Trivia: British stage and film actor Corin Redgrave is the son of theatrical luminaries Michael Redgrave and Rachel Kempson, and the brother of actors Vanessa and Lynn Redgrave. He first embarked upon the "family business" while attending Cambridge, acting in productions staged by the Marlowe Society. He made his professional stage debut in 1963, and appeared in his first film in 1966, playing William Roper in the Oscar-winning A Man for All Seasons. Among his myriad of stage credits was Alan Ayckbourn's comic trilogy The Norman Conquests, in which he starred as the bed-hopping Norman. Easing comfortably into character roles in his fifties, Corin Redgrave was recently seen as Hamish in the runaway movie hit 4 Weddings and a Funeral (1993).

Trivia: Stout, jovial character actor Simon Callow has been enlivening the stage and screen for years, often in roles that highlight his versatility and capacity for a particular brand of good-natured, self-deprecating humor.Born in London on June 13, 1949, Callow began going to the theatre when he was 18 and working at a bookstore with no idea of what to do with his life. He took a particular interest in the Old Vic, which was being run by Laurence Olivier at the time. Deeply impressed with Olivier's talent, Callow wrote to him. To his great surprise, the esteemed actor responded in kind, telling the young man that if he was interested in acting, he should consider taking a job at the Old Vic's box office. Callow did so, and thus made his entrance into the theatre world. He subsequently became a fixture on the London stage, appearing in numerous productions over the years.Callow made his film debut with a substantial supporting role in 1984 in Milos Forman's Amadeus. Two years later, he endeared himself to transatlantic audiences with his portrayal of the bumbling reverend Mr. Beeb in Merchant-Ivory's celebrated adaptation of E.M. Forster's A Room with a View. He would also appear in two more Merchant-Ivory-Forster adaptations, Maurice (1987), in which he had a brief role as the title character's deluded school teacher, and Howards End (1992), which featured him in the small but memorable role of a pompous lecturer on music appreciation.In addition to his numerous collaborations with Merchant-Ivory (which also include Mr. and Mrs. Bridge, 1990, and Jefferson in Paris, 1995), Callow has worked in a number of diverse British and American productions. Perhaps one of his best-loved and most recognizable roles was in the popular Four Weddings and a Funeral (1994). As one of Hugh Grant's motley circle of friends, the ebullient, flamboyant Gareth, Callow injected both poignance and joie de vivre into the proceedings. His character particularly stood out for being in an open, unapologetic relationship with another man (John Hannah), something that at the time had few parallels in American films. The character also highlighted Callow's status as one of Britain's openly gay actors, which also had regrettably few parallels across the Atlantic.Among the other diverse films he appeared in throughout the '90s, Callow particularly stood out in the animated James and the Giant Peach (1996), in which he voiced the wise Grasshopper; the acclaimed Shakespeare in Love (1998), which featured him as the obnoxious, party-pooping Master of Revels; and Rose Troche's omnisexual romantic comedy Bedrooms & Hallways (1998), in which Callow starred as the painfully sincere guru of a men's consciousness-raising group.Keeping busy into the new millenium, Callow noteably appeared among the ensemble cast of Mike Nichols' critically-acclaimed HBO mini-series Angels in America.In addition to working in front of the camera, Callow has spent a fair amount of time behind it as a director. In 1991, he made his feature directorial and screenwriting debut with the film version of Carson McCullers' Ballad of the Sad Cafe. Two years earlier, he had made his Broadway debut as the director of Shirley Valentine. And, apparently averse to having too much free time, Callow is also the author of numerous books on acting and actors. In particular, his biographies of Orson Welles and Charles Laughton have met with great acclaim, further establishing Callow as an actor who is more than just the sum of his parts.

Trivia: On stage since age 17, British actress Rosalie Crutchley established her predilection for gloomy, tragic roles early on. She set a precedent for her film career by being killed off halfway through her first film Take My Life (1948). Slight, dark and sharp-featured, Rosalie found herself typed as mystery women, wronged wives and sinister housekeepers; among her best film assignments were A Tale of Two Cities (1958) (as Madame LeFarge), and The Return (1974). Like many "pigeonholed" film actors and actresses, Rosalie Crutchley enjoyed a wider range of roles on stage and in TV.

