Trivia: The son of an opera soprana, he studied drama at Columbia and voice at Juilliard. He began his career as a singer, then did some acting in stock. He moved to Hollywood in 1935, playing leads in a number of Fox musicals by the '40s, often opposite Alice Faye or Betty Grable. Frequently appearing bare-chested, he was very popular with female fans, and for a time he was the top male pin-up. In the '50s, still muscular but no longer boyish, he switched to medium-budget Westerns and action movies. In 1957 he retired from the screen to star in the TV series The Restless Gun and appeared in only two more films. He directed one of his last films, They Ran for Their Lives (1968). He finished his career in a 1973 Broadway revival of the musical Good News, appearing opposite Alice Faye. He became wealthy with shrewd real estate investments in southern California. From 1937-43 he was married to actress Anne Shirley; their daughter is actress Julie Payne. From 1944-50 he was married to actress Gloria DeHaven.

Trivia: Seductive brunette leading lady Faith Domergue never quite made it to the front ranks of Hollywood stardom. Discovered by billionaire Howard Hughes, Faith was given the standard big buildup, achieving above-the-title billing in 1950's Vendetta and Where Danger Lives. Moviegoer response was not favorable, and thereafter Hughes and Domergue parted company. She married director Hugo Fregonese and continued to accept leading roles in adventure and science fiction films; in the latter category, she offered memorably energetic performances in This Island Earth (1955) and The Atomic Man (1956). Still acting into the 1970s, Faith Domergue published a memoir of her early career, 1972's My Life With Howard Hughes.

Trivia: Rugged Canadian-born leading man Rod Cameron entered films as a stunt man and stand-in, doubling for such actors as Fred MacMurray and Buck Jones. His earliest speaking part, in 1939's The Old Maid, ending up on the cutting room floor; within one year, however, he was a busy Paramount contract player, his roles increasing in size with each passing year. After wrapping up his Paramount responsibilities in 1942, Cameron was starred in the Republic serial Secret Service in Darkest Africa (1943). He spent the rest of the 1940s as a western leading man at both Republic and Universal. In 1953, Cameron and producer Richard Irving collaborated on the first of three syndicated television series, City Detective. The 65-episode series was sold to 117 markets, a record at the time, and made more money for Cameron than any of his movie endeavors. The second Cameron/Irving TV project, 1956's State Trooper, was even more successful, clocking in at 104 episodes. Cameron's third syndicated series, Coronado 9, was released in January of 1960. Rod Cameron's last professional years were spent in such potboilers as Evel Knievel (1971), Psychic Killer (1975) and Love and the Midnight Auto Supply (1978).

Trivia: Though he spoke most of his movie dialogue in a slow Western drawl, actor Slim Pickens was a pure-bred California boy. An expert rider from the age of four, Pickens was performing in rodeos at 12. Three years later, he quit school to become a full-time equestrian and bull wrangler, eventually becoming the highest-paid rodeo clown in show business. In films since 1950's Rocky Mountain, Pickens specialized in Westerns (what a surprise), appearing as the comic sidekick of Republic cowboy star Rex Allen. By the end of the 1950s, Pickens had gained so much extra poundage that he practically grew out of his nickname. Generally cast in boisterous comedy roles, Pickens was also an effectively odious villain in 1966's An Eye for an Eye, starting the film off with a jolt by shooting a baby in its crib. In 1963, director Stanley Kubrick handed Pickens his greatest role: honcho bomber pilot "King" Kong in Dr. Strangelove. One of the most unforgettable of all cinematic images is the sight of Pickens straddling a nuclear bomb and "riding" it to its target, whooping and hollering all the way down. Almost as good was Pickens' performance as Harvey Korman's henchman in Mel Brooks' bawdy Western spoof Blazing Saddles (1974). Slim Pickens was also kept busy on television, with numerous guest shots and regular roles in the TV series The Legend of Custer, B.J. and the Bear, and Filthy Rich.

Trivia: Supporting actress Irene Tedrow spent most of her 60-year career on stage, but she also had considerable experience in feature films and on television. Slender and possessing an austere beauty, Tedrow was well suited for the rather prim and moral characters she most often played. After establishing herself on stage in the early '30s, she made her film debut in 1937. She gained fame during the 1940s playing Mrs. Janet Archer in the Meet Corliss Archer film series. She kept the role in the subsequent television series. She played Mrs. Elkins on Dennis the Menace between 1959 and 1963. In 1976, Tedrow earned an Emmy for her performance in Eleanor and Franklin.

