Trivia: A perpetually haggard character actor with hound-dog eyes and the rare ability to alternate between menace and earnest at a moment's notice, Harry Dean Stanton has proven one of the most enduring and endearing actors of his generation. From his early days riding the range in Gunsmoke and Rawhide to a poignant turn in David Lynch's uncharacteristically sentimental drama The Straight Story, Stanton can always be counted on to turn in a memorable performance no matter how small the role. A West Irvine, KY, native who served in World War II before returning stateside to attend the University of Kentucky, it was while appearing in a college production of Pygmalion that Stanton first began to realize his love for acting. Dropping out of school three years later to move to California and train at the Pasadena Playhouse, Stanton found himself in good company while training alongside such future greats as Gene Hackman and Robert Duvall. A stateside tour with the American Male Chorus and a stint in New York children's theater found Stanton continuing to hone his skills, and after packing his bags for Hollywood shortly thereafter, numerous television roles were quick to follow. Billed Dean Stanton in his early years and often carrying the weight of the screen baddie, Stanton gunned down the best of them in numerous early Westerns before a soulful turn in Cool Hand Luke showed that he was capable of much more. Though a role in The Godfather Part II offered momentary cinematic redemption, it wasn't long before Stanton was back to his old antics in the 1976 Marlon Brando Western The Missouri Breaks. After once again utilizing his musical talents as a country & western singer in The Rose (1979) and meeting a gruesome demise in the sci-fi classic Alien, roles in such popular early '80s efforts as Private Benjamin, Escape From New York, and Christine began to gain Stanton growing recognition among mainstream film audiences; and then a trio of career-defining roles in the mid-'80s proved the windfall that would propel the rest of Stanton's career. Cast as a veteran repo man opposite Emilio Estevez in director Alex Cox's cult classic Repo Man (1984), Stanton's hilarious, invigorated performance perfectly gelled with the offbeat sensibilities of the truly original tale involving punk-rockers, aliens, and a mysteriously omnipresent plate o' shrimp. After sending his sons off into the mountains to fight communists in the jingoistic actioner Red Dawn (also 1984) Stanton essayed what was perhaps his most dramatically demanding role to date in director Wim Wenders' Paris, Texas. Cast as a broken man whose brother attempts to help him remember why he walked out on his family years before, Stanton's devastating performance provided the emotional core to what was perhaps one of the essential films of the 1980s. A subsequent role as Molly Ringwald's character's perpetually unemployed father in 1986's Pretty in Pink, while perhaps not quite as emotionally draining, offered a tender characterization that would forever hold him a place in the hearts of those raised on 1980s cinema. In 1988 Stanton essayed the role of Paul the Apostle in director Martin Scorsese's controversial religious epic The Last Temptation of Christ. By the 1990s Stanton was a widely recognized icon of American cinema, and following memorably quirky roles as an eccentric patriarch in Twister and a desperate private detective in David Lynch's Wild at Heart (both 1990), he settled into memorable roles in such efforts as Against the Wall (1994), Never Talk to Strangers (1995), and the sentimental drama The Mighty (1998). In 1996, Stanton made news when he was pistol whipped by thieves who broke into his home and stole his car (which was eventually returned thanks to a tracking device). Having previously teamed with director Lynch earlier in the decade, fans were delighted at Stanton's poignant performance in 1999's The Straight Story. Still going strong into the new millennium, Stanton could be spotted in such efforts as The Pledge (2001; starring longtime friend and former roommate Jack Nicholson), Sonny (2002), and The Big Bounce (2004). In addition to his acting career, Stanton can often be spotted around Hollywood performing with his band, The Harry Dean Stanton Band.

Trivia: Intending to become a dentist like his father, American actor Edgar Buchanan wound up with grades so bad in college that he was compelled to take an "easy" course to improve his average. Buchanan chose a course in play interpretation, and after listening to a few recitations of Shakespeare he was stagestruck. After completing dental school, Buchanan plied his oral surgery skills in the summertime, devoting the fall, winter and spring months to acting in stock companies and at the Pasadena Playhouse in California. He was given a screen test by Warner Bros. studios in 1940, received several bit roles, then worked himself up to supporting parts upon transferring to Columbia Pictures. Though still comparatively youthful, Buchanan specialized in grizzled old westerners, with a propensity towards villainy or at least larceny. The actor worked at every major studio (and not a few minor ones) over the next few years, still holding onto his dentist's license just in case he needed something to fall back on. Though he preferred movie work to the hurried pace of TV filming, Buchanan was quite busy in television's first decade, costarring with William Boyd on the immensely popular Hopalong Cassidy series, then receiving a starring series of his own, Judge Roy Bean, in 1954. Buchanan became an international success in 1963 thanks to his regular role as the lovably lazy Uncle Joe Carson on the classic sitcom Petticoat Junction, which ran until 1970. After that, the actor experienced a considerably shorter run on the adventure series Cade's County, which starred Buchanan's close friend Glenn Ford. Buchanan's last movie role was in Benji (1974), which reunited him with the titular doggie star, who had first appeared as the family mutt on Petticoat Junction.