Trivia: Prior to his stage work with the Old Vic and other such venerable British theatrical institutions, Jeremy Kemp was trained at the Central School of Speech and Drama. Attaining nationwide popularity on the long-running BBC crime series Z Cars, Kemp quit the series cold in 1965 to concentrate on films. Those film historians who've summed up Kemp's post-Z Cars TV appearances as "sporadic" evidently haven't seen his small-screen work in such miniseries as Winds of War and its sequel War and Remembrance (he played German general Armin Von Roon in both); he also played Cornwall in Sir Laurence Olivier's 1983 television adaptation of King Lear, and was featured in the internationally produced historical multiparters George Washington (1985) and Peter the Great (1986). Exuding class and professionalism from every pore, Kemp was afforded ample screen time as Sir John Delaney in the 1994 box-office hit Four Weddings and a Funeral. Evidently, Jeremy Kemp expends all his energy on his acting: when asked in 1981 to list his favorite off-stage hobbies, he wrote "Bad sports and pure idleness."

Trivia: Best known for her role as Hugh Grant's eccentric roommate in the 1994 romantic comedy Four Weddings and a Funeral, British actress Charlotte Coleman had a talent for playing quirky characters thanks in part to her intense and unique personality.Born into a theatrical London household in April of 1968, the youngest daughter (her sister, Lisa, also an actress) of actress Ann Beach and television producer Francis Coleman began acting at the age of eight, receiving her early education at St. Michael's School in Highgate. Later training at the same Camden club as Emma Thompson, Coleman found much success in her early years with roles in such popular television programs as Worzel Gummidge and Educating Marmalade. Expelled from Camden due to her rebellious nature, the unruly teen attempted to sabotage her own career by giving deliberately bad audition performances, only to be thwarted when she was often offered the roles that she had worked so hard to reject. Following her expulsion from Camden, Coleman had a change of heart regarding her career and later paid for an education at the West Country's progressive Dartington with money that she had earned from television roles. Later noted for her role as a lesbian teen in the BBC production of Oranges Are Not the Only Fruit, Coleman would shoot to fame four short years later with her role alongside Grant in the international hit Four Weddings. Increasingly busy into the later 1990s, Coleman turned up in such films as The Young Poisoner's Handbook (1995), The Man With Rain in His Shoes (1998), and Beautiful People (1999). Turning up in the lead for A Loving Act in 2001, Coleman was gaining increasing momentum when a lifelong illness cut short her promising career. A lifelong asthmatic, Coleman died after suffering a major asthma attack in her London home in November of 2001. Coleman was 33.

Trivia: Early in her career, it looked as though actress Kristin Scott Thomas was going to be relegated to playing the kind of elegantly bloodless British women she portrayed in Four Weddings and a Funeral (1994), but with her role as the aristocratic but passionate Katharine Clifton in The English Patient (1996), Scott Thomas broke the mold, proving herself capable of projecting a good deal of sensuality and heat as her character embarked on a tragic affair with a Hungarian adventurer (Ralph Fiennes). The daughter of a Royal Navy pilot who died in an air crash when she was five, Scott Thomas was born the eldest of five children, in Cornwall, on May 24, 1960. When she was 11, tragedy struck again when her stepfather, also a military pilot, met a demise identical to her father's. Scott Thomas was left to help her mother look after the family and -- in contrast to what her film roles would suggest -- her situation was far from aristocratic. Although she had an interest in acting, her mother loathed the idea and sent her daughter to the Cheltenham Ladies College. Scott Thomas dropped out at age 16, spent some time in a convent, and eventually enrolled at London's Central School of Speech and Drama to take a teacher training course. Unable to resist the call of the stage, however, Scott Thomas quietly began studying drama. Unfortunately, the school's drama department advised her to pursue other professions. Scott Thomas was 18 at the time and in addition to being hurt by the drama department's rejection, she was also fed up with school. Seeking to gain perspective on her life, she went to visit some friends in Paris. What originally began as a two-week vacation ended in a permanent change of residence, after Scott Thomas took an au pair job and then fell in love with a Frenchman (she eventually married, and divorced, obstetrician François Olivennes, with whom she has two sons and a daughter).Though her new French friends teased her for being a funny little English girl, Scott Thomas found herself at home in Paris and decided to try acting again. At the encouragement of her friends, she enrolled in L'Ecole Nationale des Arts et Techniques de Theatres, honing her skills and finding the French school to be more supportive than its English counterpart. She gained experience playing small roles on-stage and soon went on to do some television work. After an inauspicious debut playing a headstrong heiress in Prince's Under the Cherry Moon (1986), she worked in a number of French films. In 1988, she was given her first lead in an English film, playing a cool-blooded aristocrat in A Handful of Dust.It wasn't until the 1990s that Scott Thomas began to attain recognition outside of Europe. Two years after starring as Hugh Grant's wife in Roman Polanski's Bitter Moon (1992), she came to the attention of an international audience in Four Weddings and a Funeral. Her second outing with Grant, the film was a sleeper hit, becoming the highest-grossing British film in the country's history. Following the film's success, Scott Thomas applied her talents to smaller films, appearing as Alfred Hitchcock's thorny assistant in the French-Canadian Le Confessionnal (1994) and a plain-Jane entomologist who finds herself embroiled in family dysfunction in Angels & Insects (1995). In 1996, the year of The English Patient, Scott Thomas fully stepped into the glare of the international spotlight, earning a Best Actress Oscar nomination for her role in the widely acclaimed film. That same year, she did less-heralded but no less respectable work in Richard III, in which she played the enigmatic Lady Anne, and Mission: Impossible, her first truly big-budget film. With Hollywood now taking full notice, Scott Thomas was cast in a coveted lead role in Robert Redford's 1998 adaptation of Nicholas Evans' The Horse Whisperer. The film proved something of a disappointment, although the actress was praised for her strong performance. The following year, she found herself involved in another high-profile project, starring opposite Harrison Ford in Random Hearts. Playing a woman who discovers that her husband, who died in a plane crash, was having an affair with Ford's wife, who also died in the crash, Scott Thomas again got to demonstrate her ability at embracing roles that went far beyond the confines of the tea-sipping British aristocracy. Subsequent work in Gosford Park and Tell No One kept Thomas busy over the course of the next few years, but it was back-to-back BAFTA nominations in 2009 (I've Loved You So Long) and 2010 (Nowhere Boy) that helped to end the decade on a decidedly positive note for the veteran actress. In 2011, she appeared in Salmon FIshing in the Yemen, and in 2012, played a Frenchwoman seduced by the much younger Robert Pattinson in Bel Ami. The following year, she re-teamed with Ralph Fiennes for The Invisible Woman.

