Trivia: Having caught the theatrical bug early in life, Charles Nelson Reilly studied for his craft at the Herbert Berghof-Uta Hagen studio. While scrounging for acting jobs in the 1950s, Reilly supported himself as an usher, mail clerk and hospital orderly. In 1960 he was cast in a minor role in the Broadway musical Bye Bye Birdie, understudying stars Dick Van Dyke and Paul Lynde. The following year, he played nasty "corporate nephew" Bud Frump in the Pulitzer Prize-winning musical How to Succeed in Business Without Really Trying, a characterization that won him a Tony Award. In 1964, he received the New York Critic's Circle award for his work as juvenile lead Cornelius Hackel in Hello, Dolly. During this period, Reilly showed up in such Manhattan-based TV programs as The Steve Lawrence Show, and also performed a cabaret act with his friend Eileen Brennan. In 1968, he was cast as Cleymore Gregg in the network sitcom The Ghost and Mrs. Muir, a role that typed him ever after in fussy, snippy, sarcastic roles. He went on to appear in the comedy ensemble of the 1970s variety series Dean Martin Presents the Golddiggers; he starred in the Saturday morning kiddie shows Lidsville (1971-74) and Uncle Croc's Block (1975-76); and, along with Richard Dawson and Brett Sommers, he served as a semi-permanent panelist on the long-running quiz show The Match Game and as a staple on the game show The Hollywood Squares, where his flamboyant personality (he typically appeared wearing oversized glasses and a colorful ascot) became an audience favorite. Game shows, however, reportedly downgraded Reilly in the eyes of producers, and made it next to impossible for him to find a healthy amount of work. During the '80s and '90s, Reilly became active in the field of cartoon voiceovers, performing in such animated feature films as All Dogs Go To Heaven (1989), Rock-a-Doodle (1992) and The Troll in Central Park (1993), and in TV cartoons like Smurfs and Spacecats; he also appeared on The Tonight Show with Johnny Carson a record 95 times. On the theatrical scene, Reilly directed the one-person plays Belle of Amherst and Paul Robeson, and staged several operas throughout the U.S. Charles Nelson Reilly was the founder of The Faculty, a Los Angeles-based drama school.In the mid-2000s, Reilly headlined a one-man performance film, The Life of Reilly (2000). As co-directed by Barry Poltermann and Frank Anderson, the picture found the actor-comic sitting before an audience and expostulating at length on his long career in showbusiness, his open homosexuality, and - occasionally - how the two intersected in the early years by making it difficult for him to find work. The picture opened to critical raves but received extremely limited distribution in the U.S. Tragically, it marked Reilly's last major effort, and not one year later, the actor died from complications of pneumonia. He was 76.

Trivia: Born in Arkansas and raised in Memphis and Chicago, American actor Ben Murphy worked his way through college by driving a pie truck. Eventually he'd attend eight colleges, from the University of Illinois to the University of the Americas in Mexico City, where by his own admission his sole interests were acting and womanizing. A stint at the Pasadena Playhouse led to Murphy's first film role, a one line bit in The Graduate (1967). He was signed to a Universal contract in 1967, appearing in several of the studios' series, including as a semiregular hitch on The Name of the Game. When a midseason cancellation on ABC in 1970 required Universal to come up with a quickie replacement, the studio slapped together a derivation of Butch Cassidy and the Sundance Kid titled Alias Smith and Jones, with Ben Murphy and Pete Deuel in the leads. Much was made at the time of Murphy's resemblance to Paul Newman (one of the stars of Butch Cassidy), though everyone involved with Alias Smith and Jones pooh-poohed the idea that Murphy's looks alone won him the part. After Smith and Jones left the air, Murphy tried his luck with feature films, with results ranging from the tolerable to the tepid: Heat Wave (1974), Sidecar Racers (1975) and Time Walker (1982) were typical titles in the Murphy manifest. He periodically returned to television, where work was more satisfying if not more secure. Ben Murphy was a regular on a whole slew of short-lived TV weeklies, including Griff (1973), The Gemini Man (1976) (for which Murphy dropped several pounds and, it is said, his highly abrasive attitude), The Chisholms (1979), The Winds of War (1983), Lottery$ (1984), Berrenger's (1985), and Dirty Dozen: The Series (1988).

Trivia: The only child of a Navy Commander, American actress Celeste Yarnell was given her first name because (as the actress told TV Guide in 1968) her mother thought she was "celestial." Cashing in early on her cool-blonde beauty, Yarnell was the last winner of the Miss Rheingold crown (the contest was sponsored by a New York-based brewery), a fashion model, and a bit actress in the years before she met her future husband, Sheldon Silverstein, at a Hollywood party. Silverstein became her manager and schemed to turn his new client into the next Raquel Welch by squiring her around at the Cannes Film Festival. The result was a slew of magazine cover appearances and the starring role in a British-Spanish "nudie" jungle movie titled Eve (1968), which showed Yarnell's physical attributes, if not her acting skills, to good advantage. She later appeared in Live a Little, Love a Little (1968) opposite Elvis Presley, but the bulk of Yarnell's work in the late '60s was on TV shows like It Takes a Thief, Land of the Giants, and Star Trek. Yarnell never truly got past the "This Year's Blonde" stage, and by the '70s was being featured in blood-spattered horror pictures and Philippine-made adventure quickies. Like many former starlets, Celeste Yarnell left the business for the more financially rewarding -- and less exploitative -- world of real estate.