Trivia: Beefy, muscular leading man Philip Carey entered films in 1951, shortly after his hitch in the Marines was up. Cutting quite a dashing figure in a 19th-century military uniform, Carey was most often cast as an American cavalry officer. In a similar vein, he appeared as Canadian-born Lt. Michael Rhodes on the 1956 TV series Tales of the 77th Bengal Lancers. Curiously, he never appeared in any of director John Ford's cavalry films, though he did co-star in Ford's Mister Roberts (1955) and The Long Gray Line (1955). In 1959, Carey starred in a TV series based on Raymond Chandler's hard-boiled private eye Philip Marlowe. While no one could fault his performance in the role, the Philip Marlowe series survived but a single season. He is best known for his four subsequent TV assignments: as spokesperson for the regionally aired Granny Goose potato chips commercials, as forever-flustered Lt. Parmalee on the comedy Western Laredo (1966-1968), as narrator of the documentary series Untamed World (1968-1975), and, from 1980-2007, as eternally scheming patriarch Asa Buchanan on the daytime soap opera One Life to Live. One of Philip Carey's least typical TV appearances was on a 1971 All in the Family episode, in which he played Archie Bunker's macho-man bar buddy -- who turns out to be a homosexual.

Trivia: An actress since high school, Audrey Totter was by 1939 a well-established radio performer. Signed to an MGM contract in 1945, Totter played brittle, no-nonsense leading ladies and femme fatales in such films as The Postman Always Rings Twice (1946) and Lady in the Lake (1946). During her MGM years, Totter starred in the radio sitcom Meet Millie, but was contractually prevented from appearing in the TV version (she was replaced by Eleana Verdugo). As her film career waned, Totter agreed to sign on as a regular on the 1958 TV Western Cimarron City. In 1962, Audrey Totter co-starred with Stanley Holloway in the weekly sitcom Our Man Higgins; ten years later, she came out of retirement to play a recurring role on still another TV series, Medical Center. Her final acting role was on a 1987 episode of Murder, She Wrote. Totter died in 2013, just days before her 96th birthday.

Trivia: American general-purpose actor Douglas Kennedy attended Deerfield Academy before trying his luck in Hollywood, using both his own name and his studio-imposed name Keith Douglas. He was able to secure contract-player status, first at Paramount and later at Warner Bros. Kennedy's Paramount years weren't what one could call distinguished, consisting mainly of unbilled bits (The Ghost Breakers [1940]) and supporting roles way down the cast list (Northwest Mounted Police [1940]); possibly he was handicapped by his close resemblance to Paramount leading man Fred MacMurray. Warner Bros., which picked up Kennedy after his war service with the OSS and Army Intelligence, gave the actor some better breaks with secondary roles in such A pictures as Nora Prentiss (1947), Dark Passage (1948), and The Adventures of Don Juan (1949). Still, Kennedy did not fill a role as much as he filled the room in the company of bigger stars. Chances are film buffs would have forgotten Kennedy altogether had it not been for his frequent appearances in such horror/fantasy features as Invaders from Mars (1953), The Alligator People (1959) and The Amazing Transparent Man (1960), playing the title role in the latter. Douglas Kennedy gain a modicum of fame and a fan following for his starring role in the well-circulated TV western series Steve Donovan, Western Marshal, which was filmed in 1952 and still posting a profit into the '60s.

Trivia: Miss Jeff Donnell, as she was often billed, was signed by Columbia Pictures almost immediately after her graduation from Yale Drama School. Though likeable and talented enough for leading roles, the toothy, frizzy-haired Ms. Donnell was most often seen as the heroine's best friend or as kooky comedy relief. Columbia certainly kept her busy during her ten-year stay at that studio, casting her in such "A" pictures as My Sister Eileen (1942) and In a Lonely Place (1952) and "B"s like The Boogie Man Will Get You (1942) and Thief of Damascus (1952); she is particularly amusing in the latter film as Scheherezade, garrulously insisting upon telling her Arabian Nights stories to a villainous caliph whether he likes it or not. From 1954 through 1956, Jeff was married to another longtime Columbia contractee, Aldo Ray. On television, Jeff spent four years on The George Gobel Show as Gobel's wife, "Spooky Old Alice." Jeff Donnell's last regular TV work was the recurring role of Sheila Fields on the daytime soap opera General Hospital.