Trivia: Is distantly related to both Jane Austen and Lord Byron. Great-great grandfather was H.H. Asquith, former Prime Minister, making her a second cousin, once removed of Helena Bonham Carter. Left the London Academy of Music and Dramatic Arts when she became pregnant with her daughter Poppy. In 1988, shocked TV hosts Richard and Judy, the audience and ITV bosses when she said the 'f' word while being interviewed. Met cameraman ex-husband Nigel Willoughby while filming for a beer advert in 1993. Met husband Redha Debbah when he was working as a taxi driver and took her to the West End while she was performing in The Real Inspector Hound in 1998. While appearing in an off-Broadway production of Creditors in New York in 2010, became stricken with a case of viral meningitis and had to be rushed to the hospital by the play's director, Alan Rickman. In 2013, won a nomination for a Laurence Olivier Award for Best Actress for her performance in Private Lives. Patron of the London childen's charity, Scene and Heard.

Trivia: Welsh character actor Kenneth Griffith was the archetypal "little man with big ideas" in most of his films. He spent his younger days playing weaklings and cowards then graduated to petty thieves, blackmailers and abusive parents as the character lines increased on his face. Historian William K. Everson has described Griffith as "the English equivalent to Elisha Cook Jr." -- true enough, especially since Griffith's characters, like Cook's, seldom lived long enough to be around at fadeout time. On both stage and screen since his teens, Kenneth Griffith was seen in such films as Love on the Dole (1941), The Shop at Sly Corner (1947) (perhaps his definitive screen appearance, as a lecherous extortionist), I'm All Right Jack (1959), Payroll (1962), The Whisperers (1967), and S.P.Y.S. (1974).

Trivia: With his gaunt handsomeness and infectious Scottish burr, John Hannah made a memorable impression on audiences on both sides of the Atlantic in his role as Simon Callow's lover in Four Weddings and a Funeral. The popularity of his portrayal was a significant feat for the actor, who, prior to the picture, had only appeared in one small film and numerous television shows in the United Kingdom.Born in 1962 in East Kilbride, a small town near Glasgow, Hannah worked as an electrician for four years before getting into acting. After training at a Glasgow drama school, the actor headed to London to find work. After his 1990 debut in a generally unheard of film called Harbour Beat, Hannah found work on television. After his breakthrough role in 1994's Four Weddings, he was able to do more film work, appearing the following year in three films, Madagascar Skin, The Final Cut, and The Innocent Sleep. After work in a few forgettable pictures and the title role on the British TV series McCallum, Hannah got his next significant role in Peter Howitt's 1998 romantic comedy Sliding Doors. The film was a relative success and Hannah netted praise for his work as Gwyneth Paltrow's love interest. The film paved the way for him to appear in his first Hollywood blockbuster, The Mummy (1999), in which he was cast against type as a ne'er do well English fop. Despite rotten reviews, the film scored massively at the box office, helping to ensure further work for the talented, versatile actor. Over the next several years, Hannah would remain active as an actor, appearing on shows like MDs, New Street Law, Spartacus, Vengeance, Spartacus: Gods of the Arena, and Damages.