Trivia: Best known for playing Donovan on the mid-'70s television series Lou Grant, supporting actor Jack Bannon has only occasionally ventured into feature films. The son of actor Jim Bannon and actress Bea Benaderet, he got his start in the '60s, guest starring on such television series as Rat Patrol.

Trivia: Dark-haired actress Lori Saunders is probably best remembered for her six season (1966-1972) portrayal of Bobbie Jo Bradley on the long-running sitcom Petticoat Junction. But she did appear in feature films, as well, including adventure and horror pictures, usually working under the name Linda Saunders, and even got to play the title-role in one such vehicle during the early/middle 1960s. Born Linda Marie Hines in Kansas City, Missouri in 1941, she began working as Linda Hines on television during the early 1960s, appearing in episodes of The Adventures of Ozzie And Harriet playing various characters. By the time she started showing up on episodes of Burke's Law and Bob Hope's TV specials, she was working as Linda Saunders, and it was under that name that she made her feature film debut in 1965, in The Girls On The Beach. Later that same year, Saunders played the title-role, a sort of distaff Tarzan, raised by wolves in the Alaskan wild, in Mara of the Wilderness, an adventure film that got a fairly wide theatrical release at the time, aimed primarily at younger audiences -- additionally, because it also starred Adam West, the movie was re-released following the premiere of the Batman television series in 1966, and was later shown on network television. By the time that movie had made its initial bow in theaters, however, Saunders had also appeared in a lead role in the Jack Hill/Stephanie Rothman-directed horror film Blood Bath (1966) (aka Track of the Vampire). In the year of that movie's release, however, Saunders redirected her work and career toward comedy, taking over the role of Bobbie Jo Bradley, the cerebral, studious middle daughter in the sitcom Petticoat Junction (and its sister series, Green Acres) from actress Pat Woodell. In contrast to Woodell, who had emphasized the character's braininess, Saunders' portrayal made the character a bit more boy-crazy and charmingly goofy -- one might think of a very young, slightly ditsy Phyllis Kirk -- and during the final season the writers gave her an on-going romantic interest in the guise of game warden Orrin Pike (Jonathan Daly). She also appeared in episodes of The Beverly Hillbillies and Love American Style and, following the cancellation of Petticoat Junction, worked in the comedy western series Dusty's Trail, as well as showing up in various feature films. Saunders retired from acting in the 1980s.

Trivia: The daughter of actors Gene and Kathleen Lockhart, June Lockhart made her own acting bow at age 8. In 1938, the 12-year-old June appeared in her first film, A Christmas Carol (1938), in which her parents portrayed Mr. and Mrs. Bob Cratchit. Few of her ingenue roles of the 1940s were memorable, though Lockhart did get to play the title character in The She-Wolf of London (1945) (never mind that she turned out not to be a she-wolf by fadeout time). In 1958, Lockhart took over from a recalcitrant Cloris Leachman in the role of rural wife and mother Ruth Martin on the long-running TV series Lassie. Though she professed to despise the role, Lockhart remained with the series until 1964, and over 20 years later satirically reprised the character on an episode of It's Garry Shandling's Show. She went on to play the young matriarch of the "space family Robinson" on the Irwin Allen TV endeavor Lost in Space (1965-68), and portrayed a lady doctor on the last two seasons of the bucolic sitcom Petticoat Junction. In deliberate contrast to her TV image, Lockhart enjoyed a bohemian, kick-up-your-heels offscreen existence. At one juncture, she was fired from her co-hosting chores at the Miss USA pageant when it was revealed that (gasp!) she was living with a man much younger than herself. June Lockhart is the mother of Anne Lockhart, a prolific TV actress in her own right.