Trivia: Nicknamed "Big Boy" by his friend and frequent coworker Will Rogers, beefy Western star Guinn Williams was the son of a Texas congressman. After attending North Texas State College, Williams played pro baseball and worked as a rodeo rider before heading to Hollywood in his teens to try his luck in films. While he starred in several inexpensive silent and sound Westerns, Williams is better known for his comedy relief work in such films as Private Worlds (1935), A Star Is Born (1937), Professor Beware (1938), and Santa Fe Trail (1940). "Big Boy" Williams is also a familiar name to devotees of Orson Welles; it was Williams who once accosted Welles in a parking lot and cut off the "boy wonder's" necktie.

Trivia: "Everyman" American character actor Ross Elliot established himself on Broadway, served in World War II, returned to the stage, and made his film bow in 1948. Elliot's many movie appearances include minor roles in such science-fiction favorites as Beast From 20,000 Fathoms (1953) and Tarantula (1955). A prolific television performer, Elliot lost count of his video appearances after he passed the one-hundred mark. From 1967 to 1970, Ross Elliot was seen as Sheriff Abbott on the TV western The Virginian.

Trivia: A writer turned actor/director, Mel Welles was one of the most enduring cult figures from '50s exploitation pictures. Born in New York City in 1924, Welles moved into films after careers in clinical psychology, writing, and radio, and also performed in theater and wrestling promotion in Canada. He arrived in Hollywood at just about the time that his services were needed, in the first half of the 1950s -- filmmakers were eager to make movies appealing to teens, and in addition to some skills as an actor, Welles, who had written for jazz satirist Lord Buckley, was a natural both as a performer and writer of "special material" to jazz up the scripts and action of the exploitation pictures being ground out. His most notable work in this area was in the 1958 drug-and-sexploitation classic High School Confidential, directed by Jack Arnold, for which Welles provided two stunningly funny (and effective) parodies of beat poetry and jargon, and also served as the movie's resident expert on marijuana. During this period, Welles -- who was a master of numerous accents and dialects -- appeared in numerous Roger Corman films (Attack of the Crab Monsters, Rock All Night etc.), usually in small roles, and became part of the stock company that included Dick Miller and Jonathan Haze. His most prominent and enduring role for Corman -- and his personal favorite -- was that of Gravis Mushnik in the original 1960 non-musical version of Little Shop Of Horrors. During the '60s, Welles began directing low budget films such as the crime thriller Code of Silence (1960) and the horror film Lady Frankenstein (1972). By the 1980's, Welles had come to appreciate the admiration lavished on his work by his former teenage fans at conventions and in books -- he appreciated the outpourings of approval for his acting, in cult movies that came to be described and categorized as "psychotronic," though he was also somewhat embarrassed by the seriousness with which modern audiences embraced his beat poetry parodies in High School Confidential (and which, much to his puzzlement, recently surfaced on a compact-disc collection of actual Beat poetry). He had also resumed acting in the 1980s, including occasional voice-over work. Welles died of heart failure in 2005, at the age of 81.

Trivia: A graduate of the Nashville Conservatory and the model for U.S. Navy recruiting posters, John Pickard entered films in 1946 following a four-year stint in the navy. Pickard played supporting roles in scores of Westerns and action dramas before reaching stardom as Captain Shank of the U. S. Cavalry on the NBC television Western series Boots and Saddles. Filmed entirely on location at Kanab, UT, the series enjoyed a two-season run (1957-1958) and also featured Gardner McKay as Lieutenant Kelly. Pickard earned a second stab at small-screen stardom in Gunslinger (1961) and played supporting roles in nearly every other popular television drama, from Gunsmoke to Simon and Simon. He was tragically killed by a rampant bull while vacationing on a family farm in his home state of Tennessee.

Trivia: American actor James Flavin was groomed as a leading man when he first arrived in Hollywood in 1932, but he balked at the glamour treatment and was demonstrably resistant to being buried under tons of makeup. Though Flavin would occasionally enjoy a leading role--notably in the 1932 serial The Airmail Mystery, co-starring Flavin's wife Lucille Browne--the actor would devote most of his film career to bit parts. If a film featured a cop, process server, Marine sergeant, circus roustabout, deckhand or political stooge, chances are Jimmy Flavin was playing the role. His distinctive sarcastic line delivery and chiselled Irish features made him instantly recognizable, even if he missed being listed in the cast credits. Larger roles came Flavin's way in King Kong (1933) as Second Mate Briggs; Nightmare Alley (1947), as the circus owner who hires Tyrone Power; and Abbott and Costello Meet the Killer, Boris Karloff (1949), as a long-suffering homicide detective. Since he worked with practically everyone, James Flavin was invaluable in later years as a source of on-set anecdotes for film historians; and because he evidently never stopped working, Flavin and his wife Lucille were able to spend their retirement years in comfort in their lavish, sprawling Hollywood homestead.