Trivia: Supporting actor, onscreen from the '50s.

Trivia: A graduate of Oxford, actor Hugh Grant would seem more a natural product of Cambridge University, breeding ground for such comic talents as Monty Python's Flying Circus. Grant's classic good looks make him a shoo-in for romantic leads, but his comic abilities -- marked by a nervous stutter, desperately fluttering eyelids, and an ability to capture a brand of distinctly English embarrassment -- have also marked him as a gifted comic performer. Born in London on September 9, 1960, Grant made his film debut under the very Oxbridge name of Hughie Grant in the Oxford-financed Privileged (1982). He then worked in repertory before forming his own comedy troupe, the Jockeys of Norfolk. Following some television roles, Grant made his first professional film appearance in 1987 with a blink-and-he's-gone part in White Mischief. The same year he did more substantial work, first as Lord Byron in Rowing With the Wind, and then as a sexually conflicted Edwardian in Ismail Merchant and James Ivory's adaptation of E.M. Forster's Maurice. The role won him a Best Actor award at the Venice Film Festival, but despite such acclaim, Grant's next films were largely forgettable affairs. One exception -- albeit a dubious one -- was Ken Russell's The Lair of the White Worm, in which the actor attained some degree of cult status as a lord attempting to foil the murderous charms of a campy, trampy vampire (Amanda Donahoe).Following period work in Impromptu (in which he played a consumptive, bewigged Chopin) and another Merchant-Ivory outing, The Remains of the Day, Grant finally hit it big in 1994 with starring roles in two films, Sirens and Four Weddings and a Funeral. The latter film in particular gave the actor almost overnight transatlantic stardom, landing him on a number of magazine covers and TV talk shows. The following year, Grant gained fame of an entirely different sort when he was arrested for soliciting the services of an L.A. prostitute. The box-office take of his subsequent film, Nine Months, released on the heels of his arrest, was buoyed by his notoriety, as were the ratings of the episode of The Tonight Show which featured Grant's sheepish apology to his then-girlfriend, model/actress Elizabeth Hurley. The actor managed to recoup some of his professional dignity with a restrained performance as Emma Thompson's suitor in the acclaimed Sense and Sensibility, but his next feature, Extreme Measures, a thriller produced by his and Hurley's production company, Simian Films, proved a disappointment. Following this relative failure, Grant receded somewhat from the public consciousness, but reappeared in 1999 with Notting Hill. A commercial as well as relative critical success, the comedy helped to restore some of the actor's luster, further assisted by his roles in the comedies Mickey Blue Eyes (1999) and Woody Allen's Small Time Crooks (2000). After once again charming filmgoers while competing for the affections of Renee Zellweger in Bridget Jones's Diary, Grant took on the role of a playful London lothario who forms a bond with one of his conquests' offspring in the romantic comedy About a Boy. Indeed, the romantic comedy seemed to be simply the most natural fit for the actor, and he found more success in new millennium with returns to this genre in Two Weeks Notice, Love Actually, and the sequel to Bridget Jones's Diary, Bridget Jones: The Edge of Reason.He played a fictionalized version of Simon Cowell in the comedy American Dreamz, and was solid as a washed-up 80's pop star opposite Drew Barrymore in the romantic comedy Music and Lyrics in 2007. His next film, 2009's Did You Hear About the Morgans?, was his last on-screen appearance for nearly three years, when he took on a small role (six small roles, actually) in the Wachowski's Cloud Atlas. In 2015, he had a supporting role in The Man From U.N.C.L.E., but made bigger waves for the role he didn't take: Grant would not appear in the third Bridget Jones films, shocking fans of the series.

