Trivia: Over-the-top comic actor Kenneth Mars made an unbearably funny screen debut as the ex-Nazi playwright responsible for the smash miss "Springtime for Hitler" in Mel Brooks' The Producers (1968). He was just as exaggerated, though not quite as amusing, as the one-armed police inspector in Brooks' Young Frankenstein (1974). Mars seemingly never held anything back, a trait that was prized by his admirers but caused discomfort among his detractors: reviewing the actor's performance in Peter Bogdanovich's What's Up Doc? (1972), Jay Cocks noted, "As a pompous middle-European intellectual, Kenneth Mars mugs and drools in a manner that Jerry Lewis might find excessive." Still, Mars nearly always delivered the laughs -- especially on TV, where he was a regular on such programs as He and She and The Carol Burnett Show. Another of his screen appearances was as a remonstrative rabbi in Woody Allen's Radio Days (1986). Kenneth Mars has also provided voices for dozens of TV cartoon shows, where he sometimes fell prey to the indignity of having his name spelled Len Mars in the credits.

Trivia: While his name might suggest a birthplace somewhere in France -- or at the very least Quebec -- actor Rene Auberjonois was born in New York City. However, his well-to-do parents were of noble European blood, thus French was the language of choice in his household. Despite his first-born-American status, Auberjonois was shunned by many of his schoolmates as a foreigner, and teased for having a "girl's" name. As a defense mechanism, Auberjonois became the class clown, which somehow led naturally to amateur theatricals. The influence of such neighborhood family friends as Burgess Meredith and Lotte Lenya solidified Auberjonois' determination to make performing his life's work. He was cast in a production at Stratford (Ontario)'s Shakespeare company by John Houseman -- another neighbor of his parents' -- and after moving with his family to England, Auberjonois returned to complete his acting training at Carnegie-Mellon University. There he decided to specialize in character parts rather than leads -- a wise decision, in that he's still at it while some of his handsomer and more charismatic Carnegie-Mellon classmates have fallen by the wayside. Three years with the Arena Stage in Washington, D.C. led Auberjonois to San Francisco's American Conservatory Theatre, of which he was a founding member. Movie and TV work was not as easy to come by, so the actor returned to New York, where he won a Tony for his Broadway role in the musical Coco. An introduction to director Robert Altman led Auberjonois to his first film, M*A*S*H (1970), in which he introduced the character that would later be fleshed out on TV as Father Mulcahy (with William Christopher in the role). He worked in two more Altman films before he and the director began to grow in opposite directions. More stage work and films followed, then TV assignments; Auberjonois' characters ranged from arrogant dress designers to snooty aristocrats to schizophrenic killers on film, while the stage afforded him more richly textured roles in such plays as King Lear and The Good Doctor. In 1981, Auberjonois was cast as Clayton Endicott III, the terminally fussy chief of staff to Governor Gatling on Benson. Like so many other professional twits in so many other films, Auberjonois' job was to make life miserable for the more down-to-earth hero, in this case Robert "Benson" Guillaume. Blessed with one of the most flexible voiceboxes in show business, Auberjonois has spent much of his career providing voice-overs for cartoon characters in animated projects like the Disney's The Little Mermaid, The Legend of Tarzan, Justice League, and Pound Puppies. In 1993, Rene Auberjonois assured himself a permanent place in the hearts of "Trekkies" everywhere when he was cast as Odo (complete with understated but distinctive "alien" makeup) on the weekly syndicated TV show Star Trek: Deep Space Nine, which he appeared on until 1999.Auberjonois would remain extremely active on screen in the years to come, appearing in movies like The Patriot, and on shows like Boston Legal.

Trivia: Though most of Ruth Buzzi's official biographies list her birthplace as Westerly, RI, she herself was fond of claiming that she was born in Wequetequock, CT, perhaps because it sounded funnier. Whatever the case, Buzzi was the daughter of an immigrant Italian stone sculptor who specialized in cemetery monuments. After attending dancing school, 17-year-old Buzzi studied for an acting career at the Pasadena Playhouse. A well-established West Coast character actress by 1959, Buzzi came to Broadway to appear in the short-lived revue Misguided Tour; it was here that she created the first of her many memorable "alter egos," half-witted magician's assistant Shakuntula. It was while playing the woebegone Agnes Gooch in a 1961 stock-company production of Auntie Mame that Buzzi developed the character that would reach full maturity as the whining schlumper Gladys Ormphby. In 1965, she joined the cast of the CBS TV variety series The Entertainers, and that same year provided the voice of Granny Goodwich on the Linus the Lionhearted cartoon weekly. She went to make recurring appearances on That Girl and the 1967 Steve Allen Comedy Hour; and in January of 1968, she began a seven-year hitch on the immensely popular Rowan and Martin's Laugh-In. Together with Laugh-In co-star Arte Johnson, Buzzi provided the voice for her cartoon likeness in the 1977 Saturday morning animated series Baggy Pants and the Nitwits. Under the aegis of Sid and Marty Krofft, Buzzi starred on the weekend kiddie shows Far Out Space Nuts (1975) and The Krofft Supershow (1976). On the big screen, Ruth Buzzi has been seen in such Disney fare as Freaky Friday (1977), The North Avenue Irregulars (1978), and The Apple Dumpling Gang Rides Again (1979).