Trivia: Though known mainly for his role as complicated police officer Vic Mackey on F/X's television cop drama The Shield, Massachusetts native Michael Chiklis has been acting professionally since the age of 13, when he made several appearances at the Town and Country Playhouse in Salem, NH. From there, Chiklis enlisted in a variety of classical, occasionally Shakespearian theatrical productions at the prestigious Merrimack Repertory Theatre and ultimately studied acting in the drama program at Boston University's College of Fine Arts. After graduating, Chiklis traveled to New York and began the auditioning process. In 1988, he was picked to portray John Belushi in the feature film Wired, though litigation and controversy delayed the release and proper promotional process, and the picture itself was a wretched mess (not to mention a depressing affair).By 1991, after making guest appearances in some of the most popular sitcoms of the time (Murphy Brown, L.A. Law, and Seinfeld, to name a few), Chiklis was cast as amiable police commissioner Tony Scali on ABC's The Commish. Though a few extra pounds at that time helped him land the role after his audition, his subsequent weight loss required him to wear a "fat suit" to remain in character (though the actor was only in his mid-twenties, series producers created the role for someone much older). When The Commish ceased to be after a five-year run, Chiklis took on a small role in Oliver Stone's Nixon (1995) and starred in the ill-fated NBC sitcom Daddio (2000). Two years later, the series premiere of The Shield catapulted Chiklis back into the forefront of network success. His role on the popular series would bring him two Best Actor nominations from the Golden Globes, as well as one from the Screen Actor's Guild.Chiklis contented himself with this part for several years, but in 2005, he returned to cinematic ventures and went big budget with the FX-laden summer extravaganza Fantastic Four. This film - like the famous Stan Lee comic strip - concerns a group of individuals who journey into outer space to investigate a cosmic storm, and find each of their DNA codes altered in a unique way; one by one, they become The Human Torch, The Thing, The Invisible Girl, and Mr. Fantastic (four superheroes, each of whom has a unique power) -- and must collectively take on the seemingly invincible Doctor Doom (Julian McMahon). Chiklis plays The Thing (nee Ben Grimm), a creature made entirely of stone. Though broadly derided in the press, the public ignored the negative critical responses and helped The Fantastic Four reel in an estimated worldwide gross of around $330 million -- paving the way for a 2007 sequel, Fantastic Four: Rise of the Silver Surfer. The Shield would end its run in 2008, but that same year, Chiklis signed for a supporting role in director D.J. Caruso's psychological thriller Eagle Eye. He was soon back on the small screen, however, with a starring role on the short-lived comedy series No Ordinary Family.

Trivia: One of Canada's fastest-rising actors, Callum Rennie (also known as Callum Keith Rennie) came into the business at an age when most actors are considered to be heading steadily over the hill. Rennie had his breakthrough when he was 34, starring alongside Sandra Oh in Mina Shum's acclaimed Double Happiness (1994). Nominated for a Genie (Canada's equivalent of the Oscar) for his portrayal of Mark, the endearingly geeky guy who falls in love with Oh's character, Rennie was effectively introduced to audiences across Canada, many of whom wondered where he had been for so long.Born in Sunderland, Tyne-and-Wear, England, on September 14, 1960, Rennie moved to Edmonton, Alberta, with his family when he was barely out of diapers. Raised as the second of three sons in a middle-class family, he first thought about becoming an actor at the age of 18 and began appearing in local theatre productions. Unfortunately, any career aspirations he had took a back seat to an addiction to alcohol, one that would control his life until he was 33. Drinking heavily, Rennie continued his involvement with the theatre, appearing in a number of stage productions, but his work -- which often met with substantial acclaim -- was largely overshadowed by his addiction. Things finally began to change for Rennie in 1993, when he got into a bar fight that resulted in glass in his left eye and a vow to quit drinking. His ensuing sobriety was accompanied by a change in his career, marked by an increasing number of supporting roles on various TV programs, including a recurring spot on the CBC's My Life as a Dog, for which he won a Genie. Rennie's 1994 screen breakthrough in Double Happiness opened the door for more screen work, including Bruce McDonald's wickedly good but woefully little-seen Hard Core Logo (1997), a pseudo rock documentary that cast Rennie as an aging punk rocker. He also landed a starring role on Due South, an popular Canadian TV series that cast him as a hard-bitten Chicago cop.In 1998, Rennie won one of the most important roles of his career to date in Don McKellar's Last Night. An acclaimed film about the end of the world, it cast the actor as a man intent on trying every possible sexual variation imaginable in the time he has left. Rennie won a Genie for his performance, which imbued the character with more charm than smarm and captured both his efficacious self-assurance and surprising awkwardness. The film also allowed the actor to collaborate again with Sandra Oh, as well as director David Cronenberg; the following year, Cronenberg cast him in a substantial role in eXistenZ.As the 21st century began, Rennie could be seen in The Last Stop as well as Christopher Nolan's breakthrough hit Memento. He jumped back and forth between small and big-screen projects such as Bliss, Dark Angel, The Butterfly Effect, Blade: Trinity, The X-Files, Battlestar Galactica, and 24, finding one of his biggest successes when he was cast in the AMC mystery series The Killing as Rick Felder.

Trivia: Though eminently distinguished, actor Mike Nussbaum built a screen career tackling the most difficult sort of onscreen character roles: that of the everyman. After serving in World War II, Nussbaum applied to the esteemed Goodman School of Drama but was rejected; he subsequently started an exterminator business and became active in community theater before achieving his break at the hands of Hull House theater proprietor Bob Sickinger and developing a particularly strong reputation for Chicago-area work in the plays of Beckett, Ionesco, and Pinter. Nussbaum debuted on film in the late '60s and early '70s, with bit parts in features such as The Monitors (1969), T.R. Baskin (1971), and Harry and Tonto (1974), and in the mean time remained extremely active on the stage, particularly Windy City and Gotham productions, where he excelled in David Mamet-authored plays including American Buffalo and Glengarry Glen Ross. In fact, Nussbaum's onscreen activity re-crescendoed to no small degree in the late '80s thanks largely to Mamet, who cast him in two films -- the 1987 thriller House of Games (1987, with prominent billing as a snaky con man) and the gentle 1988 comedy Things Change (as a Mafia don). Subsequent projects included Steal Big, Steal Little (1995), Men in Black (1997), and Osso Bucco (2007).

Trivia: Petite brunette leading lady Theresa Saldana made her first film appearance in 1978's I Wanna Hold Your Hand. In 1980, Saldana was seen as Jake LaMotta's sister-in-law in Raging Bull and as Sophia Loren's sister Maria in the made-for-TV Sophia Loren: Her Own Story. That same year, she showed up in a traditional woman-in-peril role in Defiance. One of the most fervent fans of that film was a drifter by the name of Arthur Richard Jackson, who couldn't stand the thought of his beloved Saldana (whom he'd never met) being subjected to danger and evil. Reportedly, he decided then and there to "save" the actress by killing her himself. On March 15, 1982, Saldana was assaulted and nearly stabbed to death by Jackson. After a long and traumatic recuperation period, she organized Victims for Victims, a support group for other people who'd survived near-fatal attacks from "devoted admirers." Her own story was dramatized in the 1984 TV movie Victims for Victims: The Theresa Saldana Story, in which she played herself. More recently, Theresa Saldana co-starred as Rachel Scale, wife of the title character, in the 1990s TV series The Commish, and hosted the Lifetime Cable Network "reality" series Confessions of Crime (1991). Saldana retired from acting in 2004; she passed away in 2016 at age 61.