Trivia: The product of a profoundly unhappy home life, Andie MacDowell was compelled to make her own way from an early age. The Gaffney, SC, native spent her teenage years working a number of minimum-wage jobs before dropping out of Winthrop College when she was a sophomore in order to become an Elite model. Her innocent, well-scrubbed good looks were not only suited to her job as a cosmetics model, but, in 1984, they won her the role of Jane Porter in Greystoke: The Legend of Tarzan, Lord of the Apes. Unable to overcome her natural Carolina cadence, MacDowell's lines were dubbed by Glenn Close in the film -- the first and last time that audiences were denied the actress' warm, relaxing vocal shadings. Joining the Brat Pack brigade with St. Elmo's Fire (1985), MacDowell just as quickly broke away from it with her riveting performance in sex, lies and videotape (1989); her role as a dissatisfied housewife earned her a number of accolades, and helped to establish her as a "serious" actress.MacDowell's likability enabled her to weather such disasters as Hudson Hawk (1991) and Bad Girls (1994), and allowed her to shine in a number of other films, including Groundhog Day (1993), Short Cuts (1993), and the hit romantic comedy Four Weddings and a Funeral (1994). Although she starred in a series of disappointing films during the late '90s, she remained highly visible, popping up in such movies as Unstrung Heroes (1995), The Muse (1999), and Town and Country (2000). She earned good reviews playing a middle-age woman infatuated with a younger man in Crush, but the film was poorly distributed and little seen. She appeared in a string of direct-to-video efforts including the supernatural thriller The Last Sign opposite Tim Roth. She returned to the multiplexes after landing a major part in the Queen Latifah film Beauty Shop in 2005. The next year she lent her distinct vocal qualities to the 2006 animated film Barnyard, twenty years after having her voice dubbed out of her film debut.In 2010 MacDowell surpised her fans with a villainous turn in the tense low-budget thriller As Good As Dead, which was quickly followed by an appearance as Vi Moore (a role originally played by Diane Wiest) in Craig Brewer's remake of Footloose.

Trivia: While studying art in his native London, John Abbott relaxed between classes by watching rehearsals of a student play. When one of the actors fell ill, Abbott was invited to replace him, and at that point he switched majors. He became a professional actor in 1934, joined the Old Vic in 1936, and made his first film, Mademoiselle Docteur, in 1937; later that same year he made his first BBC television appearance. Turned down for military service during World War II, Abbott joined the Foreign Office, working as a decoder in the British Embassy in Stockholm and working in similar capacities in Russia and Canada. In 1941, he took a vacation in New York, leaving his resumé and photo with various producers, just in case something turned up. On the very last day of his vacation, he was hired for a small role in Josef von Sternberg's The Shanghai Gesture (1941), thus launching the Hollywood phase of his career. Generally cast as a fussy eccentric, Abbott was seen at his very best as whining hypochondriac Frederick Fairlie in Warner Bros.' The Woman in White (1948). He also received at least one bona fide starring role in the 1943 quickie London Blackout Murders. In the late '40s, Abbott began amassing some impressive Broadway credits in such productions as He Who Gets Slapped, Monserrat, and Waltz of the Toreadors. He also appeared in 1950's Auto da Fe, which was specifically written for him by Tennessee Williams. Though still active in films and TV into the 1980s (he played Dr. Frankenstein in the ill-fated 1984 cinemadaptation of Kurt Vonnegut's Slapstick), John Abbott spent most of his twilight years as an acting teacher. Abbott died in a Los Angeles hospital on May 24, 1996, after a prolonged illness.

Trivia: Was adopted by her parents. Trained at the Italia Conti Academy of Theatre Arts, which she began attending as a child. Classmates included Patsy Kensit and Sadie Frost. Appeared in a Julie Andrews Christmas special at age 6. After having her first son, she searched for and found her biological mother, a model from New York who was in London during the 1960s. She also discovered that she has a sister. Diagnosed with breast cancer in 2002, shortly after giving birth to her second child. Supports Breast Cancer Care; ran the 2012 London marathon to raise money for it. Is an ambassador for Save the Children, an organisation that helps children in developing countries.

