, Mary Treen spent the late '20s-early '30s as a leading lady in vaudeville, light opera, and musical comedy. After a handful of Vitaphone short subjects, Treen was signed to a Warner Bros. contract in 1934. She spent the bulk of her film career playing wisecracking clerks and telephone operators, or essaying "heroine's best friend" roles. Her movie assignment was the Tillie the Toiler-type role especially written for her in Paramount's I Love a Soldier (1944), though her many fans would probably nominate her performance as Cousin Tilly in the ubiquitous It's a Wonderful Life (1946). On television, Treen was a regular on the 1954 sitcom Willy, and later played Hilda the maid on The Joey Bishop Show (1962-1965). Mary Treen's final appearance before the cameras was in the 1983 made-for-TV movie Wait Till Your Mother Gets Home!

Trivia: Burly character actor, onscreen from the '60s. He was Elvis Presley's bodyguard.