Trivia: Leo Gordon cut one of the toughest, meanest, and most memorable figures on the screen of any character actor of his generation -- and he came by some of that tough-guy image naturally, having done time in prison for armed robbery. At 6 feet 2 inches tall, and with muscles to match, Gordon was an implicitly imposing screen presence, and most often played villains, although when he did play someone on the side of the angels he was equally memorable. Early in his adult life, Gordon did, indeed, serve a term at San Quentin for armed robbery; but after his release he studied at the American Academy of Dramatic Arts, and was a working actor by the early 1950's. His first credited screen appearance (as Leo V. Gordon) was on television, in the Hallmark Hall of Fame production of "The Blue And White Lamp", with Frank Albertson and Earl Rowe, in 1952. His early feature film appearances included roles in China Venture (1953) and Gun Fury (1953), the latter marking the start of his long association with westerns, which was solidified with his villainous portrayal in the John Wayne vehicle Hondo (1953). It was in Don Siegel's Riot in Cell Block 11 (1954), which was shot at San Quentin, that a lot of mainstream filmgoers discovered precisely how fearsome Gordon could be, in the role of "Crazy Mike Carnie." One of the most intimidating members of a cast that was overflowing with tough guys (and which used real cons as extras), Gordon's career was made after that. Movie work just exploded for the actor, and he was in dozens of pictures a year over the next few years, as well as working in a lot of better television shows, and he also earned a regular spot in the series Circus Boy, as Hank Miller. More typical, however, was his work in the second episode of the western series Bonanza, "Death on Sun Mountain", in which he played a murderous profiteer in Virginia City's boomtown days. Once in a while, directors triped to tap other sides of his screen persona, as in the western Black Patch (1957). And at the start of the next decade, Gordon got one of his rare (and best) non-villain parts in a movie when Roger Corman cast him in The Intruder (1962), in the role of Sam Griffin, an onlooker who takes it upon himself to break up a race riot in a small southern town torn by court-ordered school integration. But a year later, he was back in his usual villain mold -- and as good as ever at it -- in McLintock!; in one of the most famous scenes of his career, he played the angry homesteader whose attempt to lynch a Native American leads to a head-to-head battle with John Wayne, bringing about an extended fight featuring the whole cast in a huge mud-pit. Gordon was still very busy as an actor and sometime writer well into the 1980's and early 1990's. He played General Omar Bradley in the mini-series War And Remembrance, and made his final screen appearance as Wyatt Earp in the made-for-television vehicle The Adventures of Young Indiana Jones: Hollywood Follies. He passed away in 2000 of natural causes.

Trivia: American-born Anthony Caruso decided early in his showbiz career to cash in on his last name by becoming a singer. Though he enjoyed some success in this field, Caruso had better luck securing acting roles. Typecast as a villain from his first film, Johnny Apollo (1940), onward, he remained a reliable screen menace until the 1980s. Usually cast as an Italian (he was Louis Chiavelli in 1950's The Asphalt Jungle), he has also played his share of Greeks, Spaniards, Slavs, and Indian chiefs. He was occasionally afforded an opportunity to essay sympathetic characters on the various TV religious anthologies of the 1960s and 1970s, notably This Is the Life. In 1976, Anthony Caruso enjoyed one of his biggest and most prominent screen roles in Zebra Force.On April 4, 2003 Anthony Caruso died following an extended illness in Brentwood, CA. He was 86.

Trivia: Character actor, onscreen from 1951.

Trivia: American general purpose actor Howard Negley made his screen bow as Nelson in 20th Century Fox's Smokey. Negley went on to reasonably prominent character parts in such B-pictures as Charlie Chan in the Trap (1947). For the most part, he played nameless bit parts as police captains, politicians, and reporters. Howard Negley was last seen as the Twentieth Century Limited conductor in Hitchcock's North by Northwest (1959).

Trivia: Instantly recognizable to devotees of B-westerns of the 1940s, round-faced, cheery-looking Post Park (born B. Post Park) was almost always seen driving the stagecoach. Although rarely awarded lines, on the rare occasions that he actually spoke audiences were treated to a pleasant midwestern drawl. But more often than not, poor Post Park was silenced by some masked outlaw or other before he could utter a single word. Onscreen from the late '30s, Park appeared in nearly 70 Westerns and a dozen or so serials. He was the stagecoach driver once again in his final (credited) film, 1955's The Tall Saddle.

Trivia: Character actor Hal Smith (born Harold John Smith) cut his acting teeth in various touring road companies. Before serving in the Air Force during World War II, he had amassed impressive credits as a band singer, radio disc jockey, and writer. In the postwar years, he decided to try his luck in Hollywood, although holding down a real-estate job so he'd have a financial cushion between acting jobs. His first recurring TV role was on the vintage sitcom I Married Joan (1952-53). (It was a different actor who appeared in the bit role of Anne Baxter's suitor in O. Henry's Full House [1952].) He spent most of the '50s playing guest stints and providing voice-overs for cartoon characters, and was briefly Hal the Bartender, a commercial spokesman for a popular brand of beer. In 1960, he was signed for the semi-regular role of town drunk Otis Campbell on The Andy Griffith Show, essaying this hilarious (if politically incorrect) characterization with expertise, although he often insisted, "I don't think I've ever really been drunk in my whole life." Since Otis did not appear in every Griffith episode, Smith had time aplenty to free-lance, playing such film roles as a drunken Santa in Billy Wilder's The Apartment (1960) and an effeminate Roman emperor in The Three Stooges Meet Hercules (1962), and supplying voices for such cartoon programs as Davey and Goliath and The Flintstones. By 1962, he was making 50,000 dollars per year, a tidy sum in those days. During the 1970s and '80s, Smith was most closely associated with Disney, replacing the late Vance "Pinto" Colvig as the voice of Goofy and providing voices for series ranging from Winnie the Pooh and Friends to Ducktales. Smith died in 1994.