Trivia: Best known to American audiences as the Black Adder and Mr. Bean, black-haired, bug-eyed, and weak-chinned comedian Rowan Atkinson is one of the most popular funnymen in England whose keen, often black humor and knack for physical comedy has earned him a huge international following. Born in Newcastle, Atkinson was educated at Newcastle University and Oxford. While at the latter, he teamed up with budding screenwriter Richard Curtis to write comedy reviews for the Oxford Playhouse. Shortly thereafter, the two created material for the Edinburgh Fringe. By 1978, Atkinson's humor had earned him a devoted fan base and he was offered leading roles in two British television comedies. Instead, Atkinson chose to get involved in the internationally acclaimed comedy series Not the Nine O'Clock News as a writer and a performer. His performances in the oft-distinguished show earned Atkinson a British Academy Award and got him designated "BBC Personality of the Year" in 1980. His stage performances also continued to significantly increase his popularity. In 1983, he and Curtis created the Black Adder, a cowardly and conniving Tudor Prince named Edmund who tries vainly to become King of England after inadvertently killing his father during a battle. Billed as a "situation tragedy" on the BBC, it ran three seasons and later spawned a couple of specials. Atkinson made his feature-film debut in the 1983 James Bond thriller Never Say Never Again. In the late '80s, he starred in a few films penned by Curtis. It was while they were filming The Tall Guy that Atkinson and Curtis created Mr. Bean, an average British Joe with a clumsy nature and a nasty streak and launched a series. Different from other shows in that it was largely silent, Atkinson's Bean demonstrated a rare gift for slapstick that has led to his being compared to Buster Keaton and Charlie Chaplin. During its six year run, Mr. Bean became the most popular show in the U.K. and has since been shown in 89 countries where it has gained a cult following comparable to Monty Python and Fawlty Towers. Atkinson himself attributes his character's popularity to the fact that the socially awkward, middle-aged Bean's mundane adventures, largely due to his clumsy inability to cope with even the smallest of life's foibles, mirror the feelings and experiences of people the world over. In 1997, Atkinson brought the character to the big screen in Bean. Other notable Atkinson film performances include his voice characterization of Zazu in The Lion King and that of the hilariously inarticulate priest in Four Weddings and a Funeral.Atkinson oversaw an animated television series based on his beloved Mr. Bean character, and then took a cameo part in his longtime collaborator Richard Curtis' directorial debut Love Actually. In 2003 he starred in another international comedy hit, the spy spoof Johnny English, a movie so successful it spawned a sequel in 2011. In addition, Atkinson returned to the well yet again in 2007 with the feature length Mr. Bean's Holiday, which co-starred Willem Dafoe.

Trivia: A respected character actress who is also part of one of Britain's most celebrated show business families, Sophie Thompson has brought life to a bevy of characters on the stage, screen, and television. The daughter of actors Eric Thompson and Phillyda Law, and the younger sister of actress Emma Thompson, Sophie Thompson was born in London in 1962. She began acting at a very young age and had already done TV work by the time she attended the Old Vic Theatre School. Following two seasons with the Old Vic, the actress transferred her talents to the West End for a number of prestigious Shakespearean productions, including Judi Dench's Much Ado About Nothing and Derek Jacobi's Hamlet, as well as countless contemporary works by the likes of Tennessee Williams and Tom Stoppard. Over the course of her stage career, Thompson has earned many honors, most notably two Olivier nominations for Best Supporting Actress for her work in Alan Ayckbourne's Wildest Dreams and Company, and a Clarence Derwent Award for her performance in the former.Onscreen, Thompson has appeared to memorable effect in a variety of films, often stealing the light from her more prominent co-stars. Although she made her film debut in 1982 with an uncredited role as a prostitute in The Missionary, it was not until the 1990s that she began to gain any sort of recognition amongst filmgoers. Thompson did hilarious work in the 1994 hit Four Weddings and a Funeral, playing a bride whose very vocal and energetic wedding night antics cause no end of discomfort for a hapless Hugh Grant. She also provided priceless support in a pair of Jane Austen adaptations, first in Roger Michell's acclaimed 1995 film adaptation of Persuasion, in which she played Mrs. Musgrove, the heroine's disagreeable hypochondriac sister and then in Douglas McGrath's Emma (1996), which saw her play the socially inept Miss Bates. The latter film allowed Thompson to act alongside her mother, who, in no great stretch of casting, portrayed Mrs. Bates, her onscreen mother. Although she has repeatedly demonstrated her comedic ability in a number of films, Thompson is equally well-suited to drama, as she memorably demonstrated in Dancing at Lughnasa (1998), a drama about five close-knit Irish sisters that cast her as a simple-minded and ultimately tragic young woman.

Trivia: Started her acting career with the Cambridge Footlights while studying for her degree in 1990. Won a place at the Royal Academy of Dramatic Art but turned it down in favour of paid acting work. After university, shared a flat with Sue Perkins, Sarah Phelps and Emma Kennedy. Left series 5 of Spooks to have her son Harry, who is named after Harry Pearce, the Spooks character played by Peter Firth.